Weekly Movie Recommendations

Movies to See Right Now

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Adam Driver and Jonathan Pryce in THE MAN WHO KILLED DON QUIXOTE

I’ve been absorbed by the 2019 Cinequest, which runs through Sunday. Here’s my Cinequest preview; I’m recommending the closing movie on Sunday evening – Terry Gilliam’s The Man Who Killed Don Quixote, starring Adam Driver and Jonathan Pryce. Throughout the festival, I link my festival coverage to my Cinequest page, including both features and movie recommendations. Follow me on Twitter for the very latest coverage.

OUT NOW

  • In They Shall Not Grow Old, Lord of the Rings filmmaker Peter Jackson has, for the first time, layered humanity over our understanding of World War I. By slowing down the speed of the jerky WWI film footage and adding sound and color, Jackson has allowed us to relate to the real people in the Great War. This is a generational achievement and a Must See.
  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). It won multiple Oscars. It is streaming now Netflix.
  • Green Book: This is the Oscar winner for Best Picture. Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Vice: in this bitingly funny biopic of Dick Cheney by writer-director Adam McKay (The Big Short), Cheney is played by a physically transformed and unrecognizable Christian Bale. A superb performance, pretty good history, biography from a sharp point of view and a damn entertaining movie.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.

 

ON VIDEO

My stream of the week is the Peruvian psychological drama Magallanes from the 2016 Cinequest. Magallanes can be streamed from iTunes, YouTube and Google Play.

 

ON TV

On March 19, Turner Classic Movies brings us The Best Years of Our Lives. It’s an exceptionally well-crafted, contemporary snapshot of post WW II American society adapting to the challenges of peacetime. Justifiably won seven Oscars. Still a great and moving film.

Harold Russell, Dana Andrews and Frederic Mrch in THE BEST YEARS OF OUR LIVES

Stream of the Week: MAGALLANES – some wrongs cannot be righted

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Magallanes_Still

To honor Cinequest, my stream of the week is a remarkable drama from the 2016 Cinequest. The title character in the Peruvian psychological drama Magallanes is a loser, but is he a lovable loser? Played by Damián Alcázar, Magallanes bounces around from odd job to odd job. He can’t break even driving a borrowed outlaw taxi around the squalid streets of Lima, he lives in a basement hovel and he has one friend. Magallanes glimpses a person from his past, and it rocks him into a series of life-changing events.

Magallanes starts out as a caper movie. But we learn that his one friendship is from his military service in a death squad unit, dispatched to repress the indigenous population with the harshest methods. What this unit did years ago has scarred all the characters (except two snarky cops), and Magallanes is revealed to be a study of PTSD.

What is driving Magallanes’ behavior in this story? We find that he is trying to right a past wrong. But what? And by whom? The revelation in Magallanes is that some wrongs cannot be righted.

Magallanes is a showcase for Mexican actor Alcázar, whom U.S. art house audiences saw in John Sayles’ Men with Guns and as the lead in Herod’s Law. Alcázar makes Magallanes so sympathetic that the movie’s climax is jarring and emotionally powerful.

Magallanes can be streamed from iTunes, YouTube and Google Play.

Movies to See Right Now

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MINE 9

I’m deep into the 2019 Cinequest, running through March 17. Here’s my Cinequest preview; I’m recommending the world premieres of Mine 9 tonight and Saturday for Auggie. Throughout the festival, I link my festival coverage to my Cinequest page, including both features and movie recommendations. Follow me on Twitter for the very latest coverage.

 

OUT NOW

  • In They Shall Not Grow Old, Lord of the Rings filmmaker Peter Jackson has, for the first time, layered humanity over our understanding of World War I. By slowing down the speed of the jerky WWI film footage and adding sound and color, Jackson has allowed us to relate to the real people in the Great War. This is a generational achievement and a Must See.
  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). It won multiple Oscars. It is streaming now Netflix.
  • Green Book: This is the Oscar winner for Best Picture.  Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Vice: in this bitingly funny biopic of Dick Cheney by writer-director Adam McKay (The Big Short), Cheney is played by a physically transformed and unrecognizable Christian Bale. A superb performance, pretty good history, biography from a sharp point of view and a damn entertaining movie.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.

 

ON VIDEO

My Stream of the Week comes from the 2015 Cinequest. The ever-absorbing The Center explores how someone of sound mind and normal disposition can be completely enveloped by a cult. The Center can be streamed from Amazon (included with Prime), Vudu, YouTube and Google Play.

 

ON TV

On March 14 on Turner Classic Movies: The Blue Gardenia presents a 1953 view of date rape, with lecherous Raymond Burr getting Anne Baxter likkered up into a blackout drunk with Polynesian Pearl Divers. There’s a very nice twist on the whodunit: when she wakes up, she doesn’t remember killing him, but he sure is dead. There’s even a cameo performance by Nat King Cole.

THE BLUE GARDENIA
THE BLUE GARDENIA

Stream of the Week: THE CENTER – sliding into a cult

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THE CENTER
THE CENTER

I’m kicking off Cinequest week with a stream from the 2015 festival. The ever-absorbing The Center explores how someone of sound mind and normal disposition can be completely enveloped by a cult. The Center is writer-director Charlie Griak’s first feature, and it’s a very impressive debut.

We meet Ryan (Matt Cici), a talented guy with low self-esteem. He is highly functional and ultra-responsible, but it seems like nobody is in his corner. The first six minutes of this screenplay paint a detailed portrait of a guy who is crapped upon more than Job. No one encourages Ryan to do anything for himself, and he ends each night alone, with a beer and late-night TV. Then someone else shows personal interest in the hang-dog Matt, and he gradually slides into what at first seems the appreciation of his potential, but which is revealed to be a web of exploitation.

The audience recognizes some red flags before Ryan does, but every step in this story is credible – and there isn’t a cliché in sight. The keys to The Center’s success are the crafting of the Ryan character and the believability of the story. Ryan’s journey is compressed into a taut and compelling 72 minutes.

Matt Cici, who is in virtually every shot, is perfect as Ryan – a guy with plenty to offer, but whose lack of self-confidence sets him up for exploitation by everyone else. The acting is strong throughout The Center. Ramon Pabon is especially memorable as a twitchy loser who has been sucked into the cult. With piercing eyes, Judd Einan nails the role of the uberconfident, emotionally bullying cult founder. Annie Einan is excellent as Ryan’s world-weary sister, so burdened by their mother’s care that she can’t be there for Ryan until she spots the crisis in his life.

Just after The Center’s premiere at Cinequest, HBO released documentarian Alex Gibney’s (Taxi to the Dark Side, We Steal Secrets, Client 9, Casino Jack and the United States of Money) expose of Scientology – Going Clear: Scientology and the Prison of Belief. Going Clear will be a big deal, and will beg the question, “How can smart, able people fall into this stuff?”. The Center should become the perfect narrative fiction companion to Going Clear.

One more thing – The Center was shot in St. Paul, Minnesota, a city that I’m not used to seeing in a movie. The Center’s sense of place (a place fresh and unfamiliar to many of us, anyway) adds to its appeal.

With The Center, Charlie Griak has shown himself to be a very promising filmmaking talent and has left a serious professional calling card. I can’t wait to see what he does next.

The Center can be streamed from Amazon (included with Prime), Vudu, YouTube and Google Play.

Movies to See Right Now

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Paula Beer and Franz Rogowski in TRANSIT, playing at Cinequest next Wednesday. Courtesy of Music Box Films

The Oscars are finally over, And I was pretty much OK with the whole shebang – I loved Roma, and I really love Green Book, too. I was and am still grumpy about Rami Malek winning an ACTING Oscar for a performance in which he was often LIP SYNCHING; this was several rungs below Jamie Foxx’ Ray Charles and Joaquin Phoenix’ Johnny Cash; and Bradley Cooper acted as a singer, sang the song himself and even WROTE the song!

Anyway, The Wife and I did enjoy our annual Oscar Dinner, although we had to sub out a Bohemian Rhapsody pub ale because we couldn’t source the novelty teeth in time.

The Movie Gourmet’s Oscar Dinner 2019

Starting this weekend, my coverage of Cinequest will explode on to the Internet. Stay tuned.

OUT NOW

  • In They Shall Not Grow Old, Lord of the Rings filmmaker Peter Jackson has, for the first time, layered humanity over our understanding of World War I. By slowing down the speed of the jerky WWI film footage and adding sound and color, Jackson has allowed us to relate to the real people in the Great War. This is a generational achievement and a Must See.
  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). Won multiple Oscars. It is streaming now on Netflix.
  • Green Book: The Best Picture Oscar winner. Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Vice: in this bitingly funny biopic of Dick Cheney by writer-director Adam McKay (The Big Short), Cheney is played by a physically transformed and unrecognizable Christian Bale. A superb performance, .pretty good history, biography from a sharp point of view and a damn entertaining movie.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.

ON VIDEO

The Hollywood movie Gloria Bell, starring Julianne Moore, is coming to theaters on March 8. Gloria Bell is a remake of the the Chilean gem Gloria. Fortunately, Sebastián Lelio, the original writer-director of Gloria (and A Fantastic Woman) is also directing Gloria Bell. Here’s your chance to see the original.

ON TV

Great movies abound on TV as Turner Classic Movies concludes its 31 Days of Oscar, but here’s a curiosity that I don’t remember ever seeing. On March 2, TCM plays the 1968 astronaut-lost-in-space drama Marooned with Gregory Peck, Richard Crenna and David Jannsen. A 1970 Mexican audience is shown watching Marooned n ALfonso Cuaron’s Roma; it’s a hint that Marooned may have been an influence on Cuaron’s Oscar-winning Gravity.

On March 4, TCM presents John Huston’s under-appreciated Fat City (1972). Stacy Keach plays a boxer on the slide, his skills unraveled by his alcoholism. He inspires a kid (a very young Jeff Bridges), who becomes a boxer on the rise. Keach and Susan Tyrrell give dead-on performances as pathetic, sad sack barflies. Tyrrell was nominated for the Best Supporting Actress Oscar.

Susan Tyrrell in FAT CITY
Stacy Keach and Jeff Bridges in FAT CITY

Stream of the Week: GLORIA -resiliency, thy name is woman

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GLORIA
GLORIA

The Hollywood movie Gloria Bell, starring Julianne Moore, is coming to theaters on March 8. Gloria Bell is a remake of the the Chilean gem Gloria. Fortunately, Sebastián Lelio, the original writer-director of Gloria (and A Fantastic Woman) is also directing Gloria Bell. Here’s your chance to see the original.

In Gloria, we meet a 58-year-old woman who has been divorced for ten years. This ain’t An Unmarried Woman where a woman must learn to adapt and become independent. She supports herself with an office job, and she gets along with her adult kids, but they have their own lives. She doesn’t stay cooped up in her apartment, she tries out yoga and laugh therapy and cruises a certain Santiago disco – a meat market for the over 50 set. She already is plenty independent, and she knows what she wants – some adult companionship and a friendship with benefits.

On one outing to the disco, she meets a distinguished and sweet-tempered gentleman who is a great dancer and who absolutely adores her. Of course, he also has some flaws, to be discovered later. Gloria eagerly embraces the good things that happen to her, and when there are bumps in her road, she refuses to wilt.

Gloria was a big hit at last year’s Berlin Film Festival. Part of Gloria’s appeal to some audiences is, no doubt, an unusual amount of nudity and sex for a film about people in their late 50s and 60s. But I think the best part about Gloria is the resiliency of the main character – she takes her lumps for sure but refuses to withdraw into victimhood.

Paulina Garcia is extraordinarily good as Gloria – her performance carries the movie. She has the ability to suffer an indignity without becoming pathetic. Sergio Hernandez is very, very good as Gloria’s new flame, as is Alejandro Goic as her ex. Gloria is a crowd pleaser.

Movies to See Right Now

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Yalitza Aparicio in ROMA

It’s Oscar weekend, and here’s The Movie Gourmet’s annual Oscar Dinner (with its snarky reference to Bohemian Rhapsody). I also published my curtain raiser for the 2019 Cinequest and my recommendation for Sammy Davis Jr.: I’ve Gotta Be Me on the PBS American Masters series

OUT NOW

  • In They Shall Not Grow Old, Lord of the Rings filmmaker Peter Jackson has, for the first time, layered humanity over our understanding of World War I. By slowing down the speed of the jerky WWI film footage and adding sound and color, Jackson has allowed us to relate to the real people in the Great War. This is a generational achievement and a Must See.
  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). Will win multiple Oscars. It is streaming now Netflix.
  • Green Book: Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Vice: in this bitingly funny biopic of Dick Cheney by writer-director Adam McKay (The Big Short), Cheney is played by a physically transformed and unrecognizable Christian Bale. A superb performance, .pretty good history, biography from a sharp point of view and a damn entertaining movie.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.

ON VIDEO

The great character actor Richard Jenkins was nominated for an Oscar for his supporting role in last year’s Best Picture The Shape of Water, and we should remember that he also got an Oscar nod for his starring turn in the indie drama The Visitor.  The Visitor is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

Turner Classic Movies, in its glorious 31 Days of Oscar series, airs John Huston’s 1949 The Treasure of the Sierra Madre on February 23. It’s still a gripping yarn – three down-and-outers improbably (and literally) strike gold. But can they trust each other enough to realize their gains once envy and greed appear? The Treasure of the Sierra Madre features one of Humphrey Bogart’s most colorful and compelling performances, which is reason enough to watch this classic.

But I also love watching director Huston’s real life father Walter Huston, who is cast as another of the trio. Most of us know Walter Huston, with his Gabby Hayes visage, from this movie, but Walter Huston was a major movie star as cinema moved to the talkies. Just between 1929 and 1939, he starred in thirty films. I love Huston’s work in this era, and I think that, with his very modern sensibility, he would be successful if he were working in today’s cinema. This is a good introduction to his work. (Walter Huston also appeared very briefly in John Huston’s directorial debut The Maltese Falcon – as Captain Jacoby, the guy who staggers into Sam Spade’s office with the titular black bird and expires.)

Walter Huston, Tim Holt and Humphrey Bogart in THE TREASURE OF THE SIERRA MADRE

DVD/Stream of the Week: THE VISITOR – self-isolation no longer

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THE VISITOR
Richard Jenkins in THE VISITOR

The great character actor Richard Jenkins was nominated for an Oscar for his supporting role in last year’s Best Picture The Shape of Water, and we should remember that he also got an Oscar nod for his starring turn in the indie drama The Visitor. Touching on the themes of immigration to the US and the “otherness” of people from the Middle East, it’s especially topical today. Jenkins has the role of his career in The Visitor – a man who deals with loss by isolating himself. He becomes intrigued with an illegal Middle Eastern immigrant, then develops a bond and then reclaims passion into his life.

The Visitor is available on DVD from Netflix and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

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THEY SHALL NOT GROW OLD

There aren’t many MUST SEES out right now, but don’t miss They Shall Not Grow Old. The Wife and I have been catching up on the Oscar nominees and recently saw Black Panther, which is excellent for the super hero genre (faint praise from me). We also caught Bohemian Rhapsody, a perfectly fine movie that has no business being nominated for Best Picture.  I’m looking forward to seeing Green Book again this weekend, this time with The Wife – she’ll love it.

Somehow, more of my family and friends have, despite my advice, seen The Favourite.  One of my friends, a professional filmmaker and opinion leader among cinéastes, liked it; everyone else hated, hated, HATED it.  Really hated it.

OUT NOW

  • In They Shall Not Grow Old, Lord of the Rings filmmaker Peter Jackson has, for the first time, layered humanity over our understanding of World War I. By slowing down the speed of the jerky WWI film footage and adding sound and color, Jackson has allowed us to relate to the real people in the Great War. This is a generational achievement and a Must See.
  • Roma is an exquisite portrait of two enduring women and the masterpiece of Alfonso Cuarón (Gravity, Children of Men and Y Tu Mama Tambien). Will win multiple Oscars. It is streaming now Netflix.
  • Green Book: Tony Lip is a marvelous character, and Viggo Mortensen’s performance is one of the great pleasures of this year in the movies.
  • Vice: in this bitingly funny biopic of Dick Cheney by writer-director Adam McKay (The Big Short), Cheney is played by a physically transformed and unrecognizable Christian Bale. A superb performance, .pretty good history, biography from a sharp point of view and a damn entertaining movie.
  • Stan & Ollie: Steve Coogan as Stan Laurel and John C. Reilly as Oliver Hardy deliver remarkable portraits of a partnership facing the inevitability of showbiz decline.
  • Pawel Pawlikowski’s sweeping romantic tragedy Cold War is not as compelling as his masterpiece Ida.
  • The Favourite: Great performances by three great actresses, sex and political intrigue are not enough; this critically praised film didn’t work for me.

 

ON VIDEO

This week’s Stream of the Week is my pick for 2010’s best film, the Oscar-nominated, searing drama Incendies:  a young man and woman journey from Quebec to the Middle East to uncover family secrets from the Lebanese civil war. You can stream it from Amazon, iTunes, Vudu, YouTube and Google Play.

 

ON TV

This month, Turner Classic Movies  features all Oscar-nominated movies its 31 Days of Oscars, and I recommend Blow-up on February 19. Set in the Mod London of the mid-60s, a fashion photographer (David Hemmings) is living a fun, but shallow, life filled with sports cars, discos and scoring with supermodels (think Jane Birkin, Sarah Miles and Verushka). Then he discovers that his random photograph of a landscape may contain a clue in a murder and meets a mystery woman (Vanessa Redgrave). After taking us into a vivid depiction of the Mod world, director Michelangelo Antonioni brilliantly turns the story into a suspenseful story of spiraling obsession. His L’Avventura, La Notte and L’Eclisse made Antonioni an icon of cinema, but Blow-up is his most accessible and enjoyable masterwork. There’s also a cameo performance by the Jeff Beck/Jimmy Page version of the Yardbirds and a quick sighting of Michael Palin in a nightclub.

BLOW-UP

Stream of the Week: INCENDIES – lives created by violence

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Lubna Azabal in INCENDIES

This searing drama was my pick for 2010’s best film. Upon their mother’s death, a young man and woman learn for the first time of their father and their brother; they journey from Quebec to the Middle East to uncover family secrets. As they bumble around Lebanon, we see the mother’s experience in flashbacks. We learn before they do that their lives were created – literally – by the violence of the Lebanese civil war.

Because the film is anything but stagey, you can’t tell that Canadian director Denis Villaneuve adapted the screenplay from a play. Lubna Azabal, a Belgian actress of Moroccan and Spanish heritage, is brilliant as the mother.

It’s a tough film to watch, with graphic violence against women and children. But the violence is neither gratuitous nor exploitative – it is a civil war, after all, and the theme of the film is the cycle of retribution.

Incendies was nominated for the Best Foreign Language Oscar, but lost out to a much inferior film on the same subject of violence, In a Better Life. You can stream it from Amazon, iTunes, Vudu, YouTube and Google Play.