Movies to See Right Now

Photo caption: THE GRAND BOLERO, playing at Cinequest. Courtesy of Cinequest.

This week on The Movie Gourmet – Cinequest’s online festival Cinejoy continues through this weekend. See my Best of Cinequest and all my Cinequest coverage. I’ve also honored Cinequest by highlighting two gems from recent festivals: the innovative docufiction Erotic Fire of the Unattainable and the surreal Mexican masterpiece Buy Me a Gun.

CURRENT FILMS

Note: Oscar winners CODA, Drive My Car and Belfast are all now available to stream.

  • CODA: what’s not to like about this delightful Oscar-winning audience-pleaser? CODA’s success results from the textured supporting characters and complicated family dynamics in writer-director Sian Heder’s screenplay. AppleTV
  • Drive My Car: director and co-writer Ryûsuke Hamaguchi’s engrossing masterpiece about dealing with loss – and it’s the best movie of 2021. Layered with character-driven stories that could each justify their own movie, this is a mesmerizing film that builds into an exhilarating catharsis. HBO Max, AppleTV, Amazon, and Vudu.
  • Nightmare Alley: enough burning ambition for a thousand carnies. IHBO Max, Hulu, Amazon, AppleTV, Vudu, YouTube and redbox.
  • Belfast: a child’s point of view is universal. If you have heartstrings, they are gonna get pulled. Amazon, AppleTV, Vudu, YouTube and redbox.
  • The Power of the Dog: One man’s meanness, another man’s growth. Netflix.
  • Don’t Look Up: Wickedly funny. Filmmaker Adam McKay (The Big Short) and a host of movie stars hit the bullseye as they target a corrupt political establishment, a soulless media and a gullible, lazy-minded public. Netflix.
  • The Tragedy of Macbeth: No surprise here: Joel Coen, Denzel Washington and Frances McDormand deliver a crisp and imaginative version of the Bard’s Scottish Play. AppleTV.
  • Bad Luck Banging or Loony Porn: completely different than any movie you’ve seen. AppleTV, Drafthouse On Demand.

ON TV

Richard Widmark running out of luck in THE NIGHT AND THE CITY

On April 16 and 17, Turner Classic Movies is airing the under appreciated film noir classic Night in the City on Noir Alley with intro and outro by Eddie Muller. Richard Widmark is superb as Harry Fabian, a loser who tries to corner the pro wrestling business in post-war London. The one thing that Harry Fabian is good at is finding suckers, but he doesn’t realize that the biggest sucker is…Harry Fabian. It’s highly recommended on my list of Overlooked Noir.

BUY ME A GUN: children in the narcopolypse

BUY ME A GUN. Photo courtesy of Cinequest.

Tp honor Cinequest, now underway, here’s the best of the over thirty films that I reviewed at the 2019 Cinequest. The searing dystopian fable Buy Me a Gun takes place in an imaginary near future, in which Mexico’s conquest by narco cartels is so complete that all other institutions have collapsed.

Buy Me a Gun’s Mexico is a bandit society run by rival warlords and their fighters – a new feudal age with automatic weapons.  It’s a world of cruelty, where all the mothers and teen daughters have been taken by the cartels as sex slaves. And it’s a surreal Mexico, desolate of people, the population having dwindled due to lack of women.

The cartel fighters spend essentially all of their time in four pursuits: the drug trade, raiding for women and girls, partying and playing baseball.

We meet one surviving man who is not in a cartel. Rogelio (Rogelio Sosa) has been imprisoned by a cartel to perform as the groundskeeper of the baseball field at their base. Rogelio is addicted to drugs, and he knows that his life is subject to the whim of any of the fighters at any moment, particularly the terrifying and gender-ambiguous cartel commander (Sostenes Rojas).

While Rogelio walks the tightrope of narco murderers, he is hiding a high stakes secret in plain sight. He has a 10-year-old daughter Huck (Mathilde Hernandez) who he is protecting from the fighters by pretending that she is a boy. If the cartel fighters discover his ruse, he will certainly be killed and his daughter will certainly become a sex slave. Because he can’t escape (and there is no place to escape TO), this is Rogelio’s best option, as harrowing as it is.

Rogelio Sosa and Mathilde Hernandez in BUY ME A GUN. Photo courtesy of Cinequest.

Huck is not the only child at the narco base – she has a pack of feral friends, some horribly disfigured from the environment of violence and the cartel’s cruelty.

While in the throes of his addiction, the groundskeeper is decent, resourceful and brave – devoted to his daughter in a hopeless situation. This is an extraordinary performance by Rogelio Sosa.

One childish mistake puts the dad and daughter in jeopardy. Will she escape the danger? Buy Me a Gun turns into a heart-pounding thriller.

Buy Me a Gun is written and directed by Julio Hernández Cordón, and it’s an impressive achievement, one of the most original films I’ve seen in this decade. One scene in particular, involving a trumpet and purple smoke to illustrate smoking drugs, is genius. Along with Huck, there are child characters that Hernández Cordón has named Tom and Sawyer.

The only crappy thing about Buy Me a Gun is its title, which would better fit a shallow crime movie than such a profound fable.

I screened Buy Me a Gun the 2019 Cinequest before its theatrical release in Mexico. At the 2020 Ariel awards (Mexico’s Oscars) , it garnered eight nominations including for Best Picture, Director and Screenplay and Best Supporting Actor for Sostenes Rojas. Buy Me a Gun is now is now streaming on Amazon, AppleTV, and YouTube  

EROTIC FIRE OF THE UNATTAINABLE: captivating docufiction

Gay Walley in EROTIC FIRE OF THE UNATTAINABLE. Courtesy of Vital Productions.

In recognition of Cinequest, now underway, here;s a gem from the 2020 Cinejoy virtual fest. Erotic Fire of the Unattainable is the captivating study of a free spirited woman of a certain age and her relationships. Gay (Gay Walley) is a NYC author in her 60s who has a boyfriend, but there are other men available to sample; she’s had a history of struggles in trying to find a guy who is the best fit.

Her relationships are all asymmetric – either she loves the man more than he loves her, or he loves her more.

We don’t see many movies about the romantic lives of women of a certain age, but assessing the relative appeal of lovers is a universal quandary. Unless you have lucked into the Ideal Partner (like I have with The Wife), there are trade offs.

As the actress Gay Walley says about the character Gay, “She is a free spirit. All the men come with strings. She clearly wants to be with someone but she can’t take the strings.”

Steve Starr and Gay Walley in EROTIC FIRE OF THE UNATTAINABLE. Courtesy of Vital Productions

Director Frank Vitale works in his own form of cinema, docufiction – “people playing themselves in stories that relate to their own real lives”. He casts non-actors and their friends, who act out stories that spring from their own real life experiences. His star, Gay Smalley, gets the screenwriting credit. Smalley, who in real life has published a novel entitled Erotic Fire of the Unattainable, plays the author Gay, who has penned a book of the same name.

He may use non-actors, but there’s nothing amateurish about Vitale’s filmmaking – Erotic Fire of the Unattainable looks great. The cinematographer is Niav Conty, who directed another Cinequest/Cinejoy gem, Small Time.

Erotic Fire of the Unattainable twas my favorite discovery at Cinequest’s 2020 online festival CINEJOY. Erotic Fire of the Unattainable is now streaming on Amazon (included with Prime) and YouTube.

Movies to See Right Now

This image has an empty alt attribute; its file name is 12-months-close-1-e1648496455982.jpg
Photo caption: Michael James Kelly and Elizabeth Hirsch-Tauber in 12 MONTHS, world premiere at Cinequest. Courtesy of Cinequest.

This week on The Movie Gourmet – Cinequest’s online festival Cinejoy continues and here is my Best of Cinequest and all my Cinequest coverage. I’ve also honored Cinequest by highlighting the pandemic thriller Before the Fire, a female-written and -directed film with its world premiere at a recent Cinequest.

Speaking of film festivals, here’s my First Look at SFFILM.

CURRENT FILMS

Eugenio Derbez in CODA. Courtesy of AppleTV.

Note: Oscar winners CODA, Drive My Car and Belfast are all now available to stream.

  • CODA: what’s not to like about this delightful Oscar-winning audience-pleaser? CODA’s success results from the textured supporting characters and complicated family dynamics in writer-director Sian Heder’s screenplay. AppleTV
  • Drive My Car: director and co-writer Ryûsuke Hamaguchi’s engrossing masterpiece about dealing with loss – and it’s the best movie of 2021. Layered with character-driven stories that could each justify their own movie, this is a mesmerizing film that builds into an exhilarating catharsis. HBO Max, AppleTV, Amazon, and Vudu.
  • Nightmare Alley: enough burning ambition for a thousand carnies. IHBO Max, Hulu, Amazon, AppleTV, Vudu, YouTube and redbox.
  • Belfast: a child’s point of view is universal. If you have heartstrings, they are gonna get pulled. Amazon, AppleTV, Vudu, YouTube and redbox.
  • The Power of the Dog: One man’s meanness, another man’s growth. Netflix.
  • Don’t Look Up: Wickedly funny. Filmmaker Adam McKay (The Big Short) and a host of movie stars hit the bullseye as they target a corrupt political establishment, a soulless media and a gullible, lazy-minded public. Netflix.
  • The Tragedy of Macbeth: No surprise here: Joel Coen, Denzel Washington and Frances McDormand deliver a crisp and imaginative version of the Bard’s Scottish Play. AppleTV.
  • Bad Luck Banging or Loony Porn: completely different than any movie you’ve seen. AppleTV, Drafthouse On Demand.

ON TV

Roger Duchesne in BOB LE FLAMBEUR.

On April 9 and 10, Turner Classic Movies airs the delightful 1956 heist film Bob le Flambeur on Noir Alley with intros and outros by Eddie Muller. In Bob le Flambeur, Bob the Gambler (Roger Duchesne) is a very decent and cool guy, whose only character flaw is that his financial planning is based on robbing a casino. The other characters, however are a uniformly amoral bunch of blackmailers, finks and pimps, all trying to betray Bob and each other in a tangle of double crosses. Still, with all its cynicism, it’s fairly cheery for a noir and even the decidedly cynical ending is fun.

Bob le Flambeur was written and directed by Jean-Pierre Melville, that rare Frenchman enamored of American culture; besides adopting the surname of the American novelist, Melville tooled around 1950s Paris in a Cadillac, wearing a Stetson. Melville went on to create a great string of neo-noirs in the 1960s starring Alain Delon, Jean-Paul Belmondo and Lino Ventura – Le Doulos, Le deuxième souffle, Le Cercle Rouge, Le Samourai and Un Flic.

Bob le Flambeur influenced the young filmmakers of the upcoming French New Wave, as well as many American filmmakers. You can also stream Bob le Flambeur from Amazon, AppleTV, Vudu and YouTube.

Jean-Pierre Melville

BEFORE THE FIRE: when sanctuary brings its own terror

Photo caption: BEFORE THE FIRE. Photo courtesy of Cinequest.

To honor Cinequest, now underway, here’s the Must See from the 2020 festival; ironically, it’s a pandemic thriller which premiered at a film festival that was cut short by COVID. In the thriller Before the Fire, the only escape from an apocalyptic flu pandemic is a woman’s long-estranged rural hometown – but the scary family who traumatized her childhood is there, too. Written by its female star Jenna Lyng Adams, and the first feature by its female director Charlie Buhler, this indie thriller rocks.

Ava Boone (Adams) is a Hollywood actress who has found some success “pretending to be a vampire”, as she puts it, on a television series. As a killer flu sweeps America’s cities, her photojournalist husband (Jackson Davis) seeks to save her by tricking her into refuge with his family in their sparsely populated childhood hometown.

The problem is that growing up in a family ruled by her abusive father was deeply traumatizing. And it’s only a matter of time until her family finds out that she’s back.

As star and screenwriter Adams has said, “but what if the last place you wanted to go was the only place you could go?”

Veteran Charles Hubbell is excellent as the monstrous dad. The part is written to acknowledge that domestic abuse is about power and control – and not just physical abuse. This guy emanates physical brutality, but he is also a master manipulator.

To make things worse, the dad leads a militia of Deliverance-style yahoos, whose strategy to suppress the flu is to murder outsiders.

Ava was once – and is definitely no longer – a farm girl. For necessity’s sake, she begins repairing fences and doing the other hard, dirty and unglamorous work of the family farm run by her husband’s brother (Ryan Vigilant) and his mother (M.J. Karmi). Along the way, she physically hardens up and develops some skills with firearms.

Jenna Lyng Adams in BEFORE THE FIRE. Photo courtesy of Cinequest.

Unsurprisingly (since she wrote it), the role of Ava is a showcase for Jenna Lyng Adams (The Kominsky Files). When Ava first sees her father again, she’s terrified to her core, which tells us all we need from the back story. Adams’ performance is compelling and credible as Ava has to devise and execute her own survival plan. Adams is on-screen in almost every scene and carries the picture.

“Audiences are thirsty for unconventional, layered, and imperfect women on-screen,” said Adams. “I wanted our protagonist to find her strength by facing the darkest parts of her life in the darkest hours of the world. She reinvents herself over and over again to survive.”

“We fought to make this movie, because we felt that there was a very specific expectation about the types of stories women were able to tell,” says director Charlie Buhler.  “Male directors shift between genres much more fluidly, and I think you can feel it in the types of stories that make it to the screen. But Jenna and I both love action, we both love sci-fi, so we wanted to make a female protagonist that we women could really rally behind.”

Indeed, women filmmakers shouldn’t be left to the high-falutin’ Message Pictures while the guys have all the fun with the genre movies.

BEFORE THE FIRE. Photo courtesy of Cinequest.

Before the Fire was filmed on location in South Dakota. Cinematographer Drew Bienemann (visual effects in Beasts of the Southern Wild) makes the barren wintry landscape work to illustrate the Ava’s isolation and vulnerability.

BEFORE THE FIRE. Photo courtesy of Cinequest.

I screened Before the Fire for its world premiere at Cinequest, You can stream it from Amazon, AppleTV. Vudu, YouTube and Showtime. Make sure that you have the Jenna Lng Adams film, not one of the other recent movies with the same title.

First look at SFFILM 2022

Photo caption: SFFILM returns in-person to the Castro Theatre and other venues. Photo by Pamela Gentile. Courtesy of SFFILM.

This year’s San Francisco International Film Festival (SFFILM) opens April 21, and runs through May 1. The fest is IN-PERSON, which is a big deal after cancelling in 2020 and going virtual in 2021. Screening all the films at San Francisco’s Castro, Roxie, Vogue and Victoria theaters, and Berkeley’s BAMPFA, SFFILM is doubling down on its live events. Mask and proof of COVID vaccination will be required for attendees.

As always, it’s a Can’t Miss for Bay Area movie fans. The menu at SFFILM includes 130 films from 56 countries, with 16 world premieres and 10 North American or US premieres. Once again, a majority of the films were directed by female and non-binary filmmakers, and a majority of the movie in this years program have BIPOC directors.

Here are more special elements of this year’s SFFILM:

  • SFFILM honors Michelle Yeoh (the martial arts star of Crouching Tiger, Hidden Dragon, the Bond Girl in Tomorrow Never Dies, and the steely mom in Crazy Rich Asians). On April 29, Yeoh will appear for an on-stage interview by Sandra Oh. On April 25, SFFILM will present a 35mm print of Crouching Tiger, Hidden Dragon on the big screen at the Castro.
  • After last year’s fine selection of Mexican films (Son of Monarchs, Nudo Mixteco, Fauna, Dance of the 41), SFFILM offers a promising expanded Latinx program, with films from Ecuador, Argentina, Chile, Uruguay, Bolivia, Brazil, and of course, Mexico.
  • The most topical film is probably Klondike, where a mortar attack wipes out the front of a couple’s Ukrainian farmhouse. The film is set in the 2016 conflict that has since erupted into a full-scale war with the Russian invasion.
  • Again, SFFILM has highlighted a cross section of movies and events as Family-friendly, something that more film festivals should do. Introduce the kids to good cinema! Artist William Joyce will present his the Oscar®-winning The Fantastic Flying Books of Morris Lessmore and his latest creation, Mr. Spam Gets a New Hat – and will finish with a live drawing activity, welcoming audience members to draw along.

As usual, I’ll be looking for under-the-radar gems and posting my recommendations just before the fest.

The 2022 SFFILM opens April 21. Here’s the information on the program and tickets and passes. Throughout SFFILM, you can follow me on Twitter for the very latest coverage, my coverage on my 2022 SFFILM page.

Michelle Yeoh, appearing live at SFFILM. Photo (c) by William Laisne Getty Images. Courtesy of SFFILM.

Movies to See Right Now

Liza Minnelli, Lady Gaga offer heart-warming Oscars moment amid chaos
A moment of telling kindness in a global shit show.

This week on The Movie Gourmet – Cinequest is underway today, as is my Cinequest coverage. Plus a new review of The Automat and a rant on the Oscars.

Oscar winners CODA, Drive My Car and Belfast are all now available to stream.

Reflecting on the shit show that was this year’s Oscars:

  • The second-worst moment was the desecration of the In Memorium segment, with peppy dancers in front of the images of the dead people; no one is properly revered when someone is bouncing to Norman Greenbaum’s one hit in front of their portrait. Shameful. (And why should Betty White, however beloved, get special recognition on a cinema awards show when she only made four forgettable movies?)
  • The best moment was Lady Gaga’s kindness and graciousness in helping Liza Minnelli through presenting the Best Picture award. Liza clearly didn’t have enough cognitive capacity to navigate the situation, and I feared she would announce La La Land as the winner. But Lady Gaga let her have her moment without messing up CODA’s.

CURRENT FILMS

  • CODA: what’s not to like about this delightful Oscar-winning audience-pleaser? CODA’s success results from the textured supporting characters and complicated family dynamics in writer-director Sian Heder’s screenplay. AppleTV.
  • Drive My Car: director and co-writer Ryûsuke Hamaguchi’s engrossing masterpiece about dealing with loss – and it’s the best movie of 2021. Layered with character-driven stories that could each justify their own movie, this is a mesmerizing film that builds into an exhilarating catharsis. HBO Max, AppleTV, Amazon, and Vudu.
  • Nightmare Alley: enough burning ambition for a thousand carnies. IHBO Max, Hulu, Amazon, AppleTV, Vudu, YouTube and redbox.
  • Belfast: a child’s point of view is universal. If you have heartstrings, they are gonna get pulled. Amazon, AppleTV, Vudu, YouTube and redbox.
  • The Power of the Dog: One man’s meanness, another man’s growth. Netflix.
  • Don’t Look Up: Wickedly funny. Filmmaker Adam McKay (The Big Short) and a host of movie stars hit the bullseye as they target a corrupt political establishment, a soulless media and a gullible, lazy-minded public. Netflix.
  • The Tragedy of Macbeth: No surprise here: Joel Coen, Denzel Washington and Frances McDormand deliver a crisp and imaginative version of the Bard’s Scottish Play. AppleTV.
  • Bad Luck Banging or Loony Porn: completely different than any movie you’ve seen. AppleTV, Drafthouse On Demand.

ON TV

I’ve just written about Clint Eastwood’s The Outlaw Josey Wales, coming up on Turner Classic Movies on April 2.

And, on April 7, TCM will present the fine Dean Martin biodoc King of Cool.

Dean Martin in KING OF COOL. Courtesy of Turner Classic Movies.

The best of Cinequest 2022

Photo caption: Michael James Kelly and Elizabeth Hirsch-Tauber in Clinton Cornwell’s 12 MONTHS, world premiere at Cinequest. Courtesy of Cinequest.

Cinequest’s online festival CINEJOY begins on April 1 and runs through April 17. Here are my top picks:

MUST SEE

  • 12 Months: This uncommonly authentic film traces the year-long span of a romance, using vignettes that are snapshots of the relationship’s evolution. Just like a real life relationship, 12 Months has moments that are playful and moments that are searing. 12 Months is entirely improvised by its director and its stars, who are extremely keen and perceptive observers of relationship behavior, and they don’t hit a single wrong note. It’s the Must See at this year’s Cinequest. World premiere.

INTERNATIONAL CINEMA

  • The Grand Bolero: Early in COVID’s devastating assault on Northern Italy, a middle-aged organ restorer is locked down in a centuries-old church; a salty curmudgeon, she cruelly resists the assistant forced upon her – a runaway young mute woman with no place else to shelter. But the young woman’s unexpected musical gift unlocks passion in the older woman. Passion evolves into obsession, propelling the story to an operatic finale. The Grand Bolero is the most visually beautiful film that I’ve seen in some time, and the music is powerfully evocative. It’s a remarkable first feature for director, co-writer and editor Gabriele Fabbro and his cinematographer Jessica La Malfa.

DOCUMENTARY

  • Tell Me a Memory is a simple, yet engrossing, LGBTQ+ oral history. One or two at a time, individuals from Memphis (did you know they call themselves Memphians?) tell their own stories. The subjects are impressively diverse – in age, gender, race and identity. Coming Out in the Bible Belt is a common thread. This is a gentle and emotionally powerful film.

AND TWO MORE

  • 18 1/2 is the festival’s Opening Night film, a dark comedy that sends up the paranoid thriller genre. A low-level government clerical worker (an excellent Willa Fitzgerald) finds herself in possession of the infamous 18 1/2 minute gap in the Watergate Tapes. Of course, co-writers Daniel Moya and Dan Mirvish had to devise a way to get this MacGuffin in her hands; given the paranoia, deviousness and clumsiness of the Nixon White House, their solution is surprisingly plausible. Double crosses and red herrings escalate, as does the dark, dark humor. Richard Kind and Vondie Curtis-Hall sparkle in supporting roles.
  • Alpha Male, from Poland, is another dark comedy. A feckless young man has been dispatched by his girlfriend to a smoking cessation self-help group. Given the chaos of the community center, he ends up in the wrong room, among a men’s support group headed by a charismatic instructor. He hangs around anyway – and even returns – because this group has better food. The group focuses on their resentment of women, which seems silly and harmless at first, but descends into a paranoid fixation on an imagined organization of women seeking to emasculate them. Both the misogyny and their submissiveness to their bullying leader are taken to absurd levels.

This is the twelfth year that I’ve covered Cinequest, and, as usual, I’ll be covering Cinequest rigorously with features and movie recommendations. Bookmark my CINEQUEST 2022 page, with links to all my coverage (links on the individual movies will start to go live on Thursday, March 31st). Follow me on Twitter for the latest.

12 MONTHS: an authentic relationship evolves

Photo caption: Michael James Kelly and Elizabeth Hirsch-Tauber in 12 MONTHS. Courtesy of Cinequest.

The uncommonly authentic 12 Months traces the year-long span of a romance, using vignettes that are snapshots of the relationship’s evolution. Just like a real life relationship, 12 Months has moments that are playful and moments that are searing. It’s the Must See at this year’s Cinequest.

Ellie (Elizabeth Hirsch-Tauber) and Clark (Michael James Kelly) share a first date, which leads to another, and things get serious. Both Ellie and Clark are decent, smart, sincere and vulnerable; each has quirks, but neither is a bundle of red flags. Each deserves to find a partner, and, so, are they a fit?

Directed by Clinton Cornwell in his feature debut, 12 Months is entirely improvised. Cornwell is credited for the story, Hirsch-Tauber as executive story editor and Kelly as contributing writer. 12 Months is an especially promising calling card for all three.

12 Months soars in recognizing that relationships are rarely symmetrical. The two people involved generally experience different levels of attraction, security, commitment, confidence, comfort and maturity – and at different times.

And 12 Months understands that what a relationship can survive isn’t always predictable, whether it be depression, a sexual proclivity or an out-of-town work assignment.

Clearly, Cornwell, Hirsch-Tauber and Kelly are extremely keen and perceptive observers of relationship behavior (whether from their own or those of others). They don’t hit a single wrong note in12 Months.

Clark’s and Ellie’s best pals are played, respectively, by Christopher Mychael Watson and Lindsey Rose Naves, and they are hilarious.

Movies like 12 Months are why we have film festivals. Cinequest hosts the world premiere of 12 Months, and you can stream it at Cinejoy. View the trailer.

Michael James Kelly and Elizabeth Hirsch-Tauber in 12 MONTHS. Courtesy of Cinequest.

THE GRAND BOLERO: passion unlocked

Photo caption: Lidia Vitale and Ludovica Mancini in Gabriele Fabbro’s THE GRAND BOLERO at Cinequest. Courtesy of Cinequest.

The Grand Bolero is set in winter 2020, early in COVID’s devastating assault on Northern Italy. Roxanne (Lidia Vitale), a middle-aged organ restorer, is locked down in a centuries-old church, along with her client Paolo (Marcelli Mariani). Lucia (Ludovica Mancini), a runaway young mute woman with no place else to shelter, arrives at the church. In an act of kindness, Paolo brings her into the church as an assistant to Roxanne. A salty curmudgeon, Roxanne cruelly resists, even when Palolo chides her, “you know what it’s like to be scared and alone.”

Indeed, Roxanne is a solitary person in a solitary profession, moving from church to church to repair the ancient organs.

But Lucia’s unexpected musical gift unlocks appreciation and then passion in the older woman. Passion evolves into obsession, propelling the story to an operatic finale.

Lidia Vitale and Ludovica Mancini in Gabriele Fabbro’s THE GRAND BOLERO at Cinequest. Courtesy of Cinequest.

The Grand Bolero is the most visually beautiful film that I’ve seen in some time. The interior scenes evoke the warmth of candlelight. The characters find relief from the lockdown in stroll through natural beauty characters find comfort in exteriors in the bright crispness of the northern Italian winter. It’s a remarkable first feature for director, co-writer and editor Gabriele Fabbro and his cinematographer Jessica La Malfa.

The all-absorbing power of organ music naturally complements a story of passion. Roxanne becomes transfixed as she watches Lucia’s bare shoulders heaving at the organ. The story climaxes as the dialogue is drowned out by an organ performance of Ravel’s Bolero.

The Grand Bolero is in competition for Best Narrative Feature at Cinequest and may be streamed through April 17 at Cinejoy.