ENNIO: the good, the bad and the transcendent

Photo caption: Ennio Morricone in ENNIO. Courtesy of Music Box Films.

Ennio Morricone is one of the greatest composers of movie music and certainly the most original, and the thorough and well-sourced documentary Ennio traces his life and body of work. We hear from Morricone himself and plenty of talking heads – many film directors, composers and musicians, from Clint Eastwood to Bruce Springsteen.

Morricone is the first artist I’ve heard of who aspired to become a doctor, but was forced by his father to play trumpet. During WW II in Italy, the Morricone family business was a small town brass band that entertained occupying German, then American troops, which the young Ennio found humiliating. Nevertheless, he followed his talent into a music conservatory, and evolved into composing.

Circumstances brought him a gig writing movie music and led to his groundbreaking scores for Sergio Leone’s spaghetti westerns A Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly. Beginning with the whistle in A Fistful of Dollars, this now iconic music is described in Ennio as “cultural shock” “operatic” and a “whole new language”. We learn how Morricone built his score for The Good, the Bad and the Ugly around his interpretation of a coyote howl. Great stuff.

Ennio’s other highlights include:

  • His work with Joan Baez for Sacco & Vanzetti in 1971.
  • His 9/11 symphony.
  • How he was snubbed by the Oscars for The Mission and The Untouchables before wining for The Hateful Eight.

Ennio takes two hours and 36 minutes to comprehensively survey Morricone’s entire career, and I would have preferred a shorter film more focused on the highlights. There is an unnecessarily long exit ramp of accolades at the end.

BTW I recommend listening to Morricone himself conduct an orchestra’s performance of his music from The Mission; search YouTube for “morricone conducts the mission”

Ennio is now available to stream on Amazon, AppleTV and YouTube.