DVD/Stream of the Week: WILD TALES

WILD TALES
WILD TALES

Okay, here’s the first Must See of 2015 – the hilariously dark Argentine comedy Wild Tales. Writer-director Damián Szifron presents a series of individual stories about revenge. It’s still high my list of Best Movies of 2015 – So Far.

We all feel aggrieved, and Wild Tales explores what happens when rage overcomes the restraints of social order. Think about how instantly angry you can become when some driver cuts you off on the highway – and then how you might fantasize avenging the slight. Indeed, there is a story in Wild Tales that has the most severe case road rage since Spielberg’s Duel in 1971. Now Wild Tales is dark, and you gotta go with it. The humor comes from the EXTREMES that someone’s resentment can lead to.

One key to the success of Wild Tales is that it is an anthology. In a very wise move, Szifron resisted any impulse to stretch one of the stories into a feature-length movie. Each of the stories is just the right length to extract every laugh and pack a punch. The funniest stories are the opening one set on an airplane and the final one about a wedding.

The acting is uniformly superb. In one story, Oscar Martínez plays a wealthy man in a desperate jam, who buys the help of his shady lawyer fixer (Osmar Núñez) and his longtime household retainer (Germán de Silva) – until their prices get just a little too high. The three actors take what looks like it’s going to a thriller and morph into a (very funny) psychological comedy with a very cynical view of human nature.

One of the middle episodes stars one of my favorite film actors, Ricardo Darín, who I see as the Argentine Joe Mantegna. I suggest that you watch Darín in the brilliant police procedural The Secrets in Their Eyes (on my top ten for 2010), the steamy and seamy Carancho and the wonderful con artist movie Nine Queens.

Wild Tales has been a festival hit (Cannes, Telluride, Toronto and Sundance) around the world and was nominated for the Best Foreign Language Picture Oscar. I saw Wild Tales at Cinequest 2015. It’s now available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.

BLACK MASS: psychopathy and ambition is a nasty combination

Joel Edgerton and Johnny Depp in BLACK MASS
Joel Edgerton and Johnny Depp in BLACK MASS

The excellent crime drama Black Mass tells the true life story of how gangster James “Whitey” Bulger built his Boston Irish gang into a major crime empire under the protection of the FBI.  As if we needed an illustrative example, Bulger is proof that psychopathy and ambition is a really nasty combination.  And, as Black Mass points out with the FBI characters, even ambition alone can prove to be a vulnerability.

Here’s what really happened:  Bulger (Johnny Depp), the ruthless leader of the Winter Hill Gang in South Boston was approached by FBI agent John Connolly (Joel Edgerton) for help in eradicating Boston’s Italian Mafia.   Connolly was as ambitious as Bulger, and the two men shared Southie  roots.  It was in Bulger’s interest to rid himself of the competition, and he parlayed Connolly’s career-climbing grasping into a de facto amnesty that allowed Bulger to expand his murderous enterprises throughout Boston and beyond – even to Florida jai alai and gun running to Northern Ireland.

It’s an amazing tale, and director Scott Cooper (Crazy Heart) tells it very well, letting Depp and Edgerton drive the story by inhabiting a pair of characters that become a toxic mixture.  With an erect swagger and some of the coldest eyes in cinema history, Johnny Depp is superb as the feral Bulger.  The trailer below includes his life lesson to a small boy around the family breakfast table that shows his world view.  When the eyes go cold, Depp’s Bulger can terrorize with a touch, a word or even just a glance.

Joel Edgerton is equally effective as the corrupted FBI agent Connolly, who uses Southie bombast and bluster to escape the snares of office politics.  Alas,  it all finally catches up to him when a new prosecutor directs fresh eyes on Boston’s crime scene.  Until recently, I’ve known Edgerton as an Australian action star (he was the the Navy Seal team leader in Zero Dark Thirty and one of the thugs in Animal Kingdom). Edgerton recently wrote, directed and stared in the excellent psychological thriller The Gift, and his performance in Black mass reinforces that he’s a very talented and versatile filmmaker.

The cast is very deep and uniformly excellent, including Julianne Nicolson, Juno Temple, Kevin Bacon, Benedict Cumberbatch, Corey Stoll (Midnight in Paris and House of Cards) and Dakota Johnson.  Besides Depp and Edgerton, three other actors popped off the screen for me:

  • Rory Cochrane plays Bulger’s partner Steve Flemmi.  Cochrane is a veteran actor whose most memorable role is probably as the pothead Slater in Dazed and Confused.  Now filled out in middle age, he plays a guy who is about half of Depp’s scenes, but says very, very little.  As they say, the best acting is reacting, and Cochrane just chews gum and observes, letting his eyes tell us what he is thinking and feeling.
  • David Harbour plays Connolly’s FBI partner, a guy who becomes entangled in a web not of his own doing.  One of the most riveting scenes in Black Mass, he becomes terrorized about, of all things, a recipe for a steak marinade.  Harbour is a reliable veteran, but this is among his very best work.
  • Peter Sarsgaard is always brilliant, and here he gets to become a tweaked out lowlife who involuntarily giggles when he thinks that getting handed a valise full of cash is a good thing when it’s not.

Black Mass is a top rate crime story very well-told.  No more and no less.

One more thing:  there is a string of up-close-and-personal murders depicted here, including two by strangulation and a host of gunshot executions.  It’s not particularly gruesome by the standards of modern crime movies, but DON’T TAKE YOUR 4-YEAR-OLD.  A couple at my screening did just that.  What are people thinking?

SICARIO: a dirty war against the narcos

Benicio Del Toro and Emily Blunt in SICARIO
Benicio Del Toro and Emily Blunt in SICARIO

In the dark crime thriller Sicario, Emily Blunt plays a fierce and skilled FBI SWAT team leader. She’s battling Mexican narcos in Phoenix when her superiors give her the chance to “volunteer” for a mysterious anti-narco detachment with a cheerfully amoral leader (Josh Brolin). It’s unclear precisely from where, in or out of the US government, this group operates, and it includes an even more shadowy figure (Benicio Del Toro).  She’s seen a lot of bad things, but, almost immediately, she is shocked at what her new team is doing.

Sicario’s premise is that the only way to make a difference in the Drug War is to shake up drug suppliers by decapitating the major drug gangs – by any means necessary.   The good guys are fighting a Dirty War themselves.  Del Toro plays one of the most hardass movie assassins in recent cinema.

Sicario is directed by Denis Villeneuve, who also directed Incendies (my #1 movie of 2011), Enemy and Prisoners.  He has a gift for the plot-driven thriller.  While taut;y paced, the overall affect of Sicario is more brooding than frenetic, consumed by the inevitability of violence and death.

Sicario looks and sounds better than it is, having been photographed by Roger Deakins (12 Oscar nominations).  The desert borderland looks ominous as well as desolate.  And there’s a night vision scene that really pops.  The music by Jóhann Jóhannsson is unusually effective in enhancing the intense, dark and volatile mood.

I haven’t been thinking about Sicario afterwards, so it isn’t a great movie, but it’s definitively a well-made and effective crime drama.

Movies to See Right Now

John Cusack and Elizabeth Banks in LOVE & MERCY
John Cusack and Elizabeth Banks in LOVE & MERCY

Next weekend, a couple of great choices are coming to Bay Area theaters – 99 Homes and Meet the Patels.  I’ll be writing about those next week. For THIS weekend, I suggest that you look to video with my DVD/Stream of the Week and a couple other streaming choices.

My DVD/Stream of the Week is the Brian Wilson biopic Love & Mercy, the story of an extraordinarily gifted person’s escape from torment.  It’s on my Best Movies of 2015 – So Far.    Love & Mercy is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes and Vudu.

Joe Swanberg’s romantic comedy Digging for Fire is available for streaming from Amazon, Vudu, You Tube and Google Play.

She’s Funny That Way is just comic fluff, but it’s well-crafted fluff from master filmmaker Peter Boganovich;  it’s now available to stream from Amazon Instant Video, Vudu, YouTube and Google Play.

Thanks again to Turner Classic Movies for playing the The Best Years of Our Lives on September 22, an exceptionally well-crafted, contemporary snapshot of post WW II American society adapting to the challenges of peacetime. Justifiably won seven Oscars. Still a great and moving film.

SHE’S FUNNY THAT WAY: comic fluff from a master

Jennifer Aniston in SHE'S FUNNY THAT WAY
Jennifer Aniston in SHE’S FUNNY THAT WAY

The new comedy She’s Funny That Way from 75-year-old master filmmaker Peter Bogdanovich is a light-hearted diversion about the unlikely career path of an escort-turned-screen actress (Imogene Poots).  Bogdanovich is responsible for the screwball comedy masterpiece What’s Up Doc? and the grossly under-rated comedy romance They All Laughed.  So he knows knows how to choreograph mad cap moments.   There’s also an unexpected cameo at the very end, along with very funny end credits.

Along with Poots, Bogdanovich has attracted a top tier cast:  Owen Wilson, Rhys Ifans, Will Forte and Kathryn Hahn.   It’s especially welcome to see survivors of Bogdanovich’s 1970s oeuvre –  Cybill Shepherd, Tatum O’Neal and Austin Pendleton.

But the real revelation here – and the main reason to see the movie – is Jennifer Aniston’s turn as the most emotionally unhealthy therapist conceivable.  It’s written as an extreme character – absolutely no boundaries, utterly self-absorbed, dangerously resentful and completely unprofessional.  But Aniston’s performance is so full throttle that the audience delights every time her character comes on-screen.

She’s Funny That Way is just fluff, but it’s well-crafted fluff.  It’s is now available to stream from Amazon Instant Video, Vudu, YouTube and Google Play.

Mill Valley Film Fest – see it here first

John Tururro in MY MOTHER
Margherita Buy and John Turturro in MY MOTHER

The Mill Valley Film Festival always showcases many of the most promising prestige films that are scheduled for release during Award Season. It’s the best opportunity for Bay Area film goers to catch an early look at the Big Movies. Last year’s fest featured an array of Oscar winners and Oscar-nominated films: The Imitation Game, Whiplash, Wild, Foxcatcher, Mr. Turner and Two Days, One Night, along with Force Majeure, which made it on my Best Movies of 2014 list.

Again this year, the film fest is especially rich with Oscar bait:

  • Bridge of Spies – Steven Spielberg’s espionage thriller with Tom Hanks;
  • Carol – fest favorite about lesbian awakening with Rooney Mara and Cate Blanchett;
  • Dheepan – the French immigration thriller that won the Palm d’Or at Cannes;
  • The Danish Girl – Eddie Redmayne portrays one of the recipients of gender reassignment surgery;
  • Son of Saul – the Hungarian movie about Auschwitz that stunned critics, both for its intense brilliance and for the discomfort in watching it;
  • Suffragette – Carey Mulligan wins women the vote; and
  • The Assassin – an especially epic Chinese costume epic.

I’m especially looking forward to My Mother from Italy, about a film director who is simultaneously dealing with her dying mother, challenging teenager and hilariously pompous leading man (John Turturro). I’m also eager to see I Smile Back – Sarah Silverman has been getting buzz for a reportedly searing performance as an alcoholic.

Those are the Big Movies, but there’s also a promising assortment of the indies, foreign flicks and documentaries that I usually cover. Here’s the schedule.

The fest runs October 8-18 in Mill Valley, San Rafael and Corte Madera.  Tickets are now available to members and will go on sale to the public on September 19.

Sarah Silverman in I SMILE BACK
Sarah Silverman and Josh Charles in I SMILE BACK

DIGGING FOR FIRE: a couple goes wild, then looks inside

Rosemaire DeWitt in DIGGING FOR FIRE
Rosemaire DeWitt in DIGGING FOR FIRE

The romantic comedy Digging for Fire is a reflection on that moment when two people who have loved each other have become so consumed by day-to-day child rearing that they have lost heir way as a couple.  She’s (Rosemarie DeWitt) fed up and drops the three-year-old with her parents, hoping for a wild weekend with girlfriends while he (Jake Johnson) does the taxes. Of course, he invites his guy buddies over for a bro-bacchanal. Things don’t go exactly as planned for either of them, and their separate weekends morph into adventures that challenge their marriage and trigger some self-examination.

Writer-director Joe Swanberg has a gift for creating characters that act like real people – and NOT like they know they are characters in a romantic comedy.   Swanberg created the 2013 Drinking Buddies, a film I found to be “an unusually genuine romantic comedy” and the first Mumblecore movie that I’ve ever liked.

DeWitt and Johnson are very good, and Brie Larson is outstanding as a good time girl who is more – and looking for more – than she seems.  Digging for Fire also features Anna Kendrick (against type as an uninhibited party girl) and Sam Rockwell (who has made playing an unreliable character into its own art form).  We also see almost everyone who has been in an independent film: Mike Birbiglia, Chris Messina, Melanie Lynsky, Sam Elliott, Judith Light and Jane Adams.  Orlando Bloom even drops in as a boor at a bar (albeit an upscale bar).

Two thing for sure:  Joe Swanberg’s characters are never predictable and he is definitely a romantic.  Digging for Fire is available for streaming  from Amazon, Vudu, You Tube and Google Play.

DVD/Stream of the Week – LOVE & MERCY: a tale of three monsters and salvation

Paul Dano as Brian Wilson in LOVE & MERCY
Paul Dano as Brian Wilson in LOVE & MERCY

Love & Mercy, the emotionally powerful biopic of the Beach Boys’ Brian Wilson, is the true life story of an extraordinarily gifted person facing three monsters. Wilson is a musical genius, one of the great songwriting, arranging and producing talents of his century. But his art and his very survival were tested by his tormentors until unselfish love found him an escape to treatment, and, ultimately, his salvation.

In his first feature as a director, veteran producer Bill Pohlad chose to depict two phases of Wilson’s life, with Wilson played by Paul Dano and John Cusack.

The first monster is Wilson’s father Murry (Bill Camp), an abusive father whose adult sons still fear after they have fired him as their manager. What kind of father needs to belittle and sabotage his sons so he doesn’t have to acknowledge that their success surpasses his own? Brian Wilson is deaf in one ear from his father’s punches, but the psychological scars are even more deeply felt.

The second monster is Brian’s own schizoid affective disorder, a condition causing auditory hallucinations. Brilliantly, Pohlad has chosen to let the audience hear what Brian hears. This can be thrilling in moments of musical inspiration. And, of course, it is terrifying most of the time.

The third monster is charlatan psychologist Dr. Eugene Landy (Paul Giamatti), a Svengali-like manipulator, who over-medicates Brian, then confines him, while controlling and watching his every move. Landy leeches off Brian’s fortune and is ruthlessly protective of his racket.

Murry and Landy are so scary that Beach Boy Mike Love, known to be (and portrayed here as) a colossal jerk, almost seems sympathetic by comparison.

In the younger Dano segments, we see Brian at his creative peak, emotionally tortured by Murry and about to be driven into a breakdown by his condition. In the middle-aged Cusack parts, we see Brian, broken down by his illness, utterly helpless against and captive to Landy’s web of control.

Dano shows us Brian’s vulnerable genius. Cusack shows us Brian as gentle and genuine. The story of Love & Mercy is about how he escapes being under the thumb of his monsters, chiefly from the perspective of Melinda Ledbetter (Elizabeth Banks), the woman who would become his second wife. As good as are Dano and Cusack, Banks is absolutely stellar; her character must continually react to the unpredictability of Brian’s illness and the increasing horror of Landy’s tyranny.

From the beginning, Love & Mercy sweeps us up into the highs and lows of Brian Wilson’s life – and it’s a helluva life. Love & Mercy is one of the Best Movies of 2015 – So Far. Watch the end credits all the way to the end.

Love & Mercy is available on DVD from Netflix and Redbox and streaming from Amazon Instant Video, iTunes and Vudu.

Movies to See Right Now

Ronald Zehfeld and nina Hoss in PHOENIX
Ronald Zehfeld and nina Hoss in PHOENIX

The German psychological drama Phoenix is taut, intense and has a superb ending – surprising and satisfying. Phoenix may only be in theaters for another week or so.

Going Clear: The Prison of Belief, documentarian Alex Gibney’s devastating expose of Scientology, originally shown on HBO in April, is now in theaters.

Other possibilities:

  • The End of the Tour is the smartest road trip movie ever, starring Jason Segel and Jesse Eisenberg. Be sure to see it. It’s the only movie on my list of Best Movies of 2015 – So Far that’s currently playing in theaters.
  • Joel Edgerton’s The Gift is a satisfying thriller – and much more.
  • In Mr. Holmes, Ian McKellen is superb as the aged Sherlock Holmes, re-opening his final case.
  • Woody Allen’s Irrational Man is not bad, but empty.

My Stream of the Week is I’ll See You In My Dreams, available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.

On September 17, don’t miss the Turner Classic Movies cablecast of the classic film noir Nightfall (1956). Aldo Ray plays a hard luck guy who is framed and hunted by both the bad guys and the cops when he meets a beautiful but broke model (Anne Bancroft). It’s a crackerjack plot, and the final confrontation involves death by snow plow. Nightfall is one of my Overlooked Noir.

Anne Bancroft and Aldo Ray in NIGHTFALL
Anne Bancroft and Aldo Ray in NIGHTFALL

Stream of the Week: I’LL SEE YOU IN MY DREAMS

Sam Elliott and Blythe Danner in I'LL SEE YOU IN MY DREAMS
Sam Elliiott and Blythe Danner in I’LL SEE YOU IN MY DREAMS

The gentle, thoughtful and altogether fresh dramedy I’ll See You in My Dreams is centered on 72-year-old Carol (Blythe Danner), a widow of 21 years living a life of benign routine. Every day, she rises at 6 AM in her modest but nicely appointed LA house, reads by the pool, hosts her gal pals from the nearby retirement community for cards and is in bed by 11 PM to watch TV with her elderly canine companion. It’s not a bad life, but it’s an unadventuresome one.

Then some things happen that give her an opportunity to choose to take some chances. In short order, she has to put down her dog and deal with an unwelcome rodent. Her friends (Rhea Perlman, June Squibb and Mary Kay Place) suggest that she try speed dating. She opens her social life, developing a friendship with a much younger man (Martin Starr – Gilfoyle in Silicon Valley) and being courted by a dashing man of her own age (Sam Elliott).

What happens is sometimes funny, sometimes sad and always authentic. This is NOT a formulaic geezer comedy, but a story about venturing outside one’s comfort zone – with all the attendant vulnerability – to seek some life rewards. Carol may be 72, but she is still at a place in her life where she can grow and be challenged. I’ll See You in My Dreams proves that coming of age films are not just for the young.

I saw I’ll See You in My Dreams at the Camera Cinema Club, at which director, editor and co-writer Brett Haley was interviewed. Haley said that he and co-writer Marc Basch wanted to “avoid the obvious joke of older people doing what younger people do”. Instead, they intended to make a movie “about love, loss and that you can’t get through life unscathed – and that’s okay”. Haley and Basch certainly succeeded in creating a film about “living life without the fear of loss”.

Danner sparkles in the role (and gets to nail a karaoke rendition of Cry Me a River). Always special when playing solid-valued but rascally guys, Elliott still retains his magnetism.

We don’t often get to see realistic movies about people in their early 70s, but I’ll See You in My Dreams respects its protagonist Carol by putting her in plausible situations. Neither farcical nor mawkish, I’ll See You in My Dreams is a surefire audience pleaser.

I’ll See You in My Dreams is available to stream from Amazon Instant Video, iTunes, Vudu, YouTube and Google Play.