TWO PIANOS: he doesn’t know what he should want, but the women do

Photo caption: Nadia Tereszkiewicz and Francois Civil in TWO PIANOS. Courtesy of Kino Lorber.

In the well-crafted French melodrama Two Pianos, concert pianist Matthias (three-time César nominee Francois Civil) returns to his hometown of Lyon after a decade abroad. Matthias is already in a mid-career malaise, but things get more complicated when he re-encounters his formidable mentor Elena (Charlotte Rampling) and his best friend’s wife Claude (Nadia Tereszkiewicz). Matthias, who had dated Claude just before his self-exile, is further rocked when he sees that her ten-year-old son looks exactly like him. A well-crafted melodrama ensues, albeit one with unconventional turns.

Two Pianos is the latest from French director Arnaud Desplechin, who made the delightful My Golden Days, which I loved, and then Ismael’s Ghosts, which although it was generally favorable critical buzz, I loathed. Desplechin has received uneven notices for his recent narrative features. He co-wrote Two Pianos.

The plot of Two Pianos pivots on an unforeshadowed surprise which clears the way for a conventional ending, which Desplechin thankfully avoids. This plot point is so unabashedly convenient that some viewers have found it off-putting. I uneasily went with it and was relieved when Desplechin steered the story away from what would have been corny.

Charlotte Rampling in TWO PIANOS. Courtesy of Kino Lorber.

Civil has the challenge of playing a protagonist of uncertain will, who spends much of his screen time hand-wringing and naval gazing. The audience will see that, in contrast to Matthias’ dithering, all of the female characters know exactly what they want – the iron-willed Elena, Matthias’ unsentimental mother (Anne Kessler), Claude’s bestie Judith (Alba Gaia Bellugi) and, eventually, even the vulnerable and temperamental Claude.

Nadia Tereszkiewicz has a sexy magnetism and a feral unpredictability that serves her well in Two Pianos and in the underappreciated Only the Animals.

Charlotte Rampling is a treasure, and her performance as the exacting Elena is one of the pleasure of Two Pianos.

I especially appreciated that the story is set in Lyon, a city underrepresented in cinema. Lyon, after all, is the third largest city in France and the place where Parisian foodies go to experience the best of French cuisine. It’s a wonderful city.

I screened Two Pianos for the 2026 SFFILM festival. It opens in theaters this weekend.