BEFORE THE FIRE: when sanctuary brings its own terror

Photo caption: BEFORE THE FIRE. Photo courtesy of Cinequest.

To honor Cinequest, now underway, here’s the Must See from the 2020 festival; ironically, it’s a pandemic thriller which premiered at a film festival that was cut short by COVID. In the thriller Before the Fire, the only escape from an apocalyptic flu pandemic is a woman’s long-estranged rural hometown – but the scary family who traumatized her childhood is there, too. Written by its female star Jenna Lyng Adams, and the first feature by its female director Charlie Buhler, this indie thriller rocks.

Ava Boone (Adams) is a Hollywood actress who has found some success “pretending to be a vampire”, as she puts it, on a television series. As a killer flu sweeps America’s cities, her photojournalist husband (Jackson Davis) seeks to save her by tricking her into refuge with his family in their sparsely populated childhood hometown.

The problem is that growing up in a family ruled by her abusive father was deeply traumatizing. And it’s only a matter of time until her family finds out that she’s back.

As star and screenwriter Adams has said, “but what if the last place you wanted to go was the only place you could go?”

Veteran Charles Hubbell is excellent as the monstrous dad. The part is written to acknowledge that domestic abuse is about power and control – and not just physical abuse. This guy emanates physical brutality, but he is also a master manipulator.

To make things worse, the dad leads a militia of Deliverance-style yahoos, whose strategy to suppress the flu is to murder outsiders.

Ava was once – and is definitely no longer – a farm girl. For necessity’s sake, she begins repairing fences and doing the other hard, dirty and unglamorous work of the family farm run by her husband’s brother (Ryan Vigilant) and his mother (M.J. Karmi). Along the way, she physically hardens up and develops some skills with firearms.

Jenna Lyng Adams in BEFORE THE FIRE. Photo courtesy of Cinequest.

Unsurprisingly (since she wrote it), the role of Ava is a showcase for Jenna Lyng Adams (The Kominsky Files). When Ava first sees her father again, she’s terrified to her core, which tells us all we need from the back story. Adams’ performance is compelling and credible as Ava has to devise and execute her own survival plan. Adams is on-screen in almost every scene and carries the picture.

“Audiences are thirsty for unconventional, layered, and imperfect women on-screen,” said Adams. “I wanted our protagonist to find her strength by facing the darkest parts of her life in the darkest hours of the world. She reinvents herself over and over again to survive.”

“We fought to make this movie, because we felt that there was a very specific expectation about the types of stories women were able to tell,” says director Charlie Buhler.  “Male directors shift between genres much more fluidly, and I think you can feel it in the types of stories that make it to the screen. But Jenna and I both love action, we both love sci-fi, so we wanted to make a female protagonist that we women could really rally behind.”

Indeed, women filmmakers shouldn’t be left to the high-falutin’ Message Pictures while the guys have all the fun with the genre movies.

BEFORE THE FIRE. Photo courtesy of Cinequest.

Before the Fire was filmed on location in South Dakota. Cinematographer Drew Bienemann (visual effects in Beasts of the Southern Wild) makes the barren wintry landscape work to illustrate the Ava’s isolation and vulnerability.

BEFORE THE FIRE. Photo courtesy of Cinequest.

I screened Before the Fire for its world premiere at Cinequest, You can stream it from Amazon, AppleTV. Vudu, YouTube and Showtime. Make sure that you have the Jenna Lng Adams film, not one of the other recent movies with the same title.

the best of CINEJOY

Jenna Lyng Adams in BEFORE THE FIRE. Photo courtesy of Cinequest.

Cinejoy is Cinequest’s October virtual fest and it opens today. Some of the very best from the March festival return, along with some new indie gems that you can’t see anywhere else. I’ve updated my CINEQUEST page with reviews of nine Cinejoy films. Browse the films and buy tickets at CINEJOY.

MUST SEE

  • Before the Fire: In this year’s Must See at Cinequest, the only escape from an apocalyptic flu pandemic is a woman’s long-estranged rural hometown – but the scary family who traumatized her childhood is there, too. Written by its female star Jenna Lyng Adams, and the first feature by its female director Charlie Buhler, this indie thriller rocks. World premiere at Cinequest.

INDIES

  • Small Time: Rural America’s opioid crisis explored through its impact on one little girl; what is the shelf life of innocence? Shot over three years with insight and verisimilitude. World premiere at Cinequest.

WORLD CINEMA

  • Willow: This triptych by Oscar-nominated master Macedonian filmmaker Milcho Manchevski plumbs the heartaches and joys of having children; there’s a scene in the final vignette with a mother and son in a car that is one of the most amazing scenes I’ve ever seen. North American premiere at Cinequest.

LAUGHS

DOCUMENTARY

  • The Quicksilver Chronicles: Two bohemians live in a ghost town close (yet far) from Silicon Valley, and life happens. World premiere.

AND TWO I HAVEN’T SEEN YET

  • but they’ve got GREAT TITLES: The Return of Richard III on the 9:24 am Train and Erotic Fire of the Unattainable.
THE QUICKSILVER CHRONICLES. Photo courtesy of Cinequest.

The best of CINEQUEST 2020

cq logo

I’ve already seen over twenty offerings from Cinequest 2020, and here are my initial recommendations. As usual, I focus on the world and US premieres. Follow the links for full reviews, images and trailers. I’ve also included some tips for making the most of the Cinequest experience under “Hacking Cinequest”.

[NOTE: This was a preview post written just before the festival opened. The best film in the 2020 Cinequest program was Driveways (which I actually saw after the festival because of COVID-19).]

Jenna Lyng Adams in BEFORE THE FIRE. Photo courtesy of Cinequest.

MUST SEE

  • Before the Fire: In this year’s Must See at Cinequest, the only escape from an apocalyptic flu pandemic is a woman’s long-estranged rural hometown – but the scary family who traumatized her childhood is there, too. Written by its female star Jenna Lyng Adams, and the first feature by its female director Charlie Buhler, this indie thriller rocks. World premiere.

3 DAY WEEKEND. Photo courtesy of Cinequest.

THRILLERS

  • Before the Fire, of course and
  • 3 Day Weekend: In this inventively constructed thriller, the point of view keeps shifting, and so does the genre. The screenplay is a triumph of storytelling. World premiere.
  • Fox Hunt Drive: One gobsmacking plot twist. World premiere.
INEZ & DOUG & KIRA. Photo courtesy of Cinequest.

INDIES

  • Inez & Doug & Kira: A tangle of love, friendship and bipolar disorder – and obsession. Bay Area premiere.
  • Small Time: Rural America’s opioid crisis explored through its impact on one little girl; what is the shelf life of innocence? Shot over three years with insight and verisimilitude. World premiere.
OWNERS. Photo courtesy of Cinequest.

WORLD CINEMA

  • Owners: This dark Czech comedy takes a jaundiced view of human foibles – as if penned by a modern Czech Mark Twain. Recognized as the year’s best film from the Czech Republic. North American premiere.
  • Willow: This triptych by Oscar-nominated master Macedonian filmmaker Milcho Manchevski plumbs the heartaches and joys of having children; there’s a scene in the final vignette with a mother and son in a car that is one of the most amazing scenes I’ve ever seen. North American premiere.
  • I Am Frank: This excellent Slovenian drama is about the return of a charismatic misfit who just can’t leave well enough alone. US premiere.
BREAKING FAST. Photo courtesy of Cinequest.

FEEL GOOD

  •  Breaking Fast: Just another gay Muslim romantic comedy…I predict that Breaking Fast will become the Feel Good hit of the 2020 Cinequest. World premiere.
THE QUICKSILVER CHRONICLES. Photo courtesy of Cinequest.

DOCUMENTARY

  • The Quicksilver Chronicles: Two bohemians live in a ghost town close (yet far) from Silicon Valley, and life happens. World premiere.

AND TWO I HAVEN’T SEEN YET

  • The Burnt Orange Heresy: See it here before its wide release. This neo-noir features Elizabeth Debicki, Claes Bang, Donald Sutherland and…Mick Jagger.
  • The Longest Wave: I am a sucker for a surfing documentary, and this one comes from filmmaker Joe Berlinger (Paradise Lost, Metallica: Some Kind of Monster).

CLASSIC MOVIE EXPERIENCE

  • The silent 1920 The Mark of Zorro with Douglas Fairbanks swashbuckling across the screen will be projected in a period movie palace, the California Theatre, accompanied by world-renowned Dennis James on the Mighty Wurlitzer organ. I hear that last year’s Buster Keaton triumph has encouraged Cinequest to open this year’s silent screening with a Keaton short.

BEFORE IT’S IN THEATERS – SEE IT HERE FIRST

  • Several Cinequest films already are planned for theatrical release later this year. I haven’t seen them yet, but you can see them first at Cinequest.  Resistance, The Burnt Orange Heresy, Hope Gap, Roads Not Taken, The Longest Wave and Driveways are among the movies slated for theatrical release later this year.

HACKING CINEQUEST

Cinequest retains its Downtown San Jose vibe, with concurrent screenings at the 1122-seat California, the 550-seat Hammer and the 257-seat 3Below, all within 1600 feet of the VIP lounge at The Continental Bar. There will still be satellite viewing in Redwood City; if you’re going to and from Redwood City between 3 and 7 PM on a weekday – take Caltrain instead of driving.

At Cinequest, you can get a festival pass for as little as $165, and you can get individual tickets as well. The express pass for an additional tax-deductible $100 is a fantastic deal – you get to skip to the front of the lines!

Take a look at the entire program, the schedule and the passes and tickets.

As usual, I’ll be covering Cinequest rigorously with features and movie recommendations. I usually screen (and write about) over thirty films from around the world. Bookmark my CINEQUEST page, with links to all my coverage.  Follow me on Twitter for the latest.

Klaes Bang and Elizabeth Debicki in THE BURNT ORANGE HERESY. Photo courtesy of Cinequest.

BEFORE THE FIRE: when sanctuary brings its own terror

BEFORE THE FIRE. Photo courtesy of Cinequest.

In the thriller Before the Fire, this year’s Must See at Cinequest, the only escape from an apocalyptic flu pandemic is a woman’s long-estranged rural hometown – but the scary family who traumatized her childhood is there, too. Written by its female star Jenna Lyng Adams, and the first feature by its female director Charlie Buhler, this indie thriller rocks.

Ava Boone (Adams) is a Hollywood actress who has found some success “pretending to be a vampire”, as she puts it, on a television series. As a killer flu sweeps America’s cities, her photojournalist husband (Jackson Davis) seeks to save her by tricking her into refuge with his family in their sparsely populated childhood hometown.

The problem is that growing up in a family ruled by her abusive father was deeply traumatizing. And it’s only a matter of time until her family finds out that she’s back.

As star and screenwriter Adams has said, “but what if the last place you wanted to go was the only place you could go?”

Veteran Charles Hubbell is excellent as the monstrous dad. The part is written to acknowledge that domestic abuse is about power and control – and not just physical abuse. This guy emanates physical brutality, but he is also a master manipulator.

To make things worse, the dad leads a militia of Deliverance-style yahoos, whose strategy to suppress the flu is to murder outsiders.

Ava was once – and is definitely no longer – a farm girl. For necessity’s sake, she begins repairing fences and doing the other hard, dirty and unglamorous work of the family farm run by her husband’s brother (Ryan Vigilant) and his mother (M.J. Karmi). Along the way, she physically hardens up and develops some skills with firearms.

Unsurprisingly (since she wrote it), the role of Ava is a showcase for Jenna Lyng Adams (The Kominsky Files). When Ava first sees her father again, she’s terrified to her core, which tells us all we need from the back story. Adams’ performance is compelling and credible as Ava has to devise and execute her own survival plan. Adams is on-screen in almost every scene and carries the picture.

“Audiences are thirsty for unconventional, layered, and imperfect women on-screen,” said Adams. “I wanted our protagonist to find her strength by facing the darkest parts of her life in the darkest hours of the world. She reinvents herself over and over again to survive.”

“We fought to make this movie, because we felt that there was a very specific expectation about the types of stories women were able to tell,” says director Charlie Buhler.  “Male directors shift between genres much more fluidly, and I think you can feel it in the types of stories that make it to the screen. But Jenna and I both love action, we both love sci-fi, so we wanted to make a female protagonist that we women could really rally behind.”

Indeed, women filmmakers shouldn’t be left to the high-falutin’ Message Pictures while the guys have all the fun with the genre movies.

Before the Fire was filmed on location in South Dakota. Cinematographer Drew Bienemann (visual effects in Beasts of the Southern Wild) makes the barren wintry landscape work to illustrate the Ava’s isolation and vulnerability.

Cinequest will host the world premiere of Before the Fire, which is the best American narrative feature in the fest.