The absorbing Scottish romantic drama Falling into Place begins on the Isle of Skye when two visiting London creatives meet outside a rowdy pub and flirt. Kira (Aylin Tezel), a theater set designer, is on holiday. Ian (Chris Fulton), a musician, has grown up on Skye and intends to shoehorn in an infrequent visit with his family. Kira is trying to get beyond a recent breakup, while Ian’s relationship is in its final throes.
When Kira hears that Ian has a girlfriend, she puts in the brakes, but she’s drawn enough to Ian that she accompanies him as he faces some family drama. Then, Kira and Ian return separately to London. The audience soon wants these two to get and stay together, but they’ll need to get past some trauma in Ian’s family, his current romantic entanglement, Kyra’s feelings for her ex, an attractive boss with his eyes on Kira and some bad timing.
Utterly devoid of the tropes in conventional movie romances, Falling into Place is profoundly authentic. This is the first feature for German-born writer/director Aylin Tezel (who also stars as Kira), and it’s a very strong and promising debut. As a director, she paces Falling into Place perfectly, keeping us eagerly engaged as the threads if Kira and Ian meet and part and meet again. She is especially adept directing the scenes in the Isle of Skye bar and the London art gallery opening, with lots of moving bodies and ambient sound. But it’s Tezel’s screenplay, without a single false note, that really soars.
I screened Falling Into Place for its US premiere at Cinequest.
