2021: unusually strong year for biodocs

Photo caption: ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN. Courtesy of HBO Max.

2021 has been an unusually strong year for biodocs. With the notable exceptions of Dean Martin and Kenny G, most of the subjects have been disruptors: Anthony Bourdain, Julia Child, Kurt Vonnegut, Brian Wilson, Guy Clark, John Belushi, Truman Capote and Tennessee Williams.

Along with Penny Lane’s surprisingly revelatory Listening to Kenny G, a good watch even if you never ever think of Kenny G, here are the best from 2021:

  • Roadrunner: A Film About Anthony Bourdain: An unusually profound, revealing and unsentimental biodoc of a complicated man – a shy bad ass, an outwardly cynical romantic, a brooding humorist. A triumph for director Morgan Neville, Oscar-winner for 20 Feet from Stardom.
  • Brian Wilson: Long Promised Road: An unusual documentary about an unusual man.  Brian Wilson, The Beach Boys’ songwriting and arranging genius weighs in on his life and work.  Wilson’s old and trusted friend drove him around important places in his life – in the format of Comedians in Cars Drinking Coffee – and it paid off with oft emotional revelations from the usually monosyllabic Wilson. 
  • Without Getting Killed or Caught: This lyrical documentary traces the lives of singer-songwriter Guy Clark and his painter-songwriter wife Susanna. Their roommate was troubled songwriter Townes Van Zandt, Guy’s best friend and Susanna’s soulmate. This is a film about an unusual web of relationships amidst the creative process.
  • Julia: This charming documentary, affectionate and clear-eyed, tells the unlikely story of how Julia Child broke through every expectation of her gender, class and upbringing to become an icon in her fifties.
  • Kurt Vonnegut: Unstuck in Time: This uncommonly rich biodoc of the social critic/humorist/philosopher benefits from having been paused and restarted several times, resulting in hours of filmed interviews with Vonnegut in different decades. Very entertaining because Vonnegut was so damn funny.
  • King of Cool: King of Cool is filled with insight into an icon who was extremely successful at being unknowable. Dean Martin used his charm to mask his detachment. Universally beloved, his internal life was still never understood by his closest friends and colleagues – and even by his family. The filmmakers turned to the device from Citizen Kane – what was the “Rosebud” that drove and explained Dean Martin?
  • Truman and Tennessee: An Intimate Conversation: Truman Capote and Tennessee Williams were both gay men from the Deep South, who attained fame and descended into addiction. They also knew each other. Truman and Tennessee tells their stories from their own letters and from being interviewed on TV by the likes of David Frost and Dick Cavett. There is no third-party “narration”. It’s an effective and increasingly popular documentary technique, used in, for example, I Am Not Your Negro.
  • Belushi: We all know the story of John Belushi – a career soaring like Icarus, propelled by comic genius and then death by drug overdose at age 33. The new biodoc Belushi brings us more texture because of unprecedented access to Belushi’s friends and widow and to Belushi’s own letters, notes and journals.
Dean Martin in KING OF COOL. Courtesy of TCM.

KURT VONNEGUT; UNSTUCK IN TIME: when tragedy begets humor

Kurt Vonnegut: Unstuck in Time” Review – Music City Drive-In
Photo caption: Filmmaker Robert Weide and Kurt Vonnegut in KURT VONNEGUT: UNSTUCK IN TIME. Courtesy of IFC Films.

Kurt Vonnegut: Unstuck in Time is an uncommonly rich biodoc of the social critic/humorist/philosopher Kurt Vonnegut. Most importantly, there’s a heavy dose of Vonnegut himself, which is very entertaining because Vonnegut was so damn funny.

All of the Vonnegut is because filmmaker Robert Weide, early in his career, began to make this documentary of his literary hero, with Vonnegut’s participation. The film had to be paused and restarted several times, mostly due to the usual indie film obstacle of funding. Finally, Weide became very successful as the producer and director of Larry David’s Curb Your Enthusiasm and didn’t have the time to finish. As a result, Weide collected hours of filmed interviews with Vonnegut in different decades.

Over the years, Weide and Vonnegut developed a personal friendship that facilitated even more access and allowed Vonnegut to be even more forthcoming.. Weide filmed Vonnegut in visits to the homes in which he had pivotal experiences (including the one where he found his mother after her suicide on Mother’s Day).

In Unstuck in Time, Weide adds lots of file footage and interviews with all of Vonnegut’s kids (he sired three and raised his sister’s four sons).

(Incidentally, Vonnegut’s hometown is Indianapolis, which has embraced him posthumously to the extent there is a multi-story Vonnegut mural in downtown Indy.)

Vonnegut’s anti-war attitude came out of his especially horrific experiences in WWII, and he had his share of peacetime family tragedies. But I need to emphasize that Unstuck in Time is anything but grim because of Vonnegut’s humor. Kurt Vonnegut: Unstuck in Time is in some art house theaters and streaming on Amazon and AppleTV.