Cinequest: 7 SPLINTERS IN TIME (OMPHALOS)

Edoardo Ballerini in 7 SPLINTERS IN TIME

7 Splinters in Time has to be the trippiest film in this year’s Cinequest.  The detective Darius (Edoardo Ballerini – Corky Caporale in The Sopranos) is seriously confused.  He can’t remember large chunks of his past.  And then he’s confronted by an exact look-alike in a most unlikely place.  Soon, even more doppelgängers arrive in the story.  Darius is trying to figure out what’s going on- and so is the audience.

We go from place to place and, possibly, from time to time.  And Darius and/or his lookalikes keep showing up.  It’s as if one’s life were depixelated, digitally compressed and then defectively reassembled.  Artifacts from other periods of time – Polaroid camera, rotary phone, microfiche viewer – are clues that time travel may be involved here.

Story threads are braided together, some more vividly nightmarish than others.  There’s plenty of eye candy and sometimes there’s the feeling of Fellini on Dexedrine.  If you like your movies linear and unambiguous, you will likely be impatient until the explanation in the last 20 minutes.  But it’s fun to settle in and try to figure out what is going on.

7 Splinters is the feature film debut for writer-director Gabriel Judet-Weinshel.  To depict Darius’ different realities (what he calls the “fractured psyche”), Judet-Weinshel used 8mm, 16mm, 35mm film and analog still film, along with the full range of digital, from low-resolution 30-frame video to the large format digital Red Camera.  The effect is very cool.

Greg Bennick is excellent as the hyperkinetic mystery figure Luka.  Lynn Cohen is a howl as the salty curmudgeon Babs, Darius’ elderly neighbor.  Both are effective counterpoints to Ballerini’s chilly and stony Darius.

The beloved character actor Austin Pendleton plays The Librarian, a much more pivotal character than initially apparent.  Pendleton has a zillion screen credits, including Frederick Larrabee in What’s Up, Doc? and Gurgle in Finding Nemo.  I think I heard his character say, “You are the lizard warrior”.  It’s that kind of movie.

Cinequest hosts the world premiere of 7 Splinters in Time.  The film is listed under its alternative title of Omphalos, so you can find its screenings here in the Cinequest program.

Greg Bennick and Edoardo Ballerini in 7 SPLINTERS IN TIME

 

MURDER ON THE ORIENT EXPRESS: moderately entertaining lark

Kenneth Branagh in MURDER ON THE ORIENT EXPRESS

Although I love mysteries, I have never warmed to Agatha Christie’s fictional detective Hercule Poirot.  In this year’s remake of Murder on the Orient Express, Kenneth Branagh actually made Poirot marginally appealing to me.  Branagh, who also directed, brings to the role a more explicit OCD diagnosis and a mustache that has its own architecture.

It’s the same plot as in the 1970s version – as the increasingly more improbable coincidences pile up, it becomes clear that they may not be coincidences at all.  And this year’s Murder on the Orient Express is also star-studded, with fine performances from Michelle Pfeiffer, Willem Dafoe, Judy Dench, Olivia Colman, Penelope Cruz, Derek Jacobi and Johnny Depp, who can pull off a pencil thin mustache better than anyone in the last 60 years.

Murder on the Orient Express begins with a spectacular overhead shot of the Wailing Wall and concludes with an amusing Last Supper tableau (see M*A*S*H*).  It’s moderately entertaining, at its best when it acknowledges that it’s just a lark.

Michele Pfeiffer in MURDER ON THE ORIENT EXPRESS

THE UNKNOWN GIRL: even geniuses have an off-day

Adèle Haenel in THE UNKNOWN GIRL

The Belgian writer-director brothers Luc and Jean-Pierre Dardennes are among my very favorite filmmakers.  Their movies about everyday people in gritty industrial Belgium have been startlingly authentic and emotionally  gripping.  However, their latest, The Unknown Girl, is a bit of a slog.

In The Unknown Girl, a compassionate and hardworking doctor (Adèle Haenel) is working late and doesn’t answer the office doorbell after hours.  It turns out that a young woman had been trying to get inside just before she was murdered.  The cops can’t even identify the victim.  The doc is wracked with guilt and embarks on a quest to identify the young woman and to solve the crime.

So this is a murder mystery – the closest thing  ever to a Dardennes brothers genre movie.  Unfortunately the deliberate, real-time pace that intensifies the emotional experience of the Dardennes’ other work just drags in The Unknown Girl.   And there are just one or two coincidences in the plot to swallow.

Adèle Haenel (recently so good in In the Name of My Daughter) is excellent and the best thing about the film.  She’s in every scene and portrays a driven and remarkably self-aware character, who often intentionally suppresses her emotions to do the best job possible for her patients.

This isn’t a bad movie, just not a spectacularly good one.  By all means, see a Dardennes film, just make it The Son or The Kid with a Bike.

DVD/Stream of the Week: True Detective

true detective
My DVD/Stream of the week – perfect for binge-viewing on the holiday weekend – is the eight one-hour episodes of HBO’s True Detective. It’s a dark tale of two mismatched detectives – each tormented by his own demons – obsessed by a whodunit in contemporary back bayou Lousiana. Woody Harrelson is very good – but Matthew McConaughey’s performance may have been the best on TV this year.

The two detectives are shown pursuing a case together in 1995 and then being interviewed separately about it in 2012.  In the 2012 scenes, McConaughey sits at a table, his eyes dead but occasionally flashing, behind a coffee mug and an increasing lineup of empty beer cans.  He chain smokes and stares down his interrogators – doing very little with frightening intensity.  McConaughey has recently delivered brilliant performances in excellent movies (Mud, Bernie, The Paperboy, Killer Joe, The Wolf of Wall Street, Dallas Buyers Club) – and this may be his best.  McConaughey is reason enough to watch True Detective.

True Detective is available on DVD from Netflix and streaming from HBO GO.

TCM’s June feast of noir

Humphrey Bogart in THE MALTESE FALCON (1941)

It’s more than a film fest, it’s a feast of film noir.

This June, Turner Classic Movies’ Friday Night Spotlight will focus on Noir Writers.  The guest programmer and host will be San Francisco’s Eddie Muller, founder and president of the Film Noir Foundation.  The Foundation preserves movies from the traditional noir period that would otherwise be lost.  It also sponsors Noir City, an annual festival of film noir in San Francisco, which often plays newly restored films and movies not available on DVD.  (My favorite part is Noir City’s Thursday evening Bad Girl Night featuring its most memorable femmes fatale.)

Muller (the Czar of Noir) has selected films from the work of noir novelists.  Friday night, he kicks off with films from the novels of Dashiell Hammett: the 1931 and more famous 1941 versions of The Maltese Falcon, plus the 1936 version (Satan Met a Lady) and After the Thin Man and The Glass Key.  (Muller informs us that Hammett pronounced his first name da-SHEEL.)

On June 14, Muller continues with the work of David Goodis, The Burglar, The Burglars, The Unfaithful, Shoot the Piano Player and Nightfall.  (You may have seen Goodis’ Dark Passage with Bogie and Bacall.)

On June 21, we’ll see films from the novels of Jonathan Latimer (Nocturne, They Won’t Believe Me) and James M. Cain (Double Indemnity, The Postman Always Rings Twice).

TCM and the Czar of Noir wrap up on June 28 with movies from the novels of Cornell Woolrich (The Leopard Man, Deadline at Dawn) and Raymond Chandler (Murder My Sweet, The Big Sleep, Lady in the Lake, Strangers on a Train).

These two movies aren’t part of the Friday night series, but on June 11, TCM features two of the nastiest noirs:  Detour and The Hitchhiker.

Set your DVR and settle in for dramatic shadows, sarcastic banter and guys in fedoras making big mistakes for love, lust and avarice.

Anne Bancroft and Aldo Ray in NIGHTFALL