San Francisco Jewish Film Festival – Page 5

FALSE FLAG: holy moley, what a page-turner!

July 20, 2016 by movie gourmet

False Flag is an absolutely riveting Israeli miniseries that we’ll get to see in the US at some point. The miniseries has 8 episodes (each a taut 45 minutes). The first two episodes are playing together as one ninety-minute program at this year’s San Francisco Jewish Film Festival (SJFF36).

As False Flag opens, Israeli television news reports that five Israeli citizens were responsible for the kidnapping of an Iranian diplomat out of his Moscow hotel. We see four of the five – each appearing totally shocked by the revelation and denying any involvement to their families and friends. They don’t seem to know each other, and the only connection seems to be that they each have dual citizenship and a second passport. We first question whether this was a covert operation by Israeli intelligence forces for which they were framed? But we soon learn that the Mossad wasn’t involved either, and Israeli security forces are soon hunting down the five to find out what really happened.

But then we start to learn that some of the five may be connected. Their alibis have holes. And some of the five are not what they seem. Are they involved? Who commissioned the kidnapping? Who is going to find out and how? And what is going to happen to each of the five? False Flag evolves into a superb thriller that spans, at once, the genres of the whodunit, the paranoid thriller, the perfect crime movie and the espionage procedural.

The five protagonists have very different personalities, which makes False Flag a successful character-driven thriller. The three women are a tough cookie, a party girl and a low-self esteemed shoulder-slumper. The two men are a bewildered regular guy and an international man of mystery. The acting from Ishai Golan, Magi Azarzar, Orna Salinger, Ania Bukstein, and Angel Bonnani is first-rate.

False Flag (titled Kfulim in Hebrew) was broadcast last fall in Israel, and was the first non-English language series to be acquired by Fox International Channels. It’s expected sometime in the next year on American TV. The release of the first two episodes at SFJFF36 will help build buzz for the US release.

The Joke was on The Movie Gourmet. When I was going through my screeners for the SFJFF36, I neglected to read anything about False Flag except for “thriller”, so I was expecting that the entire story was contained in the 90 minutes. When what is really Episode 2 ended, I was on the edge of my seat braying, “Oh no! What happens next?”.

You can get your own addicting taste of False Flag at the San Francisco Jewish Film Festival, where you can see it at CineArts in Palo Alto on July 23, at San Francisco’s Castro on July 30, at the Berkeley Rep’s Roda Theater on July 31, and the Rafael in San Rafael on August 6.

I, DALIO: the Jewish star of two French masterpieces

July 20, 2016 by movie gourmet

I, DALIO, OR THE RULES OF THE GAME — I, DALIO – OR THE RULES OF THE GAME

There are two programs of short films (Jews in Shorts) at this year’s San Francisco Jewish Film Festival, and one of them features the documentary short I, Dalio – Or the Rules of the Game. Covering the career of French Jewish actor Marcel Dalio, I, Dalio reflects on how Dalio’s Jewishness informed his life and film career. It’s a documentary of special interest to cinephiles because of Dalio’s roles in three of the all-time greatest films. One of those films is Casablanca, and Dalio gets one of that film classic’s biggest laughs when his croupier says “Your winnings, sir” to Claude Raines’ Captain Renault.

Born in Paris as Israel Moshe Blauschild and adopting the stage name of Marcel Dalio, he became a prolific character actor in French cinema, specializing in weaselly, conniving and otherwise malevolent roles, often playing the foil to his real-life friend Jean Gabin. I, Dalio notes that the only two Dalio roles that were explicitly Jewish were his starring turns in the Jean Renoir masterpieces La Grande Illusion and The Rules of the Game.

Then, within a year of The Rules of the Game’s Paris premiere, the Nazis invaded Paris, and Dalio took his talent to Hollywood. After the war, Dalio continued to work, producing over a hundred more screen credits in international cinema and television.

I, Dalio – Or the Rules of the Game will appeal to audiences interested in both cinema history and Jewish identity. Running for 33 minutes, I Dalio anchors one of the two programs of short films (Jews in Shorts) at this years San Francisco Jewish Film Festival (SJFF36), where you can see it at San Francisco’s Castro on July 27 and at the Piedmont in Oakland on August 6.

FEVER AT DAWN: romance, identity and a moral choice

July 20, 2016 by movie gourmet

The Hungarian drama Fever at Dawn is a little movie with an epic romance. Set just after the liberation of the Nazi concentration camps, Hungarian invalids who survived the camps have been sent to convalesce in hospital camps in Sweden. A young patient, Miklos, gets a dire diagnosis and determines to find love once more before he dies. A half century before internet dating, he concocts a scheme to get himself in front of every sick Hungarian woman in Sweden. When he meets his potential soulmate Lili, a moral question rises to the surface – should he share his diagnosis with the woman he is courting?

Some Holocaust survivors experienced ambivalence about the very Jewish identity that led to yellow stars on their clothes and, essentially, targets on their backs. This ambivalence becomes a significant thread of Fever at Dawn and is addressed more explicitly than is common for Holocaust (or post-Holocaust) movies.

Don’t read too much about this movie before seeing it. There’s an unexpected nugget at the end.

I saw Fever at Dawn earlier this year at its US premiere at Cinequest. It’s being featured at this years San Francisco Jewish Film Festival (SJFF36), where you can see it at San Francisco’s Castro on July 26, at the Berkeley Rep’s Roda Theater on July 28, and at CineArts in Palo Alto on July 29.

Movies to See Right Now

July 15, 2016July 15, 2016 by movie gourmet

Ewen McGregor and Stellan Skarsgaard in OUR KIND OF TRAITOR — Ewen McGregor and Stellan Skarsgård in OUR KIND OF TRAITOR

My running list of Best Movies of 2016 – So Far is out. For movies in theaters right now:

Our Kind of Traitor is a robust espionage thriller with a funny yet powerful performance by Stellan Skarsgård.
Free State of Jones effectively combines the elements of political drama, romance and war movies into an absorbing Civil War drama, one which connects the dots between the 19th Century and the 20th and beyond. With a sizzling Matthew McConaughey.
NUTS! is the persistently hilarious (and finally poignant) documentary about the rise and fall of a medical and radio empire – all built on goat testicle “implantation” surgery in gullible humans.
Zero Days is a documentary on a jaw-dropping hacker mystery – who and how was able to get Iranian military computers to destroy the hardware for their own nuclear weapons program.
All the Way is a thrilling political docudrama with a stellar performance. It’s the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before. All the Way is still playing on HBO.
Finding Dory doesn’t have the breakthrough animation or the depth of story that we expect from Pixar, but it won’t be painful to watch a zillion times with your kids.

Here’s my early peek at next week’s San Francisco Jewish Film Festival.

My DVD/Stream for the next two weeks is one of my Best Movies of 2016 – So Far. San Jose native Matt Sobel’s impressive directorial debut Take Me To the River is entirely fresh. Not one thing happens in Take Me to the River that you can predict, and it keeps the audience off-balance and completely engaged. You can stream Take Me to the River on Amazon Instant, iTunes, Vudu, YouTube and Google Play or rent the DVD from Netflix.

On July 16 Turner Classic Movies presents the grievously underrated Don Siegel thriller Charley Varrick. Siegel was a master of crime movies (and was the primary filmmaking mentor to Clint Eastwood). I particularly love Siegel’s San Francisco noir The Lineup, the guilty pleasure Two Mules for Sister Sara and John Wayne’s goodbye: The Shootist. The 1973 neo-noir Charley Varrick is right up there with Siegel’s best. Walter Matthau stars as the title character, an expert heist man who sets up a “perfect crime” bank robbery which, of course, goes awry. Worst of all, it turns out that Varrick has stolen a secret Mob fortune being laundered by the bank, and now the underworld organization is after him. Only his wits can save him. I’ve rewatched Charley Varrick a couple times recently, and it still holds up for me.

Faithful readers know that I revere the Sergio Leone/Clint Eastwood/Ennio Morricone spaghetti westerns. On July 19, TCM brings us A Fistful of Dollars, For a Few Dollars More and, of course, The Good, the Bad and the Ugly.