Cinequest: BAREFOOT

BAREFOOT

The excellent Czech historical drama Barefoot is from director Jan Sverák, who won an Oscar for Kolya. It’s the coming of age story of a small boy named Eda and is set during World War II. The local puppets collaborating with the Nazis make it impossible for Eda’s father to stay in the city, so he moves his family to his rural home village.

In the countryside, Eda develops a gang of buddies and meets his mysterious uncle Wolf. In the city, Eda’s father had been courageous – even risking his life – to undermine the Nazis; but, in the village, the father is completely submissive to his own father and the rural extended family.

The war is in the background, occasionally protruding into the forefront. The Germans are on their heels and a Russian victory is inevitable, but the Germans are still in control and dangerous.

We follow the story through the boy’s lens, and there’s an effective balance of humor and drama. Whether in wartime or peacetime, a boy must grow and learn life lessons and form his character.

I saw Barefoot at Cinequest, where Director of Programming Mike Rabehl secured the rare black-and-white director’s cut. The black-and-white is splendid, and there’s a sleigh ride scene that is magical.

Barefoot, which is way better than the Oscar winner Kolya, is another gem from Cinequest’s international film scout Charlie Cockey. It doesn’t yet have distribution in the US, but I’ll let you know when it’s available to US audiences.

Cinequest: THE LINE

THE LINE

In the neo-noir Slovak thriller The Line (Ciara), Adam’s (Tomas Mastalir) life is about to be changed by history. The Schengen agreement, which opens the borders between the European nations, is about to be implemented. That’s a problem for Adam, who leads a crew of smugglers who sneak Ukrainian cigarettes through Slovakia to Austria and other European markets. First, there’s no longer going to be any market for smuggling anything out of Slovakia. Second, the border between Slovakia and the Ukraine is going to be hardened, so he’s no longer going to be able to source anything from the Ukraine. What was going to be his last big job goes awry, leaving him in hopeless hock to a ruthless Ukrainian gangster. So he’s going to have to take a chance on a very dangerous job.

We see Adam’s crew equipping vehicles with hidden compartments and making bribes at the border.  One crew member sends off a load of bootleg cigarettes with “Cancer is headed to Austria”.

Adam is one tough mother, a guy who is exceptionally tough even by the standards of movie crime bosses.  But he’s under increasing pressure, and that same pressure is incentivizing people he relies on to go sideways on him.  At its heart, The Line is a film about betrayal.

It turns out that Adam runs a business started by his mother (Emília Vásáryová), who is herself the most formidable and lethal granny since Livia Soprano or Lillian Gish in The Night of the Hunter.  There’s a great scene near the end where Adam and mom experience a shared memory of what happened to his father.

Adam’s wife (Zuzana Fialová) knows him very well.  She also knows when to hold her cards and when to fold them.

The Line keeps getting darker – and then even darker – until a major veer at the end.  It’s an effective character-driven thriller.

The Line was directed by Peter Bebjak, who acted in the best foreign film at the 2017 Cinequest, The TeacherThe Line was Slovenia’s submission to this year’s Oscars.

Cinequest: THE WIND

Lillian Gish in THE WIND

The Wind is usually named as Lillian Gish’s top silent film performance. Gish plays a young pioneer woman who is stranded in a vast sparsely populated Western desert.  She marries one of her several suitors and takes up housekeeping in an isolated cabin, with only the perpetually howling wind for company.  She has to “wash” her dishes in sand.  Unsurprisingly, she can’t take it and is driven to desperate measures.

Fortunately, I got the chance to see The Wind at Cinequest on the big screen of a period movie palace, the California Theatre, accompanied by world-renowned Dennis James on the Mighty Wurlitzer organ.

Dennis James traveled with Lillian Gish as accompanist when she would present movies.  For The Wind he added two colleagues on wind machines.  Before the film, James read a florid movie mag account of a visit to the set of The Wind in the Mojave.   I recommend Sal Pizarro’s excellent profile of Dennis James in the Mercury News.

James’ organ accompaniment and the large audience made all the difference.  I had watched The Wind by myself on tv and started using the fast forward on the remote.  But there’s lots of humor embedded in The Wind which is activated by the laughing of audience members.

It’s easy to appreciate how Gish rose to stardom.  Her slight, delicate frame is offset by her spirited charisma.   She’s great when three men propose to her on the same evening and she’s not feelin’ it.  Gish, Dennis James’ Wurlitzer and the California Theatre made for a wonderful cinema experience.

THE WIND

Movies to See Right Now

BOMBSHELL: THE HEDY LAMARR STORY

As usual, I’m deep into covering Cinequest rigorously with features and movie recommendations. Bookmark my Cinequest 2018 page, with links to all my coverage. Follow me on Twitter for the latest.

Opening in the Bay Area today, Bombshell: The Hedy Lamarr Story is the riveting biopic of a glamorous movie star who invented and patented the precursor to wireless technology; that’s amazing enough, but Bombshell delves deeply into how Lamarr’s stunning face, her Jewish heritage and mid-century gender roles shaped her career, marriages and parenting. Top notch.

Also opening is The Leisure Seeker, an Alzheimer’s road trip dramedy with Helen Mirren and Donald Sutherland.  Mirren and Sutherland are excellent, possibly enough to see this in a theater.

These Oscar winners are still in theaters:

  • The Shape of Water, Guillermo del Toro’s imaginative, operatic inter-species romance may become the most-remembered film of 2017.
  • Three Billboards Outside Ebbing, Missouri a powerful combination of raw emotion and dark hilarity with an acting tour de force from Frances McDormand and a slew of great actors.
  • Pixar’s Coco is a moving and authentic dive into Mexican culture, and it’s visually spectacular.
  • I, Tonya is a marvelously entertaining movie, filled with wicked wit and sympathetic social comment.

My Stream of the Week, the insightful and topical documentary The Brainwashing of My Dad, comes from the 2016 Cinequest. The Brainwashing of My Dad is available streaming on Amazon Video, Vudu, YouTube and Google Play.

On March 10, Turner Classic Movies airs 99 River Street (1953), featured in my Overlooked Noir. Film noir tends to be about guys with bad luck, but nobody would trade their luck with Ernie Driscoll (John Payne), the anti-hero of 99 River Street; a former boxer with a career cut short, he’s being emotionally abused AND cuckolded by his no good wife, framed for a murder, beaten up, and THEN he’s set up by the Good Girl, of all people. That Good Girl is played by one of the most underrated of 1950s actresses, Evelyn Keyes. She has two killer scenes in 99 River Street. An “acting scene” on a darkened theater stage is one of the movie’s highlights. And later, her character gets to pretend to be a boozy floozy who lights her cigarette in the most suggestive manner possible.

Off-screen, Evelyn Keyes enjoyed a very rich personal life. “I always took up with the man of the moment and there were many such moments,” she said. She married directors Charles Vidor and John Huston and big band leader Artie Shaw. Her kiss-and-tell autobiography recounted affairs with Glenn Ford, Sterling Hayden, Dick Powell, Anthony Quinn, David Niven, Kirk Douglas.and Mike Todd (who left her for Elizabeth Taylor). Wow.

Evelyn Keyes in 99 RIVER STREET

THE LEISURE SEEKER: Mirren and Sutherland on a road trip

Donald Sutherland and Helen Mirren in THE LEISURE SEEKER, Photo courtesy of Sony Pictures Classics.

In The Leisure Seeker, a strong-willed suburban retiree (Helen Mirren) finds her longtime husband (Donald Sutherland) sinking into Alzheimer’s.   Having been a teacher who has found the greatest joy in his recall of literature, the impact of the memory disease will be very specific.  Facing a health issue of her own, she decides to take him on a road trip all the way down the Eastern Seaboard to Ernest Hemingway’s house in Key West. Off they go in their trusty Winnebago and adventures ensue.

There’s plenty of humor here, and this is not a particularly heartbreaking Alzheimer’s movie.  Mirren and Sutherland are both just so good in their roles.  Sutherland’s hubby is good-natured as long as he can pilot his 20-foot RV and get a decent hamburger without having to learn a restaurant server’s first name; he slips into a literary revelry at the slightest provocation.   Mirren is the social navigator, now faced with corralling somebody who now dips into another reality.

It’s the first American film for the accomplished Italian director Paolo Virzi (Like Crazy).  Unfortunately, there’s just something about the iconic American road trip and, perhaps, America itself that Virzi just doesn’t get, and The Leisure Seeker never quite ascends to greatness.

I was amused more than thrilled or moved by The Leisure Seeker.  Yet the performances of Helen Mirren and Donald Sutherland can justify catching the movie.

Cinequest: YOU CAN’T SAY NO

Marguerite Moreau and Hus Miller in YOU CAN’T SAY NO

In the indie romantic comedy You Can’t Say Know, Alex (Marguerite Moreau) and Hank (Hus Miller) are at the end of a 14-year-old marriage.  Their relationship has never been communication-rich, things have gotten stale and a Hank affair has brought down the curtain.  Just before they sign the divorce papers, they send the kids off to camp and take individual road trips.  Coincidentally, they meet up on the road, and they play a game, taking turns to order the other to do something that he/she cannot refuse.  Comic situations, raw emotions and redemption ensue.

Moreau is especially good as the wife who needs to express her anger but still believes that she will be happiest choosing an improved marriage over divorce.  Alex is trying to find her path, and she’s definitely not a doormat.  Moreau brings spunk and likeable charm to the role.

Peter Fonda is wonderful as Hank’s eccentric winemaking dad Buck.  Hamish Linklater is sometimes hilarious as Buck’s wacky protegé.  Ingrid Vollset brings spirit and sympathy as the free-spirited vagabond Allison.

 

Hus Miller wrote the screenplay in his feature debut as a writer.  Unfortunately, You Can’t Say No doesn’t harvest its comic potential. The scenes are often a few counts too long, and the direction and editing tend to be clunky.

You Can’t Say No had its world premiere at Cinequest.

Peter Fonda in YOU CAN’T SAY NO

Stream of the Week: THE BRAINWASHING OF MY DAD

THE BRAINWASHING OF MY DAD
THE BRAINWASHING OF MY DAD

In honor of Cinequest, this week’s video pick is The Brainwashing of My Dad, which had its US Premiere at the 2016 Cinequest.

Ever notice how people who watch a lot of Fox News or listen to talk radio become bitter, angry and, most telling, fact-resistant? In the documentary The Brainwashing of My Dad, filmmaker Jan Senko as she explores how right-wing media impacts the mood and personality of its consumers as well as their political outlook. Senko uses her own father Frank as a case study.

We see Frank Senko become continually mad and, well, mean. And we hear testimony about many, many others with the identical experience. Experts explain the existence of a biological addiction to anger.

Senko traces the history of right-wing media from the mid-1960s, with the contributions of Lewis Powell, Richard Nixon, Rush Limbaugh, Roger Ailes and Rupert Murdoch. Senko even gets right-wing wordsmith Frank Luntz on camera to explain the power of buzz words. If you don’t know this story (Hillary was right about the “vast, right-wing conspiracy”) , Senko spins the tale very comprehensively. If you do know the material (and my day job is in politics), it is methodical.

This topic is usually explored for its impact on political opinion. Senko’s focus on mood and personality is original and The Brainwashing of My Dad contributes an important addition to the conversation. One last thing about the brainwashing of Senko’s dad – it may not be irreversible…

I first reviewed The Brainwashing of My Dad for its U.S. Premiere at Cinequest 2016. The Brainwashing of My Dad is available streaming on Amazon Video, Vudu, YouTube and Google Play.

Cinequest at mid-festival

Nick Robinson and Rosario Dawson in KRYSTAL

We’re halfway through Cinequest 2018. What are the biggest hits and the most delightful surprises?  Cinequest opened with William H. Macy’s directorial debut Krystal, which was a hit with the opening night audience.  Macy successfully guided the Will Aldis story though an assortment of modes, including comedy of manners, madcap comedy and melodrama. The audience also loved the post-screening Q&A with Macy and producer Rachel Winter.  Krystal will open in theaters on April 13.

INDIE WORLD PREMIERES

See it here first – Cinequest 2018 is hosting 74 world premieres, and these have been the best so far:

  • Bikini Moon: The Must See indie at this Cinequest, this gripping drama features a mesmerizing performance by the ridiculously charismatic Condola Rashad. It’s the first American feature for renowned filmmaker Milcho Manchevski. Simply brilliant.
  • Luba: This realistic Canadian drama explores the challenges of co-parenting with an addict. There’s a ticking time bomb finish.
  • Hunting Lands: This indie is a slow burn thriller about a recluse emerging from the woods to right a horrible wrong. First time writer-director Zack Wilson lets the audience connect the dots.
  • Flin Flon: A Hockey Town: This gentle documentary, without even a hint of condescension, paints a meticulous and revealing portrait of a remote Canadian hamlet and its beloved junior hockey team.  From San Jose filmmaker Dustin Cohen.
FLIN FLON: A HOCKEY TOWN

WE HAVEN’T SEEN THIS BEFORE

Film festivals can showcase ambitious artists that don’t try to fit into the familiar.  Here are some more world premieres:

  • 7 Splinters of Time is the trippiest film in this year’s Cinequest. Eye candy galore, as time travel goes wrong and doppelgängers abound. Listed in the Cinequest program by the alternative title of Omphalos.
  • Tommy Battles the Silver Sea Dragon has to be the bravest and most artistically ambitious movie premiering at Cinequest. In his debut feature as director, writer, composer and star Luke Shirock has imagined a guy put on trial by his own subconscious. And it’s a musical.
  • Skull, an absolutely bizarre film, is intended to be Indonesia’s first sci-fi film.  Opening with a beautiful drone shot, Skull lurches forward with bits of mystery, romance, chases and shootouts until its “science unleashes the end of the world” finish.
Luke Shirock in TOMMY BATTLES THE SILVER SEA DRAGON

STILL TO COME

I’ve only seen Luba, The Line and The Wind so far, but all of these upcoming films look promising:

Tonite:

  • The gripping single parent indie drama Luba.
  • The Last Movie Star with Burt Reynolds and Modern Family’s Ariel Winter.

Tuesday:

  • The searing Slovak thriller The Line.
  • Blythe Danner, Michael Shannon, Hilary Swank, Robert Forster and Taissa Farmiga in What They Had.

Friday:

  • The director Jan Sverak’s rare black-and-white cut of the Czech historical drama Barefoot.
  • The silent The Wind with Lillian Gish, projected in a period movie palace, the California Theatre, accompanied by world-renowned Dennis James on the Mighty Wurlitzer organ.
  • The feel-good festival hit Pick of the Litter.

Saturday:

  • Arnaud Desplechin’s Ismael’s Ghosts with Marion Cotillard, Mathieu Amalric and Charlotte Gainsbourg.

Sunday

  • Turner Classic Movie host Ben Mankiewicz presents one of his favorite classic films.
  • Brothers in Arms, a documentary on the making of Platoon, co-presented by its narrator, Charlie Sheen.

Bookmark my Cinequest 2018 page, with links to all my coverage (links on the individual movies will start to go live on Sunday February 25). Follow me on Twitter for the latest.

Marion Cotillard and Charlotte Gainsbourg in ISMAEL’S GHOSTS

BOMBSHELL: THE HEDY LAMARR STORY: the world’s most beautiful woman and her secrets

BOMBSHELL: THE HEDY LAMARR STORY

Bombshell: The Hedy Lamarr Story is the riveting biopic of a glamorous movie star who invented and patented the precursor to wireless technology; that’s amazing enough, but Bombshell delves deeply into how Lamarr’s stunning face, her Jewish heritage, and mid-century gender roles shaped her career, marriages and parenting. Top notch.

In the last few years, one totally unexpected aspect of Lamarr’s life has become more well-known. She was a tinkerer/inventor who co-invented a radio guidance system for submarine torpedos, which she donated to the US military. The US Navy used this technology in WW II. Modern blue tooth technology stems directly from her innovation. Today her patent would be worth billions.

Bombshell adds layer upon layer to this tale of beauty and brains, as it traces Lamarr’s remarkable life. Hedy Lamarr had no control over being born a woman, being born to Jewish parents and being born to be a beauty. These three accidents of birth set the parameters of her journey – granting her access to some professional opportunities and stunting others, even threatening her life.

She burst into celebrity – and notoriety – at age 19, as the star of the film Ecstasy. Not only was Hedy the first actress filmed in full frontal nudity, she was the first screen actress to portray female orgasms. She was soon the young trophy wife of an Austrian industrialist, a formidable and fearsome supplier of munitions to Hitler. Hedy’s life seemed headed along the Bimbo Track, but she realized that her husband was powerful enough to keep her trapped in the marriage, but not powerful enough to protect her from the Nazis. At this point, she orchestrated an international escape that is the stuff of thrillers.

At age 24, often nominated as the most beautiful woman in the world, she launched a Hollywood career. Professional ups and downs, marriages and affairs and children followed, along with her work in technology.

Her beauty was often a blessing and sometimes a curse, but always affected her trajectory. Someone that beautiful is just different – the rest of us can’t help our reactions to her. But how many times can you be a trophy wife?

She was a person who survived troubling times, which left scars on her. How Hedy handled her Jewishness, how she raised her kids and how she was treated by the military are unsettling. Documentarian Alexandra Dean, Bombshell’s writer-director brings us witnesses, including Hedy’s children, to deliver an inside peek at a real life that would not be believable as a work of fiction.

I saw Bombshell: The Hedy Lamarr Story this summer at the 2017 San Francisco Jewish Film Festival (SJFF). It’s coming to Bay Area theaters this weekend.

Cinequest: FLIN FLON: A HOCKEY TOWN

FLIN FLON: A HOCKEY TOWN

Dustin Cohen’s gentle documentary Flin Flon: A Hockey Town, without even a hint of condescension, paints a meticulous and revealing portrait of a remote Canadian hamlet and its beloved junior hockey team.

Flin Flon is a town of five thousand on the Manitoba-Saskatchewan border.  The closest place that most of us have heard of is Saskatoon, Saskatchewan, and that’s a six-and-a-half hour drive from Flin Flon.  There’s a mine in Flin Flon and a junior hockey team, and that’s about it.

As the movie opens, the morning radio station announces a high temperature of minus 19.  Proud locals call their home “a great place to raise kids”, which is what locals say about every place that nobody else even wants to visit.  For decades, the residents have bonded with their beloved hockey team, the Bombers.

18-20 year old hockey players come to Flin Flon, live in the homes of local families (“billeting”) and work hard, physical day jobs off-season.  They are here to concentrate on hockey, although only 1-2 from each Bomber team are likely to significantly advance in the sport.   However, over 40 NHL players have been Flin Flon Bombers, including Hall of Famers Bobby Clarke and Reggie Leach.  Writer-director Dustin Cohen grew up in San Jose as a Sharks Fan.  He stumbled on Flin Flon as he researched Canadian hockey.  He needed more than just a small town for his subject, and he chose Flin Flon because of its hockey heritage.

Flin Flon is “the only city in the world named after a science fiction character (Josiah Flintabbatey Flonatin in J.E. Preston Muddock’s The Sunless City).  At Bomber games, the fans like to throw moose legs on to the ice.     This could have been one of those documentaries that make us laugh at the quirky subjects.  Or it could have been about unhealthily obsessed sports fans.

Instead, Flin Flon: A Hockey Town is an insightful and sympathetic study of the town and the kids on the team.  Cohen is very observant, and he shows us seemingly mundane details – driving the bus, prepping the ice, cutting wood – that reveal much about the internal lives of the people in the film.

Cohen only lets us directly watch the hockey in snippets.  Most of the time, we see it reflected through the reactions of teammates and the crowd.  The photography (Soren Nielsen, Christine Ng) and the editing (Kathy Gatto) are superb.

The more I think about Flin Flon: A Hockey Town, the more I admire it.  This is a very humane film.

FLIN FLON: A HOCKEY TOWN