Cinequest: SWEDEN’S COOLEST NATIONAL TEAM

SWEDEN'S COOLEST NATIONAL TEAM
SWEDEN’S COOLEST NATIONAL TEAM

The winning Nerd Olympics documentary Sweden’s Coolest National Team brings us into a world that I didn’t know existed – international competition in memory sport. That subject is the first factor that elevates Sweden’s Coolest National Team above the familiar arc of the sports movie. We see people who can remember the exact order of a shuffled deck of cards, seemingly endless strings of binary numbers, even entire dictionaries. (The current world record for memorizing the order of a shuffled deck of cards is 21.19 seconds.) It is a jaw-dropping exhibition.

We meet the sport’s founder and several world champs, and we do end up at the World Memory Championship.  Along the way, we see the universal aspects of competition – the pressure to perform, the rookie’s overconfidence, comeuppance for both the brash rookie and the complacent old champ. One competitor’s sister phones their parents to report “he got crushed”.

But what makes Sweden’s Coolest National Team so engaging is that its subjects are so fascinating.  As one might expect, the competitors don’t seem particularly athletic and many are downright geeky. Several of the past world and Swedish champions are remarkably devoted to the sport and amazingly generous in helping younger memory sportsmen. Then there is the smug yuppie who dresses like he is giving a TED Talk and seeks to mold the sport into something that he can monetize.

And it has plenty of slyly funny moments – just as our yuppie complains about a former champ making the sport look like it’s just for oddballs, the old geek wanders through a competition with an alarming case of Plumber’s Butt.

The film’s epilogue notes that one of the subjects won the World Championship in 2013. He repeated his win in 2014.

Sweden’s Coolest National Team, which flies past the audience in a just-right 58 minutes, will have its North American premiere at Cinequest on February 25 and play again on February 27 and March 1, all at Camera 12.

Cinequest: THE CENTER

THE CENTER
THE CENTER

The ever-absorbing The Center explores how someone of sound mind and normal disposition can be completely enveloped by a cult.  The Center is writer-director Charlie Griak’s first feature, and it’s a very impressive debut.

We meet Ryan (Matt Cici), a talented guy with low self-esteem.  He is highly functional and ultra-responsible, but it seems like nobody is in his corner.  The first six minutes of this screenplay paint a detailed portrait of a guy who is crapped upon more than Job.  No one encourages Ryan to do anything for himself, and he ends each night alone, with a beer and late-night TV.  Then someone else shows personal interest in the hang-dog Matt, and he gradually slides into what at first seems the appreciation of his potential, but which is revealed to be a web of exploitation.

The audience recognizes some red flags before Ryan does, but every step in this story is credible – and there isn’t a cliché in sight.  The keys to The Center’s success are the crafting of the Ryan character and the believability of the story.  Ryan’s journey is compressed into a taut and compelling 72 minutes.

Matt Cici, who is in virtually every shot, is perfect as Ryan – a guy with plenty to offer, but whose lack of self-confidence sets him up for exploitation by everyone else.  The acting is strong throughout The Center.  Ramon Pabon is especially memorable as a twitchy loser who has been sucked into the cult.  With piercing eyes, Judd Einan nails the role of the uberconfident, emotionally bullying cult founder.  Annie Einan is excellent as Ryan’s world-weary sister, so burdened by their mother’s care that she can’t be there for Ryan until she spots the crisis in his life.

This spring, HBO will premiere documentarian Alex Gibney’s (Taxi to the Dark Side, We Steal Secrets, Client 9, Casino Jack and the United States of Money) expose of Scientology – Going Clear: Scientology and the Prison of BeliefGoing Clear will be a big deal, and will beg the question, “How can smart, able people fall into this stuff?”.  The Center should become the perfect narrative fiction companion to Going Clear.

One more thing – The Center was shot in St. Paul, Minnesota, a city that I’m not used to seeing in a movie.  The Center’s sense of place (a place fresh and unfamiliar to many of us, anyway) adds to its appeal.

With The Center, Charlie Griak has shown himself to be a very promising filmmaking talent and has left a serious professional calling card.  I can’t wait to see what he does next.

Cinequest will host the world premiere of The Center on February 27, and it will play again on March 1 and March 3, all in Camera 12.

DVD/Stream of the Week: DOSE OF REALITY from Cinequest 2013

Fairuza Balk, Ryan Merriman (rear) and Rick Ravanello in DOSE OF REALITY
Fairuza Balk, Ryan Merriman (rear) and Rick Ravanello in DOSE OF REALITY

To celebrate the beginning of Cinequest 2015, my weekly DVD/Stream is one of the hits of Cinequest 2013 – the American indie thriller Dose of Reality. Dose of Reality star Rick Ravanello also has the lead in Withdrawal, a short playing Cinequest 2015 in the BARCO Escape 1 Short Program on March 1, 7 and 8.

Dose of Reality packs wire-to-wire intensity and a surprise ending that no one will see coming. A woman is found in a bar’s restroom after closing time, apparently beaten and raped, but unable to remember by whom. Two bar employees are the only possible suspects. Both deny it, and the woman launches a series of searing mind games to determine her attacker.

Fairuza Balk (American History X, Almost Famous) commands the screen as the woman. Her character, starting from a place of utter victimization, becomes totally dominant over the men. The most interesting of the guys is played by veteran TV actor Rick Ravanello, (106 acting credits on IMDb). Ravanello’s eyes have an uncommon capacity to credibly take the character through dimness, cunning, tweaked impairment, guilt and terror.

It’s a plenty compelling movie for the first 75 minutes, but Dose of Reality is all about the Big Surprise at the end – which is a shocker on the scale of The Crying Game. Afterward, I was able to reflect back and identify at least four clues in the story, but every one of the 250 audience members at Dose of Reality’s Cinequest world premiere was rocked by the surprise on first viewing. Actor Ravanello recounts that when he first read the script, he got to the end and blurted “No Fucking Way!”. Writer-director Christopher Glatis has a real winner in Dose of Reality.

Dose of Reality is available on DVD from Netflix and streaming on Amazon Instant Video, iTunes, Vudu, YouTube, GooglePlay and some other VOD outlets.

Cinequest: ASPIE SEEKS LOVE

ASPIE SEEKS LOVE
ASPIE SEEKS LOVE

In documentarian Julie Sokolow’s suprisingly moving Aspie Seeks Love, we meet a geeky guy named David Matthews, and we can immediately tell that he has really bad social skills. He’s initially off-putting – he has a robotic speaking voice, he’s bringing up the wrong conversational subjects and any woman he meets can safely be predicted to run, run, run away. Then we learn that David (now age 47) was diagnosed with Asberger’s at 41. (Aspie is a self-descriptive term used by some folks with Asperger’s syndrome.)

David is determined to overcome his Asberger’s and find love. We follow David with his support group, his therapist and even along on some dates. We’re with him when he’s hanging around a pool table with three Aspie buddies; they’re talking about how difficult it is to navigate courtship rituals when you don’t have the ability to pick up cues – for example, whether a woman is ENCOURAGING or DISCOURAGING an escalation in physical contact. I really felt for these guys – non-verbal communication while dating can be hard enough to decipher without the handicap of an autism spectrum disorder. It’s heartbreaking that David spent 41 years (before his diagnosis) with people thinking that he was just a weirdo.

Small talk is a challenge, too. David says, “I’m a vegan”, which draws some interest. But he doesn’t understand why you shouldn’t follow that up with “It makes my body smell clean”.

Despite his disorder, David is really smart, artistic, and enjoys an ever present sarcastic sense of humor. I’m no softy, but I found myself really rooting for this guy. Okay – so he’s socially awkward, but he’s employed and stable, lives in his own house, is about to become a published author, is impeccably clean, doesn’t smoke drink or do drugs, has no criminal record – he must be right for SOME WOMAN out there. I live in Silicon Valley among engineers and David really isn’t THAT socially inept by comparison.

Possibly because David doesn’t really GET awkwardness, writer-director Julie Sokolow is able to follow him into situations that normal folks might find intrusive. Sokolow also edits, and the editing choices are just about perfect. Aspie Seeks Love is a gem.

Cinequest hosts the world premiere of Aspie Seeks Love on February 27, and it plays again on March 1 and March 4, all at Camera 12.

Cinequest: MEET THE HITLERS

MEET THE HITLERS
MEET THE HITLERS

In the documentary Meet the Hitlers, we are introduced to those few people who choose NOT to change their birth name of “Hitler”. And it’s a varied bunch. We meet a delightfully confident Missouri teen girl, a workaday Ecuadorian whose parents didn’t know who Hitler was and an affable Utah oldster who might be the most jovial fellow ever to brighten up a chain restaurant. And there’s an Austrian odd duck burdened with enough personal baggage that he surely didn’t need this name. Do they see the name as a curse, and how has it affected them? It’s a theoretical question to us in the audience, but it’s compelling to see the real world responses of the film’s subjects.

And then there’s a mystery about three Americans who HAVE changed the name – because they are the last living relatives of Adolph Hitler. We follow the journalist who has been tracking them down for over a decade. (Documentarian Matt Ogens makes a great editorial choice as to whether to reveal their current names.)

Finally, there’s the disturbing saga of a New Jersey neo-Nazi who is NOT named Adolph Hitler but WANTS to be. Of course, anybody can choose to adorn themselves with a Hitler mustache and swastika tattoos and spew hatespeech, but his choices are affecting not just himself, but his children.

Some of these threads are light-hearted and some are very dark. Meet the Hitlers works so well because Ogens weaves them together so seamlessly. It’s a very successful documentary.

You can see Meet the Hitlers at Cinequest on March 1, 2 and 7 at Camera 12.

Cinequest: FEVER

FEVER
FEVER

In Fever, we meet two teen thrill killers (a la Rope and Compulsion). What makes Fever unique is the introduction of a third character – a woman who may have witnessed their getaway. She doesn’t immediately grasp the connection, but we then watch the story threads (hers and the boys’) get nearer and finally intersect.  In another twist from the Leopold and Loeb set-up, the two boys are classmates who come from very different socioeconomic backgrounds.

Even with two killers in the story, the most compelling character is the woman, played with immediacy by Julie-Marie Parmentier.  At first blush, she’s just a workaday optician who is gradually becoming less satisfied with her boyfriend.  But, watching Parmentier’s sharply observant eyes, we soon become aware that there’s much more going on inside her.

Fever is the first time feature from writer-director Raphael Neale, and it shows that Neale is capable of inventing an unusual take on a familiar story and effectively pacing the tension in a thriller.

Fever gets its title from the Little Willie John song popularized by Peggy Lee, and there some very cool renditions of it in the movie.  (And Fever is another of those French movies that make me so impressed with the intellectual content of some French public high schools.)

Cinequest will host Fever’s US premiere on February 26 at Camera 12, and it plays at Camera 12 again on February 28 and at the California Theatre on March 2.

Cinequest: HEART STRING MARIONETTE

HEART STRING MARIONETTE
HEART STRING MARIONETTE

The animated Heart String Marionette allows us to see what would happen if the Wallace and Gromit filmmakers remade Metropolis as Noh theater.  Highly stylized, with the animated characters are often masked as in Noh, Heart String Marionette is an epic that addresses themes of independence and authority. Auteur M Dot Strange effectively uses color, with much of the film in cold blue hues that evoke a brooding menace; splashes of red bring up the action scenes. The music by Endika is essential to the film.

Watch the trailer and ask yourself if you would enjoy this for another 119 minutes. I didn’t, but I’m not the audience for this film.

Cinequest: DIRTY BEAUTIFUL

DIRTY BEAUTIFUL
DIRTY BEAUTIFUL

OK – so down-on-his-luck guy meets a potty-mouthed vixen when she LITERALLY jumps into his car.  But Dirty Beautiful is NOT your run-of-the-mill mumblecore romantic comedy!

What elevates Dirty Beautiful is that writer-director Tim Bartell has invented two characters that we’re not used to seeing.  The guy and the gal each has a unique neediness that drives this offbeat battle of the sexes.

The guy is really a talented storyboard artist, but he THINKS that he is a screenwriter, which means that he spends his days not actually screenwriting, but shuffling and reshuffling his notecards.  He’s drawing just enough storyboards to afford food, an apartment next to the garbage, a couple of unwashed t-shirts and a car that can’t even “make it to the 405”.  And he’s oddly yearning to HAVE a girlfriend (but not prowling for sex with a woman who could turn into a girlfriend).  Instead he aches to have a girlfriend primarily for the status of having a girlfriend.

She has been homeless, would mainline tequila if she could, and is, well, a HANDFUL.  She’s been damaged by experiences in her past, and brings extreme volatility into his all too predictable lifestyle.  And she exposes the fantasy that is trapping him in professional and personal limbo.

All in all, Dirty Beautiful is a hoot.  Plus there’s the occasional memorable dialogue, like “Hey, girls that give hand jobs can be great moms. God!”

Cinequest is hosting Dirty Beautiful’s world premiere on Saturday night February 28 at 9:30 in Camera 12 with additional screenings on March 1 and March 3.

[MILD SPOILER: When the relationship becomes belligerent, each tries to hunker down and try to outlast the other.  That’s not just for the plot, it’s because there’s something about each character ’s neediness that makes them dig in.]

Cinequest: LOS HAMSTERS

LOS HAMSTERS
LOS HAMSTERS

The Hamsters (Los Hamsters) is a delightfully dark social satire about a riotously dysfunctional Tijuana family. The dad, mom and two teenagers are going to such lengths to hide secrets from each other that they are completely oblivious to the drama in the others lives. In his first narrative feature, writer-director Gil Gonzalez has crafted a comedy that is completely character-driven, compressed into a very fun 71 minutes.

This family is in the upper middle class and the dad is desperately trying to stay there, the mom is denying any signs to the contrary and the kids are too spoiled and self-absorbed to notice any odd behavior by the parents. The acting is strong, especially by Angel Norzagaray, who plays the weary but driven, hangdog dad.

And here’s a bonus – Los Hamsters was filmed in Tijuana, and it’s great for a US audience to see this city as it is seen by its residents, not by its visitors.

Los Hamsters will have its North American premiere on February 27 at the California Theatre and plays again on March 5 and 7 at Camera 12.

Cinequest: ANTOINE ET MARIE

ANTOINE ET MARIE
ANTOINE ET MARIE

In the French-Canadian drama Antoine et Marie, a woman’s life is changed by an event. What happens to her is something that Marie herself must figure out, as must the audience. When we meet her, Marie is a forty-two-year-old clerk at an auto-repair business with a lust for life. She’s living with a guy who adores her, and she enjoys socializing with her with her work buddies. But something makes her unsettled and gradually sucks the spark out of her life. Will she find out the cause and decide what to do about it?

Antoine et Marie is extremely topical, but revealing that topic would be a significant spoiler, so you’re just gonna have to take my word for it.

Martine Francke delivers a superbly modulated performance as Marie. Sebastien Ricard is equally compelling as a repressed and dissatisfied blue collar husband and father.

This is writer-director Jimmy Larouche’s second feature film, and he has delivered a brilliantly constructed story with two unforgettable characters – and performances to match. Antoine et Marie is an unqualified success, tense and riveting all the way through.

Antoine et Marie’s US premiere will be February 28 at Cinequest, and it plays again on March 2 and 4, all at Camera 12.