The best of the 2024 SLO Film Fest

June Squibb and Fred Hechinger appear in THELMA by Josh Margolin. Courtesy of Sundance Institute | photo by David Bolen.

The 2024 SLO Film Fest has opened. I’ve screened over a dozen of the features, and here are four that you shouldn’t miss:

  • Thelma: The closing night film is a hoot, starring 93-year-old June Squibb (Oscar-nominated for Nebraska) in an action picture. Squibb plays a scammed senior who goes on a quest to recover her money from the scammers. Thelma is a lot more than a broad geezer comedy, and the relationship between Thelma and her foundering, Gen X grandson (Fred Hechinger) is very heartfelt. Squibb and Hechinger are both great, and Thelma also features indie favorite Parker Posey and the sweet final performance of Richard Roundtree (Shaft). It’s a surefire audience-pleaser, and I predict that Thelma will become a word-of-mouth hit when released in late June. See it first at the SLO Film Fest.
  • Chasing Chasing Amy: In this irresistible documentary, filmmaker Sav Rodgers tells his own highly personal story of finding sanctuary in a romantic comedy that ultimately spurs a both a filmmaking career and his transition to trans man. Rodgers weaves in parallel tracks, the origin story of the 1997 movie Chasing Amy, and thoughtful discussion of how that film, after 25 years of cultural evolution, has aged. We learn that Kevin Smith modeled the novelty of a straight man and a lesbian as inseparable soulmates after his real life friends; the core of Chasing Amy is a love affair sabotaged by the guy’s insecurities, mirroring Smith’s own less-than-two-year relationship with Joey Lauren Adams, who plays the titular character. Rodgers meets Smith himself, who becomes a mentor, and we get current on-camera interviews with Smith, Adams and other principals. Along the way, Rodgers matures from a gushing fan girl to a grownup who recognizes the personal flaws that complicate other people’s relationships. Chasing Chasing Amy seamlessly braids together the fictional love story in Chasing Amy with the stories of real life relationships, including his own.
  • Tokyo Cowboy: This charming dramedy centers on a Japanese corporate turnaround artist, Hideki (Arata Iura). Confident that he has the secret sauce to recharge any stagnant brand, he’s got a slick pitch deck (with a snapshot from his own childhood), and he’s engaged to the corporate vice-president he reports to. His company is about to liquidate a money-hemorrhaging cattle ranch in Montana, when he parachutes in for a quick fix. His Japanese beef consultant goes hilariously native, and Hideki, a smart guy, immediately sees that his idea for a quick fix was mistaken. Now unsettled and off the grid in an alien culture, Hideki recalibrates his values and his life goals. It’s the first narrative feature for director Marc Marriott, who, with cinematographer Oscar Ignacio Jiménez, creates a Big Sky setting that could reset any of us in need of self-discovery.
  • Riding Giants: Monday, April 29: The movie at the SLO Film Fest’s very first Surf Nite was this 2004 surf doc. Riding Giants focuses on the obsessive search for the best wave by some of the greatest surfers in history. We see “the biggest wave ever ridden” and then a monster that could be bigger.  The movie traces the discovery of the Half Moon Bay surf spot Mavericks.  And more and more, all wonderfully shot. IMO, Riding Giants ranks with Dana Brown’s Step into Liquid as the greatest surf documentary ever. Riding Giants was directed by Stacy Peralta, a surfer, a pioneer of modern skateboarding, and a founder of the Powell Peralta skateboard product company. Peralta, who also directed Dogtown and Z-boys, will attend the screening. Fittingly, Riding Giants screens at the Bay in Morro Bay – only one mile from the surf lanes at Morro Rock.

Here’s the trailer for Chasing Chasing Amy.

Surf and Skate at SLO Film Fest

DOGTOWN AND Z-BOYS

This year’s San Luis Obispo International Film Festival, opening April 23, presents the richest Skate/Surf program that I’ve ever seen at a mainstream film festival. Here are the highlights.

  • Friday, April 26: The always popular Surf Night featuring Trilogy: New Wave. Expect the Fremont to be packed again with surfers enjoying drinks in the lobby and the Riff Tide surf band before the screening. The documentary Trilogy: New Wave profiles three emerging pro stars on the world tour as they travel together to some of the world’s top surf destinations. The young guys are engaging and the audience will be stoked by the cinematography.
  • Sunday, April 28: The award-winning 2001 skateboard documentary Dogtown and Z-boys with the 2023 short 4DWN. The director of Dogtown and Z-boys, filmmaker and skateboard icon Stacy Peralta will attend; a surfer and one of the pioneers of modern skateboarding, and a founder of the Powell Peralta skateboard product company, Peralta also wrote the 2005 Lords of Dogtown. Beforehand, the audience can enjoy custom skateboard designs, with live-screen printing of these custom designs by the San Luis Obispo High School Advanced Graphic Design class.
  • Monday, April 29: The movie at the SLO Film Fest’s very first Surf Nite was the 2004 surf doc Riding Giants, also directed by Stacy Peralta. Riding Giants focuses on the obsessive search for the best wave by some of the greatest surfers in history. We see “the biggest wave ever ridden” and then a monster that could be bigger.  The movie traces the discovery of the Half Moon Bay surf spot Mavericks.  And more and more, all wonderfully shot. Fittingly, Riding Giants screens at the Bay in Morro Bay – only one mile from the surf lanes at Morro Rock. IMO, Riding Giants ranks with Dana Brown’s Step into Liquid as the greatest surf documentary ever.
RIDING GIANTS

Other skate/surf films include:

  • the seminal 1978 skateboard film Skateboard.
  • the 2024 documentary Art and Life: The Story of Jim Phillips, chronicling the most important figure ever in skateboard art (most famously the Screaming Hand and the Santa Cruz Red Dot). Phillips is a very sympathetic guy with an interesting personal journey. It’s well-sourced deep dive into skateboard art, skateboard manufacturing, surfing art and rock poster art, and almost everything happens just up the coast in Santa Cruz.

The entire surf and skate program at SLO Film Fest shreds. Here’s a clip from for Riding Giants:

First Look at the 2024 SLO Film Fest

June Squibb and Fred Hechinger appear in THELMA by Josh Margolin. Courtesy of Sundance Institute | photo by David Bolen.

The 2024 SLO Film Fest opens on April 25 and celebrates its 30th festival, bringing its characteristic mix of aspirational cinema and sheer fun to California’s Central Coast. This year’s program will be presented at the Fremont, Palm and Downtown Centre in San Luis Obispo, and the Bay in Morro Bay. An encore week will play at at Paso Robles’ Park Cinemas May 1-5. There will also be a Virtual Encore for selected titles, also May 1-5.

Here are festival highlights:

  • The closing night film is a hoot – Thelma, starring 93-year-old June Squibb (Oscar-nominated for Nebraska) in an action picture. Squibb plays a scammed senior who goes on a quest to recover her money from the scammers. . I’ve seen it, and it’s a surefire audience-pleaser. Thelma also features indie favorite Parker Posey and the sweet final performance of Richard Roundtree (Shaft).
  • The opening night film is the family dramedy Ghostlight, also a Sundance hit, with the filmmakers in attendance.
  • The always popular Surf Night featuring Trilogy: New Wave. Expect the Fremont to be packed again with surfers enjoying drinks in the lobby and the Riff Tide surf band before the screening. The documentary Trilogy: New Wave profiles three emerging pro stars on the world tour as they travel together to some of the world’s top surf destinations. The young guys are engaging, and the audience will be stoked by the cinematography.
  • Surf night is only one part of the richest Skate/Surf program that I’ve ever seen at a mainstream film festival (and I’ll be writing more about it this week). Filmmaker and skateboard icon Stacy Peralta will attend the SLO Film Fest, which features two of his films, Dogtown and Z-boys and Riding Giants.
  • Actress/director Heather Graham will appear to receive an award, and present her new film Chosen Family.
  • A screening of Camera, filmed in Morro Bay, with appearances by star Beau Bridges and director Jay Silverman,
  • A 45th anniversary screening of the zombie classic Dawn of the Dead.
  • Audience favorites that reflect the 30 years of SLO Film Fest, including Double Indemnity, Big Night, Muriel’s Wedding, and Priscilla, Queen of the Desert.
  • I haven’t seen this Canadian horror comedy, but it has my favorite title in the fest: Humanist Vampire Seeking Consenting Suicidal Person.

There’s plenty more, with features, workshops and six programs of shorts. I’m screening my way through the program, and will post my MUST SEE recommendations before the fest opens. Peruse the program and get your tickets at SLO Film Fest.

OUR FATHER, THE DEVIL: can revenge extinguish trauma?

Photo caption: Babetida Sadjo in OUR FATHER, THE DEVIL. Courtesy of Cinedigm.

In the gripping drama Our Father, the Devil, an African immigrant in France is rocked when an African priest shows up in her workplace – and he could actually be the savage warlord who traumatized her in her homeland.

Marie (Babetida Sadjo) is the head chef at an elder care facility in a French mountain town. We see that Marie is talented, competent and kind. There are hints of trauma in her past – a hair trigger reaction to a possible threat, a scar on her back.

The new priest (Souleymane Sy Savane) shows up, and Marie fixes on his voice before she sees him and, before we see his face, she has positively identified him as the young commander from decades before. We wonder how she can be so certain, although that is later revealed.

Our Father, the Devil makes for a riveting character study of Marie that becomes a thriller when Marie gets extreme. We learn more and more about the back story – it’s not just her own victimization that has traumatized Marie. Does violence traumatize the perpetrators as well as the victims? And Our Father, the Devil ultimately poses this question – can revenge extinguish trauma?

Our Father, the Devil is the first feature for Cameroon-born, American writer-director Ellie Foumbi, and she’s both an impressive director and screenwriter.

Babetida Sadjo delivers a compelling performance as Marie, built on the intensity of her gaze and her extraordinarily expressive eyes.

Souleymane Sy Savane, so good in 2008 as the sympathetic, relatable lead in Ramin Bahrani’s fine Goodbye Solo, brings texture and depth to the priest – and his own evolving view of his past.

Our Father, the Devil benefits from interesting and filled-out minor characters – Marie’s dying mentor Jeanne Guyot (Martine Amisse), her cheeky best friend Nadia (Jennifer Tchiakpe), her love interest Arnaud (Franck Saurel), and even her stressed-out boss Sabine (Maelle Genet). There’s not a two-dimensional character or a poor performance in the lot.

Our Father, the Devil has been nominated for an Independent Spirit Award and has won the best picture award at over13 film festivals. I saw Our Father, the Devil at the SLO Film Fest in April, where it also won the jury award for Best Narrative Feature, and it’s now streaming from AppleTV, Vudu, YouTube and redbox.

SCRAPPER: a funny film about loss, connection and second chances

Photo caption: Harris Dickinson and Lola Campbell in Charlotte Regan’s SCRAPPER. Courtesy of Kino Lorber.

In the delightful coming of age dramedy Scrapper, Georgie, a precocious 12-year-old girl, thinks that she is independently living her best life, until the unexpected appearance of the dad she hasn’t known.

In her first feature, British writer-director Charlotte Regan has created a deliciously charming character, played to roguish perfection by Lola Campbell. Streetwise and mischievous, Georgie is able to outsmart the adults who might be expected to be providing more effective oversight.

Regan gradually reveals why Georgie is living alone, and the back story of her family. The screenplay, about loss, connection and second chances, is brimming with humanity.

Harris Dickinson (Triangle of Sadness) is very good as the dad.

Scrapper won the Grand Jury Prize for World Cinema/Dramatic at Sundance. I screened Scrapper for the SLO Film Fest, where it was my favorite film. Scrapper is playing Cinequest tonight, and opening in theaters this weekend.

RODEO: roller coaster on two wheels

Photo caption: Julie Ledru in RODEO. Courtesy of Music Box Films.

In the ever-kinetic Rodeo, a remarkably fierce young woman invites herself into a crew of dirt riders. Rodeo is set with remarkable verisimilitude in a subculture of young bikers from France’s hardscrabble immigrant communities. It’s an edgy scene, and Julia (newcomer Julie Ledru) penetrates it only because she’s a little scary herself.

Julia is a force of nature, and she is able to back off guys with an explosive hostility. When she is ready to adopt a dangerous new passion on two wheels, no one can stand in her way. Off she rides, on a journey with life-and-death stakes.

Rodeo is the first feature for French director Lola Quivoron, who is the real star of this roller coaster of a movie. If she wants to, Quivoron will be making big Hollywood action films like The Fast and the Furious.

Rodeo won the Un Certain Regard coup de coeur prize at Cannes, and I screened it for the SLO Film Fest. Rodeo is now available to stream from Amazon, Apple TV and Vudu.

BLACKBERRY: woulda, coulda, shoulda

Photo caption: Jay Baruchal in BLACKBERRY. Courtesy of IFC Films.

BlackBerry is the funny true story of Canadian geeks who find themselves suddenly dominating the nascent smartphone market…but not for long. The improbable rise of BlackBerry’s parent company is a tale of the Odd Couple partnership co-CEOs, Mike Lazaridis (Jay Baruchal), who ran the engineering side, and Jim Balsillie (Glenn Howerton), who managed finance and sales.

Mike Lazaridis solved the technical challenge that had kept cell phones from becoming the email machines that they have been since. As played by Baruchal, Lazaridis is reserved, even shy, supremely confident in all things tech and not all confidant with other humans.

Lazaridis needed a pitchman, and that was the hard charging Balsillie, who, as played by Howerton ranged between hard-charging and abusive. A tech exec I knew in Silicon Valley was described to me as having “too much testosterone” and that’s Howerton’s Balsillie.

Lazaridis’ engineering brilliance, combined with Balsillie’s sheer will and audacity, allowed the company to nimbly pivot through various product cycles. Balsillie’s hubris even began to leak into Lazaridis. But then came an advance in product design that Lazaridis hadn’t anticipated, and Balsillie had cut one too many corners in finance.

I’ve mostly seen Baruchal in much more broadly funny roles (Tropic Thunder, This Is the End). Here, Baruchal successfully carries the leading role with a much more subtle and textured performance. One nice (and slyly underplayed) touch is that when Baruchal’s character transitions from the CEO of a start-up to the CEO of a company with a massive market cap, his haircut transitions, too.

For much of the movie, we see Howerton playing Balsillie as a one-note, hard charger. He refuses to acknowledge any obstacle, until, in a wonderful moment of performance, his face shows when knows he’s finally been had.

BlackBerry was directed by Matt Johnson, who also co-adapted the screenplay and plays one of company co-founders.

Make sure you watch the end credits to see what happened to the real guys.

I screened BlackBerry for the San Luis Obispo Film Festival, where it won the audience award for Best of Fest. BlackBerry opens in theaters tomorrow, and it’s a surefire audience-pleaser.