DVD of the Week: Detachment

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My DVD pick this week is the gripping drama Detachment, with Adrien Brody’s best performance since winning an Oscar for The Pianist.  Detachment is on my list of Best Movies of 2012 – So Far.

Detachment is a gripping drama about the failure of American public schools from the teachers’ point of view.   Adrien Brody plays a long-term sub on a 60-day assignment at a high school that has burned out virtually every other teacher.  I can’t use the words  “grim” or “bleak” to describe this school environment – it’s downright hellish.    It’s making their very souls decay.

The students are rebellious and disrespectful, and somehow manage to be zealously apathetic.  No parents support the teachers, but some enthusiastically abuse and undermine them.  Administrators demand better test results but offer little support beyond “flavor of the month” educational fads.   The ills of the high school in Detachment are exaggerated – this is not a documentary – but there isn’t an urban public high school in American that hasn’t endured some elements of Detachment.

Brody won an Oscar for 2002’s The Pianist, and, in Detachment, he makes the most of his best role since.  Brody plays a haunted and damaged man with strong core beliefs, who, faced with a menu of almost hopeless choices, picks his battles.

Detachment’s cast is unusually deep, and the performances are outstanding.   James Caan is particularly outstanding as the veteran educator whose wicked sense of humor can still disarm the most obnoxiously insolent teen.  Christina Hendricks (Mad Men) is excellent as the young teacher hanging on to some idealism.  Blythe Danner and William Petersen (CSI) are the veterans who have seen it all.  Lucy Liu plays the educator who is clinging by her fingerprints, trying not to flame out like the basket case played by Tim Blake Nelson.  Marcia Gay Harden and Isiah Whitlock Jr. (Cedar Rapids) are dueling administrators.  Sami Gayle and Betty Kaye are superb as two troubled kids.  Louis Zorich delivers a fine performance as Brody’s failing grandfather.  There’s just not an ordinary performance in the movie.

For all its despair, Detachment doesn’t let the audience sink into a malaise.  Director Tony Kaye (American History X) keeps thing moving, and his choices in structure and pacing work well.  This is an intense film with a dark viewpoint.  It is also a very ambitious, thoughtful and originally crafted movie – one well worth seeing.

Movies to See Right Now

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END OF WATCH

I recommend End of Watch, a thrilling cop movie that rises above the genre. I also liked the thinking person’s sci fi movie, Looper.  Perks of Being a Wallflower is an authentic coming of age story.

The inventive Sleepwalk With Me and Robot and Frank.are two excellent comedies that you haven’t seen before. Although there isn’t an unpredictable moment in Trouble with the Curve, it charmed me with its fine acting and baseball nostalgia. The Master is a visual and acting masterpiece, but the story fizzles out.  The indie comedy Liberal Arts has some good moments, but overall rings hollow.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star.

The stylishly violent crime drama Lawless is well-made and well-acted but predictable. The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. The Words is a corny drama that insults the audience by over-explaining everything.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the story of aged Brits seeking a low-budget retirement in India, The Best Exotic Marigold Hotel. It is much more than a fish-out-of-water comedy, and has deservedly become they year’s biggest indie hit.

Looper: thinking person’s sci fi

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I liked Looper because it’s old school sci fi – based on an idea, in this case, what happens if humans learn how to time travel?  I think that much of the sci fi in that past thirty years hasn’t been idea-based, but more an excuse to clothe a monster movie or an action movie in cool-looking sci fi settings.  The credit here goes to writer-director Rian Johnson who has imagined a 2044 in which the richest 10% (including organized criminals) live pretty well, but the rest of us vie for scraps in decayed cities that haven’t seen any investment since maybe 2012.  In Johnson’s foul future, time travel is discovered, but by 2074, is used by criminals to dispose of their victims back in 2044.

In Looper, 2044 hit man Joseph Gordon-Levitt is confronted with the 2074 version of himself, played by Bruce Willis.  Willis is on a mission to do something in 2044 that will change an outcome in 2074.  The mission is shocking – would you murder a child to prevent him from growing up to become a Hitler-like monster?

In a year with many excellent performances by child actors, Pierce Gagnon plays one compellingly terrifying four-year-old.   As a bonus, one of my favorite character actors, Garret Dillahunt (No Country for Old Men, Assassination of Jesse James, Winter’s Bone) has a nice turn near the end of the movie.

As Looper climaxes, the audience needs to think along – if history is altered, how will the dominoes fall?

The Perks of Being a Wallflower: authenticity in a coming of age story

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In a fine movie debut, Stephen Chbosky directs the screen version of his novel.  A shy high school freshman in 1991 is adopted by two unapologetically misfit seniors, played by Harry Potter’s Emma Watson and Ezra Miller (very different here than in We Need to Talk About Kevin).  The Perks of Being a Wallflower is a coming of age story, and a very good one. We’ve all experienced adolescence, so my test for a film in this genre is whether the moments of adolescent awkwardness, peer obsession, self-doubt and discovery feel real.  I felt that authenticity with Perks.  In addition, the story is textured and unpredictable, and the performances – especially those by Watson and Miller –  are excellent.

Liberal Arts: promising, but hollow

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I liked so much about Liberal Arts that I wondered why I felt so unsatisfied leaving the theater. I finally realized that the central character just didn’t work for me, making an otherwise good movie into a hollow one.

Liberal Arts is written and directed by TV sitcom star Josh Radnor, who also plays the lead character, Jesse, a college admissions officer in NYC.  Jesse is now 35 and adrift.  He returns to his old college to speak at the retirement of his favorite professor, falls back in love with college life and meets a spirited 19-year-old coed.  As Jesse examines where he is in his life, he is book ended by his world weary professors and by the naive young students that he meets.

That’s a promising premise and the very well written supporting characters provide some funny and thoughtful moments.  Richard Jenkins is brilliant as a man grappling with the end of his career, and Alison Janney has some delicious moments as a very tough broad whose expertise is Romantic literature.  Elizabeth Olsen is very good as the coed, and Zac Efron is downright hilarious as a college age stoner dude.

But it comes down to a main character that has it pretty good, but resists acting like a grownup.  He doesn’t get credit from me for figuring it out at least thirteen years too late.  The movie wants to give him credit for that, and for a “noble” decision that is implausible.

The Wife liked it, though.

Herzog’s most American documentary: God’s Angry Man

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Dr. Gene Scott

I am a huge fan of Werner Herzog’s documentaries (Grizzly Man, Little Dieter Needs to Fly, Cave of Forgotten Dreams).  So I was particularly pleased to come across this 1980 Herzog gem.  It’s a 43 minute made-for-TV documentary called God’s Angry Man.

God’s Angry Man is about the late Dr. Gene Scott, a TV preacher who would rail at his audience until they sent him money.  You would think that people would turn off a television personality who was hectoring them, but Scott tapped into something spooky within his flock.  He was mesmerizing.  I myself watched him for many hours late at night, amazed that his followers would tune in to his hard-edged bellowing and choose to be bullied.

Herzog plays it straight and lets Scott speak for Scott, although Herzog must have been puzzled and bemused by the American phenomenon of the TV preacher.

You can watch the entire movie at this slightly creepy Dr. Gene Scott fan page or here on Google Videos.

DVD of the Week: The Best Exotic Marigold Hotel

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As you can see from the trailer, this story of aged Brits seeking a low-budget retirement in India looks like enjoyable fluff with a great cast.  I was expecting a fish-out-of-water comedy, but found much more than that.  Besides dealing with the culture shock issues (which are plenty funny), the characters each forge their own journeys of self-discovery.

Of course, the cast is a superb collection of British acting talent:  Bill Nighy, Judi Dench, Tom Wilkinson, Maggie Smith,  Celia Imrie, Penelope Wilton (Downton Abbey).  Dev Patel of Slumdog Millionaire is their genial and scattered host.

Nighy is especially brilliant as a guy trapped too long by his own profound decency.  Dench delivers an equally outstanding performance as a woman determined to make her own way for the first time.  In another acting gem, Tom Wilkinson follows a thread from his secret past and uncovers a moving revelation.

But those are just the highlights.  The Best Exotic Marigold Hotel is justifiably the biggest indie hit of the year.

Pre-autumn look at the year’s best movies so far

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My top movie pick so far in 2012 - THE KID WITH THE BIKE

Here’s a pre-autumn check in with my running list of the year’s best films – Best Movies of 2012 – So Far.  I’ve included six foreign language films, from Belgium, France, Quebec, Iran, Russia and Turkey, and five American and Canadian independent films.  That’s par for the course, because I usually call out 23-28 movies on my end of the year list.

The Kid on the Bike and A Separation had very limited US theatrical runs at the end of 2011 to qualify for the 2012 Oscars.  But they weren’t available to most Americans until this year, so they’re on my 2012 list.

And guess what – there are zero Hollywood movies on the list.  That’s not a huge surprise because Hollywood generally releases its Oscar bait in the fall.  The hyped Hollywood fare coming up in 2012 includes Argo, Cloud Atlas, The Sessions and Hyde Park on Hudson (being released by the prestige arms of major studios).  The other promising prestige movies (Killing Them Softly, Silver Linings Playbook, Lincoln, etc.) are being released by mini-majors such as The Weinstein Company and Touchstone (the prestige arm of Dreamworks) and by the smaller indie distributors.

Here’s another surprise –  there no documentaries on my list so far.  Last year at this time, Project Nim, Buck and Tabloid were all on the list.  There are several promising documentaries yet to be released (Paul Williams Is Still Alive, Undefeated, The Gatekeepers, Stories We Tell, Mea Maxima Culpa, ), but, as of now,  it’s a down year.

Incidentally, you can still find Beasts of the Southern Wild in theaters.   Once Upon a Time in Anatolia, Rampart, A Separation and Monsieur Lazhar are already available on DVD.   Detachment, Moonrise Kingdom, Elena and Take This Waltz will become available on DVD in  October.

Movies to See Right Now

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Jake Gylenhaal and Michael Pena in END OF WATCH

The best of the new movies is End of Watch, a thrilling cop movie that rises above the genre.   Although there isn’t an unpredictable moment in Trouble with the Curve, it charmed me with its fine acting and baseball nostalgia.  The Master is a visual and acting masterpiece, but the story fizzles out.

We still have a couple of fine comedies in theaters, most recently Sleepwalk With Me.  Frank Langella’s performance in Robot and Frank elevates the film from a pretty good comedy to a revealing study of getting older.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star.

The stylishly violent crime drama Lawless is well-made and well-acted but predictable. The bike messenger thriller Premium Rush is nothing more than a chase scene, but it’s a cool chase. The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. The Words is a corny drama that insults the audience by over-explaining everything.

I haven’t yet seen the screen version of the coming of age best seller The Perks of Being a Wallflower, the sci fi hitman thriller Looper or the campus comedy Liberal Arts, which open widely this week.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is Bernie, a very funny dark comedy by Richard Linklater, shows off Jack Black’s talents in a whole new light.  Bernie makes my list of Best Movies of 2012 – So Far.

End of Watch: thrilling cop drama rises above the genre

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End of Watch is a top notch thriller of a cop movie.  Two cops, played by Jake Gyllenhaal and Michael Peña, patrol a hell hole beat in South Central LA.  They are well-intentioned cops, but they are testosterone-fueled young guys. They are always looking for action, and this neighborhood has plenty of action.  They ultimately bite off more than they should try to chew.

Writer-director David Ayer (Training Day) has made a movie that rises above the genre because of the well-written main characters and their relationship.  We watch them chiefly from a camera on the dashboard of their squad car.  We learn that they are both decent guys and both adrenaline junkies, but one is more aspirational and one is more settled.  They are both funny, and the multiracial theater audience at my screening was howling at the ethnic ball-breaking.

There are also some impressive chases, often filmed with the dashboard camera facing forward.  It’s thrilling stuff.  There’s a lot of shaky cam (which I usually hate), but here it works well to enhance the chaos of the setting as well as the action.

The rest of the cast is excellent, most notably Natalie Martinez and Anna Kendrick (Up in the Air) as the love interests, David Harbour, America Ferrera and Frank Grillo as fellow cops, and Diamonique as a fierce gangbanger.

And here’s a shout out to Michael Peña.  In End of Watch, Peña nails both the humor and the action; he’s on-screen almost the whole movie and has an engaging presence.  He has played so many Latino cops, and he really deserves a chance to show what he can do with a different type of role.