movie gourmet

Movies to See Right Now

April 9, 2016April 8, 2016 by movie gourmet

I liked the evocative French drama My Golden Days, the beautiful tale of first love, with all its passion, importance, obsession, angst, conflict, breakups and makeups. My Golden Days opens widely in the Bay Area today.

Try to find the entirely fresh and unpredictably contemporary drama Take Me to the River, an impressive directorial debut by San Jose native Matt Sobel.

Ethan Hawke’s performance makes the Chet Baker biopic Born to Be Blue a success.

Tom Hiddleston makes a believable Hank Williams, but that can’t save the plodding I Saw the Light, which fails to capture any of the pathos in Hank’s life and death.

Because Richard Linklater’s Everybody Wants Some!! open today, my DVD/Stream of the Week is its “spiritual prequel” – the coming of age Dazed and Confused is available to rent on DVD from Netflix and to stream from Amazon Video (free with Amazon Prime), iTunes, Vudu, YouTube, Google Play and Flixster.masterpiece Dazed and Confused.

OK, serious movie buffs – on April 13, Turner Classic Movies presents an evening of early German cinema to frame the documentary From Caligari to Hitler. The Cabinet of Dr. Caligari (1920) is generally recognized as the first horror film in the history of cinema; it features Conrad Veidt (23 years later, Major Strausser in Casablanca). The Blue Angel (1930) is the classic old-fool-falls-for-a-girl story. I’ve only seen clips from Faust (1926), and I haven’t seen The Adventures of Prince Achmed (1927). If you’re going to watch just one, I recommend the 1922 Nosferatu, the Dracula tale with a hideously monstrous vampire played by Max Schreck.

BORN TO BE BLUE: aching to get clean

April 8, 2016 by movie gourmet

In Born to Be Blue, Ethan Hawke plays jazzman Chet Baker as he seeks to overcome his heroin addiction and mount an artistic comeback.

Writer-director Robert Budreau made the successful choice to start the story when Baker had hit bottom in the mid-1960s. Baker is relearning how to play the trumpet after his teeth were smashed by an angry creditor. Now he’s living in his girlfriend’s VW van and playing for free in a pizza joint, trying to work his way back up to a marquee venue and a recording deal. We see his 1950s glory days in flashback.

In a typically outstanding performance, Ethan Hawke makes us root for this guy, even as we cringe at the likelihood that his disease is going to find a way to destroy him. If you’ve seen Before the Devil Knows You’re Dead, you know that Hawke is a master at playing unreliable characters – which makes him a perfect choice for a junkie like Chet Baker. Still, in a bowling alley scene, we glimpse the Chet Baker charm that could attract a woman who certainly knew better. Hawke convincingly fingers the horn as we hear the real Chet Baker play; Hawke himself sings on Baker’s signature vocal numbers Over the Rainbow and My Funny Valentine.

Carmen Ejogo (Coretta Scott King in Selma) is also excellent as two of the women in Baker’s life.

This movie’s elephant in the room is Baker’s addiction to heroin, about which he says, “It makes me happy”. Some very incisive scenes with his father hint at the roots of Baker’s disquiet. The people closest to Baker want him to kick the habit, but, unfortunately, more than he wants to himself. As he clings on with his fingerprints, Born to Be Blue is achingly effective.

MY GOLDEN DAYS: the urgency of first love

April 7, 2016 by movie gourmet

The first love depicted in Arnaud Desplechin’s coming of age film My Golden Days is completely evocative. That first love is inevitable even if the young lovers don’t know it yet, and then filled with passion, importance, obsession, angst, conflict, breakups and makeups. And then it runs its course.

The performance of Lou Roy-Lecollinet as the unpredictable object of the young protagonist’s affection really elevates My Golden Days. Roy-Lecollinet has looks which won’t attract every guy, but would be irresistible to some. She’s able to convincingly play a girl with a devastating combination of confidence, forthrightness, charm, wit, impulsivity and a wandering eye.

That story makes up the core of My Golden Days, a flashback bookended by the contemporary, middle-aged version of the protagonist (Mathieu Amalric). The story of young romance is perfect – one that we can all recognize. But, in the epilogue, the Amalric character (who has lived a full and eventful life in the 15-20 years since) is oddly still fervently bitter about what happened years before; with that distance, most of us would look back with nostalgia or, at least, a wistful acknowledgement of lessons learned. I was a bit put off.

And what’s with the lame title My Golden Days, which makes this sound like the story set in a retirement home? The original title is Trois souvenirs de ma jeunesse which I think translates into Three Memories of My Youth – that would be better and there’s gotta be plenty of more appealing and descriptive titles.

My Golden Days, which I saw at Cinequest, is a movie that anyone who is decades removed from first love should see.

I SAW THE LIGHT: but the theater was projecting this dull movie

April 2, 2016 by movie gourmet

You really can’t blame Tom Hiddleston, Elizabeth Olson or any of the cast for the unremitting dullness of the biopic I Saw the Light. The life of Hank Williams, Sr. was so filled with pathos and singular achievement that it should inspire a captivating movie. After all, Hank’s songwriting genius (36 hits and six #1 songs in only six years) catapulted him from the obscurity of backwater Alabama to national celebrity. Being a womanizing alcoholic with chronic back pain made him a less than ideal husband, resulting in martial carnage. And his meteoric career ended when he died in the back seat of his Cadillac at age twenty-nine. Now THAT’S a compelling life story.

Unfortunately, neither the singularity of Hank’s talent nor the urgency of his self-destructiveness comes through in the series of vignetted in I Saw the Light. Marc Abraham is an able producer (The Commitments, The Hurricane, Children of Men) – writer-director not so much. Halfway through, I was contemplating where to dine afterwards.

As Hank, Hiddleston impersonates Hank’s singing voice well and brings a special gleam to the performances. But he can’t enliven this plodding movie.

Movies to See Right Now

April 1, 2016 by movie gourmet

I recommend the totally unpredictable and well-crafted drama Take Me to the River, a very strong feature debut for writer-director Matt Sobel, a San Jose native.

Thriller meets thinker in Eye in the Sky, a parable from modern drone warfare starring Helen Mirren and with a wonderful final performance from the late Alan Rickman.

My DVD/Stream of the Week is the character-driven The Gift, even more than the satisfying suspense thriller that it is. It’s also a surprisingly thoughtful film and a filmmaking triumph for writer-director-producer-actor Joel Edgerton. The Gift is available to rent on DVD from Netflix and Redbox and to stream from Amazon Video, iTunes, Vudu, YouTube, Google Play and a host of cable/satellite PPV platforms.

On April 7, Turner Classic Movies showcases the films of one of the earliest female directors, the movie star Ida Lupino. In her early 30s,she broke the glass ceiling by writing and producing her own low-budget topical movies. TCM is screening Hard, Fast & Beautiful, Never Fear,The Bigamist and Outrage (one of the very first movies about rape). Lupino’s signature movie is the noir thriller The Hitch-Hiker. The bad guy is a sadistic serial killer played by William Talman (most well known as DA Hamilton Berger in Perry Mason). He kidnaps and terrorizes two guys played by noir favorites Edmond O’Brien and Frank Lovejoy. It’s a tension-filled story that still holds up today.

Frank Lovejoy, William Talman and Edmond O’Brien in THE HITCH-HIKER

TAKE ME TO THE RIVER: fresh, unpredictable and gripping

April 4, 2016March 31, 2016 by movie gourmet

San Jose native Matt Sobel’s impressive directorial debut Take Me to the River is entirely fresh. Not one thing happens in Take Me to the River that you can predict, and it keeps the audience off-balance and completely engaged.

A California couple and their teenage son drive to an annual family reunion in rural Nebraska. The son is gay and out, but that’s not going to be the drama here. There’s almost immediately an unexpected development that rocks the extended family. Then we settle in for over an hour of simmering unease and tense dread until something REALLY disturbing happens.

The story may be told from the teen’s point of view, but the real story turns out to be in the highly-charged relationship between his mom (Robin Weigert) and her brother Keith (Josh Hamilton). Keith, the boy’s uncle, is not a redneck rube, but very angry and very manipulative. By the end of the movie, we understand why. It’s an excellent performance by Hamilton, and whenever he’s on-screen, we fidget and wait for him to explode.

Weigert (Calamity Jane in Deadwood, Ally in Sons of Anarchy) is also excellent – her character is a Los Angeles physician who hasn’t lost the Nebraskan gift of never referring to the elephant in the room, no matter how huge. She embraces the Nebraskan imperative of avoidance with persistent geniality, covering up any unpleasantness with with niceties. My family is from rural Nebraska, which I have visited many times, so I know of what I speak.

The child actress Ursula Parker (the youngest daughter in Louie) is also especially outstanding here. Take Me to the River contains some sexual behavior by a child which is very uncomfortable for the audience, but central to the story and non-exploitative.

Take Me to the River played at Sundance in 2015, was finally released March 18 in New York and LA, and opens in the Bay Area tomorrow. I saw a preview at the Camera Cinema Club.

DVD/Stream of the Week: THE GIFT – three people revealed

March 29, 2016 by movie gourmet

Rebecca Hall, Jason Bateman and Joel Edgerton in THE GIFT

The character-driven The Gift is more than a satisfying suspense thriller – it’s a well-made and surprisingly thoughtful film that I keep mulling over. It’s a filmmaking triumph for writer-director-producer-actor Joel Edgerton, the hunky Australian action star (the Navy Seal leader in Zero Dark Thirty).

Simon (Jason Batemen), a take-no-prisoners corporate riser, has moved back to Southern California with his sweetly meek and anxiety-riddled wife Robyn (Rebecca Hall). In a chance encounter, they meet Gordo (Edgerton), who knew Simon in high school. Gordo is an odd duck, but the couple feels obligated to meet him socially when he keeps dropping by with welcome gifts. At first, The Gift seems like a comedy of manners, as Jason and Robyn try to figure out a socially appropriate escape from this awkward entanglement. But then, the audience senses that Gordo may be dangerously unhinged, and it turns out that Simon and Gordo have more of a past than first apparent. Things get scary.

Edgerton uses – and even toys with – all the conventions of the suspense thriller – the woman alone, the suspicious noise in the darkened house, the feeling of being watched. And there’s a cathartic Big Reveal at the end.

But The Gift isn’t a plot-driven shocker – although it works on that level. Instead it’s a study of the three characters. Just who is Gordo? And who is Simon? And who is Robyn? None of these characters are what we think at the movie’s start. Each turns out to be capable of much more than we could imagine. I particularly liked Bateman’s performance as a guy who is masking his true character through the first half of the movie, but dropping hints along the way. Hall is as good as she is always, and Edgerton really nails Gordo’s off-putting affect.

And, after you’ve watched The Gift, consider this – just what is the gift in the title?

The Gift is available to rent on DVD from Netflix and Redbox and to stream from Amazon Video, iTunes, Vudu, YouTube, Google Play and a host of cable/satellite PPV platforms.

Movies to See Right Now

March 29, 2016March 25, 2016 by movie gourmet

Thriller meets thinker in Eye in the Sky, a parable from modern drone warfare starring Helen Mirren and with a wonderful final performance from the late Alan Rickman.

This week, I featured the documentary Last Days in Vietnam. If you miss it on PBS’ American Experience, you can still stream it from Netflix Instant, Amazon Video, iTunes, YouTube and Google Play.

One of the most underrated films of the 1990s will be on Turner Classic Movies on March 29. Ulee’s Gold (1997) features Peter Fonda as a keep-to-himself rural beekeeper who finds himself in a thriller when actions of his no-good adult son threaten the rest of the family; watch for a 15-year-old Jessica Biel. For a more sordid choice on TCM, Sam Fuller’s typically sensationalistic psych ward movie Shock Corridor (1959) plays on March 30.

LAST DAYS IN VIETNAM: folly, desperation, heroism

March 22, 2016 by movie gourmet

History is a compendium of individual human stories, oft caught up in a world event. That’s what drives the riveting documentary Last Days in Vietnam, which chronicles the desperate attempts of many South Vietnamese to escape before the Communist takeover in 1975. Over 140,000 got out in the initial exodus, including 77,000 through the means depicted in this film – mostly compressed into just two panicked days. Last Days in Vietnam will be televised tonight in the Bay Area on KQED-Channel 9 at 8 PM on American Experience.

As if there weren’t enough American folly in Vietnam, the first evacuation plan didn’t include any non-Americans, even including the Vietnamese dependents of Americans. Then there were evacuation plans that were never implemented because of the blockheadedness of the US Ambassador. In the final week, young American military and intelligence officers took matters into their own hand, and began a sub rosa evacuation – ignoring the chain of command, breaking immigration laws and risking career-killing charges of insubordination.

Last Days in Vietnam is directed by Rory Kennedy (daughter of RFK), who recently made Ethel, the affecting bio-doc of her mother. Kennedy does a good job of setting the historical stage for those who didn’t live through the era, and then letting the witnesses tell their compelling personal stories.

The talking heads include:

the six-year-old who jumped out of a helicopter and then watched his mother drop his baby sister on to a ship’s deck;
the US Navy vet who plays the taped diary that he sent home to his wife after the fateful day;
the CIA analyst who unsuccessfully tried to convince the deluded US Ambassador that the end was at hand;
the college student who managed to get over a wall inside the embassy, but found that his freedom was not guaranteed;
Ford Administration officials Henry Kissinger and Ron Nessen, who relate the White House view of the events.

One heroic young American officer managed with ingenuity and chutzpah to get out hundreds of Vietnamese. In the film’s most poignant moment, it falls to him to tell the final American lie to the 400 Vietnamese remaining in the US embassy, for whom there were no more helicopters.

I saw the movie in San Jose with an audience that was about half Vietnamese-American, some of the age to have lived through this period. San Jose’s 100,000 Vietnamese population is largest of any city outside Vietnam, and many Vietnamese-Americans still memorialize the subject of this film as Black April. The exit from the theater was somber.

Besides, tonight’s telecast, Last Days in Vietnam is available streaming from Netflix Instant, Amazon Video, iTunes, YouTube and Google Play.

Movies to See Right Now

March 18, 2016 by movie gourmet

Thriller meets thinker in Eye in the Sky, a parable from modern drone warfare starring Helen Mirren and with a wonderful final performance from the late Alan Rickman.

I also really liked the gripping Norwegian disaster movie The Wave, with its ticking clock tension and cool disaster effects. (Now hard to find.)

You have to look hard to find it now, but you should still try to see the awesome and authentic survival tale The Revenant on the BIG SCREEN.

Silicon Valley’s film fest ended this week, and here’s my Cinequest festival wrap-up.

In honor of the recently concluded Cinequest, my DVD/Stream of the Week is from the 2013 fest: The Sapphires, a triumph of a Feel Good Movie. The Sapphires is available to rent on DVD from Netflix and Redbox and to stream from Amazon Video, iTunes, Vudu, GooglePlay and Flixster.

The best movie pick on TV this week will come on March 20, when Turner Classic Movies will present Touch of Evil (1958). This Orson Welles masterpiece begins with one of cinema’s great opening scenes, as our lead characters walk from a Mexican border town into an American border town in a single tracking shot of well over 3 minutes. Unbeknownst to them, they are being shadowed by a car bomb. There’s a lot to enjoy here in this cesspool of corruption: a repellent sheriff-gone-bad played by Welles himself, one of Joseph Calleia’s finest supporting turns, one of Dennis Weaver’s first roles (written just for him by Welles) and Charlton Heston as a Mexican.