Here is the best-ever psycho serial killer movie. Peeping Tom was released in 1960, the same year as Psycho. The British film critics didn’t know what to make of a thriller where the protagonist was so disturbing, and they trashed Peeping Tom so badly that its great director Michael Powell (The Life and Death of Colonel Blimp, Stairway to Heaven, Black Narcissus, The Red Shoes) wasn’t able to work again in the UK. But I think Peeping Tom is an overlooked masterpiece and even better than its iconic counterpart Psycho.
Karlheinz Böhm plays a mild-mannered urban recluse who most people find socially awkward, but wouldn’t necessarily suspect to be a serial killer. The very innocent downstairs neighbor (Anna Massey) finds him dreamy and in need of saving – not a good choice.
Two aspects elevate Peeping Tom above the already high standards of Hitchcockian suspense. First, he’s not just a serial killer – he’s also shooting the murders as snuff films. Second, we see the killer watching home movies of his childhood – and we understand that ANYONE with his upbringing would be twisted; he’s a monster who repels us, but we understand him.
Until the last decade, Peeping Tom was unavailable, but you can find it now on DVD from Netflix and streaming from Amazon, iTunes and Google Play. There’s also a Criterion Collection DVD with lots of extra features. HIGHLY RECOMMENDED.
Master documentarian Frederic Wiseman peels back our prejudices and reveals the humanity and beauty – even in Fly-over America – in Monrovia, Indiana. His static camera and patient editing give us unadulterated doses of life in Monrovia, a 1,000-person hamlet amid the cornfields and pig farms of central Indiana. In a 2 hour, 23 minute tour, we visit the barber shop, the high school, pig farm, the grocery store, the coffee shop, the town council, the hair salon, a livestock auction, the liquor store, the grain silo and the town’s annual festival.
Not much happens, except life.
We do see a Masonic Lodge ritual (a first for me) and the entire sermon at a funeral.
This is deeply Red State territory and a land of bad haircuts. But people care about what they do and about each other. Wiseman introduces us to Monrovia as a reflection upon humanity and upon life itself. There has never been a more fascinating documentary about a more boring subject. Surprisingly, this is a mesmerizing film.
What They Had is an authentic and well-crafted dramatic four-hander with Hilary Swank, Michael Shannon, Blythe Danner and Robert Forster.
Quincyis Rashida Jones’ intimate biodoc of her father, that most important and prolific musical figure Quincy Jones.
Museo is a portrait of alienation that plays out in a true life heist, but the alienation is just not that compelling.
If you haven’t caught it yet, you can still find Spike Lee’s true story BlacKkKlansman – very funny and, finally, emotionally powerful.
ON VIDEO
My Stream of the Week is the Norwegian suspense thriller Revenge, one of the world cinema high points of the 2017 Cinequest. Revenge can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.
ON TV
Turner Classic Movies is all-horror, all-the-time this week. But the best is Diabolique from director Henri-Georges Clouzot (often tagged as the French Hitchcock). The headmaster of a provincial boarding school is so cruel, even sadistic, that everyone wants him dead, especially his wife and his mistress. When he goes missing, the police drain the murky pool where the killers dumped the body…and the killers get a big surprise. Now the suspense really starts…
WHAT THEY HAD Blythe Danner and Hilary Swank star as Ruth and Bridget Keller in WHAT THEY HAD, a Bleecker Street release. Photo courtesy of Bleecker Street
In the family drama What They Had, two siblings (Hilary Swank and Michael Shannon) face their mom (Blythe Danner) sinking into Alzheimer’s, and their father (Robert Forster) refusing to take action. To heighten the pressure, the out-of-town daughter wants to give the old folks more slack than does the local son. He’s been dealing with this situation up close, and he’s fed up. The dad is used to always being in charge, and he doesn’t cope well with needing help.
Despite the subject, What They Had is not a depressing movie, mostly because of the sunniness of Danner’s character. This is a character-driven story that benefits from this stellar cast. This is the first feature for writer/director Elizabeth Chomko, and she delivers an authentic and well-crafted story.
In the Norwegian suspense thriller Revenge, the slightly creepy Rebekka (Siren Jørgensen) appears at a hotel on a remote fjord under the false pretense that she is a travel writer. The hotel is otherwise empty because it is off-season (think The Shining). She ingratiates herself with the hotel’s owner Morten, the most economically and socially significant person in town, and his wife (Maria Bock). It turns out that twenty years before, Morten date-raped Rebekka’s little sister, leading to her suicide. Now Rebekka wants to exact vengeance.
Revenge becomes a tick-tock suspenser as Rebekka deliberately lays her trap. We’re able to see some, but not all, of the web that she spins, which will put in jeopardy Morten’s reputation, marriage, business and his very health and survival. Can she pull it off? And how lethal will her revenge be?
It’s the first feature for Kjersti Steinsbø, who adapted the screenplay and directed. She has created a real page-turner here. In one very effective touch, it turns out that one of the characters knows FAR more than we initially suspect.
Anders Baasmo Christian in REVENGE
Revenge is uniformly well-acted, but Anders Baasmo Christian, as Bimbo the bartender, is exceptionally good. Just keep your focus on Bimbo. There’s more there than initially meets the eye. And Bimbo’s relationships with both Rebekka and Morten are very conflicted and complicated.
The ending is satisfying, and Morten’s ultimate fate is unexpected. Revenge was one of the world cinema high points of the 2017 Cinequest. Revenge can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.
The offbeat documentary Rodents of Unusual Size, with its bizarre subject, is charmingly addictive. That subject is the nutria, a 20- to 30-pound Argentine rodent that threatens Louisiana’s wetlands and coastline. Yes, 30-pound swamp rats with orange teeth.
Although Rodents of Unusual Size is decidedly non-preachy, the nutria is serious business. Imported for the commercial potential of its fur by a Tabasco sauce heir, nutria escaped into the Louisiana wilds and propagated wildly. When the US fur market crashed in the 1990s, the locals stopped trapping them, and Louisiana’s nutria population exploded to 20 million.
The problem is that nutria eat the roots of the vegetation in the Louisiana wetlands, causing erosion that has converted at least 42 square miles of land into open water. Worse, those wetlands are the storm buffer for the rest of the state.
Louisiana offers hunters a $5 bounty for the tail of each dead nutria, which has reduced the nutria population to a more manageable 5 million. We even meet a guy whose official job title is Nutria Tail Assessor.
One of the reasons I love Louisiana is that folks just don’t take themselves too seriously there. Even when they are focused on the grave environmental impacts of the nutria invasion, they still appreciate the absurdity of a 30-pound, orange-toothed swamp rat. (And, fittingly, Rodents of Unusual Size is narrated by Louisiana native Wendell Pierce.)
Along the way, we are also introduced to nutria fur and the fur company Righteous Fur, nutria meat, nutria sports mascots and even nutria as pets.
But most compellingly, we meet Thomas Gonzalez, an 80-year-old bayou native, nutria hunter and bon vivant. Gonzalez is a force of nature, complete with strong-willed opinions and some impressive dance moves. Gonzalez serves as the voice of Louisiana and finishes the movie with a profound perspective on the nutria.
I saw Rodents of Unusual Size at Silicon Valley’s Cinema Club with filmmaker Chris Metzler available for Q&A. Metzler and his colleagues Jeff Springer and Quinn Costello filmed Rodents of Unusual Size over four years during Louisiana’s nutria season (November to April). The affable Metzler is a font of nutria knowledge, full of tidbits like albino nutria being prized by taxidermists. Because nutria are very difficult to spot and film in the wild, the filmmakers used Nooty the stunt nutria throughout the film. Nooty joined the filmmakers in creeping along the red carpet at various film festivals and has her own Facebook page.
Thomas Gonzalez alone is worth meeting on film, and, as told by Rodents of Unusual Size, the story of the nutria is quirkily fascinating. This weekend, Rodents of Unusual Size will be opening a new run at theaters in Marin and the East Bay.
The true life Mexican heist film Museo is really a portrait of alienation – and immature alienation at that. It’s about a young middle class guy in a third world country, and he has first wold problems; his prospects are not unlimited, but he’s way better off than his less educated compatriots. So he and his weak-willed buddy pull off an audacious art theft.
Unusually, and perhaps uniquely, among heist films, hardly any time is invested in assembling the team (here it’s the guy and his buddy) or in the heist itself. The guys steal the most famous ancient Mexican artifacts from the National Museum, essentially the heart of the nation’s heritage. The theft becomes a sensation that dominates the national zeitgeist, triggers an all-out manhunt and a political scandal. How could this have happened?
Of course, there can’t possibly be any buyers for such high visibility objects (just like in this year’s other real life slacker heist film American Animals). Most of the film is figuring out what to do next – and good options are non-existent.
The protagonist is played by the fine actor Gael Garcia Bernal. Unfortunately, this character really isn’t that interesting; I think that is because his alienation is based on petulance and not on rage (see the great Jack Nicholson ragingly alienated roles of the 70s).
Museo does a good job of evoking the Mexico City and Acapulco in the mid 1980s. But without the central thrill of a heist, we are left with an unsympathetic protagonist and his predicament, and that’s really not enough for a two-hour movie. I saw Museo at the Mill Valley Film Festival.
The year’s best movies are about to flood the theaters.
OUT NOW
Lady Gaga illuminates Bradley Cooper’s triumphant A Star Is Born. Don’t bring a hankie – bring a whole friggin’ box of Kleenex.
Spike Lee’s true story BlacKkKlansmanis very funny and, finally, emotionally powerful.
The first-rate thriller Searching is more than just a gimmick (it entirely takes place on computer screens) and is filled with authentic Silicon Valley touches.
Jane Fonda herself spills her most intimate secrets in the irresistible HBO biodoc Jane Fonda in Five Acts.
ON VIDEO
My Stream of the Week is the Norwegian suspense thriller Revenge, one of the world cinema high points of the 2017 Cinequest. Revenge can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.
ON TV
On October 22, Turner Classic Movies brings us Beyond a Reasonable Doubt, another film noir from the great Fritz Lang: seeking to discredit capital punishment, a reporter (Dana Andrews) gets himself charged with and CONVICTED of a murder – but then the evidence of his innocence suddenly disappears! Crackerjack (and deeply noir) surprise ending.
Dana Andrews and Joan Fontaine in BEYOND A REASONABLE DOUBT
Let’s start with the subject of the biodoc Quincy, the musician, music producer and musical impresario Quincy Jones. Jones is a giant of 20th Century music, one of the most important and prolific musicians ever. This is an individual who has composed 51 screen scores and over 1000 original compositions. He was the musical partner of Frank Sinatra and Michael Jackson during their most creative periods. Jones produced the best selling album of all time (Thriller) and the best selling single (We Are the World). Along the way, he picked up 79 Grammy noms and 27 Grammys, and is one of only 18 EGOT winners (Emmy, Grammy, Oscar, Tony).
Quincy Jones amassed that legacy though multiple decades and musical genres and broke color barriers throughout his life. That makes wonderful fodder for this biodoc, co-written and co-directed by his daughter Rashida Jones.
Besides the archival footage and talking heads, Rashida Jones is able to share Quincy Jones himself in moments of unusual intimacy, where he contemplates his relationships with his ex-wives, his kids and his vodka, not to mention his schizophrenic mother and workaholic father.
The popular actress Rashida Jones is an accomplished filmmaker. This is the fifth film she has directed, and she co-wrote the unusually intelligent romcom Celeste and Jess Forever.
Spike Lee’s true story BlacKkKlansmanis very funny and, finally, emotionally powerful.
The first-rate thriller Searching is more than just a gimmick (it entirely takes place on computer screens) and is filled with authentic Silicon Valley touches.
Jane Fonda herself spills her most intimate secrets in the irresistible HBO biodoc Jane Fonda in Five Acts.
Crazy Rich Asians is wildly popular for a reason – it’s damn entertaining and probably the year’s most appealing date movie. You’ll laugh, you’ll cry and you’ll wait for the chance to see Awkwafina in her next movie.
ON VIDEO
My Stream of the Week is the alternatively jaw-dropping and visually amazing documentary Brimstone & Glory, about fireworks manufacturing and the National Pyrotechnical Festival in Tultepec, Mexico. Brimstone & Glory can be streamed from Amazon (included with Prime), iTunes and Vudu.
ON TV
On October 14 Turner Classic Movies presents the John Sturges masterpiece Bad Day at Black Rock with Spencer Tracy investigating a disappearance in an especially hostile, racist and sinister town. Besides having Tracy at his best and being a great looking movie, Bad Day at Black Rock is notable for its menacing crew of Bad Guys – Robert Ryan, Ernest Borgnine and Lee Marvin.
Spencer Tracy and Robert Ryan in BAD DAY AT BLACK ROCK
