Movies to See Right Now

THE RIDER

The MUST SEE is The Rider, which I’ll be writing about this weekend. A young man’s rodeo injury threatens to keep him from his passions. Filmed in South Dakota with non-professional actors, The Rider is emotionally powerful and genuine – and not a bit corny. It’s on my list of Best Movies of 2018 – So Far.

OUT NOW

This week’s other top picks:

  • A Quiet Place is as satisfyingly scary as any movie I’ve seen in a good long time. Very little gore and splatter, but plenty of thrills. I’m not a big fan of horror movies, but I enjoyed and admired this one.
  • Claire’s Camera is the latest nugget from writer-director Hong Sang-soo, that great observer of awkward situations and hard-drinking.  Stars Min-hee Kim (The Handmaiden) and Isabelle Huppert.
  • Godard, Mon Amour is, at the same time, a tribute to the genius of Jean-Luc Godard’s early cinema and a satire on the insufferable tedium of the political dilettantism that squandered the rest of Godard’s filmmaking career. This is a very inventive film, written and directed by Michel Hazanavicius (The Artist). The more Godard films that you’ve seen, the more you will enjoy the wit of Godard, Mon Amour.
  • The wonderfully dark, dark comedy The Death of Stalin is still in a few theaters, and it’s worth the drive.
  • Outside In: Now on Netflix (and in one Bay Area theater), this fine Lynn Shelton drama about a man returning to his community after 20 years in prison is an acting showcase for Kaitlin Dever (Justified), Jay Duplass (Transparent) and, especially, Edie Falco. Falco’s performance is stunning.
  • Thom Zimny’s excellent HBO documentary Elvis Presley: The Searcher explores Elvis’ artistic journey.
  • I liked Al Pacino’s portrayal of Penn State football coach Joe Paterno as his storied career was killed by scandal in HBO’s Paterno.

Not to see:

  • The completely indecipherable Ismael’s Ghosts, a waste of a talented cast and my time.
  • Bobby Kennedy for President – a disappointing Netflix documentary that recycles the best of RFK’s video clips but ignores many pivotal aspects to RFK’s journey, most especially his personal feud with LBJ.

ON VIDEO
Actress Charlize Theron, director Jason Reitman and screenwriter Diablo Cody are coming out with Tully this weekend. So this week’s video pick is their game-changing comedy Young Adult. Its cynicism reminds me of a Ben Hecht or Billy Wilder screenplay (high praise). Note: This is NOT a film for someone expecting a light comedy. Young Adult is available on DVD from Redbox and streaming from Amazon, iTunes, Vudu, YouTube and Google Play.

ON TV
On May 5 and 6, Turner Classic Movies presents one of my personal favorites, and it will be introduced by the Czar of Noir Eddie Muller on Noir Alley. Director Richard Fleischer’s overlooked film noir masterpiece The Narrow Margin (1952) is a taut 71 minutes of tension. Growly cop Charles McGraw plays hide-and-seek with a team of hit men on a claustrophobic train. Marie Windsor is unforgettable as the assassins’ target. It’s highly recommended on my list of Overlooked Noir.

Charles McGraw and Marie Windsor in THE NARROW MARGIN

ISMAEL’S GHOSTS: indecipherable waste of talent

Marion Cotillard and Charlotte Gainsbourg in ISMAEL’S GHOSTS

Suppose that you’re in mid-life, mid-career and mid-relationship, and your ex-spouse – whom you have thought dead for a decade – suddenly shows up.  In Arnaud Desplechin’s Ismael’s Ghosts, that is exactly what happens to a filmmaker (Mathieu Amalric) when his long-disappeared ex (Marion Cotillard) pops in.  So far, so good.  But then Ismael’s Ghosts begins to slide off the rails.

The filmmaker accompanies his ex-father-in-law, who is being honored in Israel, but then the story becomes unhinged and, finally, impossible to follow.  It’s just one indecipherable mess.

I was actually looking forward to this movie.  I loved Desplechin’s My Golden Days, and I admire Cotillard and Charlotte Gainsbourg (who plays the filmmaker’s current partner).  But Ismael’s Ghosts is just a waste of their talent and my time.  I saw Ismael’s Ghosts at Cinequest before its US theatrical release.