Stream of the Week: THE WOMEN’S BALCONY – a righteous man must keep his woman happy

THE WOMEN'S BALCONY
THE WOMEN’S BALCONY

A community of women in a traditional culture revolt in the delightfully smart and funny Israeli comedy The Women’s Balcony. The balcony in a small Jerusalem synagogue collapses, and the building is condemned. The old rabbi’s wife is seriously injured, and he suffers a trauma-induced psychotic breakdown. Just when it looks like the leaderless congregation will die, a young and charismatic rabbi (Avraham Aviv Alush) appears, enlivens the congregation and repairs the building. But he rebuilds the synagogue WITHOUT the women’s section. Profoundly disrespected, the synagogue’s women strike in protest.

The women live in a culture where males have all the power and religious authority trumps all. The women all have their individually distinct gifts, personalities and rivalries. But they all appreciate the injustice of the situation, and they are really pissed off. They are very creative in finding way to leverage the power that they do have, and the result is very, very funny.

This could have been a very broad comedy (and a Lysistrata knock-off). Instead, it’s richly textured, with an examination of ethical behavior and loving relationships. It’s also dotted with comments on the relations between Israeli Orthodox and Ultra-Orthodox and on the importance of food in this culture. It’s the first – and very promising – feature for both director Emil Ben-Shimon and writer Shlomit Nehana.

THE WOMEN'S BALCONY
THE WOMEN’S BALCONY

There are plenty LOL moments, including a scene where one of the congregants masquerades as the demented old rabbi to secure the needed psychotropic meds.

We soon understand that the young rabbi has a very unattractive side – grossly sexist and power-hungry. But he has seduced the men and then cows them by manipulating his religious authority. He’s tearing apart a closely bound community braided together by decades of deep friendship and inter-reliance. The movie turns on whether the men can recognize when his supposed righteousness veers into what is really unethical and, in one pivotal scene with the old rabbi, indecent.

Two of the male characters, deeply in love with their women, step up and do the right thing. This overt comedy has a very a romantic core.

Most of all, The Women’s Balcony is about mature relationships. Most of these couples have been married for decades, especially the couple at the core of the story, Ettie (Evein Hagoel) and Zion (Igal Naor). Ben-Shimon and Nehana prove themselves to be keen and insightful observers of long-lasting relationships.

A righteous man must keep his woman happy. This may not be written in the Holy Scriptures, but it’s damn useful advice. (It also helps, we learn, if he can make a mean fruit salad.) The longer you’ve been married, the funnier you’ll find The Women’s BalconyThe Women’s Balcony is available to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

THE RIDER

ICYMI here’s my remembrance of movie poster artist Bill Gold. And here’s my running list of Best Movies of 2018 – So Far. You can already stream some of them.

OUT NOW

    • The MUST SEE is The Rider. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny.
    • Tully, the insightful and compelling dark comedy from the brilliant and brave team of Diablo Cody, Jason Reitman and Charlize Theron.
    • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
    • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career. This is a very inventive film, written and directed by Michel Hazanavicius (The Artist). The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.

ON VIDEO
The recent capture of the Golden State Killer reminded me of Zodiac, from the master of the serial killer genre, David Fincher. video pick Zodiac can be streamed from Amazon (included with Prime), iTunes, Vudu, YouTube and Google Play.

 

ON TV

On May 28, Turner Classic Movies brings us two particularly authentic war and post-war classics.  I always recommend watching The Best Years of Our Lives around Memorial Day.  It’s an exceptionally well-crafted, contemporary snapshot of post WW II American society adapting to the challenges of peacetime. Justifiably won seven Oscars. Still a great and moving film.

In Men in War (1957), an infantry lieutenant (Robert Ryan) must lead his platoon out of a desperate situation.  He encounters a cynical and insubordinate sergeant (Aldo Ray) loyally driving a jeep with his PTSD-addled colonel (Robert Keith).  In conflict with each other, they must navigate through enemy units to safety. Director Anthony Mann is known for exploring the psychology of edgy characters, and that’s the case with Men in War.

Robert Keith and Aldo Ray in MEN IN WAR

Farewell, Bill Gold

Let’s face it: there are some movie posters just as iconic as the movies themselves.  Artist Bill Gold, who died this week at age 87, was the master of the iconic movie poster.  His first poster was for Casablanca, of all films! Gold followed that with decades of work, including thirty posters of Clint Eastwood movies alone.

I recommend Gold’s New York Times obit and a scan of the Bill Gold images featured by Ben Travis on Empireonline.

Here’s a small sample of Bill Gold’s remarkable work.

Stream of the Week: ZODIAC

Robert Downey, Jr. and Jake Gyllenhaal in ZODIAC

In the 60s, 70s and 80s, we in Northern California suffered more than our share of serial killers, to the point that I couldn’t even remember the Golden State Killer, recently snagged by a much ballyhooed foray into ancestry DNA. But the list topper has to be the Zodiac Killer, a random thrill killer who used the news media to taunt the police and terrify the Bay Area.

Officially, this case has never been solved.  But there’s a pretty convincing theory about the killer’s identity advanced in David Fincher’s 2007 Zodiac.

Fincher spins his story through the separate obsessions of three Zodiac-hunters.  There’s the dogged homicide detective (Mark Ruffalo) and the renegade newspaper reporter (Robert Downey, Jr.).  Then there’s the oddball, a newspaper cartoonist (Jake Gyllenhaal);  unlike the other two, it’s not his job to track down the killer.  He’s a puzzle hobbyist who takes on the killer’s cryptogram and then plunges down the rabbit holes of matching handwriting and the availability of various suspects.

Ruffalo, Gyllenhaal and Downey are all superb.  And John Carroll Lynch takes the creep-o-meter off the scale as the prime suspect.

The supporting cast is brilliant and unusually deep, including Chloe Sevigne, Elias Koteas, Clea DuVall, Donal Logue, Philip Baker Hall, James Le Gros and an unrecognizable Candy Clark.  Brian Cox nails the bluster and wit of that prototypical celebrity attorney, Melvin Belli.

John Carroll Lynch in ZODIAC

Fincher, of course, is the master of the serial killer movie.  Before Zodiac, he made what is probably still the most thrilling serial killer movie, Se7en.   He followed Zodiac with the top-notch  The Girl with the Dragon Tattoo and Gone Girl.  In Zodiac, Fincher builds the tension, occasionally giving the audience relief with some laughs, especially when Gyllenhaal’s amateur sleuth finds himself in a situation that he thinks is much more dangerous than it really is.

The film is also a dead-on time capsule of the 70s in the San Francisco Bay Area, from the opening shot, a drive through a Vallejo neighborhood on the 4th of July.  The fashions and the music of the period are perfect, especially the Donovan and Santana songs.  This was before law enforcement had DNA to work with – and, in the case of two of the investigating police departments, even a newfangled fax machine.  As the 70s approach the 80s, we even see an early Pong video game.  One thing that I did not personally remember from the era, but have verified really did exist, is the Aqua Velva cocktail.

This is a wonderfully entertaining movie.  Zodiac can be streamed from Amazon (included with Prime), iTunes, Vudu, YouTube and Google Play.

Movies to See Right Now

THE RIDER

Two reminders:  First, check out my running list of Best Moves of 2018 – So Far.  You can already stream some of them.

Second, remember that tonight PBS airs Bombshell: The Hedy Lamarr Story.  Set your DVR.

OUT NOW

  • The MUST SEE is The Rider. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny.
  • Tully, the insightful and compelling dark comedy from the brilliant and brave team of Diablo Cody, Jason Reitman and Charlize Theron.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career. This is a very inventive film, written and directed by Michel Hazanavicius (The Artist). The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

ON VIDEO
Because Mackenzie Davis brings such a magical quality to her title role in Tully, my video pick is an earlier starring role in a little-known indie. That film is a fine first feature with a GREAT title for a contemporary noir thriller: Bad Turn Worse. Bad Turn Worse is available streaming from Amazon Instant, iTunes, Vudu, YouTube and Google Play.

Charlize Theron and Mackenzie Davis star in Jason Reitman’s TULLY, playing at the 2018 San Francisco International Film Festival, April 4 – 17, 2018. Courtesy of SFFILM.

BOMBSHELL: THE HEDY LAMARR STORY: the world’s most beautiful woman and her secrets

BOMBSHELL: THE HEDY LAMARR STORY

Friday, May 18, you can see Bombshell: The Hedy Lamarr Story on PBS’ American Masters. This is the riveting biopic of a glamorous movie star who invented and patented the precursor to wireless technology; that’s amazing enough, but Bombshell delves deeply into how Lamarr’s stunning face, her Jewish heritage, and mid-century gender roles shaped her career, marriages and parenting. Top notch.

In the last few years, one totally unexpected aspect of Lamarr’s life has become more well-known. She was a tinkerer/inventor who co-invented a radio guidance system for submarine torpedos, which she donated to the US military. The US Navy used this technology in WW II. Modern blue tooth technology stems directly from her innovation. Today her patent would be worth billions.

Bombshell adds layer upon layer to this tale of beauty and brains, as it traces Lamarr’s remarkable life. Hedy Lamarr had no control over being born a woman, being born to Jewish parents and being born to be a beauty. These three accidents of birth set the parameters of her journey – granting her access to some professional opportunities and stunting others, even threatening her life.

She burst into celebrity – and notoriety – at age 19, as the star of the film Ecstasy. Not only was Hedy the first actress filmed in full frontal nudity, she was the first screen actress to portray female orgasms. She was soon the young trophy wife of an Austrian industrialist, a formidable and fearsome supplier of munitions to Hitler. Hedy’s life seemed headed along the Bimbo Track, but she realized that her husband was powerful enough to keep her trapped in the marriage, but not powerful enough to protect her from the Nazis. At this point, she orchestrated an international escape that is the stuff of thrillers.

At age 24, often nominated as the most beautiful woman in the world, she launched a Hollywood career. Professional ups and downs, marriages and affairs and children followed, along with her work in technology.

Her beauty was often a blessing and sometimes a curse, but always affected her trajectory. Someone that beautiful is just different – the rest of us can’t help our reactions to her. But how many times can you be a trophy wife?

She was a person who survived troubling times, which left scars on her. How Hedy handled her Jewishness, how she raised her kids and how she was treated by the military are unsettling. Documentarian Alexandra Dean, Bombshell’s writer-director brings us witnesses, including Hedy’s children, to deliver an inside peek at a real life that would not be believable as a work of fiction.

I saw Bombshell: The Hedy Lamarr Story last summer at the 2017 San Francisco Jewish Film Festival (SJFF). It’s playing tomorrow night on PBS’ American Masters series.

Best Movies of 2018 – So Far

Thomasin Harcourt McKenzie and Ben Foster in a scene from Debra Granik’s LEAVE NO TRACE< playing

I’ve posted my Best Movies of 2018 – So Far. Every year, I keep a running list of the best movies I’ve seen this year, adding to it as the year goes on.  By the end of the year, I usually end up with a Top Ten and another 5-15 mentions. Here’s last year’s list.

To get on my year-end list, a movie has to be one that thrills me while I’m watching it and one that I’m still thinking about a couple of days later.

This year, as usual, I took advantage of Cinequest in March and the San Francisco International Film Festival (SFFILM) in April to preview some films that will be released later in the year.

My top pick so far this year is Leave No Trace.  Leave No Trace is Debra Granik’s first narrative feature since her 2010 Winter’s Bone (which I had rated as the best film of that year).  Leave No Trace is a brilliant coming of age film that stars Ben Foster and Thomasin McKenzie as a dad-daughter team who challenge conventional thinking about homelessness and healthy parenting. Winter’s Bone launched the career of Jennifer Lawrence, and Leave No Trace might do the same for newcomer McKenzie.  I saw Leave No Trace at the San Francisco International Film Festival.   My full review will appear after the film’s release in the Bay Area at the end of June.

You can see other top picks The Rider and The Death of Stalin in theaters right now and Quality Problems and Outside In are now streaming.

There’s more at Best Movies of 2018 – So Far.

THE RIDER

Stream of the Week: Mackenzie Davis in BAD TURNS WORSE

BAD TURN WORSE
Mackenzie Davis in BAD TURNS WORSE

Because Mackenzie Davis brings such a magical quality to her title role in Tully, my video pick is an earlier starring role in a little-known indie.  That film is a fine first feature with a GREAT title for a contemporary noir thriller: Bad Turn Worse. It’s set in a nowheresville Texas cotton gin town. Three childhood friends have just graduated from high school, and two are looking to escape to college – Bobby (Jeremy Allen White) and Sue (MacKenzie Davis). Not sharing a speck of Bobby’s and Sue’s intellectual curiosity, Sue’s longtime boyfriend B.J. (Logan Huffman) doesn’t want them to go; B.J. is dreamy and testosterone-filled, but bone-headed and weak-willed, with a gift for making impulsive, destructive choices. Bobby is sweet on Sue, and she is starting to be repelled by B.J.’s immaturity and selfishness. Sure enough, B.J. does something which entangles them all in a lethal jam.

Pretty soon there’s a double cross within a double cross, with a love triangle overlay. Nobody can trust anybody else, and somebody is gonna have to die…

The young leads are good, but two veteran TV actors sparkle in supporting turns. Mark Pellegrino plays a ruthless and crazy-scary villain that no one should cross. Jon Gries (Uncle Rico in Napoleon Dynamite) is hilariously deadpan as the corrupt Sheriff who tries to connect the dots for Bobby with metaphors – and Bobby’s dots just aren’t connecting.

Bad Turn Worse’s noir sensibility comes from 1) the amoral attitude that sometimes you gotta break the law and 2) the expectation that there can’t be a happy ending with all this treachery in play.

Bad Turn Worse is written by Dutch Southern and is the directorial debut of Simon and Zeke Hawkins. These guys have definitely proven that they can pull off a solid thriller. Bad Turn Worse is available streaming from Amazon Instant, iTunes, Vudu, YouTube and Google Play.

[Note: You can see Davis in a completely contrasting role, as a misfit wannabe singer-songwriter, in A Country Called Home.]

Movies to See Right Now

THE RIDER

The MUST SEE is The Rider, which I’ll be writing about this weekend. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny. It’s on my list of Best Movies of 2018 – So Far.

OUT NOW

This week’s other top picks:

  • Tully, the insightful and compelling dark comedy from the brilliant and brave team of Diablo Cody, Jason Reitman and Charlize Theron.
  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career. This is a very inventive film, written and directed by Michel Hazanavicius (The Artist). The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

Not to see:

      • The completely indecipherable Ismael’s Ghosts, a waste of a talented cast and my time.
      • Bobby Kennedy for President – a disappointing Netflix documentary that recycles the best of RFK’s video clips but ignores many pivotal aspects to RFK’s journey, most especially his personal feud with LBJ.

ON VIDEO

My Stream of the Week is my favorite film from last year’s Cinequest – Quality Problems, just released on video.  This delightful indie is a screwball comedy for the sandwich generation.  You can stream it on Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV

On May 15, Turner Classic Movies presents The Third Man (1949). Shot amid the ruins of post-war Vienna, this film noir classic sets an American pulp novelist (Joseph Cotten) to find out what happened to his pre-war buddy, who turns out to have become a notorious black marketeer (Orson Welles) with a set of associates each shadier than the last. This has it all, a fated relationship with a European beauty (Alida Valli), stunningly effective black-and-white photography, an enchanting musical theme and one of cinema’s most sharply surprising reveals of a new character. There are two unforgettable set pieces – a nervous interview in a Ferris Wheel and a climactic chase through the sewers.

Orson Welles in THE THIRD MAN – the most iconic smirk in cinema

TULLY: insightful, compelling and, finally, magical

Charlize Theron stars in Jason Reitman’s TULLY. Courtesy of SFFILM.

The compelling dark comedy Tully stars Charlize Theron, is written by Diablo Cody and directed by Jason Reitman. Those three combined on the underrated game-changing comedy Young Adult, and Tully is another very singular film.

Theron plays Marlo, a mom who has just given birth to her third child.  Her oldest kid has intense special needs and a newborn brings another level of obligation.  Marlo develops a serious case of depression.  To ease the burden, she gets a night nurse named Tully; Tully has an otherworldly quality which brings relief and respite to Marlo.  And then there’s a major plot twist…

Theron is a fearless actress – not afraid to glam down, She gained fifty pounds for this role (not as big a glam down as for Monster). In Young Adult, she was game to play a thoroughly dislikable character. Here she plays a real Mom, not a Perfect Mom. In real life, caregiving can take its toll, and that’s what we see here.

Mackenzie Davis brings a magical quality to the character of Tully.  Ron Livingston is very good as a loving but clueless husband; ill-equipped to recognize, let alone deal with Marlo’s depression.

Tully was featured at the San Francisco International Film Festival (SFFILM) (although I missed it because I was at the Leave No Trace screening);  Theron and Reitman attended the SFFILM screening, and, from all reports,  Theron wowed the crowd.

Tully is an excellent and insightful film.  It’s a dark comedy and NOT A LIGHT MOVIE – after all, with all its laughs, it’s about postpartum depression.