Stream of the Week: ELENA – a vividly dark peek into contemporary Russia

Nadezhda Markina in ELENA

Elena is a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia. Directed and co-written by Andre Zvyagintsev (The Return, Leviathan and Loveless), Elena is the triumph of drama over melodrama. There is an absolute minimum of on-screen action and no histrionics at all, yet the story simmers throughout. It’s on my list of Best Movies of 2012.

Zvyagintsev builds the story upon his characters. It is set in a tony apartment in a quiet upscale Moscow neighborhood, home of Vladimir and Elena. Vladimir is pushing 70 and rich. I doubt that any softies got rich in post-Soviet Russia, and Vladimir is a hard man, devoid of sentimentality except for his estranged daughter. Late in life, he has married the working class Elena, his one-time nurse, now in her 50s. They have a comfortable, frank, affectionate and practical relationship.

Both have adult children from previous marriages. Vladimir’s daughter Katerina has no use for her father, but he subsidizes her lifestyle of perpetual partying. Vladimir and Katerina finally share a moment, bonding over their shared cynicism.

Elena’s nogoodnik son Sergey lives in a hard scrabble suburb and embraces his chronic unemployment with alarming indolence. His equally lazy and selfish teenage son, having an indifferent high school career, is now facing the dreaded Army unless someone can bribe his way into a college.

Elena is desperate to rescue her grandson from his self-inflicted predicament, but only Vladimir’s money can help, and Vladimir despises Elena’s trashy and shiftless family. The movie is built on this conflict, and it is Elena’s story. As Elena, the actress Nadezhda Markina reveals Elena’s affection, desperation and determination with her eyes, face and movements. Perfectly framing Markina’s outstanding performance by isolating it, Zvyagintsev delivers the film in a series of long shots, with terse dialogue and a spare soundtrack. There is no expository dialogue explaining the plot or swelling music manipulating our reaction.

Elena is a dark movie that asks its audience to invest patience, thought and energy – so it’s not for everybody. Elena is also one of the year’s best films, and an extraordinary example of a very pure breed of filmmaking.  Elena is available to be streamed from Amazon (free with Prime), iTunes and Google Play.

Movies to See Right Now

Beanie Feldstein and Kaitlyn Dever as Amy in BOOKSMART. Photo credit: Francois Duhamel / Annapurna Pictures

The movie that I’m most eager to see is The Farewell; it’s out this weekend, but I’m in an undisclosed location with The Wife – there are Brown Trout but no movie theaters.

I’ve recently updated my Best Movies of 2019 – So Far. Two of the films on the list is in theaters right now.

OUT NOW

  • The Last Black Man in San Francisco is an absorbing exploration of inner lives reacting to a changing city – and it’s one of the best films of the year.
  • The wildly successful comedy Booksmart is an entirely fresh take on the coming of age film, and a high school graduation party romp like you’ve never seen. Directed and written by women, BTW.
  • Mindy Kaling’s very smart, privilege-skewering comedy Late Night stars Emma Thompson (and contains a performance gem by John Lithgow).
  • So you think you know what you’re going to get from a movie titled Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. It is indeed a documentary of a concert tour, but Scorsese adds some fictional flourish, as befits Dylan’s longtime trickster persona.

ON VIDEO

THE GREAT BEAUTY

It’s time for foreign travel, so my Stream of the Week is The Great Beauty, with its stunning imagery, introspection, social criticism, sexual decadence, fine performances, humor and a Rome travelogue – each by itself worth watching the film.  The Great Beauty won the Best Foreign Language Oscar and can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On July 15, Turner Classic Movies will play the 1957 classic Western  3:10 to Yuma.  This may the career-best performance by the underrated Van Heflin, who plays a financially ruined rancher who bets his life for a chance to support his family.  All he has to do is to guard a cruel and resourceful outlaw (Glenn Ford) against rescue attempts by his gang.  Heflin’s rancher is totally outmatched and his only chance comes from his desperation-fueled adrenaline. It’s an edge-of-your-seat countdown until help is scheduled to arrive.  The 2007 remake with Christian Bale and Russell Crowe is very good, too, but Van Heflin reigns supreme.

Van Heflin in 3:10 TO YUMA

Stream of the Week: THE GREAT BEAUTY – decadence, stunning imagery and the beauties of Rome itself

As The Great Beauty (La grande belleza) begins, its protagonist Gep Gambardella is celebrating his 65th birthday in a feverishly hedonistic party. Gep authored a successful novel in his twenties, which has since allowed him the indulgent life of a celebrity journalist, bobbing from party to party among Rome’s shallow rich. Gep is having a helluva time, but now he reflects on the emptiness of his milieu and the superficial accomplishments of his past 40 years. As he alternates introspection and indulgence, we follow him through a series of strikingly beautiful Roman settings. (And, because Gep parties all night, we see lots of gorgeously still Roman dawns.)

The Great Beauty is foremost an extraordinarily beautiful art film. If you’ve been to Rome, you know that it is a generally chaotic city with unexpected islands of solitude. The Great Beauty captures this aspect of the Eternal City better than any other film I’ve seen. On one level, The Great Beauty is very successful Rome porn.

Writer-director Paolo Sorrentino also explores the moral vacuity of the very rich and the party life. It’s the Italy of Silvio Berlusconi, whom Sorrentino blames for enabling a national culture of escapism. These themes, along with the main character and the movie’s structure are of course nearly identical to Fellini’s great La Dolce Vita (1960), but The Great Beauty is more accessible, funnier and a bit more hopeful – and much more of a showcase for the cityscape of Rome. Sorrentino provides plenty of laughs, especially with a gourmet-obsessed cardinal and a cadaverous celebrity nun with a Mephistopheles-looking handler.

It’s hard to imagine an actor better suited to play Gep than Toni Servillo. Servillo perfectly captures both the happiness Gep takes in carnal pleasure and his self-criticism for giving his entire life to it. Servillo’s Gep is brazenly proud of his own cynicism, until we see his humanity breaking through at a funeral. Servillo is even magnificent in wearing Gep’s impressive collection of sports jackets.

There’s so much to The Great Beauty – stunning imagery, introspection, social criticism, sexual decadence, fine performances, humor and a Rome travelogue – each by itself worthwatching the film.  The Great Beauty won the Best Foreign Language Oscar and can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

Mindy Kaling and Emma Thompson in LATE NIGHT

OUT NOW

  • The Last Black Man in San Francisco is an absorbing exploration of inner lives reacting to a changing city – and it’s one of the best films of the year.
  • The wildly successful comedy Booksmart is an entirely fresh take on the coming of age film, and a high school graduation party romp like you’ve never seen. Directed and written by women, BTW.
  • Mindy Kaling’s very smart, privilege-skewering comedy Late Night stars Emma Thompson (and contains a performance gem by John Lithgow).
  • So you think you know what you’re going to get from a movie titled Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. It is indeed a documentary of a concert tour, but Scorsese adds some fictional flourish, as befits Dylan’s longtime trickster persona.
  • The documentary Framing John DeLorean is an incomplete retelling of this modern Icarus fable. If you already know the basics of the DeLorean story, I’d recommend this Car and Driver article instead. Framing John DeLorean is available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

ON VIDEO

My stream of the week, the documentary Project Nim, is the extraordinary story of a chimpanzee that was taught a human language – American Sign Language – by some far less reliable humans. Project Nim can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On July 8, Turner Classic Movies is airing the always entertaining 1946 film noir Gilda. Glenn Ford plays a shady gambler who shows up in exotic Buenos Aires, where he lucks into a job with a casino operator; turns out that his new boss has a gorgeous young wife (Rita Hayworth). The Ford and Hayworth characters shared a past relationship that ended ugly. There are plot twists aplenty, including a faked death, former Nazis running a tungsten cartel, and a love affair that is on-again, off-again and on-again. Glenn Ford’s character spins like a top through sap-hero-jerk-hero. The wonderful actor Joseph Calleia comes brooding through the story. Gilda is almost worthwhile just for the dramatic cinematography of Rudolph Maté (D.O.A.) and for Hayworth’s stunning wardrobe.

Rita Hayworth (and dress) in GILDA

Stream of the Week: PROJECT NIM – a chimp learns the foibles of humans

PROJECT NIM

The documentary Project Nim tells the extraordinary story of a chimpanzee that was taught a human language – American Sign Language.  In a remarkable and compelling journey, the chimp Nim is first placed as a baby with a human hippie family and then at a university-owned country estate and at college laboratories.  Amazingly, he learns to use an ASL vocabulary – not just responding to commands, but initiating communication and forming sentences.  Then, the experiment ends, and he is off to an assortment of post-placements, some terrifying.

Along the way, we hear from the motley assortment of humans involved in his raising, his exploitation and his care. One human who enters the story as a grad student, Bob Ingersoll, emerges as the hero of the story.  It’s the story of a chimp, but we learn more about the foibles of humans.

Acclaimed documentarian James Marsh (Man on Wire) delivers another great story – one of the 2011’s best documentaries.  Project Nim can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

THE LAST BLACK MAN IN SAN FRANCISCO

OUT NOW

  • The Last Black Man in San Francisco is an absorbing exploration of inner lives reacting to a changing city – and it’s one of the best films of the year.
  • The wildly successful comedy Booksmart is an entirely fresh take on the coming of age film, and a high school graduation party romp like you’ve never seen. Directed and written by women, BTW.
  • The Fall of the American Empire is a pointed satire cleverly embedded in the form of a heist film.
  • Rocketman is more of a jukebox musical than a film biography, but it’s wonderfully entertaining.
  • So you think you know what you’re going to get from a movie titled Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. It is indeed a documentary of a concert tour, but Scorsese adds some fictional flourish, as befits Dylan’s longtime trickster persona.
  • Charlize Theron and Seth Rogen are pleasantly entertaining in the improbable Beauty-and-the-Beast romantic comedy Long Shot.
  • The documentary Framing John DeLorean is an incomplete retelling of this modern Icarus fable. If you already know the basics of the DeLorean story, I’d recommend this Car and Driver article instead. Framing John DeLorean is available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

ON VIDEO

For the second straight week, I have the perfect film to kick off the summer – the marvelously entertaining dark comic thriller Headhunters. You can stream Headhunters on Amazon, iTunes, Vudu, YouTube or Google Play.

ON TV

On July 2, Turner Classic Movies is presenting Chandler, the 1971 neo-noir starring Warren Oates as a seedy private detective who gets in over his head. I mention, but don’t dwell on Chandler in my essay Warren Oates: a gift for desperation. Look for film noir icons Charles McGraw and Gloria Grahame in supporting roles.

And on July 3, TCM airs Laura, perhaps my favorite thriller from the noir era, with an unforgettable performance by Clifton Webb as a megalomaniac with one vulnerability – the dazzling beauty of Gene Tierney. The musical theme is unforgettable, too.

Gene Tierney startles Dana Andrews in LAURA

Stream of the Week: HEADHUNTERS – from smoothly confident scoundrel to human piñata

Aksel Hennie in HEADHUNTERS

For the second straight week, I’m recommending the marvelously entaertining Headhunters to kick off your summer. The smug Norwegian corporate headhunter named Roger Brown (don’t ask) explains his motivation at the very beginning of the movie: at 5 feet, 6 inches, his insecurity about keeping his six foot blond wife leads him to cut some corners. As ruthlessly successful as he is in business, he feels the need to also burgle the homes of his clients and steal art treasures. So the dark comedy thriller Headhunters (Hodejegerne) begins like a heist movie. But soon Roger becomes targeted by a client with serious commando skills, unlimited high tech gizmos, and a firm intention to make Roger dead.

Roger Brown is played brilliantly by Aksel Hennie, a huge star in Norway who looks like a cross between Christopher Walken and Peter Lorre. The laughs come from Roger’s comeuppance as he undergoes every conceivable humiliation while trying to survive. As a smoothly confident scoundrel, Roger is at first not that sympathetic, but Hennie turns him into a panicked and terrified Everyman when he becomes a human pinata.

HEADHUNTERS

Headhunters is based on a page-turner by the Scandinavian mystery writer Jo Nesbo. A Hollywood remake of Headhunters is somewhere in development.  In the meantime, stream Headhunters on Amazon, iTunes, Vudu, YouTube or Google Play and have a fun time at the movies.

Movies to See Right Now

THE LAST BLACK MAN IN SAN FRANCISCO

Frameline, the San Francisco International LGBTQ+ Film Festival, is underway; scroll down to see what I’ve written about several Frameline films.

OUT NOW

  • The Last Black Man in San Francisco is an absorbing exploration of inner lives reacting to a changing city – and it’s one of the best films of the year. The link will go live this weekend after I finish my review.
  • The wildly successful comedy Booksmart is an entirely fresh take on the coming of age film, and a high school graduation party romp like you’ve never seen. Directed and written by women, BTW.
  • The Fall of the American Empire is a pointed satire cleverly embedded in the form of a heist film.
  • Rocketman is more of a jukebox musical than a film biography, but it’s wonderfully entertaining.
  • So you think you know what you’re going to get from a movie titled Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. It is indeed a documentary of a concert tour, but Scorsese adds some fictional flourish, as befits Dylan’s longtime trickster persona.
  • Charlize Theron and Seth Rogen are pleasantly entertaining in the improbable Beauty-and-the-Beast romantic comedy Long Shot.
  • The documentary Framing John DeLorean is an incomplete retelling of this modern Icarus fable. If you already know the basics of the DeLorean story, I’d recommend this Car and Driver article instead. Framing John DeLorean is available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

ON VIDEO

I have the perfect film to kick off the summer – the marvelously entertaining dark comic thriller Headhunters. You can stream Headhunters on Amazon, iTunes, Vudu, YouTube or Google Play It’s such a great choice, I’ll reprise it next week, too.

ON TV

Wow, on June 24, Turner Classic Movies will present two classics from the 1970s.  The first is one of the all-time greats of cinema – Martin Scorcese’s Taxi Driver.  It’s a masterpiece exploration of alienation through its searing portrait of loner Travis Bickle, played by an explosive Robert De Niro.  Also the first glimpse of Jodi Foster’s genius.

Then there’s the original Shaft – a low-budget and simplistic film not anywhere in the class of Taxi Driver.  But it is the icon of the Blaxploitation genre and a snapshot of an important moment in our culture.  And – it has one of the best movie theme songs EVER.  I can’t hear it without thinking of songwriter Isaac Hayes accepting his Best Song Oscar in his shirt-of-chains.

Isaac Hayes at the Oscars

Stream of the Week: HEADHUNTERS – from smoothly confident scoundrel to human piñata

Aksel Hennie in HEADHUNTERS

The smug Norwegian corporate headhunter named Roger Brown (don’t ask) explains his motivation at the very beginning of the movie: at 5 feet, 6 inches, his insecurity about keeping his six foot blond wife leads him to cut some corners. As ruthlessly successful as he is in business, he feels the need to also burgle the homes of his clients and steal art treasures. So the dark comedy thriller Headhunters (Hodejegerne) begins like a heist movie. But soon Roger becomes targeted by a client with serious commando skills, unlimited high tech gizmos, and a firm intention to make Roger dead.

Roger Brown is played brilliantly by Aksel Hennie, a huge star in Norway who looks like a cross between Christopher Walken and Peter Lorre. The laughs come from Roger’s comeuppance as he undergoes every conceivable humiliation while trying to survive. As a smoothly confident scoundrel, Roger is at first not that sympathetic, but Hennie turns him into a panicked and terrified Everyman when he becomes a human pinata.

HEADHUNTERS

Headhunters is based on a page-turner by the Scandinavian mystery writer Jo Nesbo. A Hollywood remake of Headhunters is somewhere in development.  In the meantime, stream Headhunters on Amazon, iTunes, Vudu, YouTube or Google Play and have a fun time at the movies.

Movies to See Right Now

Beanie Feldstein and Kaitlyn Dever in BOOKSMART. Credit: Francois Duhamel / Annapurna Pictures

I can recommend Booksmart for fun and smarts and Rocketman for fun. This weekend, there is a wave of movies that I haven’t seen yet, both critically praised (The Last Black Man in San Francisco, Late Night) and popcorn movies (Men In Black: International, Shaft).

OUT NOW

  • The wildly successful comedy Booksmart is an entirely fresh take on the coming of age film, and a high school graduation party romp like you’ve never seen. Directed and written by women, BTW.
  • The Fall of the American Empire is a pointed satire cleverly embedded in the form of a heist film.
  • Rocketman is more of a jukebox musical than a filmbiography, but it’s wonderfully entertaining.
  • So you think you know what you’re going to get from a movie titled Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. It is indeed a documentary of a concert tour, but Scorsese adds some fictional flourish, as befits Dylan’s longtime trickster persona.
  • Charlize Theron and Seth Rogen are pleasantly entertaining in the improbable Beauty-and-the-Beast romantic comedy Long Shot.
  • The documentary Framing John DeLorean is an incomplete retelling of this modern Icarus fable. If you already know the basics of the DeLorean story, I’d recommend this Car and Driver article instead. Framing John DeLorean is available to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

ON VIDEO

My DVD/Stream of the Week is Bay Area writer-director Ryan Coogler’s emotionally powerful debut, Fruitvale Station. Coogler, of course, has become one of the top American filmmakers with Creed and Black Panther (both also with Michael B. Jordan). Fruitvale Station is available on DVD from Netflix and Redbox and streaming from Amazon, Vudu, Google Play and YouTube.

ON TV

On June 20, Turner Classic Movies presents David Lean’s WWII epic The Bridge on the River Kwai.  It’s the stirring story of British troops forced into slave labor at a cruel Japanese POW camp.  The British commander (Alec Guinness, in perhaps his most acclaimed performance) must walk the tightrope between giving his men enough morale to survive and helping the enemy’s war effort.  He has his match in the prison camp commander (Sessue Hayakawa), and these two men from conflicting values systems engage in a duel of wits – for life and death stakes.  William Holden plays an American soldier/scoundrel forced into an assignment that he really, really doesn’t want.  There’s also the stirringly unforgettable whistling version of the Colonel Bogey March. The climax remains one of the greatest hold-your-breath action sequences in cinema, even compared to all the CGI-aided ones in the  62 years since it was filmed.

Sessue Hayakawa in THE BRIDGE OVER THE RIVER KWAI
Alec Guinness in THE BRIDGE OVER THE RIVER KWAI