Casting By: revealing an essential piece of filmmaking

Marion Dougherty (left) and some of her discoveries in CASTING BY

Every serious movie fan should see the fine HBO documentary Casting By, which reveals the importance of the casting department, chiefly by focusing on the pioneering work of New York casting director Marion Dougherty and her Hollywood counterpart Lynn Stalmaster.

In the hey day of the Studio System, studios would simply typecast actors plucked from their list of contract players,  But Dougherty, casting for the early TV dramas shot in New York, picked the most promising stage actors and cast them AGAINST type.  When the Studio System collapsed in the early 1960s, Dougherty and Stalmaster were able to bring this approach to the movies, especially for former TV directors like Sidney Lumet and George Roy Hill and young up-and-comers like Martin Scorsese.

It’s really difficult to imagine American cinema from the past 50 years without Al Pacino, Dustin Hoffman, Gene Hackman and Robert Duvall – and Dougherty is the person who cast them for their breakout credits.  Not to mention James Dean, Jack Lemmon, Warren Beatty, Rod Steiger, Jon Voight, Christopher Walken, Glenn Close, Martin Sheen and Diane Lane.  And she pushed for Danny Glover to be cast in his Lethal Weapon role, originally written for a white detective.

Stalmaster’s story is just as compelling, including his advocacy for then unknown John Travolta and his casting of the very odd kid in Deliverance.

Casting By also takes on the turf war with the remarkably ungenerous Directors Guild, which results in grudging credits and no Oscars for casting directors.

Casting By is now playing on HBO.

1 thought on “Casting By: revealing an essential piece of filmmaking”

Leave a Comment