Mea Maxima Culpa: Silence in the House of God: the blame climbs until it cannot climb higher

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In Mea Maxima Culpa: Silence in the House of God, documentarian Alex Gibney explores the Catholic Church’s decades-long cover-up of priest abuse from a Wisconsin parish to the top of the Vatican (and I mean the top).  The film begins with the horrifying and disgusting abuse of the most vulnerable – children at a residential Catholic school for the deaf whose devout parents cannot communicate with them through American Sign Language.

At first it seems like another story of Church leaders suppressing the truth to avoid bad publicity and lawsuits – and it is for the first few years.  But then we learn about an American bishop trying to remove a pedophile from ministry, but being thwarted by superiors across the Atlantic.  As Gibney pulls apart the onion, the focus of the story climbs the Church hierarchy.  The brilliant and prolific Gibney’s work includes Enron: The Smartest Guys in the Room, Client 9: The Rise and Fall of Eliot Spitzer, Casino Jack and the United States of Money and the Oscar-winning Taxi to the Dark Side.

I also recommend another documentary on this difficult subject, Deliver Us From Evil, which made my top ten list for 2006.  That is the story of a serial pedophile priest moved from parish to parish in the Diocese of Stockton, California.  This has become, sadly, a familiar narrative, but what distinguishes Deliver Us From Evil is its breathtaking interviews with the pedophile himself.

Mea Maxima Culpa: Silence in the House of God is now playing on HBO.

 

Cinequest: In The Shadow (Ve Stinu)

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The Czech paranoid thriller In The Shadow (Ve Stinu) follows a police detective in 1953 Prague.  The Communist government credits him with solving a case – but he figures out that the crime was committed by different perpetrator with a different motive.   Unfortunately, the truth is not politically convenient, and he must navigate through the criminal underground, Commie thugs, a former Nazi and Cold War show trials or he’ll become yet another film noir tragic ending.

The cop is played by the Czech actor Ivan Trojan, whose performance I admired so much in the creepy voyeur film Visible World.  In Visible Word, Trojan got to play a seriously twisted guy.  Trojan’s role in In the Shadow is not as showy, but he creates a hard-boiled character of uncommon determination and devotion to the truth.

In the Shadow is a well-crafted cop movie with added intensity from a nefarious Big Brother. In the Shadow won Best Film at the Czech Film Critics’ Awards and was the Czech submission to the Academy Awards.  It plays at Cinequest on February 28, March 6 and March 8.  The trailer is in Czech without English subtitles.

Starting on Tuesday: Cinequest 2013

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Mads Mikkelson in THE HUNT

San Jose’s Cinequest film festival begins this Tuesday.  The lineup includes 85 World, North American and U.S. premieres from 48 countries.  In past Cinequest festivals, I have discovered some very strong European films, especially from Eastern Europe and Scandinavia, and some delightful American indie comedies.  This year, the lineup of thrillers looks unusually promising.

So far I have only seen one film from the festival lineup – tomorrow, I’ll be writing about In the Shadow, which won Best Film at the Czech Film Critics’ Awards and was the Czech submission to the Academy Awards.

The critical buzz from other festivals indicates that there are at least two movies not to miss.  The Danish The Hunt plays on March 6.  Mads Mikkelsen (After the Wedding, Casino Royale, A Royal Affair) stars as a teacher wrongly accused of child molestation, spurring hysteria in his town.  Mikkelsen won the Best Actor award at Cannes.

The Sapphires plays on February 27.  In this feel good movie set in the 60s, an Australian Aborigine girl group faces obstacles at home, but blossoms when the girls learn Motown hits to entertain US troops in Vietnam.

Here’s a curiosity:  The last movie that actor Chris Penn made before his death in early 2006 is the thriller Aftermath.  Aftermath has never been released, and its world premiere at Cinequest is this Friday (and it will also screen on March 3 and 5).

I’ll be seeing lots of films and writing about many of them. To avoid spamming my subscribers, you won’t be getting an automatic email for all of my Cinequest posts, so keep checking back here for my festival coverage.  I’ll me summarizing my coverage on my one-stop CINEQUEST 2013 page (also linked off the header at the top of this page).

Cinequest runs from February 26 through March 10 in downtown San Jose.  Check out the schedule and get tickets at Cinequest.

Movies to See Right Now

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56 UP

I haven’t yet seen 56 Up, the next chapter in the greatest documentary series ever. Starting with Seven Up! in 1964, director Michael Apted has followed the same fourteen British children, filming snapshots of their lives at ages 7, 14, 21, 28, 35, 42 and 49. Choosing kids from different backgrounds, the series started as a critique of the British class system, but has since evolved into a broader exploration of what factors can lead to success and happiness at different stages of human life. The ultimate reality show. I’ve included the 7 Up series in my list of Greatest Movies of All Time. It opens today, as does The Gatekeepers, a documentary centered around interviews with all six surviving former chiefs of Shin Bet, Israel’s super-secret internal security force. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

It’s you last chance to catch the Oscar-nominated movies before the Academy Awards: Zero Dark Thirty, Argo, Lincoln, Silver Linings Playbook, Django Unchained and Life of Pi.  The French language drama Amour is a brilliantly made and almost unbearable to watch.  If you really like musicals, you will probably like the lavish but stupefying Les Miserables (I didn’t).

The best new movie is Steven Soderbergh’s psychological thriller Side Effects with Rooney Mara, Jude Law and Catherine Zeta-Jones. In Stand Up Guys, Al Pacino, Christopher Walken and Alan Arkin play old mobsters gearing up for one last surge of adrenaline. Quartet is a pleasant lark of a geezer comedy with four fine performances. The charmingly funny Warm Bodies has made my list of Zombie Movies for People Who Don’t Like Zombie Movies. The pretty good horror movie Mama (with Jessica Chastain) can send chills down your spine without any slashing or splattering.

Skip the unoriginal mob movie Gangster Squad, which wastes its fine cast. The FDR movie Hyde Park on Hudson is a bore. The disaster movie The Impossible is only for audiences that enjoy watching suffering adults and children in peril. I have not seen Movie 43 – it is the most critically reviled movie in a looooong time.

My DVD/Stream of the week is the Oscar winning Gosford Park, a fitting companion to the just completed third season of Downton Abbey.

Turner Classic Movies is celebrating the Oscars with its annual 31 Days of Oscars, filling its broadcast schedule with Academy Award-winning films. This week, the lineup includes one of the funniest movies ever, Mel Brook’s glorious The Producers.

12 movie classics coming up on TV

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SEVEN DAYS IN MAY

Turner Classic Movies is celebrating the Oscars with its annual 31 Days of Oscars, filling its broadcast schedule with Academy Award-winning films.   On this Thursday through Sunday, the TCM lineup is especially rich, including these gems:

Seven Days in May:  “I’m suggesting Mr President, there’s a military plot to take over the Government of these United States, next Sunday…”   John Frankenheimer (The Manchurian Candidate) is a master of the thriller, and his 1964 Seven Days in May is a masterpiece of the paranoid political thriller subgenre.  Edmond O’Brien’s performance is best among outstanding turns by Kirk Douglas, Burt Lancaster, Frederic March and Whit Bissell.

A Place in the Sun: One of the great films of the 1950s.  Montgomery Clift is a poor kid who is satisfied to have a job and a trashy girlfriend (Shelly Winters in a brilliant portrayal).  Then, he learns that he could have it all – the CEO’s daughter Elizabeth Taylor, lifelong comfort, status and career.  Did I mention Elizabeth Taylor?  The now pregnant girlfriend is the only obstacle to more than he could have ever dreamed for – can he get rid of her without getting caught?

Anatomy of a Murder (1959): Otto Preminger delivers a classic courtroom drama that frankly addresses sexual mores.  James Stewart is a folksy but very canny lawyer defending a cynical soldier (Ben Gazzara) on a murder charge; did he discover his wife straying or is he avenging her rape?  Lee Remick portrays the wife with a penchant for partying and uncertain fidelity. The Duke Ellington score could be the very best jazz score in the movies. Joseph Welch, the real-life lawyer who stood up to Sen. Joe McCarthy in a televised red scare hearing, plays the judge.

All this and more!  There’s Double Indemnity one of the masterpieces of film noir, Marlon Brando’s tour de force in On the Waterfront, the great trial movie The Caine Mutiny, the historically important Easy Rider (and one of my Best Drug Movies) and the political classic All the King’s Men.  If you’re looking for an epic, you can try out The Bridge on the River Kwai and Lawrence of Arabia on your big screen TV.  For a comedy, there’s Tootsie.

And don’t miss an overlooked great Jack Nicholson performance in The Last Detail.

Tune up that TiVo!

DVD/Stream of the week: the orginal Downton Abbey

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Fans of Downton Abbey – do not despair because Season 3 has run its course.   Before he created Downton Abbey, Julian Fellowes wrote the 2001 film Gosford Park, also set at the estate of an English aristocrat in the 1920s. The period between the world wars marked the final decline of the Upstairs Downstairs world, and Fellowes, descended from such an upper class family, grew up with relatives who had lived through it.  In fact, he modeled the scathingly dismissive character of Constance, Countess of Trentham (Maggie Smith), after his own great-aunt.

Gosford Park won an Oscar for its legendary director, Robert Altman.  Altman was a master of weaving together characters and multiple story lines, employing the kind of simultaneous, overlapping speech that people use in real life.  In Gosford Park, instead of recording all the actors with the normal boom microphone, he placed radio microphones on each of twenty actors in the large scenes.  The result, a triumph of cinematic sound design, is that we can hear key lines of dialogue amidst the realistic cacophony of a large gathering, and our attention can move from group to group within a single camera shot.

Ever unconventional, Altman also showed his genius in the solitary scenes.  In one, Helen Mirren’s character has repaired to her own room to reflect on an emotionally shattering development.  Instead of a closeup on Mirren’s face, Altman shoots in long shot, allowing Mirren to act with her whole body and emphasizing the loneliness of her life and the situation.

Altman was also known for attracting very deep, top rate casts.  Gosford Park contains exceptional performances by Mirren, Kelly Macdonald and Emily Watson.  Watson has an outburst at a formal dinner that leaves the audience gasping.  American audiences had only seen Clive Owen in the modest art house film Croupier, and the brooding determination in his Gosford Park performance helped make him a star.

As in Downton Abbey, Maggie Smith gets some great lines and makes the most of them.  Her performance triggered a stream of spunky roles for Smith, including in the Harry Potter movies, The Best Exotic Marigold Hotel, Quartet and, of course, as Downton Abbey’s Violet Crawley, Dowager Countess of Grantham.

Gosford Park is a great movie, and you’ll recognize its world as Downton Abbey’s.  Gosford Park is available on DVD and streaming from Netflix Instant.

Oscar Dinner 2013

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Every year, we watch the Oscars while enjoying a meal inspired by the Best Picture nominees.  For example, we had sushi for Lost in Translation, cowboy campfire beans for Brokeback Mountain and Grandma Ethel’s Brisket for A Serious Man –  you get the idea.  You can see our past Oscar Dinners on this page (including our Severed Hands Ice Sculpture in 2011 for 127 Hours and Winter’s Bone).

This year The Wife did the heavy lifting in organizing our feast.

 

STARTERS

Hummus for Argo and Zero Dark Thirty – as you will see, it’s a big year for Middle Eastern food at the Oscar Diner.

Philly Cream Cheese Cocktail Sauce Dip for Silver Linings Playbook – a perfect accompaniment to an Eagles game.

Crackers from Life of Pi (not many food choices on that lifeboat).

Baguette from Amour and Les Miserables (I did NOT steal the bread, Javert).

The Wife vetoed the peach yogurt from Amour.

 

DINNER

Kabob Koubideh for Argo and Zero Dark Thirty.

Roast Chicken from Beasts of the Southern Wild (we could have done crab, too, but Quvenzhané Wallis won’t be here to rip them up for us).

Khoresh Ghormeh (a Persian veggie stew) for Argo.

 

DESSERT

Mary Todd Lincoln’s Almond Cake for Lincoln.  Understanding the political junkie that I am, my daughter gave me the Capitol Hill Cookbook and this is an authentic recipe from the Lincoln family.

 

BEVERAGES

Whiskey from Django Unchained (from the bar scene with Jamie Foxx and Franco Nero).

Vodka (Jennifer Lawrence ordered it at the bar) from Silver Linings Playbook.

Water from Life of Pi (again – not many choices in that lifeboat).

Enjoy!

 

Zombie Movies for People Who Don’t Like Zombie Movies

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SHAUN OF THE DEAD

Here’s my list of Zombie Movies for People Who Don’t Like Zombie Movies.  I’m generally not a fan of the genre because the primary elements of a zombie movie  – gross looking zombies, gory human deaths and spectacular zombie slaughter – just aren’t enough to keep me coming back.

That’s why the best zombie movies are hybrids of another genre.    I’ve highlighted five movies that use the framework of the zombie genre to create movies that can stand on their own as comedies or thrillers.  Plus they ease off on the gore, which is just fine by me.

The very idea of reanimated dead who must eat live humans is, of course, absurd, and that absurdity can set up some fine film comedy, including Zombieland, Shaun of the Dead, Fido and Warm Bodies.  And when you add a first rate filmmaker like Danny Boyle to the mix, you can get a top thriller – 28 Days Later.

Movies to See Right Now

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Jude Law in SIDE EFFECTS

The best new movie is Steven Soderbergh’s psychological thriller Side Effects with Rooney Mara, Jude Law and Catherine Zeta-Jones.  In Stand Up Guys, Al Pacino, Christopher Walken and Alan Arkin play old mobsters gearing up for one last surge of adrenaline. Quartet is a pleasant lark of a geezer comedy with four fine performances. The charmingly funny Warm Bodies has made my list of Zombie Movies for People Who Don’t Like Zombie Movies. The pretty good horror movie Mama (with Jessica Chastain) can send chills down your spine without any slashing or splattering.

Zero Dark Thirty, Argo, Lincoln and Silver Linings Playbook are on my list of Best Movies of 2012 and all are nominated for the Best Picture Oscar. The French language drama Amour, also nominated for Best Picture, is a brilliantly made film about the end of life – it’s also an almost unbearable viewing experience.

If, like me, you worship the spaghetti Western, the Quentin Tarantino blockbuster Django Unchained is gloriously pedal-to-the-metal, splattering exploitation. The intelligent drama Rust and Bone is the singular tale of a complicated woman and an uncomplicated man. Ang Lee’s visually stunning fable Life of Pi is an enthralling commentary on story-telling.

Skip the unoriginal mob movie Gangster Squad, which wastes its fine cast. Also pass on the lavish but stupefying all-star Les Miserables, with its multiple endings, each more miserable than the last. The FDR movie Hyde Park on Hudson is a bore. The disaster movie The Impossible is only for audiences that enjoy watching suffering adults and children in peril. I have not seen Movie 43 – it is the most critically reviled movie in a looooong time.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD of the week is the underrated 2012 thriller Deadfall.

Turner Classic Movies is celebrating the Oscars with its annual 31 Days of Oscars, filling its broadcast schedule with Academy Award-winning films. In the next week, the especially rich lineup will include Double Indemnity, A Place in the Sun, Seven Days in May, All the King’s Men, Anatomy of a Murder with its great jazz score, On the Waterfront, The Caine Mutiny, Easy Rider, The Last Detail, The Bridge on the River Kwai, Lawrence of Arabia and Tootsie.

Side Effects: a thriller for thriller-lovers

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Side Effects is a psychological thriller that keeps thriller-lovers on the their toes by constantly changing its focus.  First one character is on the verge of falling apart, then another and then another.  Initially, we think that the story is about mental illness and prescription psych meds, but then it evolves into something else quite different.   The plot might have seemed implausible in the hands of a lesser director, but Steven Soderbergh pulls it off with panache.

Soderbergh got superb performances by his leads: Jude Law, Rooney Mara and Catherine Zeta-Jones.  Mara, so striking in The Social Network and The Girl with the Dragon Tattoo, serves notice that she is a perfect fit for psychological dramas; she can turn  apparent fragility and unknowability into menace like few other film actresses.  And few actors can take a character from charming confidence to a desperate meltdown like Law does here.  Zeta-Jones shows that she play a frigid mistress of the universe who is passionate and needy underneath.  The supporting players are all perfectly cast.

The insistent music by Thomas Newman, while never obvious, is an integral part of the suspense.  Soderbergh, a master who has repeatedly elevated genre films, has another winner in Side Effects.