movie gourmet

PANDEMIC NOIR: too soon?

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Jack Palance in PANIC IN THE STREETS

Is it too soon for pandemic noir? Actually, these two movies from 1950 are about outbreaks and epidemics, not really pandemics. But heroic public health officers are central in both, just like in today’s COVID-19 pandemic. Both Panic in the Streets and The Killer that Stalked New York are among my Overlooked Noir.

First, there’s irector Elia Kazan’s noirish thriller Panic in the Streets This Kazan’s OTHER movie set in a gritty waterfront, and he shot it on location in New Orleans. In his screen debut, Jack Palance plays a hoodlum who commits a murder and unknowingly becomes infected with pneumonic plague. Richard Widmark plays the public health expert who is trying to prevent an epidemic by tracking down Patient Zero (Palance) without causing a panic in the city. Of course, the cops are trying to solve the murder, and the man hunt for the murderer will lead them to the same target. Jack Palance was nothing if not intense, and he brings the right combination of vicious thuggery and escalating desperation to his performance.

Evelyn Keyes in THE KILLER THAT STALKED NEW YORK

You might have difficulty imagining a movie procedural of Public Health officers quelling an epidemic being described as “lurid”, but then there’s The Killer that Stalked New York.  The star is Evelyn Keyes, who plays Sheila, a Typhoid Mary of smallpox.  Sheila has made a very bad choice in boyfriends – a guy for whom she has taken one fall already and is now helping with a delivery of stolen jewelry.  She’s on the run from the cops until she can deliver the loot – and bad boyfriend (Charles Korvin) wants that loot right away, too.  And she’s not feeling well…

Sheila has smallpox, so she’s zipping furtively around NYC infecting people.  So the Public Health Department is also tracking her down as Patent Zero.  The Killer that Stalked New York is about these two overlaid ticking bombs – the jewelry caper and the smallpox – all while Sheila is getting sicker and sicker.  Fortunately, a dreamy Public Health doc (William Bishop) is drawn to save her.

Evelyn Keyes is the best thing about the movie, although she has to play a pretty overwrought role.  And she is made up to look worse and worse in the course of the plot, getting really sweaty and finally sporting pustules.

Visit my posts on Panic in the Streets and The Killer that Stalked New York for more discussion, images and a trailer. The Killer That Stalked New York has played on Turner Classic Movies. It’s not currently available to stream, but the DVD is available to purchase. The better movie, Panic in the Streets, plays frequently on Turner Classic Movies and can be streamed from iTunes, Vudu, YouTube and Google Play.

Richard Widmark and Paul Douglas in PANIC IN THE STREETS

From SFFILM: ROJO – bobbing in a sea of moral relativism

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Benjamin Naishtat’s ROJO. Courtesy of SFFILM.

The San Francisco International Film Festival (SFFILM) was set to open tomorrow before it was cancelled for the COVID-19 emergency, so in tribute, here’s a film from SFFILM’s 2019 program.

Rojo is Argentine writer-director Benjamín Naishtat’s slow burn drama.  Rojo is set just before the 1970s coup that some characters expect – but no one is anticipating how long and bloody the coup will be.  Several vignettes are woven together into a tapestry of pre-coup moral malaise.

A prominent provincial lawyer Claudio (Darío Grandinetti) is invited to participate in a scam. There’s a scary encounter of lethal restaurant rage. It looks like Claudio, bobbing on a sea of moral relativism, may well remained unscathed, but the arrival of crack detective becomes a grave threat.

As Claudio weaves through his life, his society shows signs of crumbling. There’s a failed teen seduction, an emotional breakdown at a formal reception and a natural metaphor – a solar eclipse.

It’s funny when the audience finally connects the dots and understands who the character nicknamed “the Hippie” is. And Naishtat and Grandinetti get the most out of the scene where Claudio finally dons a toupee.

We know something that the characters don’t know – or at least fully grasp – how bloody the coup will be. Watch for the several references to desaparecido, a foreboding of the coup. Argentina’s coup was known for the desaparecidos – the disappeared – thousands of the regime’s political opponents went missing without a trace, having been executed by death squads. In Rojo, a very inconvenient madman dies and his body is hidden, there’s a disappearing act in a magic show, and a would-be boyfriend vanishes.

This is a moody, atmospheric film that works as a slow-burn thriller. I saw Rojo earlier a year agoat the San Francisco International Film Festival (SFFILM). Rojo made my list of 10 Overlooked Movies of 2019. Stream from Amazon, iTunes and Vudu.

THE WHISTLERS: walking a tightrope of treachery

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Catrinel Marlon and Vlad Ivanov in THE WHISTLERS

In the absorbing crime thriller The Whistlers, Cristi (Vlad Ivanov) is a shady Romanian cop who is lured into a dangerous plot by the rapturously sexy Gilda (Catrinel Marlon) and the promise of a fortune. A lethal Spanish mafia is planning a Perfect Crime to recover the loot stolen by Gilda and her Romanian partner, Zsolt. Only Zslot knows where the treasure is, and he’s been jailed by Cristi’s colleagues. To beat the omnipresent surveillance of Romanian state security, Cristi is sent to La Gomera, an island in the Spanish Canary Islands to learn a whistling language.

A whistling language? Indeed, residents of La Gomera can communicate by whistling in code. The language is called Silbo Gomera and it was already being used in ancient Roman times. The whistling can be heard for up to two miles, which allows the locals to communicate across the impassable ravines on the mountainous island.

The plan to spring Zsolt depends on Cristi learning Silbo Gomera and then implementing an intricate plan in which nothing can go wrong. Even if the plan goes right, Cristi and Gilda run the very real risk of being killed by the pitiless Spanish mafia or by the corrupt and unaccountable Romanian cops. Cristi and Gilda are walking a tightrope of treachery.

Vlad Ivanov in THE WHISTLERS

The Whistlers is written and directed by Corneliu Porumboiu, who is a master of the deadpan. Two of his earlier films became art house hits in the US, 12:08 East of Bucharest and Police, Adjective. Both of those films explored fundamental corruption in Romanian society as a legacy of the communist era..

Cristi is played by Romanian actor Vlad Ivanov. Ivanov is best known for the Romanian masterpiece 4 Days, 3 Weeks and 2 Days, in which he played one of cinema’s most repellent characters – Mr. Bebe, the sexual harassing abortionist. American audiences have also seen Ivanov’s performances in Police, Adjective and Snowpiercer.

Ivanov excels in playing Everyman piñatas, which serves him well in The Whistlers. Ivanov delivered a tour de force in the 2019 Cinequest film Hier, as a man more and more consumed by puzzles, and increasingly perplexed, dogged, battered and exhausted.

For The Whistlers to work, Catrinel Marlon must make Gilda quick-thinking and gutsy, and she pulls it off. She is very good, as is Rodica Lazar as Cristi’s coldly ruthless boss Magda.

This is a Romanian film with dialogue in Romanian, English, Spanish and, of course, whistling. The Whistlers, a top notch crime thriller, can be streamed from Amazon, Vudu, YouTube and Google Play.

BE NATURAL: THE UNTOLD STORY OF ALICE GUY-BLACHE: every cinephile should know this

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The documentary Be Natural: The Untold Story of Alice Guy-Blache pulls us out of ignorance about one of the most important pioneers of cinema. Alice Guy was one of the first movie directors, one of the first producers and one of the first studio heads. She was one of the inventors of movie comedy, use of color, special effects and a host of other aspects of filmmaking that we take for granted today. She worked in all three centers of early filmmaking – Paris, Fort Lee, New Jersey and Hollywood. And she was a woman.

Alice Guy had been almost erased from history precisely because – and only because – she was a woman. But if we don’t know about Alice Guy, we are as ignorant as if we didn’t know about the Lumieres and D.W. Griffith. This is essential movie history.

Fortunately, more and more of her films are being rediscovered – found, properly credited and preserved. At the bottom of this post, you can watch one of her films, The Consequences of Feminism. I didn’t even know that the word “feminism” was extant 114 years ago, but the film still has #MeToo topicality. It’s a withering parody of gender roles and male entitlement. In the film, men and women have taken each others’ conventional gender roles. Men perform the thankless household drudgery while the women smoke, drink and play pool. Throughout, the women are outrageously sexually harassing the men, kind of like Mad Men in reverse. Of course, the men finally rebel at all the mistreatment.

Be Natural: The Untold Story of Alice Guy-Blache is currently free on WATCH TCM and can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.

Here’s the entire seven minute film from 1906: The Consequences of Feminism:

Movies to See Right Now (at home)

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THE WILD GOOSE LAKE

Here are more Shelter In Place movie recommendations – you can watch them all at home.

ON VIDEO

More of an art movie than a neo-noir crime thriller, The Wild Goose Lake is a beautifully shot fable from China’s underworld. You can support San Francisco’s Roxie Theater by buying a ticket to stream The Wild Goose Lake from the Roxie Virtual Cinema.

The intriguing documentary Recorder: The Marion Stokes Project tells how and why a woman’s obsession turned into an essential and irreplaceable video archive of 30 years worth of American broadcasting and society. Recorder: The Marion Stokes Project is streamable on Amazon, iTunes, Vudu, YouTube and Google Play.

Buck is a documentary about real-life horse whisperer Buck Brannaman, an exceedingly grounded and gentle man who knows everything about horse behavior.  But the movie is more about human behavior, about the disturbing crucible that formed Buck, and about what we can learn about people from their handling of horses. You can rent Buck from Amazon, YouTube and Google Play or buy it from iTunes.

Other recent streaming recommendations:

ON TV

On April 7, Turner Classic Movies airs the innovative film noir He Walked By Night, completed by an uncredited Anthony Mann.  Inspired by a true life story, the LAPD goes on a man hunt for a highly skilled wacko played by Richard Basehart, with his bland good looks (but maniacal eyes).  It’s a police procedural elevated by the great cinematography of John Alton, especially the sewer escape chase (right up there with the one in The Third Man). Look for film noir veteran Whit Bissell is perhaps his shadiest role. As a bonus, Jack Webb of Dragnet fame plays a CSI with a decidedly unsafe but cool way to confirm that a substance is really nitroglycerine.

HE WALKED BY NIGHT

RECORDER: THE MARION STOKES PROJECT: it seemed crazy at the time…

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. Marion Stokes in RECORDER: THE MARION STOKES PROJECT, directed by Matt Wolf. Photo credit: Eileen Emond and courtesy of Zeitgeist Films.

The excellent documentary Recorder: The Marion Stokes Project, is about an eccentric woman who did something that seemed crazy, but turned out to be be important. For over 30 years, 24 hours per day, on multiple channels, Marion Stokes everything that was on TV – local news, commercials, network shows – the whole enchilada. She left a collection of 70,000 videotapes, Recorder explains the How and the Why.

It turns out that, before digital technology, TV stations did not preserve what they broadcast. So, what Stokes compiled is essential and irreplaceable – a unique archive of broadcasting and of American culture as it has been reflected by television.

Now, this was – and had to be – the project of an obsessive. Stokes’ son sagely observes that the difference between collecting and hoarding is the perceived value of the objects.

Stokes was one of those people whose cause was so important to them that it is prioritized above, for example, family relationships. I found the testimony from Stokes’ household staff – essentially her chosen family – most insightful and touching.

It’s a fascinating story. Stokes was that rare radical activist who both understood the power of media and had the financial means of recording and storing all of these broadcasts. She was an early adopter (her first tapings were on Betamax!), and became an Apple enthusiast.

Director Matt Wolf unspools this story perfectly. He is the son of Cinequest documentary screener Sandy Wolf; in this recent profile of Sandy, I also highlight Matt Wolf’s career (scroll down).

Recorder: The Marion Stokes Project is streamable on Amazon, iTunes, Vudu, YouTube and Google Play.

THE WILD GOOSE LAKE: vivid nights in the underworld

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THE WILD GOOSE LAKE. Photo courtesy of Film Movement.

In the atmospheric neo-noir The Wild Goose Lake, Zenong Zhou (Ge Hu) is a small time hood who unintentionally kills a cop. He goes on the run in a downscale lakeside resort known as a lawless no mans zone. Not only is he hunted by hundreds of police, the local criminal gangs are chasing him, too, to collect the price on his head. A mysterious woman, Aiai Liu (Lun-mei Kwei), shows up and purports that she has been sent by his gang to help him escape.

As the double crosses mount, and Aiai Liu confesses that she has really been assigned to betray him, we wonder if she will. The two of them slink around the resort area, trying to lay low, until the gangs and the police converge for a climactic scene just before the satisfying epilogue.

THE WILD GOOSE LAKE. Photo courtesy of Film Movement.

Director Yi’nan Dian has delivered a beautifully and inventively shot film. We first see the femme fatale thru a plastic umbrella. Much of the action is at night, and the colors in those nighttime scenes are vivid, even sometimes breathtaking. I especially liked a brief shot of the locals line dancing with glow-in-the-dark shoes.

Visually, The Wild Goose Lake reminded me of Long Day’s Journey into Night, a Chinese film that made my Best Movies of 2019 along with Ash Is Purest White. Overall, The Wild Goose Lake‘s screenplay and performances keep it from being as good as those films, but its cinematography by Jingsong Dong matches up.

Liao Fan (Ash is Purest White) plays the cop commanding the man hunt. Fan doesn’t have much to do for most of the film except to calmly issue orders, but we’re glad he’s around for the final scene.

Even before the hunters close in on their prey, The Wild Goose Lake contains some very effective set pieces, including an in-service training for gang members on how to steal motorbikes and then a contest billed as the “Olympic games of theft“.

More of an art movie than a crime thriller, The Wild Goose Lake is a beautifully shot fable from China’s underworld. You can support San Francisco’s Roxie Theater by buying a ticket to stream The Wild Goose Lake from the Roxie Virtual Cinema.

BUCK: the man inside the horseman

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Buck Brannaman in BUCK

Buck is a documentary about real-life horse whisperer Buck Brannaman, an exceedingly grounded and gentle man who knows everything about horse behavior.  But the movie is more about human behavior, about the disturbing crucible that formed Buck, and about what we can learn about people from their handling of horses.

Fortunately, Director Cindy Meehl realized that she had a great story and got out of the way.  The understated guitar-based score never becomes melodramatic.  And Meehl never lets the admiring talking heads elevate Buck to more than what he is, which is remarkable enough.  This movie could have easily been painfully corny or pretentious and is neither.  I’d happily view it again today.

Buck’s own background is so nasty that it would totally unremarkable for him to have emerged mean or emotionally crippled – and he is the farthest from either.  With some help from loving people, Buck has chosen to become something different from his apparent fate.  In this way, Buck could be a companion piece to Mike Leigh’s Another Year.

Buck was shortlisted for the Best Documentary Oscar. You can rent Buck from Amazon, YouTube and Google Play or buy it from iTunes.

Movies to See Right Now

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Fred Rogers in WON’T YOU BE MY NEIGHBOR?

Here’s a new set of shelter-in-place recommendations to stream or watch on TV.

ON VIDEO

The surprising fierceness underlying Mr. Rogers’ gentle affect is the subject of the emotionally satisfying fictional narrative A Beautiful Day in the Neighborhood and the even better biodoc Won’t You Be My Neighbor? Streaming Won’t You Be My Neighbor? is included with subscriptions to HBO and DirecTV, and the stream can be purchased for $14.99 from all major streaming platforms. A Beautiful Day in the Neighborhood is available to stream from all the usual outlets; I paid Amazon $2.99. Have a box of Kleenex handy.

Rosamund Pike in GONE GIRL

2014’s best Hollywood movie was the marvelously entertaining Gone Girl, Rosamund Pike shines in David Fincher’s gripping study of psychopathy. It’s now available to stream on Amazon, iTunes, Vudu, YouTube, Google Play and Redbox.

ON TV

On April 1, Turner Classic Movies will present a host of films from the great Akira Kurosawa. Since we tend to think first of Kurusawa’s historic samurai classics, I am recommending his noir-stained contemporary crime films Drunken Angel, Stray Dog and High and Low. TCM is presenting them with seven other Kurosawa films. Kurosawa and actor Toshiro Mifune team up in all three of these decidedly non-samurai stories.

  • Drunken Angel (1948) was Kurusawa’s first major film and his first with Mifune, two years before their first samurai masterpiece Rashomon. Mifune plays a young Yazuka hood, who works with some very bad people, so there are some double crosses and a suitable dark ending.
  • In the police procedural Stray Dog (1949), Mifune plays a detective tracking down a gun that was used in a crime. The trail leads through Tokyo’s gritty underworld during a heat wave and even into a sold-out pro baseball game.
  • My favorite of these three is the 1963 neo-noir pressure cooker High and Low, with Mifune as the CEO of a major shoe manufacturer. In an attempt to kidnap his son, the crooks accidentally grab his chauffeur’s son. The CEO still wants to ransom the kid, but the price is ruinous, and all of this is happening as the CEO is being targeted himself for corporate backstabbing.
Toshiro Mifune (center) in HIGH AND LOW

REMEMBRANCE

The prolific actor Stuart Whitman has died. Strikingly manly and relatable, Whitman also had the gift of imbuing strong-and-silent characters with emotional texture. Indeed, he was nominated for the Best Actor Oscar for a 1961 film that I haven’t seen – The Mark, in which he played a guy seeking a normal life after being imprisoned for attempted child molestation. I remember Whitman for his performances in The Longest Day and the offbeat Convicts 4. He would not wish to be remembered for the giant carnivorous rabbit chiller Night of the Lepus.

Stuart Whitman

GONE GIRL: 2014’s best Hollywood movie

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Rosamund Pike in GONE GIRL

In the marvelously entertaining Gone Girl, Ben Affleck plays Nick, a good-looking lug who can turn a phrase. At a party one night, he’s on his A game, and he snags the beautiful Amy (Rosamund Pike). She’s smarter, a good rung on the ladder more attractive than he is, has parents with some money and is a second-hand celebrity to boot. Not particularly gifted and certainly not a striver, he knows he’s the Lucky One. He has married above himself, but he doesn’t have a clue HOW MUCH above until she suddenly disappears.

Based on the enormously popular novel by Gillian Flynn (who also wrote the screenplay), Gone Girl is the mystery of what has happened to Amy and what is Nick’s role in the disappearance. Plot twists abound, but you won’t get any spoilers from The Movie Gourmet.

This is Rosamund Pike’s movie.  Her appearance is so elegant – she looks like a crystal champagne flute with blonde hair – that pulling her out of the Victorian period romances that she was known for and into this thriller was inspired. And Pike responds with the performance of her career. She’s just brilliant as she makes us realize that there’s something behind her eyes that we hadn’t anticipated, and then keeps us watching what she is thinking throughout the story.

Gone Girl is directed by the contemporary master David Fincher (Fight Club, Se7en, Zodiac, The Social Network, The Girl with the Dragon Tattoo). Here, Fincher has successfully chosen to rely on Flynn’s page turner of a story and the compelling characters, so Gone Girl is the least flashy of his films, but one of the most accessible. I’ll say this for Fincher – I can’t remember a more perfectly cast movie.

Kim Dickens (Treme, Deadwood) is superb as the investigating detective – this time almost unrecognizable as a brunette. Tyler Perry is wonderfully fun as a crafty celebrity attorney. The previously unheralded Carrie Coon is excellent as Nick’s twin sister (she’s gone on to cash in on the Avengers franchise). Missi Pyle does such a good job as a despicable cable TV personality that I thought I was actually watching a despicable cable TV personality. And David Clennon and (especially) Lisa Banes positively gleam as Amy’s parents. (Carefully observe every behavior by the parents in this movie.)

Just like the thug in The Guard who forgets whether he had been diagnosed in prison as a sociopath or a psychopath, I had the ask The Wife, who turned me on to this passage from Psychology Today. It’s useful to read this because, although you don’t realize it for forty-five minutes or so, Gone Girl is also a study of psychopathy.

Psychopaths … are unable to form emotional attachments or feel real empathy with others, although they often have disarming or even charming personalities. Psychopaths are very manipulative and can easily gain people’s trust. They learn to mimic emotions, despite their inability to actually feel them, and will appear normal to unsuspecting people. Psychopaths are often well educated and hold steady jobs. Some are so good at manipulation and mimicry that they have families and other long-term relationships without those around them ever suspecting their true nature.

When committing crimes, psychopaths carefully plan out every detail in advance and often have contingency plans in place. Unlike their sociopathic counterparts, psychopathic criminals are cool, calm, and meticulous. Their crimes, whether violent or non-violent, will be highly organized and generally offer few clues for authorities to pursue. Intelligent psychopaths make excellent white-collar criminals and “con artists” due to their calm and charismatic natures.

Gillian Flynn changed the story’s ending for the movie. The Wife, who is a big fan of the novel, didn’t mind. Gone Girl is recommended for both those who have and have not read the book. I understand that there’s more humor in the movie, as we occasionally laugh at the extremity of the behavior of one of the characters.

It all adds up into a remarkably fun movie and one that I was still mulling over days later. Gone Girl was the best big Hollywood studio movie of 2014 (not counting releases from the prestige distribution arms of the major studios). It’s now available to stream on Amazon, iTunes, Vudu, YouTube, Google Play and Redbox.