Movies to See Right Now

Judi Dench and Steve Coogan in PHILOMENA

Okay – now we’re at that point in late autumn where the theaters are filling with many of the year’s best movies.

  • The French drama Blue Is the Warmest Color, with its stunning performance by 19-year-old actress Adèle Exarchopoulos, currently tops my list of Best Movies of 2013 – So Far.
  • I really liked and admired the funny, poignant and thought-provoking family portrait Nebraska from Alexander Payne (Sideways, The Descendants).
  • Philomena, with Judi Dench and Steve Coogan is an emotionally satisfying gem.
  • The city of Rome dazzles in The Great Beauty, already a favorite for the Best Foreign Language Oscar.
  • This weekend, I will write about The Hunger Games: Catching Fire, another fine thriller from that franchise, with another amazing performance by Jennifer Lawrence.

Other good choices include the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance. 12 Years a Slave is an unsparingly realistic depiction of the horrors of American slavery.

On December 7, Turner Classic Movies offers the unique Russian Ark (2002).  A narrator wanders through the Winter Palace in the famed Hermitage Museum in St. Petersburg.  He is from an earlier historical period, and he meets characters from other eras in Russian history.  Along the way he talks to a 19th century French companion and, sometimes, directly to us – the audience.  Sometimes the characters see each other and sometimes they don’t – all very trippy.  And here’s the most remarkable aspect of Russian Ark – it was all shot with a Steadicam in ONE 96-minute continuous shot.  Sure, it’s a gimmick, but the movie can stand on its own as a watchable art film.

Philomena: an emotionally satisfying gem

The title character in Philomena, is an Irish woman who was shipped off to the nuns as a pregnant teen and whose toddler was adopted without her genuine consent.  Now over forty years later, she wants to find what has happened to her son.  Philomena (Judi Dench) is a simple woman, whose deep faith has been unable to resolve her sense of loss.  She enlists a British journalist (Coogan) to help her in the investigation.  The journalist takes them on a journey that finds her answers – and some of those answers are wholly unexpected.

The nuns in the 1950s flashback are cartoonishly nasty, contrasted with their modern counterparts – just as evil but with slickly modern PR skills.  Philomena’s faith enables her victimhood, but then an act of transcendence reveals her to be the most Christian character.

Of course, Dench is always excellent, but Coogan’s performance shows an unexpected range.  His character has just had his high-flying career derailed and has lost the smug confidence that Coogan’s characters usually impart.

Director Stephen Frears (High Fidelity, Dirty Pretty Things, The Queen) has a big success with Philomena, a nice rebound from his most recent efforts (Tamara Drewe, Lay the Favorite).   Philomena is an emotionally satisfying success – the unexpected gem of Fall 2013.

The Great Beauty: decadence, stunning imagery and the beauties of Rome itself

As The Great Beauty (La grande belleza) begins, its protagonist Gep Gambardella is celebrating his 65th birthday in a feverishly hedonistic party.  Gep authored a successful novel in his twenties, which has since allowed him the indulgent life of a celebrity journalist, bobbing from party to party among Rome’s shallow rich.  Gep is having a helluva time, but now he reflects on the emptiness of his milieu and the superficial accomplishments of his past 40 years.  As he alternates introspection and indulgence, we follow him through a series of strikingly beautiful Roman settings.  (And, because Gep  parties all night, we see lots of gorgeously still Roman dawns.)

The Great Beauty is foremost an extraordinarily beautiful art film. If you’ve been to Rome, you know that it is a generally chaotic city with unexpected islands of solitude.  The Great Beauty captures this aspect of the Eternal City better than any other film I’ve seen.  On one level, The Great Beauty is very successful Rome porn.

Writer-director Paolo Sorrentino also explores the moral vacuity of the very rich and the party life. It’s the Italy of Silvio Berlusconi, whom Sorrentino blames for enabling a national culture of escapism.  These themes, along with the main character and the movie’s structure are of course nearly identical to Fellini’s great La Dolce Vita (1960), but The Great Beauty is more accessible, funnier and a bit more hopeful – and much more of a showcase for the cityscape of Rome.  Sorrentino provides plenty of laughs, especially with a gourmet-obsessed cardinal and a cadaverous celebrity nun with a Mephistopheles-looking handler.

It’s hard to imagine an actor better suited to play Gep than Toni Servillo.  Servillo perfectly captures both the happiness Gep takes in carnal pleasure and his self-criticism for giving his entire life to it.  Servillo’s Gep is brazenly proud of his own cynicism, until we see his humanity breaking through at a funeral.  Servillo is even magnificent in wearing Gep’s impressive collection of sports jackets.

There’s so much to The Great Beauty – stunning imagery, introspection, social criticism, sexual decadence, fine performances, humor and a Rome travelogue – each by itself worth a visit to the theater.  The Great Beauty, which will be one of the favorites for the Best Foreign Language Oscar, may not be in theaters for very long – catch it while you can.

Frozen: doesn’t leave you cold

by guest bloggers The Wife and Niece #1

We went to Frozen, to see how the film would stand up against other Holiday movies as well as other classic Disney movies. This heartwarming motion picture holds its own by taking a new spin on the Disney love story, reminding us that love comes in forms other than romantic.

The uniqueness of Frozen‘s story focuses on sisterly love.  While, like most other Disney movies, it does have a good dose of romance, the relationship between the sisters in Frozen  is very refreshing.

Frozen also stands out among the Disney movies through its music. The odd, tribal intro didn’t work for us, but the majority of the score does a good job bringing classic Disney show tunes into the modern-day musical.

Overall, the movie is a great balance between modern and classic Disney. While new twists on music and a refreshing tale of love keep this story from being your boring old animated film, the characters and plot give viewers the mix of adult and kid humor expected of Disney.  This is the perfect multi-generational movie for this Holiday season.  For those who feel like splurging, it may be worth seeing in 3D.  So warm up this winter, and go see Frozen.

[Note from The Movie Gourmet:  I really appreciate The Wife and Niece #1 seeing and commenting on Frozen, because it’s an important film that I just am not going to get to (I tend to skip musicals).  I’ve read several rave reviews of Frozen by mainstream critics (Frozen has a solid MetaCritic rating of 74) that predict that Frozen will win the Best Animated Feature Oscar and that see its potential Broadway spin-off as a sure-fire hit. But – at the end of the day – what makes a good movie is ALWAYS a good story, and it was very perceptive of The Wife and Niece #1, apart from other reviews I’ve read, to point out the sister-sister theme that sets Frozen apart.]

Movies to See Right Now – Thanksgiving Weekend

Bruce Dern and Will Forte in NEBRASKA

I really liked and admired the evocative family portrait Nebraska from Alexander Payne (Sideways, The Descendants).  The funny, poignant and thought-provoking Nebraska opens this weekend, and features strong performances from Bruce Dern (a certain Oscar nod) and Will Forte and June Squibb.

Please don’t miss the French drama Blue Is the Warmest Color , which explores first love, capturing the arc of a young woman’s first serious romance with remarkable authenticity and a stunning performance by 19-year-old actress Adèle Exarchopoulos. It’s three hours long, justifiably rated NC-17 and currently tops my list of Best Movies of 2013 – So Far.

Other good choices include the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance. 12 Years a Slave is an unsparingly realistic depiction of the horrors of American slavery.

Check out my VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including How to Make Money Selling Drugs).

My DVD/Stream of the Week is the entirely fresh and riveting Parkland, which sharply dramatizes the events of November 22-25 in Dallas from the viewpoints of the secondary participants. Parkland is available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, GooglePlay and XBOX Live.

On TV, you can’t do any better than John Ford’s mold-breaking Western The Searchers, with John Wayne playing a man filled with racism, obsessed with revenge and never ever giving up.  Turner Classic Movies on November 30.

Nebraska: funny, poignant and thought-provoking

In the funny, poignant and thought-provoking Nebraska, a Montana geezer named Woody (Bruce Dern) gets a sweepstakes come on in the mail and believes that he has actually won a million dollars.  Unwilling to accept the explanations from his loved ones, Woody is determined to get to Omaha to claim his fortune – by walking if necessary.  His son David (Will Forte from Saturday Night Live) decides to drive him, and their journey takes them through Woody’s tiny Nebraska hometown.

At first, we see that Woody is bitter, drinks too much, is sometimes addled and drives his loved ones crazy.  As the story progresses, we learn that Woody’s bitterness is rooted in  frustration of his modest aspirations by both circumstance and by his own shortcomings.  And we see David longing for a relationship with his father that he had never thought possible before.  David makes a valiant effort, but Woody is long past any sentimentality.  In Nebraska, director Alexander Payne (Sideways, The Descendants) has another triumph of endearingly flawed characters.

There are many laughs in Nebraska, the funniest coming from Woody’s wife’s salty exasperation, David’s repellant cousins and the hilarious theft of a generator.

The acting is outstanding.  Bruce Dern will certainly – and deservedly – get an Oscar nomination.  It’s a character that is revealed to be more and more complex.  Is he demented, or is he in denial, or is he lying?  Some of each for sure, but it’s always hard to tell.  Dern has stated that he called upon his own experience with unsupportive parents to play the film’s most searing scene, in which David takes a reluctant Woody back to see Woody’s now abandoned childhood home.  June Squibb, who play’s Woody’s wife, has also been mentioned for an Oscar nod; indeed, she gets to deliver most of the funniest lines.

But there are two other exceptional performances that I don’t want to overlook.  As the son, Will Forte plays Woody’s straight man.  It’s a far less flashy role – and perhaps more challenging role.  But Forte lets us see past the son’s stoicism to his pain, embarrassment, frustration, determination and love.

And Actress Angela McEwan has the tiny part of the small town newspaper publisher.  She just gets one brief exchange with Forte and then a second scene where she looks at a truck driving past.  That look is one of the unforgettable moment in cinema this year.

Finally, my parents were from Nebraska, and I have spent plenty of time in the state.  I must say that I have NEVER seen such a dead on take on small town Nebraska and Nebraskans.  If you see Nebraska, you really don’t need to visit the real Nebraska to capture the full experience.

I found Nebraska to be an exceptionally evocative family portrait, and I’ve liked and admired it the more I’ve thought about it.  One of the Best Movies of 2013 – So Far.

DVD/Stream of the Week: Parkland

James Badge Dale and Jacki Weaver on left in PARKLAND

On the morning of November 22, 1963, many folks in Dallas did not expect to be impacted by the Presidential visit – not the medical staff at Parkland Memorial Hospital, not the assassin’s brother Robert Oswald and, shockingly, not the local FBI office. Businessman Abraham Zapruder did intend to catch a peek at the spectacle of a presidential motorcade, but as an onlooker, not as a participant. This is the inventive perspective of Parkland, which sharply dramatizes the events of November 22-25 in Dallas. We’re all familiar with the actions of JFK, Jackie, Lee Harvey Oswald and LBJ on that fateful day, but these characters are only glimpsed in Parkland, which explores the JFK assassination from the viewpoints of the secondary participants.

It’s a very successful approach. The four story lines are compelling – the surgeries, the Zapruder film and the reactions by the Oswalds and the local FBI office. Parkland‘s rapid cuts and handheld (but not too jerky) cameras enhance the urgency.

The cast is excellent, with the most unforgettable performances coming from Marcia Gay Harden as an emergency room nurse, Paul Giamatti as Zapruder, James Badge Dale (the unforgettable Gaunt Young Man in Flight) and Jacki Weaver (Oscar nominated for Animal Kingdom) as Marguerite Oswald.

Parkland is conspiracy-theory-neutral. It portrays events that everybody – regardless of how you feel about the lone gunman theory – recognizes: the emergency surgeries attempting to save Kennedy (and then Oswald), the processing of the Zapruder film, the Oswald family’s reaction to the events, the FBI’s destruction of some key evidence.

Parkland is now available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube, GooglePlay and XBOX Live.

Coming up on TV: a feast of crime movies

BULLITT

Here’s a treat – on November 26, Turner Classic Movies is celebrating Cops and Robbers with a feast of crime movies. I especially recommend:

  • The Taking of Pelham One Two Three (1974): A criminal mastermind (Robert Shaw) and his gang of commandos capture a NYC subway train and ransom the passengers; the transit authority police commander (Walter Matthau) must match wits.  Excellent cast includes Hector Elizondo and Martin Balsam.  I prefer this original to the 2009 remake.
  • Every police procedural from 1948 through today’s Law and Order and CSI owes something to the prototypical The Naked City (1948). Tenacious New York City cops solve a murder amid gritty streets and shady characters. Unusual for the time, it was shot on location.   Directed by noir great Jules Dassin, The Naked City won Oscars for black and white cinematography and film editing.
  • Bullitt (1968) features Steve McQueen and one of cinema’s most iconic and influential chase scenesMcQueen’s 1968 Ford Mustang Fastback  and the bad guy’s 1968 Dodge Charger careen through San Francisco, taking almost 11 minutes to race from Fisherman’s Wharf to Brisbane.  Classic.
  • The French make really good crime dramas, and Rififi (1955) is a standard-setting heist filmAfter the team is assembled and the job is plotted, the actual crime unfolds in real-time – over thirty minutes of nerve wracking silence.
  • In The Asphalt Jungle (1950), the crooks assemble a team and pull off the big heist…and then things begin to go wrong.  There aren’t many noirs with better casting – the crooks include Sterling Hayden, Louis Calhern, Sam Jaffe and James Whitmore.  The 23-year-old Marilyn Monroe plays Calhern’s companion in her first real speaking part.  How noir is it? Even the cop who breaks the case goes to jail.  Directed by the great John Huston.
  • If you like your film noir tawdry, then Gun Crazy (1950) is for you.  Peggy Cummins plays a prototypical Bad Girl who takes her newlywed hubby on a crime spree.
THE ASPHALT JUNGLE

Movies to See Right Now

Adèle Exarchopoulos in BLUE IS THE WARMEST COLOR

The French drama Blue Is the Warmest Color explores first love, capturing the arc of a young woman’s first serious romance with remarkable authenticity and a stunning performance by 19-year-old actress Adèle Exarchopoulos. It’s three hours long, justifiably rated NC-17 and currently tops my list of Best Movies of 2013 – So Far.

Other good choices include the flawless true story thriller Captain Phillips and the space thriller Gravity – an amazing achievement by filmmaker Alfonso Cuarón with what may be Sandra Bullock’s finest performance. 12 Years a Slave is an unsparingly realistic depiction of the horrors of American slavery. The Motel Life is a solid character-driven drama. Joseph Gordon Levitt’s offbeat comedy Don Jon offers both guffaws and an unexpected moment of self-discovery.

Check out my new feature VOD Roundup, where you can find my comments on over twenty current movies available on Video on Demand. There are some good ones, some bad ones and some really, really good ones (including How to Make Money Selling Drugs).

Here’s a treat – on November 26, Turner Classic Movies is celebrating Cops and Robbers with a feast of crime movies. The menu includes The Taking of Pelham One Two Three, Naked City, Bullitt, Rififi, Asphalt Jungle and Gun Crazy.  I’ll be writing more about these films on the weekend.

DVD/Stream of the Week: Much Ado About Nothing

Alexis Denisof and Amy Acker in MUCH ADO ABOUT NOTHING

Director Joss Whedon (The Avengers, Buffy the Vampire Slayer) takes a break from pop with Shakespeare’s Much Ado About Nothing. It’s set in current times (with iPods and cupcakes) and filmed in black and white at Whedon’s Santa Monica home. It worked for me.

Whedon told NPR “Some people won’t see Shakespeare because they don’t believe there’s characters in them, they think it’s, you know, homework.” Whedon’s version brings out the screwball comedy sensibility of the tale. Indeed, there’s really nothing uniquely 16th century about the plot: one couple is perfectly matched but they think that they despise each other, another couple is head over heels in love and a mean, unhappy villain wants to break up the romance. As the primary couple who wage “a merry war” of wit, Alexis Denisof and Amy Acker keep up with the quick-paced barbed patter and show a gift for flopping-on-the-floor physical humor. Nathan Fillion hilariously deadpans the malapropisms of Dogberry, here the dimmest supervising rent-a-cop in English literature.

[Note: There’s also some serious home and party decorating/staging porn for the HGTV set.]

It’s all good fun, and there’s no need to review the play before enjoying it. In fact, I’m adding it to my list of Best Shakespeare MoviesMuch Ado About Nothing is available on DVD from Netflix and Redbox and streaming from Amazon, iTunes, Vudu, YouTube and other VOD outlets.