movie gourmet

Cinequest: Words and Pictures

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words picturesIn the unusually thoughtful romantic comedy Words and Pictures, Clive Owen and the ever-radiant Juliette Binoche star as sparring teachers. The two play world-class artists – Owen a writer and Binoche a painter – who find themselves in teaching jobs at an elite prep school.  As they spiritedly disagree over whether words or pictures are the most powerful medium of expression, they each admire and are drawn to the other’s talent and passion.

Words and Pictures contains the wittiest movie dialogue in many moons and reminds us that real wit is more than some clever put downs.   Owen’s English teacher worships the use of language to evoke original imagery and also revels in pedantic wordplay – the more syllables the better.  When his boss asks him, “Why are you always late?”, he retorts “Why are you always dressed monochromatically?”.

The reason that he IS always late is that he’s an alcoholic hellbent on squandering his talent and alienating his friends and family.  This is a realistic depiction of alcoholism and of its byproducts – unreliability, broken relationships and fundamental dishonesty.  In an especially raw scene, he expresses his self-loathing by using a tennis racquet and balls to demolish his own living space.  Top notch stuff.

Binoche plays a woman of great inner strength and confidence who has been shaken by the advances of a chronic illness.  According to the credits, Binoche herself created her character’s paintings.

Words and Pictures sparkles until near the end. When the students make the debate over words vs pictures explicit in the school assembly, the intellectual argument loses its force and the tension peters out.  So it may not be a great movie, but Words and Pictures is still plenty entertaining and a damn sight smarter than the average romantic comedy.

Cinequest: Zoran, My Nephew the Idiot

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ZoranThe Italian comedy Zoran, My Nephew the Idiot is centered around Paolo, a hard-drinking slob who works in a cafe kitchen in the Italian region that borders Slovenia.  Boorish as he is, Paolo is mostly marked for his unrestrained selfishness.  “You are a bad man,” he is told.  When an aunt dies, he is dismayed to learn that, not only has he not inherited anything of value, he is to burdened for a few days by her grandson, his nephew. Having been raised in isolation, the nephew is an odd duck with some tendencies of autism and/or Asberger’s. Paolo wants to dump the kid until he finds out that the nephew is a savant in one area that Paolo just might be able to exploit.

The comedy comes from the outrageousness of Paolo’s bad behavior (a very funny sprinkling of ashes, for example) and his venal attempts to profit from the nephew.  Of course, he has an opportunity for redemption at the end.  Although I wouldn’t go out of my way to see it, it’s all pretty funny, and Zoran, My Nephew the Idiot is a pretty satisfying little comedy.

DVD/Stream of the Week: Nebraska

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In the funny, poignant and thought-provoking Nebraska, a Montana geezer named Woody (Bruce Dern) gets a sweepstakes come on in the mail and believes that he has actually won a million dollars. Unwilling to accept the explanations from his loved ones, Woody is determined to get to Omaha to claim his fortune – by walking if necessary. His son David (Will Forte from Saturday Night Live) decides to drive him, and their journey takes them through Woody’s tiny Nebraska hometown.

At first, we see that Woody is bitter, drinks too much, is sometimes addled and drives his loved ones crazy. As the story progresses, we learn that Woody’s bitterness is rooted in frustration of his modest aspirations by both circumstance and by his own shortcomings. And we see David longing for a relationship with his father that he had never thought possible before. David makes a valiant effort, but Woody is long past any sentimentality. In Nebraska, director Alexander Payne (Sideways, The Descendants) has another triumph of endearingly flawed characters.

There are many laughs in Nebraska, the funniest coming from Woody’s wife’s salty exasperation, David’s repellant cousins and the hilarious theft of a generator.

The acting is outstanding. Bruce Dern deservedly got an Oscar nomination. It’s a character that is revealed to be more and more complex. Is he demented, or is he in denial, or is he lying? Some of each for sure, but it’s always hard to tell. Dern has stated that he called upon his own experience with unsupportive parents to play the film’s most searing scene, in which David takes a reluctant Woody back to see Woody’s now abandoned childhood home. June Squibb, who play’s Woody’s wife, was also nominated for an Oscar; indeed, she gets to deliver most of the funniest lines.

But there are two other exceptional performances that I don’t want to overlook. As the son, Will Forte plays Woody’s straight man. It’s a far less flashy role – and perhaps more challenging role. But Forte lets us see past the son’s stoicism to his pain, embarrassment, frustration, determination and love.

And Actress Angela McEwan has the tiny part of the small town newspaper publisher. She just gets one brief exchange with Forte and then a second scene where she looks at a truck driving past. That look is one of the unforgettable moment in cinema this year.

Finally, my parents were from Nebraska, and I have spent plenty of time in the state. I must say that I have NEVER seen such a dead on take on small town Nebraska and Nebraskans. If you see Nebraska, you really don’t need to visit the real Nebraska to capture the full experience.

I found Nebraska to be an exceptionally evocative family portrait, and I’ve liked and admired it the more I’ve thought about it. One of my Best Movies of 2013 and nominated for the Best Picture Oscar, it is available on DVD from Netflix and Redbox and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and XBOX Video.

Cinequest at festival midpoint

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photo courtesy of The Wife
photo courtesy of The Wife

The 2014 edition of Cinequest has emphasized comedy, and that has paid off with some of the festival’s biggest hits:

  • The Grand Seduction: Cinequest’s opening night film was this uproarious Canadian knee-slapper – a Waking Ned Devine with random acts of cricket.
  • Friended to Death: this sharply funny idie satirizes our obsession with social media. TMI becomes LOL.
  • Heavenly Shift: the hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival.
  • Hunting Elephants: an Israeli caper comedy with Patrick Stewart (as you’ve never seen him).

The other most popular Cinequest hits have been the exquisite Polish drama Ida and the Canadian weeper Down River.  I also particularly like the Slovenian class room drama Class Enemy.

Most of these films are still scheduled to play in the last half of the festival.  Subject to Cinequest’s exhibition rights, I’m guessing that the most likely candidates for Cinequest’s Encore Day on Sunday, March 16 are Ida, Friended to Death, Down River, Hunting Elephants and Class Enemy.

Cinequest: Friended to Death

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FRIENDED TO DEATH
FRIENDED TO DEATH

What kind of douchebag would fake his own death to see who shows up to his funeral?  Indeed, in the comedy Friended to Death, there’s a reason why everyone calls Michael Harris a douchebag.  He is a colossal jerk who revels in the misfortunes of others.  In his job as a parking enforcement officer, he’s a gleeful Johnny Appleseed of misery.  Worse yet, he is a social media addict who narcissistically insists on constantly blasting his escapades on Facebook and Twitter.  He’s oblivious that his own social media proves himself to be the asshole everybody says that he is.

You know that Michael is ripe for a comeuppance, and he gets a dose of his own medicine when one of his premature vehicle tows unleashes an unhinged enemy for life.  There are plenty of madcap moments as Michael (Ryan Hansen from TV’s Friends with Benefits) and his reluctant co-conspirator Emile (James Immekus) frantically try to conceal their hoax.

Friended to Death writer-director Sarah Smick and co-writer Ian Michaels archly comment on the “social” in social media.   Their Michael Harris says “I have 417 friends – you don’t expect me to know ALL of them!” and “I speak in text”.  Really smart comedy writing is pretty rare, and Smick and Michaels have the gift.  Michaels got the idea after reading about a guy who faked his own death and wrote scathing rebukes to those who missed his faux memorial.  By dropping that kernel into our current environment of over-sharing, Smick and Michaels were able to alchemize it into a biting social satire.

Smick and Michaels are longtime collaborators who married last October.  In 2011, Smick and Michaels brought their equally funny Here’s the Kicker to Cinequest; (Michaels directed that one).   Here’s the Kicker is available streaming on YouTube and is also is out on DVD.

In Friended to Death, Smick and Michaels play characters trying to expose the fraud.  They are very good in their roles, as is veteran Robert R. Shafer (Bob Vance in The Office) as that boss who just can’t restrain himself from yelling.

In Friended to Death, TMI becomes LOL.  Pointedly smart and well-crafted dark comedies don’t come along every day.  Don’t miss Friended to Death, playing again at Cinequest tonight and on Friday.

Cinequest: The Grand Seduction

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Cinequest opened on an especially uproarious note with the Canadian comedy The Grand Seduction.  The audience, including me and The Wife, rollicked with laugh after laugh.

Brendan Gleeson (In Bruges, The Guard, The General, Braveheart) and Gordon Pinsent (Away from Her) play isolated Canadians try to snooker a young doctor (Taylor Kitsch of Friday Night Lights) into settling in their podunk village.  They enlist the entire hamlet in an absurdly elaborate and risky ruse, and the result is a satisfying knee-slapper that reminds me of Waking Ned Devine with random acts of cricket.

Like Ned Devine, I think that The Grand Seduction can become a long-running imported art house hit like The Best Exotic Marigold Hotel or The Full Monty.  And I would definitely see it again.

Cinequest: Parallel Maze

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Parallel MazeThe Chinese thriller Parallel Maze tries to be Psycho with parallel universes thrown in.  Unhappily, it is a shoddy and incoherent film.  Here’s how you could end up with Parallel Maze: show an eighth grader Upstream Color, hand him a digital camera along with 200 bucks and tell him, “Make THAT”.

Ed Wood is alive, and he is Chinese.  Parallel Maze employs – from time to time and for seemingly no reason – every conceivable film effect: shaky cam, jump cuts, split screen even animation.  It’s all just kinda thrown up there. And in the Psycho like shower scene, you can tell right away which character is the slasher, which fatally dilutes the impact.

It’s clear that the filmmakers are movie lovers – besides a movie-within-the-movie and the explicit homage to Psycho, there are references to movies from Love Story to The Treasure of the Sierra Madre.  The parallel threads of the story’s structure and the movie references were a promising start, but the low production values and random filmmaking techniques are just too distracting.

I saw Parallel Maze at its world premiere at Cinequest.

Another visit to Cinequest by Friended to Death filmmakers

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The indie comedy Friended to Death has its US premiere tonight at Cinequest, and it’s not the first time for the filmmakers. Friended to Death writer-director Sarah Smick and co-writer Ian Michaels brought their Here’s the Kicker to Cinequest in 2011 (Michaels directed that one).  Smick and Michaels also act in both movies.

In Here’s the Kicker,the relationship of a prematurely retired football player and his girlfriend is being battered by their dead-end jobs in LA; (she is a make up artist – in porn films). To save their relationship, he agrees to move back to her hometown in Texas where they can open a salon/saloon: a combo beauty parlor and sports bar. Just as they are leaving on the road trip, he is offered his dream job as a football scout. When is he going to get the nerve to tell her? Along the way, they pick up his obnoxious former teammate and, most hilariously, his dad, who does NOT want to return to alcohol rehab. Many guffaws ensue in this all too rare occurrence – a satisfying American film comedy.

As the girlfriend, Sarah Smick succeeds in remaining sympathetic despite being continually aggrieved – no easy accomplishment. Luce Rains is great as the drunk dad.

According to Ian Michaels at the Cinequest screening, Producer/Cinematographer/Editor Chris Harris made the key decision to cut some early scenes so the road trip could commence sooner. Obviously, that move worked. Here’s the Kicker deserves a wide release.

Good news. Here’s the Kicker is available streaming on YouTube.  It’s also is now out on DVD.  Please go to the movie’s Netflix page and click SAVE – once it gets enough SAVES, it will become available on Netflix.

It’s hard to write comedy. Otherwise, we’d be seeing lots of good comedies. That’s why it’s worth tagging along on the uproarious road trip in Here’s the Kicker.

This weekend at Cinequest

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Don't miss IDA at noon on Saturday
Don’t miss IDA at noon on Saturday

My feature articles and comments on individual Cinequest movies and my feature articles are linked at CINEQUEST 2014.  Follow @themoviegourmet on twitter for real-time Cinequest coverage.  Here are my tips for Cinequest films this weekend:

TODAY

Heavenly Shift: I howled at this hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival. North American premiere at 2:30 PM.

SATURDAY

A special screening of Fruitvale Station: the masterpiece debut from Bay Area filmmaker Ryan Coogler, introduced by LA Times and NPR Morning Edition movie critic Kenneth Turan.

Haven’t seen it, but the chatter in festival queues is universally positive for the Canadian weeper Down River.

Words and Pictures: I haven’t seen this romantic comedy starring Clive Owen and the ever-radiant Juliette Binoche as sparring teachers, but it figures to be a crowd pleaser.

SUNDAY

A noon screening is your last chance to see one of the very best films at Cinequest, the polish drama Ida, which won the International Critics’ Award at the Toronto International Film Festival.  Justifiably very popular at Cinequest.

Hunting Elephants: I haven’t seen this Israeli caper comedy starring Patrick Stewart, but it’s picked up positive buzz at the festival.

Here’s the 2014 Cinequest program and ticket information.

Cinequest: Heavenly Shift

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Heavenly Shift1The dark Hungarian comedy Heavenly Shift (Isteni mûszak) is deliriously funny.  A rogue ambulance crew gets kickbacks from a shady funeral director if the patient dies en route to the hospital.  Said undertaker also uses his coffin inventory for his human smuggling ring, and he makes his payoffs in a Chinese restaurant.  The ambulance driver is addicted to laughing gas and scolds everyone about the difference between samurai and ninja swords.  Then there’s the addict who lives in the subway and repeatedly slashes herself so she can jump the responding ambulance crew and steal their morphine.

The laughs are enhanced by spaghetti western music, complete with showdown-in-the-main-street power chords for dramatic confrontations.  The cast delivers wonderfully dead pan performances, especially Roland Rába (Question in Details in the 2011 Cinequest).  There’s an especially messy emergency tracheotomy in a produce market and a hysterically madcap runaway ambulance sequence near the end.

Now this is a DARK comedy – and if you don’t find the likes of Killer Joe, The Guard, Bernie and Headhunters really funny, then this may not be for you.  For cynics like me, the more noir the better, and I think Heavenly Shift is a freaking riot.

Heavenly Shift’s North American Premiere is March 7 at Cinequest, and it plays again on March 12 and 14.