documentary – Page 25 – The Movie Gourmet

Stream of the Week: SEARCHING FOR SUGAR MAN – he didn’t know he was a rock star

June 20, 2017 by movie gourmet

What a story! A Detroit construction laborer named Sixto Rodriguez was also a singer-songwriter who cut two albums in 1970 and 1971. The albums didn’t sell in the US, and he faded back into obscurity. Yet in South Africa – completely isolated by the sanctions of the apartheid era – the artist known as Rodriguez became huge, and his songs fueled a protest movement. Rodriguez never knew of his success, and South Africans believed that he had suffered a dramatic rock star death. The powerful documentary Searching for Sugar Man is the story of some stubborn South African music geeks trying to find out what really happened to Rodriguez, and the startling truths that they uncovered. (The title comes from Rodriguez’ most iconic anthem, the song Sugar Man.)

I have never seen a biographical documentary of a contemporary figure with less comment from the subject himself. There is a brief filmed interview with the eccentric Rodriguez, who reveals very little of his perspective on his own story. His songs can only be written by a reflective person, but Rodriguez is the farthest thing from self-absorbed. Still, the interviews with his family, friends and fans and his songs help us feel like we know him.

It’s a flabbergasting and unpredictable story and well told. Sadly, the young director Malik Bendjelloul suddenly died just fifteen months after Searching for Sugan Man won the Best Documentary Oscar. You can stream it from Amazon, iTunes, Vudu, YouTube and Google Play.

ABACUS: SMALL ENOUGH TO JAIL: an underdog has his day

June 7, 2017June 7, 2017 by movie gourmet

Nobody likes a bully, and the documentary Abacus: Small Enough to Jail tells the riveting story of an American family business bullied into a nightmarish fight for survival. We meet the members of family, the Sungs of New York, and relive their existential struggle. It’s a compelling story, well-told.

Thomas Sung founded the Abacus Federal Savings Bank, a small bank in New York’s Chinatown, and passed on the management of the bank to his daughters. The bank’s customers are almost all Chinese from the neighborhood. The bank management discover a corrupt loan officer, fire him and turn him in to regulators. But prosecutors go on to blame the whole loan department and then the bank leadership – and file criminal charges against the bank. Suddenly, the Sungs are in a fight for their professional lives.

The Manhattan prosecutor was looking for a scapegoat for the financial crisis of 2008. Let’s remember that the global crisis was caused by the biggest players in the American financial system. The very biggest financial institutions were guilty of overt corruption – the banks were packaging and selling worthless financial products and the credit rating agencies were falsely labeling them as valuable. Banks were making crazy, unsustainable and predatory home loans. Insured accounts turned out to be not really insured.

But those crooked big banks were “too big to fail” They were bailed out by the taxpayers and escaped accountability for their crimes. Here’s what is mind-boggling: to this day, the tiny Abacus Federal Savings Bank remains the ONLY bank that has faced criminal charges from the financial crisis. Hence the movie’s subtitle “Small Enough to Jail“.

Abacus: Small Enough to Jail comes from the documentarian Steve James, who directed Hoop Dreams, the masterpiece that both Roger Ebert and Gene Siskel picked as the best movie of 1994, as well as the more recent Ebert celebration Life Itself. Abacus is brilliantly sourced – James was able to get prosecutors, defense attorneys and even jurors on camera, along with the entire Sung family.

Getting to know the individuals in the Sung family is one of the pleasures of viewing Abacus. Let’s just say that it’s a mistake to take a family business to court when the whole family are lawyers.

Right at the beginning of Abacus, James makes an inspired choice – he matches the family patriarch and bank founder Thomas Sung with George Bailey from It’s a Wonderful Life. And the engrossing saga of the Sungs begins.

Stream of the Week: ZERO DAYS – cyberwar triumph? maybe not

April 25, 2017 by movie gourmet

My Stream of the Week is a movie that has actually become MORE topical since its release last year. The important and absorbing documentary Zero Days traces the story of an incredibly successful cyber attack by two nation states upon another – and its implications. In Iran’s nuclear weapons development program, the centrifuges used to enrich uranium began destroying themselves in 2010. It turned out that these machines were instructed to self-destruct by a computer worm devised by American and Israeli intelligence.

No doubt – this was an amazing technological triumph. Zero Days takes us through a whodunit that is thrilling even for a non-geek audience. We learn how a network that is completely disconnected from the Internet can still be infected. And how cybersecurity experts track down viruses. It’s all accessible and fascinating.

But, strategically, was this really a cyberwarfare victory? We learn just what parts of our lives can be attacked and frozen by computer attacks (Spoiler: pretty much everything). And we learn that this attack has greenlighted cyberwarfare by other nations – including hostile and potentially hostile ones. Zero Days makes a persuasive case that we need to have a public debate – as we have had on nuclear, biological and chemical weapons – on the use of this new kind of weaponry.

And here’s why it is more topical today. Since Zero Days’ release last year, we have endured the successful Russian cyberattack on the US election process. And we face an unpredictable foe in North Korea, and our only practical protection against North Korea’s nuclear threat may be our own preemptive cyberattacks.

Director Alex Gibney is one our very, very best documentarians. He won an Oscar for Taxi to the Dark Side, and he made the superb Casino Jack: The United States of Money, Enron: The Smartest Guys in the Room, Client 9: The Rise and Fall of Elliot Spitzer, Mea Maxima Culpa: Silence in the House of God, Going Clear: The Prison of Belief and Steve Jobs: Man in the Machine.

Gibney’s specialty is getting sources on-camera that have the most intimate knowledge of his topic. In Zero Days, he pulls out a crew of cybersecurity experts, the top journalist covering cyberwarfare, leaders of both Israeli and American intelligence and even someone who can explain the Iranian perspective. Most impressively, Gibney has found insiders from the NSA who actually worked on this cyber attack (and prepared others).

Zero Days is available to stream on Amazon, iTunes, Vudu, YouTube and Google Play.

DVD/Stream of the Week: MEET THE HITLERS

March 8, 2017March 7, 2017 by movie gourmet

Because Cinequest is underway, my video pick is from the 2015 festival: in the documentary Meet the Hitlers, we are introduced to those few people who choose NOT to change their birth name of “Hitler”. And it’s a varied bunch. We meet a delightfully confident Missouri teen girl, a workaday Ecuadorian whose parents didn’t know who Hitler was and an affable Utah oldster who might be the most jovial fellow ever to brighten up a chain restaurant. And there’s an Austrian odd duck burdened with enough personal baggage that he surely didn’t need this name. Do they see the name as a curse, and how has it affected them? It’s a theoretical question to us in the audience, but it’s compelling to see the real world responses of the film’s subjects.

And then there’s a mystery about three Americans who HAVE changed the name – because they are the last living relatives of Adolph Hitler. We follow the journalist who has been tracking them down for over a decade. (Documentarian Matt Ogens makes a great editorial choice as to whether to reveal their current names.)

Finally, there’s the disturbing saga of a New Jersey neo-Nazi who is NOT named Adolph Hitler but WANTS to be. Of course, anybody can choose to adorn themselves with a Hitler mustache and swastika tattoos and spew hatespeech, but his choices are affecting not just himself, but his children.

Some of these threads are light-hearted and some are very dark. Meet the Hitlers works so well because Ogens weaves them together so seamlessly. It’s a very successful documentary.

I first reviewed Meet the Hitlers for its premiere at Cinequest 2015. Now Meet the Hitlers is available for streaming rental from Amazon Video and Vudu and for streaming purchase from iTunes.

Cinequest: THE TWINNING REACTION

February 26, 2017 by movie gourmet

The startling and moving documentary The Twinning Reaction tells the story of a Mad Men-era research project and its profound human impact. To perform a longitudinal study of nurture vs. nature, researchers INTENTIONALLY separated identical twins and placed them with families that the researchers kept in the dark. The placements occurred AFTER the twin babies had bonded together in the crib for many months. Legally and ethically sketchy at the time, this is monstrous by today’s standards, and, in fact, caused harm to the adoptees.

Somehow, some of these twins learned the truth as adults and located their birth siblings.
In The Twinning Reaction, we meet three sets of separated identical siblings. Because we meet the subjects of the study, the effects of separation are clearly apparent and highly personalized.

Writer-director Lori Shinseki has found an amazing story and source material to match. She weaves it into a coherent and compelling story. Only 52 gripping minutes long, The Twinning Reaction’s world premiere is at Cinequest.

Cinequest: NEW CHEFS ON THE BLOCK

February 26, 2017 by movie gourmet

In the pleasantly addictive documentary New Chefs on the Block, we follow the course of two restaurant start-ups from financing and the initial lease, through remodeling and set-up, hiring staff and opening for the public and for professional food critics. One start-up is a trendy fine dining establishment in Washington, DC, and the other is a pizza place in the DC suburbs. It’s the movie equivalent of a page-turner – we’re always wondering what will happen next.

Both chef-owners are passionate and driven, and the restaurants are manifestations of their dreams. Each has bet his family’s prosperity on the endeavor, and the high stakes fuel the drama.

The stories of both restaurants take dramatic turns – and one is wholly unexpected. It turns out that writer-director Dustin Harrison-Atlas set out to document the journey of his brother-in-law’s new pizza restaurant. That guy is a remarkable subject. But his choice of the other aspirational chef was an act of either genius or stunning good luck – wait until you see how that story comes out!

In his first feature, Harrison-Atlas shows a gift for creating vivid portraits of his subjects. We come to know the two chefs and a remarkable number of their family members and employees

Harrison-Atlas also brings us some talking heads to provide an inside perspective on the business. I’ve watched more than my share of restaurant make-over reality television, and I know some real life restauranteurs, so I’ve understood that it’s hard to start a restaurant and easy for one to fail. Intelligent, personal and genuine, New Chefs on the Block is among the best treatments of this subject matter.

Cinequest hosts the world premiere of New Chefs on the Block.

Cinequest: MEMENTO MORI

February 26, 2017 by movie gourmet

Memento Mori can be translates as “remember that you die”. This documentary about organ donation must be the most emotionally shattering film at Cinequest. In Memento Mori, the stories of the donor families are woven into those of the recipient families. Filmmaker Niobe Thompson tells us at the outset that the specific donors are not actually linked to the specific recipients on a one-to-one basis; but the device of braiding these two threads delivers a powerful impact.

We all understand that people get sick when their organs fail and that their lives can be saved by switching in the organs from other people who have recently died. But that understanding takes on a new dimension when we see HOW SICK people are before the transplant and how vibrant they can be post-surgery.

And to make this all happen, someone has to die. And that person’s family – in their moment of deepest grief and shock – needs to find the donation of his organs acceptable. Accompanying a family through the death of their loved one is excruciating.

Memento Mori is also an insightful procedural about organ transplants. We see the organs harvested, transported and then implanted. A surgeon tell us how he finds it thrilling every time that he sees a brown organ turn red after he has connected it to a blood supply – essentially bringing life back to a human organ.

Memento Mori is the first feature as solo director for Niobe Thompson, and the US premiere for this Canadian doc is at Cinequest.

TV/Stream of the Week: TOWER – a most original and important retelling of a story that we thought we knew

February 13, 2017 by movie gourmet

This week, the PBS documentary series Independent Lens will feature Tower, a remarkably original retelling of the 1966 mass shooting at UT Austin. Tower is a tick-tock of the 96 minutes when 49 people were randomly chosen to be shot by a gunman in the landmark tower 240 feet above the campus. That gunman is barely mentioned (and may not even be named) in the movie.

Tower is director Keith Maitland’s second feature. What makes Tower distinctive and powerful it’s the survivors who tell their stories, reenacted by actors who are animated by a rotoscope-like technique (think Richard Linklater’s Waking Life). Telling this story through animation, dotted with some historical stills and footage, is captivating.

Since 1966, we’ve suffered through lots of mass shootings. The UT Tower shooting was especially shocking at the time and prompted the questions about what drove the “madman” to his deed. But, fifty years later, what’s really important today is how the event affected the survivors – what was what like to live through this experience and how it lives with them today. That’s the story that Maitland lets them tell us – and in such an absorbing way.

I saw Tower at the Mill Valley Film Festival. It plays on Independent Lens on KQED-TV at 10 PM, Tuesday night, February 14. You can also stream Tower on Amazon Instant, iTunes, Vudu, YouTube and Google Play.

I AM NOT YOUR NEGRO: searing thoughts in elegant words

February 1, 2017 by movie gourmet

The documentary I Am Not Your Negro centers on the American public intellectual James Baldwin. It’s a searing examination of race in America through Baldwin’s eyes and through his elegant words.

Those words are voiced by Samuel L. Jackson, and there is no third-party “narration”. The spoken words are Baldwin’s, either voiced by Jackson or spoken by Baldwin himself in file footage. Baldwin’s associates Malcom X and Martin Luther King Jr. are heard in file footage, but that’s it – the rest is all Baldwin.

The content of those words is about the African-American experience in America and Baldwin’s insistence on understanding and acknowledging the grievance and the moral imperative for remedy. The very last thing that Baldwin cared about was the comfort of his readers and listeners.

I Am Not Your Negro is an important film because Baldwin’s words today, stripped of their relation to temporal events, are stirring as we hear them again, naked and with urgency. Lest we fail to connect the dots to our current situation, snippets of current day events (Obama, Black Lives Matter, etc.) make it clear how relevant Baldwin’s thinking still is today.

The choice to present Baldwin’s thinking through only his own words, unadorned by talking heads is very successful. Director/co-writer Raoul Peck gets the credit for that, and the film that he has constructed with editor Alexandra Strauss is compelling.

It occurred tome that we really don’t have “public intellectuals” (thought leaders who were authors and columnists) as we did before cable television and Internet. Today we must make do with Talking (or Yelling) Heads on cable TV and bloggers (hey, I’m one of those); the current focus is more temporal and focused on instant reaction instead of presenting a coherent body of thought.

But, in the Good Old Days, book and newspaper publishers and network television producers were the gatekeepers of public discourse. Those gatekeepers in Baldwin’s time were older white heterosexual men, and even the well-meaning could not have shared his experiences. Given that, it’s surprising and fortunate that Baldwin’s words were able to become accessible to a wide audience.

Baldwin was living the life of an ex-pat in Paris until he watched the newscast of Charlotte, North Carolina, school integration with a lone African-American girl walking thru agitated and abusive racist mob. That’s what motivated him to return to his country and to try to fix it.

OJ: MADE IN AMERICA: finally, the sensational story stripped of the sideshow

December 21, 2016 by movie gourmet

OJ: Made in America has been showing up on lots of critic’s year-end lists. I hadn’t thought of putting it on my Best Movies of 2016 because it’s an eight-hour ESPN documentary series, I hadn’t hadn’t thought of treating it as a movie, but I will now because it’s good enough to merit it.

I remember the OJ saga with distaste because it became a sideshow – the Bronco ride, the Trial of the Century, the bloody glove (“if it doesn’t fit, you must acquit”), Kato Kaelin, Judge Lance Ito and the seemingly unfathomable verdict. The genius of director Ezra Edelman is that OJ: Made in America rights a media wrong by keeping a laser focus on the crime itself and setting out the societal factors that explain how this all went so far off track. The sideshow elements are shown to be what they really were – distractions from the greater truth of a domestic violence murder.

OJ: Made in America is an unflinching look at a marriage that disintegrated because of chronic domestic violence, and then evolved into a terrifying stalker situation. We also see glimpses of crime scene photos, grisly but not exploitative, that reinforce the gravity of the crime.

With more clarity than in any other film treatment of this case, we see OJ Simpson’s abandonment and even rejection of the African-American community and of his own racial identity – “I’m not Black, I’m O.J.”. We see OJ creating a new community for himself of wealthy white men and refusing to perform advocacy, fundraising or even lending his name for African-American causes. And so we are left with the sickening irony of OJ becoming a posterchild for black victimhood and a rallying point for resistance to white oppression.

To set the stage for the trial, Edelman shows us the historic racist oppression by the LAPD and the missteps by prosecution that created an environment that the legal team for a celebrity could exploit. Through file footage and talking head witnesses, Edelman takes us through the trial to explain the critical choices that resulted in the verdict. Finally, we see the surveillance video of the bumbling, thuggish crime that OJ is now imprisoned for.

OJ: Made in America benefits from an impressive group of witnesses, including prosecutor Marcia Clark, detective Mark Fuhrman, defense lawyer Barry Scheck, DA Gil Garcetti, former OJ confidantes Ron Shipp and Mike Gilbert and Nicole Brown Simpson’s sister.

ESPN, with its reliably solid 30 for 30 series, is, along with PBS and HBO, one of the most prolific sources of excellent documentaries. With OJ: Made in Americas, ESPN has produced one of the top three or four documentaries of the year.

The trailer is on the film’s homepage. You can watch the entire movie on ESPNWatch and on some other streaming platforms such as iTunes and Hulu.