Buster Keaton’s THE GENERAL in THE GREAT BUSTER: A CELEBRATION. Courtesy of Cohen Media Group.
The documentary The Great Buster: A Celebration traces the life and career of the filmmaking genius Buster Keaton. Every chance I get, I recommend Keaton’s silent masterpieces Seven Chances and The General. But The Great Buster puts Keaton’s work in helpful context.
First, director/film historian Peter Bogdanovich introduces us to Keaton’s upbringing as the child star in his parent’s vaudeville act. This is a CRAZY story, about Keaton working one-night performances from the age of FOUR in an act where he was essentially a guided missile in a fake leprechaun beard.
Next we learn about the young adult Keaton being introduced to the movie business by San Jose’s own, Fatty Arbuckle, and then moving on to creating his own two-reelers. Then The Great Buster focuses on the ten great features on which Buster had complete creative control. And then Bogdanovich takes us through MGM’s mishandling of Keaton’s career and the resultant decline. I thought that I had a good handle on Keaton’s body of work, but The Great Buster is essential to understanding it.
The Great Buster gives us many cool tidbits from his work in TV commercials through his final happy marriage. And 100-year-old actor Norman Lloyd relates an anecdote about performing a scene in Limelight with Keaton and Charlie Chaplin.
Peter Bogdanovich in THE GREAT BUSTER: A CELEBRATION. Courtesy of Cohen Media Group.
The Great Buster: A Celebration opens this weekend in the Bay Area.
Elijah Wood and Melanie Lynskey in I DON’T FEEL AT HOME IN THIS WORLD ANYMORE
In the wonderfully dark comedy I Don’t Feel at Home in this World Anymore, Ruth (Melanie Lynskey) is wallowing in a lonely, depressing, humdrum existence, when she has one of those days where everything goes wrong. When she staggers home in abject failure, she finds that her home has been burglarized. It’s the last straw, and Ruth becomes energized in an obsessive quest to track down the thieves. She picks up her geeky neighbor (Elijah Wood) an a confederate. Soon the lovable loser and her oddball sidekick follow the clues to a very dangerous gang, and they find themselves in a lethal thriller.
Melanie Lynskey and Mcon Blair in I DON’T FEEL AT HOME IN THIS WORLD ANYMORE
I Don’t Feel at Home in this World Anymore is the directorial debut of actor Macon Blair, an actor who has elevated a slew of indies, especially the refreshingly original thriller Blue Ruin. Blair has a tiny but very funny role as spoiler-dropping bar patron.
Melanie Lynskey is a comic treasure, and her deadpan earnestness carries I Don’t Feel at Home in this World Anymore. What’s so funny here is that her Ruth, a workaday schlub, only needs to become SLIGHTLY deranged before she falls into a life-and-death adventure.
After a Blink-And-You’ve-Missed-It theatrical run, I Don’t Feel at Home in this World Anymore is available to stream on Netflix Instant.
This week brings us a bewildering contrast. We have the masterful documentary Monrovia, Indiana – a fascinating movie about a boring subject. And First Man – a boring movie about a fascinating subject.
OUT NOW
Lady Gaga illuminates Bradley Cooper’s triumphant A Star Is Born. Don’t bring a hankie – bring a whole friggin’ box of Kleenex.
What They Had is an authentic and well-crafted dramatic four-hander with Hilary Swank, Michael Shannon, Blythe Danner and Robert Forster.
Quincyis Rashida Jones’ intimate biodoc of her father, that most important and prolific musical figure Quincy Jones.
Museo is a portrait of alienation that plays out in a true life heist, but the alienation is just not that compelling.
ON VIDEO
My DVD/Stream of the Week for Halloween Week is the 1960 masterpiece Peeping Tom – far scarier and more unsettling than Psycho. Until the last decade, Peeping Tom was unavailable, but you can find it now on DVD from Netflix and streaming from Amazon, iTunes and Google Play. There’s also a Criterion Collection DVD with lots of extra features. HIGHLY RECOMMENDED.
ON TV
On November 3, Turner Classic Movies will air Director Elia Kazan’s noirish thriller Panic in the Streets. This Kazan’s other movie set in a gritty waterfront, and he shot it on location in New Orleans. In his screen debut, Jack Palance plays a hoodlum who commits a murder and unknowingly becomes infected with pneumonic plague. Richard Widmark plays the public health expert who is trying to prevent an epidemic by tracking down Patient Zero (Palance) without causing a panic in the city. Of course, the cops are trying to solve the murder, and the man hunt for the murderer will lead them o the same target. Jack Palance was nothing if not intense, and he brings the right combination of viscious thuggery and escalating desperation to his performance. In an unusual dramatic role, Zero Mostel plays a Palance henchman.
And here’s a curiosity – TCM also airs the 1933 submarine movie Hell Below on November 9. It’s a pretty contrived Robert Montgomery vehicle, but there are some elements worth fast-forwarding to. The comic relief is provided by Jimmy Durante, who plays the cook Ptomaine; Baby Boomers tend to remember Durante for his shtick on variety shows of the 1950s and 1960s – here’s the unadulterated Durante. Durante even boxes with a kangeroo! Hell Below also features Walter Huston, who was a major star at the time and who I think would be very successful today.
Ryan Gosling (left) as Neil Armstrong in FIRST MAN
First Man is the astoundingly boring story of mankind’s greatest achievement – sending men to the moon and returning them safely to earth. It’s a major whiff for Damian Chazelle, the director of indie hit Whiplash and the refreshingly original La La Land. Chazelle also wrote Whiplash and La La Land, but not the screenplay for First Man.
Ryan Gosling is the moon-walking astronaut Neil Armstrong, and Claire Foy (The Crown) is his wife Janet. Much of the film is consumed in the story of their marriage, damaged by the loss of a child and stressed by the danger of Neil’s missions.
With the ingenuity, courage and sacrifice that produced the moon mission, this should have been a thrilling story. Instead, it drags morose characters through a meandering procedural.
Gosling gets to prove that he can play taciturn, which gets old fast. Foy dances along the continuum from aggrieved to highly aggrieved. Their talent is wasted, as is an excellent cast overall. Ciarán Hinds and Kyle Chandler are the NASA managers, and Jason Clarke and Cory Stoll (excellent) are other astronauts. Shea Whigham and Lukas Haas are in here somewhere.
As the end credits rolled, The Wife and I turned to each other in wonder at how unentertaining this film was. First Man especially suffers in contrast to The Right Stuff, Apollo 13 and Hidden Figures. Worst true-to-life NASA movie of all time? Here’s a contender.
Here is the best-ever psycho serial killer movie. Peeping Tom was released in 1960, the same year as Psycho. The British film critics didn’t know what to make of a thriller where the protagonist was so disturbing, and they trashed Peeping Tom so badly that its great director Michael Powell (The Life and Death of Colonel Blimp, Stairway to Heaven, Black Narcissus, The Red Shoes) wasn’t able to work again in the UK. But I think Peeping Tom is an overlooked masterpiece and even better than its iconic counterpart Psycho.
Karlheinz Böhm plays a mild-mannered urban recluse who most people find socially awkward, but wouldn’t necessarily suspect to be a serial killer. The very innocent downstairs neighbor (Anna Massey) finds him dreamy and in need of saving – not a good choice.
Two aspects elevate Peeping Tom above the already high standards of Hitchcockian suspense. First, he’s not just a serial killer – he’s also shooting the murders as snuff films. Second, we see the killer watching home movies of his childhood – and we understand that ANYONE with his upbringing would be twisted; he’s a monster who repels us, but we understand him.
Until the last decade, Peeping Tom was unavailable, but you can find it now on DVD from Netflix and streaming from Amazon, iTunes and Google Play. There’s also a Criterion Collection DVD with lots of extra features. HIGHLY RECOMMENDED.
Master documentarian Frederic Wiseman peels back our prejudices and reveals the humanity and beauty – even in Fly-over America – in Monrovia, Indiana. His static camera and patient editing give us unadulterated doses of life in Monrovia, a 1,000-person hamlet amid the cornfields and pig farms of central Indiana. In a 2 hour, 23 minute tour, we visit the barber shop, the high school, pig farm, the grocery store, the coffee shop, the town council, the hair salon, a livestock auction, the liquor store, the grain silo and the town’s annual festival.
Not much happens, except life.
We do see a Masonic Lodge ritual (a first for me) and the entire sermon at a funeral.
This is deeply Red State territory and a land of bad haircuts. But people care about what they do and about each other. Wiseman introduces us to Monrovia as a reflection upon humanity and upon life itself. There has never been a more fascinating documentary about a more boring subject. Surprisingly, this is a mesmerizing film.
What They Had is an authentic and well-crafted dramatic four-hander with Hilary Swank, Michael Shannon, Blythe Danner and Robert Forster.
Quincyis Rashida Jones’ intimate biodoc of her father, that most important and prolific musical figure Quincy Jones.
Museo is a portrait of alienation that plays out in a true life heist, but the alienation is just not that compelling.
If you haven’t caught it yet, you can still find Spike Lee’s true story BlacKkKlansman – very funny and, finally, emotionally powerful.
ON VIDEO
My Stream of the Week is the Norwegian suspense thriller Revenge, one of the world cinema high points of the 2017 Cinequest. Revenge can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.
ON TV
Turner Classic Movies is all-horror, all-the-time this week. But the best is Diabolique from director Henri-Georges Clouzot (often tagged as the French Hitchcock). The headmaster of a provincial boarding school is so cruel, even sadistic, that everyone wants him dead, especially his wife and his mistress. When he goes missing, the police drain the murky pool where the killers dumped the body…and the killers get a big surprise. Now the suspense really starts…
WHAT THEY HAD Blythe Danner and Hilary Swank star as Ruth and Bridget Keller in WHAT THEY HAD, a Bleecker Street release. Photo courtesy of Bleecker Street
In the family drama What They Had, two siblings (Hilary Swank and Michael Shannon) face their mom (Blythe Danner) sinking into Alzheimer’s, and their father (Robert Forster) refusing to take action. To heighten the pressure, the out-of-town daughter wants to give the old folks more slack than does the local son. He’s been dealing with this situation up close, and he’s fed up. The dad is used to always being in charge, and he doesn’t cope well with needing help.
Despite the subject, What They Had is not a depressing movie, mostly because of the sunniness of Danner’s character. This is a character-driven story that benefits from this stellar cast. This is the first feature for writer/director Elizabeth Chomko, and she delivers an authentic and well-crafted story.
In the Norwegian suspense thriller Revenge, the slightly creepy Rebekka (Siren Jørgensen) appears at a hotel on a remote fjord under the false pretense that she is a travel writer. The hotel is otherwise empty because it is off-season (think The Shining). She ingratiates herself with the hotel’s owner Morten, the most economically and socially significant person in town, and his wife (Maria Bock). It turns out that twenty years before, Morten date-raped Rebekka’s little sister, leading to her suicide. Now Rebekka wants to exact vengeance.
Revenge becomes a tick-tock suspenser as Rebekka deliberately lays her trap. We’re able to see some, but not all, of the web that she spins, which will put in jeopardy Morten’s reputation, marriage, business and his very health and survival. Can she pull it off? And how lethal will her revenge be?
It’s the first feature for Kjersti Steinsbø, who adapted the screenplay and directed. She has created a real page-turner here. In one very effective touch, it turns out that one of the characters knows FAR more than we initially suspect.
Anders Baasmo Christian in REVENGE
Revenge is uniformly well-acted, but Anders Baasmo Christian, as Bimbo the bartender, is exceptionally good. Just keep your focus on Bimbo. There’s more there than initially meets the eye. And Bimbo’s relationships with both Rebekka and Morten are very conflicted and complicated.
The ending is satisfying, and Morten’s ultimate fate is unexpected. Revenge was one of the world cinema high points of the 2017 Cinequest. Revenge can be streamed from Amazon, iTunes, Vudu, YouTube and Google Play.
The offbeat documentary Rodents of Unusual Size, with its bizarre subject, is charmingly addictive. That subject is the nutria, a 20- to 30-pound Argentine rodent that threatens Louisiana’s wetlands and coastline. Yes, 30-pound swamp rats with orange teeth.
Although Rodents of Unusual Size is decidedly non-preachy, the nutria is serious business. Imported for the commercial potential of its fur by a Tabasco sauce heir, nutria escaped into the Louisiana wilds and propagated wildly. When the US fur market crashed in the 1990s, the locals stopped trapping them, and Louisiana’s nutria population exploded to 20 million.
The problem is that nutria eat the roots of the vegetation in the Louisiana wetlands, causing erosion that has converted at least 42 square miles of land into open water. Worse, those wetlands are the storm buffer for the rest of the state.
Louisiana offers hunters a $5 bounty for the tail of each dead nutria, which has reduced the nutria population to a more manageable 5 million. We even meet a guy whose official job title is Nutria Tail Assessor.
One of the reasons I love Louisiana is that folks just don’t take themselves too seriously there. Even when they are focused on the grave environmental impacts of the nutria invasion, they still appreciate the absurdity of a 30-pound, orange-toothed swamp rat. (And, fittingly, Rodents of Unusual Size is narrated by Louisiana native Wendell Pierce.)
Along the way, we are also introduced to nutria fur and the fur company Righteous Fur, nutria meat, nutria sports mascots and even nutria as pets.
But most compellingly, we meet Thomas Gonzalez, an 80-year-old bayou native, nutria hunter and bon vivant. Gonzalez is a force of nature, complete with strong-willed opinions and some impressive dance moves. Gonzalez serves as the voice of Louisiana and finishes the movie with a profound perspective on the nutria.
I saw Rodents of Unusual Size at Silicon Valley’s Cinema Club with filmmaker Chris Metzler available for Q&A. Metzler and his colleagues Jeff Springer and Quinn Costello filmed Rodents of Unusual Size over four years during Louisiana’s nutria season (November to April). The affable Metzler is a font of nutria knowledge, full of tidbits like albino nutria being prized by taxidermists. Because nutria are very difficult to spot and film in the wild, the filmmakers used Nooty the stunt nutria throughout the film. Nooty joined the filmmakers in creeping along the red carpet at various film festivals and has her own Facebook page.
Thomas Gonzalez alone is worth meeting on film, and, as told by Rodents of Unusual Size, the story of the nutria is quirkily fascinating. This weekend, Rodents of Unusual Size will be opening a new run at theaters in Marin and the East Bay.
