2021: unusually strong year for biodocs

Photo caption: ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN. Courtesy of HBO Max.

2021 has been an unusually strong year for biodocs. With the notable exceptions of Dean Martin and Kenny G, most of the subjects have been disruptors: Anthony Bourdain, Julia Child, Kurt Vonnegut, Brian Wilson, Guy Clark, John Belushi, Truman Capote and Tennessee Williams.

Along with Penny Lane’s surprisingly revelatory Listening to Kenny G, a good watch even if you never ever think of Kenny G, here are the best from 2021:

  • Roadrunner: A Film About Anthony Bourdain: An unusually profound, revealing and unsentimental biodoc of a complicated man – a shy bad ass, an outwardly cynical romantic, a brooding humorist. A triumph for director Morgan Neville, Oscar-winner for 20 Feet from Stardom.
  • Brian Wilson: Long Promised Road: An unusual documentary about an unusual man.  Brian Wilson, The Beach Boys’ songwriting and arranging genius weighs in on his life and work.  Wilson’s old and trusted friend drove him around important places in his life – in the format of Comedians in Cars Drinking Coffee – and it paid off with oft emotional revelations from the usually monosyllabic Wilson. 
  • Without Getting Killed or Caught: This lyrical documentary traces the lives of singer-songwriter Guy Clark and his painter-songwriter wife Susanna. Their roommate was troubled songwriter Townes Van Zandt, Guy’s best friend and Susanna’s soulmate. This is a film about an unusual web of relationships amidst the creative process.
  • Julia: This charming documentary, affectionate and clear-eyed, tells the unlikely story of how Julia Child broke through every expectation of her gender, class and upbringing to become an icon in her fifties.
  • Kurt Vonnegut: Unstuck in Time: This uncommonly rich biodoc of the social critic/humorist/philosopher benefits from having been paused and restarted several times, resulting in hours of filmed interviews with Vonnegut in different decades. Very entertaining because Vonnegut was so damn funny.
  • King of Cool: King of Cool is filled with insight into an icon who was extremely successful at being unknowable. Dean Martin used his charm to mask his detachment. Universally beloved, his internal life was still never understood by his closest friends and colleagues – and even by his family. The filmmakers turned to the device from Citizen Kane – what was the “Rosebud” that drove and explained Dean Martin?
  • Truman and Tennessee: An Intimate Conversation: Truman Capote and Tennessee Williams were both gay men from the Deep South, who attained fame and descended into addiction. They also knew each other. Truman and Tennessee tells their stories from their own letters and from being interviewed on TV by the likes of David Frost and Dick Cavett. There is no third-party “narration”. It’s an effective and increasingly popular documentary technique, used in, for example, I Am Not Your Negro.
  • Belushi: We all know the story of John Belushi – a career soaring like Icarus, propelled by comic genius and then death by drug overdose at age 33. The new biodoc Belushi brings us more texture because of unprecedented access to Belushi’s friends and widow and to Belushi’s own letters, notes and journals.
Dean Martin in KING OF COOL. Courtesy of TCM.

Movies to See Right Now

Photo caption: A scene from RIDERS OF JUSTICE, a Magnet release. © Kasper Tuxen. Photo courtesy of Magnet Releasing

This week: my experience returning to theaters, the best movie of the year so far, and a marathon of Alfred Hitchcock.

I finally went to a movie theater for the first time in an unimaginable 473 days – and I was a little rusty. On a 92 degree day, I slipped into the air conditioned theater and, while trying to adjust my recliner, inadvertently turned on the seat heater. Everything else went well.

I found the Astronaut Pen that The Wife gave me, which fits easily in my pants pocket. And I still had my unlined notepad from Muji, so I can scrawl notes in the dark. (the downtown San Jose Muji did not survive COVID, so I’ll need another source.)

Incidentally, in that 473 days of COVID hermitage, I had watched 328 films at home – streaming, broadcast, DVD and screeners.

IN THEATERS

The Sparks Brothers: This affectionate documentary profiles a 54-year-old pop band, still tirelessly living their art. Both the subject band and the movie about them are very funny.

Truman and Tennessee: An Intimate Conversation: Two giants of American literature in their own words.

Also in theaters:

  • In the Heights: Vibrant, earnest and perfect for this moment. Also streaming on HBO Max.
  • Summer of 85: Director Francois Ozon reflects on how we remember our youth in this romantic teen coming of age story.
  • The Dry: a mystery as psychological as it is procedural. In theaters and also streaming on AppleTV, YouTube and Google Play
  • Undine: slow burn, barely flickering.
  • Censor: less scary and suspenseful than it is unpleasant.

ON VIDEO

Riders of Justice: It’s the year’s best movie so far. A character-driven comedy thriller embedded with deeper stuff. Marvelous. Also AppleTV.

Summertime: This ever vibrant film is about giving voice, the voice of mostly young Los Angelenos, expressing themselves mostly through poetry. Stream from Frameline through Sunday night, June 27.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE

ON TV

Starting Saturday, June 26, and continuing through early Monday. Turner Classic Movies will be airing FORTY-EIGHT HOURS of Alfred Hitchcock. The 23 different movies (Shadow of a Doubt plays twice on Eddie Muller’s Noir Alley) range from Hitchcock’s 1927 silent The Lodger to his 1976 Family Plot. The program includes Hitchcock’s best eight films: Vertigo, Psycho, Strangers on a Train, Rear Window, North by Northwest, Rope, The Birds and Shadow of a Doubt. 

Farley Granger, James Stewart and John Dahl in ROPE

TRUMAN AND TENNESSEE: AN INTIMATE CONVERSATION: gay Southern geniuses, revealing themselves

Truman Capote (left) and Tennessee Williams in TRUMAN AND TENNESSEE: AN INTIMATE CONVERSATION. Photo courtesy of Frameline.

Truman and Tennessee: An Intimate Conversation brings us a double-barrelled biodoc of two literary giants, one who remade American theater and the American novel in the 1950s and 1960s. Truman Capote and Tennessee Williams were both gay men from the Deep South, who attained fame and descended into addiction. They also knew each other.

Truman and Tennessee tells their stories from their own letters and from being interviewed on TV by the likes of David Frost and Dick Cavett.

The words of Capote are voiced by Jim Parsons, and those of Williams by Zachary Quinto. There is no third-party “narration”. It’s an effective and increasingly popular documentary technique, used in, for example, I Am Not Your Negro.

The film’s structure allows us to harvest insights about each writer’s artistic process. There are plenty of nuggets like Tennessee Williams’ frustrations with the cinematic versions of his plays, all dumbed down to comply with the movie censorship of the day.

Truman and Tennessee: An Intimate Conversation can be streamed from Frameline through Thursday night, June 24, and opens in theaters on June 25.