2015 at the Movies: most overlooked

MEET THE PATELS
MEET THE PATELS

This blog exists because I’m an evangelist for outstanding films that may be overlooked by people who will appreciate them.  You don’t need ME to tell you that The Big Short, Creed, Spotlight and The Martian are good movies.  What’s important to me is that you don’t miss the less well-known gems:

  • The unforgettable coming of age dramedy Me and Earl and the Dying Girl. It’s available streaming from Amazon, iTunes, Vudu, YouTube and Google Play and now available to rent on DVD from Netflix and Redbox.
  • The extraordinary Russian drama Leviathan, a searing indictment of society in post-Soviet Russia. Leviathan is available streaming on Amazon Instant Video, iTunes, Vudu, YouTube, Google Play and Flixster.
  • The hilariously dark Argentine comedy Wild Tales. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.
  • The gentle, thoughtful and altogether fresh dramedy I’ll See You In My Dreams with Blythe Danner, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.
  • Phoenix from Germany – a riveting psychodrama with a wowzer ending.  It is available to stream from Netflix Instant, Amazon Video, YouTube and Google Play.
  • The brilliant psychological drama 99 Homes, available on DVD early in 2016.
  • The delightful family centric Meet the Patels – a documentary funnier than most comedies.
  • The character-driven  suspense thriller The Gift.
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT
Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT

 

Talk about overlooked – one of the year’s very best films, the exquisite and lyrical Georgian drama Corn Island, didn’t even get a US release. Neither did some other wonderful films that I saw at Cinequest: the narrative feature The Hamsters and the documentaries Aspie Seeks Love, Meet the Hitlers and Sweden’s Coolest National Team. Here’s hoping that I can tell you where to see them soon.

CORN ISLAND
CORN ISLAND

Cinequest 2015: festival recap

THE CENTER
THE CENTER

A pronounced overall success, Cinequest 2015 delivered hearty audience-pleasers from a varied and satisfying menu that featured some real gems from the indie, documentary and world cinema categories.

The fest kicked off with two huge popular successes: the feel-good BATKID BEGINS and the hilariously dark WILD TALES, and kept up the pace throughout the first weekend with an assortment of successful premieres.

Cinequest’s Director of Programming Mike Rabehl presented a fest especially rich in first features, including:

  • THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult; and especially promising debut from filmmaker Charlie Griak.
  • ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters (actually a second feature).
  • IN THE COMPANY OF WOMEN: Unexpectedly sweet, this starts out with a Boys Behaving Badly set-up and then morphs into a tribute to enduring love.  A festival surprise hit.
  • FOR SOME INEXPLICABLE REASON: A good-natured Belgian comedy containing some very innovative nuggets.

 

CORN ISLAND
CORN ISLAND

Cinequest’s international film scout Charlie Cockey came through once again with the fest’s best film, the transcendent Georgian drama CORN ISLAND, which won the Jury Award for Best Narrative Drama.

 

ASPIE SEEKS LOVE
ASPIE SEEKS LOVE

This 2015 fest was the strongest recent Cinequest for documentaries. The well-deserved Jury Award for best Documentary went to ASPIE SEEKS LOVE, the story of a surprisingly sympathetic subject. Other excellent docs included:

 

Not every film was a home run.  Director John Boorman’s personal appearance was a hit, but his QUEEN AND COUNTRY was only moderately entertaining.  And the eagerly awaited  CLOUDS OF SILS MARIA (Cesar-winning Kristen Stewart) and the Sundance award-winning SLOW WEST were clunkers.

Richard von Busack, the highly respected local film critic, picked Tuesday night’s L’ATALANTE:, rarely seen on the big screen. It’s the 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. A packed house agreed that this was one of Cinequest 2015’s top experiences.

Other highlights included the Belgian romantic dramedy THREE HEARTS, the French comedy GEMMA BOVERY and the exceptionally well-directed Kosovan drama THREE WINDOWS AND A HANGING.

The most underrated movie at Cinequest? Somehow, the biting darkly hilarious Mexican social satire LOS HAMSTERS is flying under the radar. I think this tale of a dysfunctional family is both very smart and very funny.

BARCO Escape showcased developing three-screen technology to envelope the audience in the cinematic experience.  I have reservations about the BARCO experience, but the short film WITHDRAWAL was a definite winner.

Here’s all my Cinequest coverage – with several features and comments on over twenty-five movies – conveniently linked on one page.

WILD TALES
WILD TALES

Cinequest 2015 at mid-festival

CORN ISLAND
CORN ISLAND

We’re halfway through Cinequest 2015. What are the biggest hits and the most delightful surprises?

Cinequest’s Director of Programming/Associate Director Mike Rabehl was definitely right: he predicted BATKID BEGINS and WILD TALES to be among the biggest audience pleasers. The opening night audience reveled in BATKID BEGINS, and WILD TALES, the darkly comic Argentine collection of revenge stories, rocked the California Theatre.

And how about those surprise gems?

  • CORN ISLAND: This exquisite and lyrical Georgian drama is a Must See for Cinephiles. If it doesn’t turn out to be the best contemporary art movie at Cinequest 2015, I’ll be shocked.
  • ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
  • THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.
  • IN THE COMPANY OF WOMEN: Unexpectedly sweet, this starts out with a Boys Behaving Badly set-up and then morphs into a tribute to enduring love.
  • FACTORY BOSS: I haven’t yet seen this narrative about the manager of a Chinese sweatshop factory getting squeezed, but I’ve hearing good things around the fest. One of my friends, who has been to factories in Shenzen, entered a screening a little late and initially mistook it for a documentary.

The most underrated movie at Cinequest?  Somehow, the biting darkly hilarious Mexican social satire LOS HAMSTERS is flying under the radar.  I think this tale of a dysfunctional family is both very smart and very funny.

It’s also been a notably strong year for the documentaries at Cinequest:

  • ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
  • MEET THE HITLERS: Tracking down real people burdened with the Fuhrer’s name, this successful doc weaves together both light-hearted and very dark story threads.
  • SWEDEN’S COOLEST NATIONAL TEAM: A character-driven take on the sports movie takes us into a Nerd Olympics.
  • THERE WILL BE NO STAY: a powerful examination of American capital punishment from the perspective of the executioners.

Most promising film yet to come? I’d say Tuesday night’s L’ATALANTE:, rarely seen on the big screen. It’s the 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion. Richard von Busack, the highly respected film critic for Metro, will receive a Media Legacy Award at the screening.

See you around the fest. You can find my festival coverage, including both features and movie recommendations, on my Cinequest page. Follow me on Twitter for the very latest.

IN THE COMPANY OF WOMEN
IN THE COMPANY OF WOMEN

Cinequest Picks for Wednesday, February 25

WILD TALES
WILD TALES

Four tips for Wednesday:

  • One Cinequest MUST SEE is WILD TALES, the darkly comic Argentine collection of revenge stories. Wild Tales has been a festival hit around the world and was nominated for the Best Foreign Language Oscar.  One of its vignettes features one of my favorite screen actors, Ricardo Darin (the Argentine Joe Mantegna).  See it at Cinequest before it gets to Bay Area art houses in the next few weeks.
  • I liked the Nerd Olympics documentary SWEDEN’S COOLEST NATIONAL TEAM, which has its North American premiere tonight in Camera 12.
  • I’ll be watching the Norwegian comedy CHASING BERLUSCONI because I loved the filmmaker’s hilarious King Curling at the 2012 Cinequest.
  • I’ve also heard from some insiders that the Hungarian comedy FOR SOME INEXPLICABLE REASON is especially promising.
SWEDEN'S COOLEST NATIONAL TEAM
SWEDEN’S COOLEST NATIONAL TEAM

Cinequest 2015 – festival preview

CinequestIt’s time to dive into the 2015 version of the San Jose film festival Cinequest running from tomorrow through March 8.  This year’s program looks GREAT.  You can find my festival coverage, including both features and movie recommendations, on my Cinequest page (which you may wish to bookmark).  Follow me on Twitter for the very latest.

Here are my 18 best bets at Cinequest 2015:

  • WILD TALES: the darkly comic Argentine collection of revenge stories. Wild Tales has been a festival hit (Cannes, Telluride, Toronto and Sundance) around the world and was nominated for the Best Foreign Language Oscar.  One of its vignettes features one of my favorite screen actors, Ricardo Darin (the Argentine Joe Mantegna).  See it at Cinequest before it gets to Bay Area art houses on March 6.  Ann Thompson (Thompson on Film) will be receiving a Media Legacy Award at the screening.
  • CLOUDS OF SILS MARIA:   The ever-radiant Juliette Binoche plays an actress now relegated to the older role in her breakthrough play, with her younger role going to Kristen Stewart (All About Eve, anyone?).  And Stewart just became the first American actress to win a César (the French Oscar) for  this performance.
  • ’71:  Everybody says that this thriller about a British soldier trapped overnight in a hostile Northern Ireland neighborhood during the Troubles is pedal-to-the-metal intensity.
  • SLOW WEST:  This offbeat Western with Michael Fassbender won a prize at Sundance.
  • QUEEN AND COUNTRY:  Director John Boorman’s Korean War-Era quasi-sequel to his Hope and Glory.  Boorman (Deliverance) will appear at the screening.  Silicon Valley release on March 6.
  • L’ATALANTE: The 1934 masterpiece of French writer-director Jean Vigo, who died at age 29 soon after its completion.  Richard von Busack, the highly respected film critic for Metro, will receive a Media Legacy Award at the screening.

Here are my pre-festival picks from among the films that I’ve seen:

DRAMA:

  • ANTOINE ET MARIE: A brilliantly constructed French-Canadian drama with two unforgettable characters.
  • THE CENTER: An absorbing and topical American indie drama about the seductiveness of a cult.

COMEDY:

  • LOS HAMSTERS: A biting darkly hilarious Mexican social satire.
  • DIRTY BEAUTIFUL: An American indie comedy that is decidedly NOT a by-the-numbers battle of the sexes.

DOCUMENTARY:

  • ASPIE SEEKS LOVE: A surprisingly sympathetic portrait of a guy looking for love like anyone else, but whose social skills are handicapped by Asberger’s.
  • MEET THE HITLERS: Tracking down real people burdened with the Fuhrer’s name, this successful doc weaves together both light-hearted and very dark story threads.
  • SWEDEN’S COOLEST NATIONAL TEAM: A character-driven take on the sports movie takes us into a Nerd Olympics.

I’ve also gotten tips from insiders about some other very promising films (that I haven’t seen yet):

  • CORN ISLAND: Reportedly transcendent Georgian drama.
  • FOR SOME INEXPLICABLE REASON: Hungarian comedy.
  • GUARD DOG: dark and violent Peruvian thriller. US premiere.
  • MILWAUKEE: US indie sex and relationship comedy. World premiere.
  • THREE WINDOWS AND A HANGING:  Searing Kosovan drama.

Take a look at the program and the passes and tickets. (If you want to support Silicon Valley’s most important cinema event while skipping the lines, the $100 donation for Express Line Access is an awesome deal.) You can download the Festival Guide from this page.

Cinequest: SWEDEN’S COOLEST NATIONAL TEAM

SWEDEN'S COOLEST NATIONAL TEAM
SWEDEN’S COOLEST NATIONAL TEAM

The winning Nerd Olympics documentary Sweden’s Coolest National Team brings us into a world that I didn’t know existed – international competition in memory sport. That subject is the first factor that elevates Sweden’s Coolest National Team above the familiar arc of the sports movie. We see people who can remember the exact order of a shuffled deck of cards, seemingly endless strings of binary numbers, even entire dictionaries. (The current world record for memorizing the order of a shuffled deck of cards is 21.19 seconds.) It is a jaw-dropping exhibition.

We meet the sport’s founder and several world champs, and we do end up at the World Memory Championship.  Along the way, we see the universal aspects of competition – the pressure to perform, the rookie’s overconfidence, comeuppance for both the brash rookie and the complacent old champ. One competitor’s sister phones their parents to report “he got crushed”.

But what makes Sweden’s Coolest National Team so engaging is that its subjects are so fascinating.  As one might expect, the competitors don’t seem particularly athletic and many are downright geeky. Several of the past world and Swedish champions are remarkably devoted to the sport and amazingly generous in helping younger memory sportsmen. Then there is the smug yuppie who dresses like he is giving a TED Talk and seeks to mold the sport into something that he can monetize.

And it has plenty of slyly funny moments – just as our yuppie complains about a former champ making the sport look like it’s just for oddballs, the old geek wanders through a competition with an alarming case of Plumber’s Butt.

The film’s epilogue notes that one of the subjects won the World Championship in 2013. He repeated his win in 2014.

Sweden’s Coolest National Team, which flies past the audience in a just-right 58 minutes, will have its North American premiere at Cinequest on February 25 and play again on February 27 and March 1, all at Camera 12.