Stream of the Week: HERS TO LOSE – an inside look at ANOTHER campaign spiraling into defeat

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Here is the perfect companion film to Weiner – it’s the inside story of ANOTHER campaign – one of Anthony Weiner’s opponents in the same 2013 mayoral election.

Hers to Lose: Inside Christine Quinn’s Bid for Mayor is an extraordinarily evocative political film, it’s only 30 minutes long and you can watch it for free.  It’s the story of Christine C. Quinn’s bid for New York City mayor in 2013. At the start of the race, Quinn was the heavy favorite. She was the City Council President and a dominant force in Manhattan’s Democratic establishment. She would have been the first woman and the first openly gay Mayor of New York City.

Then, as happens in politics, two things went wrong. First, she had positioned herself as the Democratic partner and heir to Republican Mayor Bloomberg, which helped her immensely in the years of Bloomberg’s popularity in New York; but by the time of the 2013 primary, Bloomberg had become very UNPOPULAR among Democratic primary voters. Then, as voters looked to an anti-Bloomberg alternative, one of Quinn’s opponents, Bill de Blasio unleashed a killer campaign commercial, featuring his teenage son Dante, that crystallized the aspirations of the electorate. Quinn sank like a rock in the polls, and de Blasio shot upward. This was one of those moments in a political campaign when there is just nothing a candidate can do to stop a popular tsunami.

As Hers to Lose opens, we see Quinn – just after her defeat – explaining that she granted access to the New York Times documentarians so they could record her victory. She is composed, but her eyes are filled with pain. Quinn had dedicated years of her life to running in this race, suffering political and personal attacks, enduring long hours and living in a fish bowl; to see this film is to appreciate how much she put into the contest and how helplessly she watched her lead slip away. At its most searing, Her to Lose chronicles the never-ending torrent of abuse hurled at Quinn by haters – especially the single issue opponents of horse-drawn carriages, who hang around her building so they can revile her as she begins each day; as one might assume, this vitriol takes its toll.

You can view Hers to Lose: Inside Christine Quinn’s Bid for Mayor here at the NYT.

Stellan Skarsgård – at last, we see his funny side

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Stellan Skarsgård in OUR KIND OF TRAITOR
Stellan Skarsgård in OUR KIND OF TRAITOR

Stellan Skarsgård stars as the chief money-launderer for the Russia Mob in Our Kind of Traitor, and Skarsgård completely dominates the movie with his always robust and often hilarious performance.  Who knew that the familiar Skarsgård could be so funny?  After all, he usually plays a character that is brooding or menacing.

Skarsgård had already amassed over 50 screen credits at age 35 when the American art house audience really noticed him in Breaking the Waves (1996),  He played an amiable and lusty seafarer who transforms the mousy Emily Watson with his joie de vivre, before he becomes a heartbreakingly suicidal paraplegic.

Emily Watson and Skarsgård in BREAKING THE WAVES
Emily Watson and Skarsgård in BREAKING THE WAVES

Although I hadn’t remembered him, earlier, Skarsgård appeared in The Unbearable Lightness of Being (1988), where he played The Engineer who had a one-night stand with Juliette Binoche’s Tereza.  Then, in 1990, he played the Russian sub captain in The Hunt for Red October.

After Breaking the Waves came Insomnia, Good Will Hunting, The Girl with the Dragon Tattoo, and lots of really bad Hollywood movies where he’s the best thing in them – primarily dramas, thrillers and action films where he’s the intensely stolid or sinister presence.

Now, everybody’s got to start somewhere, and in 1973, Stellan Skarsgård’s second year making feature films, he starred in a cult Guilty Pleasure – Anita: Swedish Nymphet.  As the title suggests, the story is about a 16-year-old girl (played by a 23-year-old actress) with psychological issues which compel her to have sex in random and unhealthy encounters.  It’s completely trashy, but, of course, the appeal of Anita: Swedish Nymphet to US (male) audiences was lots of nudity and sex – still uncommon in American movies.
Skarsgård plays Anita’s counselor, who eventually cures her by making her his girlfriend.

But now’s the time to enjoy Skarsgård in Our Kind of Traitor, It’s not a great movie, but Skarsgård makes it damn entertaining.  By himself, he’s worth the price of a ticket.

Skarsgård in ANITA: SWEDISH NYMPHET
Skarsgård counseling a troubled girl in ANITA: SWEDISH NYMPHET

FREE STATE OF JONES: sound and compelling history, with a sizzling McConaughey

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Mahershala Ali and Matthew McConaughey star in FREE STATE OF JONES
Mahershala Ali and Matthew McConaughey in FREE STATE OF JONES

Free State of Jones is the compelling story of resistance to the Confederacy and to white supremacy by Southerners during and after the Civil War.  Matthew McConaughey stars as  Newton Knight, an overlooked but quite singular figure in American history.  It is little-known, but the Confederacy actually lost control of some Mississippi counties to poor white farmers who tired of fighting a war to benefit the rich slave-holders.

I am a pretty serious Civil War history buff, and I was planning to skip Free State of Jones entirely until I found out about writer-director Gary Ross’ commitment to taking the history seriously.  In fact, Ross has posted a very impressive website which outlines the historical events and figures depicted in the movie and even links the primary historical source material.  I’ve never seen such a credible effort by a filmmaker to explain how he got the history right. Here’s a New York Tines article about the movie, Ross and his website.

In the second act of his career, McConaughey has delivered brilliant performances in excellent movies  (Mud, Bernie, The Paperboy, Killer Joe, The Wolf of Wall Street, Dallas Buyers Club, True Detective).  Here, he positively sizzles as the intensely principled and determined Newt Knight.  The rest of the cast is excellent, too, especially Mahershala Ali (House of Cards) as an escaped slave turned Reconstruction political organizer.

Free State of Jones effectively combines the elements of political drama, romance and war movies into an absorbing drama, one which connects the dots between the 19th Century and the 20th and beyond.

OUR KIND OF TRAITOR: Skarsgård steals this robust thriller

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Naomie Harris and Ewan McGregor in OUR KIND OF TRAITOR. Photo courtesy of the San Francisco Film Society.
Naomie Harris and Ewan McGregor in OUR KIND OF TRAITOR. Photo courtesy of the San Francisco Film Society.

Our Kind of Traitor is a robust globe-trotting thriller, enlivened by a lusty Stellan Skarsgård and played out in a series of stunning set pieces.  A meek Everyman (Ewan McGregor) is a tag-along on his high-powered wife’s trip to Cairo.   Nursing a drink after a tiff with said wife (the sleek Naomie Harris from 28 Days Later… and a couple of Bond films), he is inveigled into joining a crew of partying Russians and becomes entangled in an intrigue that puts entire families at stake – including his own.

It turns out that our protagonist has been randomly plucked from the humdrum by Dima (Skarsgård), the top money launderer for the Russian Mafia, who is trying to get British intelligence to help his family escape from his murderous colleagues.  The story having been adapted from a John le Carré novel, the dour British spy (Damian Lewis from Homeland) on the case is being hindered at every turn by a thoroughly corrupt British law enforcement and intelligence bureaucracy, with the rot reaching up to Cabinet level.

The very best thing about Our Kind of Traitor is Stellan Skarsgård’s performance.   Dima is loud, flamboyant and profoundly course. Skarsgård has filled his career with brooding roles, but here he gets to play the life of the party, and he is hilarious – and steals the movie.

Our Kind of Traitor also looks great as it takes us from Russia (shot in Finland) to Cairo (Morocco) to Switzerland to London to Paris.  Director Susanna White is a veteran (21 directing credits on IMDb), but Our Kind of Traitor is her first big budget action movie.    The success of the film revolves around a series of spectacular set pieces, and White pulls it off masterfully.

Our Kind of Traitor isn’t as good as the best of his work (Tinker, Tailor, Soldier, Spy, for instance), but it’s damn entertaining.  I saw the final four plot twists coming, but by then I was hooked, so I still enjoyed the film.  And, adapting to the post-Cold War world, le Carré may have become even more cynical. 

I saw Our Kind of Traitor earlier this year at the 59th San Francisco International Film Festival at a screening with director Susanna White.  If you’re looking for an intelligent summer thriller for adults, this is your movie.

Movies to See Right Now

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Bryan Cranston in ALL THE WAY
Bryan Cranston in ALL THE WAY

It’s an exceptional week for movies about American politics.

  • All the Way is a thrilling political docudrama with a stellar performance.  It’s the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before.  All the Way is still playing on HBO.
  • Don’t miss the political documentary Weiner – it’s probably the best documentary of the year. Weiner has more than its share of forehead-slapping moments and is often funny and always captivating. It also provokes some reflection on the media in this age.
  • Scroll down to read about two other great films of American politics coming up on TV: All the President’s Men and The Candidate.

If you like the espionage novelist John le Carré, you’ll enjoy Our Kind of Traitor opens today. It’s a robust thriller with a funny yet powerful performance by Stellan Skarsgård.

Also in theaters:

  • Love & Friendship – a sharply witty adaptation of a Jane Austen story with an adept turn by Kate Beckinsale.
  • The Nice Guys – Ryan Gosling and Russell Crowe in a very funny mismatched buddy movie from the creator of the Lethal Weapon franchise.
  • Julianne Moore, along with supporting players Bill Hader and Maya Rudolph, shine in the amiably satisfying little romantic comedy Maggie’s Plan.
  • Finding Dory doesn’t have the breakthrough animation or the depth of story that we expect from Pixar, but it won’t be painful to watch a zillion times with your kids.

My DVD/Stream of the Week is the quietly engrossing drama 45 Years, a movie on my Best Movies of 2015 list with an enthralling Oscar-nominated performance by Charlotte Rampling. 45 Years is available to rent on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

Set your DVRs for Turner Classic Movies next Friday, July 7, as TCM explores “America in the 70s” with four of the best films EVER – All the President’s Men, The Candidate, Network and The Conversation –  along with the time capsule thriller Klute (after which 15% of all American women changed their hairstyles to mirror Jane Fonda’s “shag”).

Jane Fonda in KLUTE
Jane Fonda in KLUTE

DVD/Stream of the Week: 45 YEARS – you can’t unring the bell

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Tom Courtenay and Charlotte Rampling in 45 YEARS
Tom Courtneay and Charlotte Rampling in 45 YEARS

Here’s a movie on my Best Movies of 2015 list with an enthralling Oscar-nominated performance by Charlotte Rampling. In the quietly engrossing drama 45 Years, we meet the married couple Geoff (Tom Courtenay) and Kate (Rampling), a well-suited pair who share each others’ values sensibilities and senses of humor. They are planning a party to mark their 45th anniversary when Geoff learns that the body of his previous girlfriend (killed in a mountain climbing accident 47 years ago ) has been found preserved in ice. He is knocked for a loop, and then slides into complete shock. He becomes brooding, even obsessed about his old flame and his youth.

Kate tries to settle Geoff and be supportive. But she learns one thing about his old flame, and then a second, and suddenly she’s the one who become the most troubled. She says, “I can hardly be cross about something before we existed, could I?….Still…” She asks him a question that she shouldn’t have. Her feelings may or may not be justified or rational, but they are her feelings, and they become the facts on the ground.

Geoff is usually the one who gets to burst out with his feelings, and Kate cleans up after. But Kate’s feelings are so much more complicated than Geoff’s.

45 Years meditates on the power and durability of memories and then shifts into a study of relationships. We see intimacy without the sharing of all truths, and see how the truth can be toxic and destructive. We live based on assumptions, and when those are revealed to be not fully correct, well, you can’t unring the bell.  Camera Cinema Club Director Tim Sika overheard a critic colleague describe 45 Years thus, “It’s about nothing until you realize that’s it’s about everything”.

Writer-director Andrew Haigh is a brilliant storyteller. He lets the audience connect the dots. Our involvement in 45 Years intensifies as we piece together the back story and as the characters learn about new developments. There’s a wonderful undercoating of early 60s pop, a great soundtrack that avoids seeming like a jukebox.

Charlotte Rampling is marvelous and gives one of the greatest performances of the year in cinema. Rampling is most searing in Kate’s unspoken moments, in which we see her anguish, amusement, unease, radiance and heartbreak. It’s remarkable that such emotional turbulence can be portrayed without a hint of melodrama.
toryteller. He lets the audience connect the dots. Our involvement in <em>45 Years</em> intensifies as we piece together the back story and as the characters learn about new developments. There’s a wonderful undercoating of early 60s pop, a great soundtrack that avoids seeming like a jukebox.

Charlotte Rampling is marvelous and gives one of the greatest performances of the year in cinema. Rampling is most searing in Kate’s unspoken moments, in which we see her anguish, amusement, unease, radiance and heartbreak. It’s remarkable that such emotional turbulence can be portrayed without a hint of melodrama.

Before you see 45 Years, I’d suggest a careful reading of the lyrics to Smoke Gets in Your Eyes.

They asked me how I knew
My true love was true
I of course replied
Something here inside
Can not be denied

They, said some day you’ll find
All who love are blind
When you heart’s on fire
You must realize
Smoke gets in your eyes

So I chaffed them, and I gaily laughed
To think they would doubt our love
And yet today, my love has gone away
I am without my love

Now laughing friends deride
Tears I cannot hide
So I smile and say
When a lovely flame dies
Smoke gets in your eyes

[SPOILER ALERT – I think that the tipping point in their relationship occurs when Kate says, “Open your eyes”.]

I’ve also written a companion essay on the film.  45 Years is available to rent on DVD from Netflix and Redbox and to stream from Amazon, iTunes, Vudu, YouTube and Google Play.

FINDING DORY: not a Must See, but still OK to watch 20 times with your kids

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FINDING DORY
FINDING DORY

Finding Dory, the latest animated Pixar film, is built on characters from Finding Nemo. The memory-challenged fish Dory (Ellen DeGeneris) goes on a quest, aided by Nemo’s Dad Marlon (Albert Brooks).  Pixar is exceptional for bringing depth of story to animated films, and the story here just isn’t up to snuff.  It’s that tired trope about finding one’s parents, augmented with a nice message about acknowledging and overcoming one’s disabilities.

The cleverest part of Finding Dory is the new octopus character of Hank (voiced by Ed O’Neill of Modern Family).  Hank is able to help Dory with his ability to change his coloring for camouflage, to fit through and into virtually  every opening and to clasp objects in his tentacles.  That allows for Dory to get thru a lot more plot devices and supplies lots of comic situations.

There’s also a very funny running joke involving Sigourney Weaver and another one with three sea lions on a rock.  The dialogue and voicework are very good.

The animation in Finding Dory is high quality, but it’s not the Great Leap Forward animation that sometimes thrills us at Pixar films.  The bottom line on Finding Dory is that it may not be a Must See, but it won’t be painful to sit thru twenty times with your small kids .

However, one of joys of Pixar is that they precede their features with short films, many of which (For the Birds, La Luna, The Blue Umbrella, Lava) are at least as good as the features. The short shown with Finding Dory is Piper, a tale about a young seabird’s first lesson in finding food in the surf. The animation in Piper is just exquisite; watch for the grains of sand, the feathers and down on the little bird and the above- and below-the-surf shots. Piper’s story is sweet, uplifting and funny and worth watching on its own.

Movies to See Right Now

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Simon Pegg and Lake Bell in MAN UP
Simon Pegg and Lake Bell in MAN UP

Don’t miss the political documentary Weiner – it’s probably the best documentary of the year. Weiner has more than its share of forehead-slapping moments and is often funny and always captivating. It also provokes some reflection on the media in this age.

Also in theaters:

  • Love & Friendship – a sharply witty adaptation of a Jane Austen story with an adept turn by Kate Beckinsale.
  • The Nice Guys – Ryan Gosling and Russell Crowe in a very funny mismatched buddy movie from the creator of the Lethal Weapon franchise.
  • Julianne Moore, along with supporting players Bill Hader and Maya Rudolph, shine in the amiably satisfying little romantic comedy Maggie’s Plan.

You can find a thrilling political docudrama with a stellar performance playing on HBO. It’s All the Way, the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before.

Stay away from the dark comedy The Lobster. A grim and tedious misfire, it’s the biggest movie disappointment of the year.

My video recommendations this week are smart and engaging recent romantic comedies – all written by women.

  • Zoe Kazan’s Ruby Sparks is available to rent on DVD from Netflix and Redbox and to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube and Google Play.
  • Rashida Jones’ Celeste and Jesse Forever is available to rent on DVD from Netflix and to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube, Google Play and Flixster.
  • Tess Morris’ Man Up is available to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube, Google Play and Flixster.
  • And a bonus: Lake Bell’s In the World…, is available to rent on DVD from Netflix and Redbox and to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube, Google Play and Flixster.

Tomorrow night, Turner Classic Movies resurrects the great, great comedic performance by George C. Scott as the con man Mordecai Jones in The Flim-Flam Man (1967).  Mark Twain would have loved this movie.

George C. Scott (right) with Michael Sarrazin and Slim Pickins in THE FLIM-FLAM MAN
George C. Scott (right) with Michael Sarrazin and Slim Pickins in THE FLIM-FLAM MAN

DVDs/Streams of the Week: Three smart romantic comedies written by women

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A dream girl comes to life in RUBY SPARKS

Just when I had branded the entire genre brain dead, several smart and engaging romantic comedies have popped up – all written by women. In Ruby Sparks,  a shy writer writes about his imagined perfect love object until…she becomes real. Yes, suddenly he has a real life girlfriend of his own design. Ruby Sparks takes this fantasy of a perfect partner and explores the limits of a partner that you have designed yourself. The biggest star in Ruby Sparks is its leading lady Zoe Kazan’s ingenious screenplay – funny without being silly, profound without being pretentious, bright without being precious. Ruby Sparks is available to rent on DVD from Netflix and Redbox and to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube and Google Play.

Also co-written by its female star, in this case Rashida Jones, Celeste and Jesse Forever is about a couple that is now working on an amiable divorce and are still best friends. Once you accept the comic premise that this couple is made for each other but not as a married couple, everyone’s behavior is authentic. Sure, he wants to get back with her when she isn’t in a place to do that – and, then, vice versa – but the characters resolve the conflict as they would in real life. Here’s a mini-spoiler – this movie is just too smart to end in rushing to the airport or disrupting the wedding or any of the other typical rom com contrivances. Celeste and Jesse Forever is available to rent on DVD from Netflix and to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube, Google Play and Flixster.

The grievously overlooked romantic comedy Man Up had a very brief US theatrical run  that did not even reach the Bay Area. British television writer Tess Morris weaves the story of Nancy (Lake Bell), who is on a four-year dating drought and has given up all hope when she inadvertently stumbles into a blind date meant for another woman. She’s intrigued with what she sees in Jack (Simon Pegg from Shaun of the Dead) and decides to impersonate his real date. As they get more and more into each other, the elephant in the room is when she will be exposed.  Morris authentically captures dating behaviors and female and male insecurities.  Man Up is available to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube, Google Play and Flixster.

Note:  I posted about Man Up last month and I’ve received more appreciative feedback from my readers for that recommendation than for any other this year.

And here’s a bonus if you enjoy Lake Bell in Man Up. The very talented Bell wrote/directed/starred in the American indie comedy In the World…, which I really, really liked. It’s available to rent on DVD from Netflix and Redbox and to stream from Netflix Instant, Amazon, iTunes, Vudu, YouTube, Google Play and Flixster.

Simon Pegg and Lake Bell in MAN UP
Simon Pegg and Lake Bell in MAN UP

Movies to See Right Now

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Anthony Weiner and Huma Abedin in WEINER
Anthony Weiner and Huma Abedin in WEINER

Don’t miss the political documentary Weiner – it’s probably the best documentary of the year. Weiner has more than its share of forehead-slapping moments and is often funny and always captivating. It also provokes some reflection on the media in this age.

Also in theaters:

  • Love & Friendship – a sharply witty adaptation of a Jane Austen story with an adept turn by Kate Beckinsale.
  • The Nice Guys – Ryan Gosling and Russell Crowe in a very funny mismatched buddy movie from the creator of the Lethal Weapon franchise.
  • Julianne Moore, along with supporting players Bill Hader and Maya Rudolph, shine in the amiably satisfying little romantic comedy Maggie’s Plan.

You can find a thrilling political docudrama with a stellar performance playing on HBO. It’s All the Way, the story of President Lyndon Baines Johnson, warts and all, ending official racial segregation in America with the Civil Rights Act of 1964. Bryan Cranston brings LBJ alive as no actor has before.

Stay away from the dark comedy The Lobster. A grim and tedious misfire, it’s the biggest movie disappointment of the year.

On June 21, Turner Classic Movies presents Jack Nicholson as the iconic 1970s anti-hero in Five Easy Pieces. It’s a profound and deeply affecting study of alienation. Nicholson plays someone who has rejected and isolated himself from his dysfunctional family. Then he must embark on the epic road trip back to the family home. Amid the drama, there is plenty of funny, including the funniest sandwich order in the history of cinema.

FIVE EASY PIECES
FIVE EASY PIECES