COCO: the splendor of authenticity

COCO

Pixar movies are known for their exquisite animation.  Pixar movies soar when they have excellent stories (the Toy Story trilogy).  Coco, Pixar’s moving and authentic dive into Mexican culture, soars.

Set in Mexico during Dia de los Muertos, the boy Miguel longs to become a musician, an avocation his family forbids because a musician ancestor once abandoned the family.  He tries to follow his passion, but becomes trapped in the world of the dead.  He must get the blessing of a dead family member to return to the living.  Just when we think we know the score, there is an unexpected plot twist.

The colors of the Mexican town in daytime perfectly capture the look and feel of Mexico.  But the scenes in nighttime and in the world of the dead, explode on the screen, and it’s hard to decide which is the most spectacular.  There’s an overhead shot of the town cemetery on the night of Dia de los Muertos, with the glow of candles from every grave.  The worlds of the living and of the dead are separated by a bridge of flowers made out of marigold petals.  And then there’s Pepita, a giant winged panther in the world of the dead.

The exploration into Mexican culture is authentic because it is so firmly anchored to the Mexican sense of family.   There are no stereotypes here, and all of the characters look far more Mexican than do many faces on Spanish-language television.  There are many inside chuckles, such as the character of Ernesto de la Cruz perfectly capturing the Mexican singing movie star of black and white films.  There is, of course, the focus on the Mexican version of Dia de los Muertos with its ofrendas and criaturas. 

COCO
Courtesy of ©2017 Disney•Pixar. All Rights Reserved.

The three main adult characters are superbly voiced by Gael Garcia Bernal, Benjamin Bratt and Alanna Ubach.  We also hear the voices of Edward James Olmos, Cheech Marin and Luis Valdez.  The only decidedly non-Latino voice talent is John Ratzenberger, who has still voiced a character in every Pixar film.

Emotionally moving, culturally authentic and visually stunning, Coco is splendid in every way.  Coco is the best Pixar film in years and one of the best movies of the year.

FINDING DORY: not a Must See, but still OK to watch 20 times with your kids

FINDING DORY
FINDING DORY

Finding Dory, the latest animated Pixar film, is built on characters from Finding Nemo. The memory-challenged fish Dory (Ellen DeGeneris) goes on a quest, aided by Nemo’s Dad Marlon (Albert Brooks).  Pixar is exceptional for bringing depth of story to animated films, and the story here just isn’t up to snuff.  It’s that tired trope about finding one’s parents, augmented with a nice message about acknowledging and overcoming one’s disabilities.

The cleverest part of Finding Dory is the new octopus character of Hank (voiced by Ed O’Neill of Modern Family).  Hank is able to help Dory with his ability to change his coloring for camouflage, to fit through and into virtually  every opening and to clasp objects in his tentacles.  That allows for Dory to get thru a lot more plot devices and supplies lots of comic situations.

There’s also a very funny running joke involving Sigourney Weaver and another one with three sea lions on a rock.  The dialogue and voicework are very good.

The animation in Finding Dory is high quality, but it’s not the Great Leap Forward animation that sometimes thrills us at Pixar films.  The bottom line on Finding Dory is that it may not be a Must See, but it won’t be painful to sit thru twenty times with your small kids .

However, one of joys of Pixar is that they precede their features with short films, many of which (For the Birds, La Luna, The Blue Umbrella, Lava) are at least as good as the features. The short shown with Finding Dory is Piper, a tale about a young seabird’s first lesson in finding food in the surf. The animation in Piper is just exquisite; watch for the grains of sand, the feathers and down on the little bird and the above- and below-the-surf shots. Piper’s story is sweet, uplifting and funny and worth watching on its own.

Cinequest: HEART STRING MARIONETTE

HEART STRING MARIONETTE
HEART STRING MARIONETTE

The animated Heart String Marionette allows us to see what would happen if the Wallace and Gromit filmmakers remade Metropolis as Noh theater.  Highly stylized, with the animated characters are often masked as in Noh, Heart String Marionette is an epic that addresses themes of independence and authority. Auteur M Dot Strange effectively uses color, with much of the film in cold blue hues that evoke a brooding menace; splashes of red bring up the action scenes. The music by Endika is essential to the film.

Watch the trailer and ask yourself if you would enjoy this for another 119 minutes. I didn’t, but I’m not the audience for this film.

Monsters University: plenty fun, with an even better short

Pixar’s
MONSTERS UNIVERSITY

Pixar movies feature both excellent animation and outstanding storytelling., and such is the case with Monsters University, the welcome prequel to Monsters, Inc.  This is the story of how Monsters Inc.’s Mike and Sully met at college, with Billy Crystal and John Goodman returning to voice the roles.   When I saw Monsters University, the kids in the audience laughed plenty, but the adults were picking up on most of the college jokes; for example, Mike and Sully are relegated to the loser fraternity – so nerdy that the guys are living with one frat brother’s mom (a very funny Julia Sweeney).

Monsters University is preceded by an even better movie, the imaginative Pixar short The Blue UmbrellaThe Blue Umbrella is a simple and sentimental story set at foot level, amid manhole covers, storm drains and the feet of city-dwellers – and there’s no dialogue.  The animation is remarkable; in fact, I had to keep telling myself that it was animated, although it helped when the mailbox and the rain spout moved expressively.  I’m sure that The Blue Umbrella will be nominated for the Best Animated Short Oscar.

Brave: girl power and Pixar quality

Brave is Pixar’s much anticipated fable of a Scottish princess.  Pixar is a brand name that represents excellence in animated movies, and Brave continues the tradition.

As we have come to expect, the animation is magnificent.  The heroine is a girl with an exuberant tangle of unruly red curls, and it’s difficult not to enjoy her wild head of hair in every scene.

The other Pixar trademark is depth of story.  Other studios can make a girl power story with mother-daughter conflict, but Pixar brings more to the table here, with themes of making immature mistakes and then growing up and taking responsibility.

Brave‘s story isn’t as deep – and Brave isn’t as good – as those of Toy Story, WALL-E and Up, but even mid-level Pixar is better than movies from Disney, DreamWorks or other animation studios.   Adults will enjoy Brave, and it’s a must see for kids.

3D or not to 3D?  I was satisfied with the 2D and would definitely recommend against paying the premium for 3D.

 

Cars 2: an inspired Bond send up

In Cars 2, Pixar reprises the cast of Cars.  But the champion racer Lightning McQueen (Owen Wilson) steps aside so the story can focus on his dimbulb tow truck buddy Mater (Larry the Cable Guy).  The inspired plot sends up the James Bond genre with wonderfully Bondish British spies voiced by Michael Caine and Emily Mortimer.

I am a huge fan of Pixar.  Pixar understands that the best animation in human history is not enough by itself, and also makes the effort to tell great, great stories.  Pixar screenwriting is incredibly superior to that of other animation studios.  Despite that, I wasn’t a big fan of Cars.  In fact, Cars and Ratatouille have been the only Pixar films that haven’t made my Best of the Year lists.

I liked Cars 2 much better than Cars because of the Bond spoof. If you have kids, don’t miss it.