Movies to See This Week

Writer-director Asghar Farhadi's real life daughter Samina plays the daughter at the center of A SEPARATION

In a sizzling performance, Woody Harrelson plays a corrupt and brutal LA cop trying to stay alive and out of jail in Rampart.

The searing and brilliantly constructed Iranian drama A Separation won the Best Foreign Language Oscar.

Joshua Marston, writer-director of the brilliant Maria, Full of Grace has made a fine drama set in Albania, The Forgiveness of Blood, which opens this weekend.

Safe House is a fine paranoid action spy thriller with Denzel Washington and the director’s pedal jammed to the floor. Thin Ice is a Fargo Lite diversion.

If you still need to catch up on the Oscar winners, you can see the Best Picture Oscar winning The Artist and the rockem sockem thriller The Girl with the Dragon Tattoo,

I have also commented on Steven Spielberg’s War Horse, the sex addiction drama Shame, the biopic The Iron Lady, the feminist action thriller Haywire and Ralph Fiennes’ contemporary adaption of Shakespeare’s Coriolanus.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick of (last) week is the fine political drama The Ides of March with Ryan Gosling, Phillip Seymour Hoffman, Paul Giamatti and George Clooney.

DVD of the Week: The Ides of March

It being Super Tuesday and all, let’s go with a film about electoral politics, The Ides of March.  George Clooney directed, co-wrote and stars in this contemporary political drama. It’s an engrossing story about ambition, loyalty and betrayal.  The story revolves around an up-and-coming political consultant (Ryan Gosling).  He is working under a veteran campaign manager (Philip Seymour Hoffman) in a Democratic Presidential primary.  He is wooed by the campaign manager (Paul Giamatti) for the opposing candidate, and the intrigue begins.

Two performances stand out.  Philip Seymour Hoffman perfectly captures the old school politico, now jaded, but able to access the idealism that first drove him into politics.  Ryan Gosling can soar in any kind of role.  Here he is smart, but is he smart enough?  He is well-intentioned, but can it overcome his ambition? Gosling keeps us on the edge of our seats as he navigates a snake pit of betrayals.

The rest of the cast is good, too:  Giamatti, Evan Rachel Wood as an ambitious intern and Marisa Tomei as a hard-nosed reporter.

It’s a movie that MOSTLY gets the politics right.  The fundamental truth of the movie is that an utterly cynical veteran politico can still fall in love with candidate, as Hoffman’s campaign manager does with Clooney’s candidate.

In another dead on accurate touch, Hoffman and Gosling need a room to privately pass on some bad news to Clooney.  Instead of finding a cramped office, the three men sit on folding chairs knee-to-knee in a room that could accommodate 200.  That stuff really happens.

Unfortunately, Ides gets some things wrong.  Would never happen:  A veteran strategist like Hoffman would never be surprised by the possibility of “mischief voting” in an open primary.  Real life campaign consultants would never discuss policy positions with a candidate in a room full of thirty 20-somethings, all itching to leak what they know.   And no veteran politico worth his salt would tell a reporter about a deal that is not done.

Nonetheless, it’s a movie that I recommend.

All New Movies to See This Week

Woody Harrelson in RAMPART

In a sizzling performance, Woody Harrelson plays a corrupt and brutal LA cop trying to stay alive and out of jail in Rampart.

The searing and brilliantly constructed Iranian drama A Separation won the Best Foreign Language Oscar.

Safe House is a fine paranoid action spy thriller with Denzel Washington and the director’s pedal jammed to the floor.   Thin Ice is a Fargo Lite diversion.

If you still need to catch up on the Oscar winners, you can see the Best Picture Oscar winning The Artist and the rockem sockem thriller The Girl with the Dragon Tattoo,

I have also commented on Steven Spielberg’s War Horse, the sex addiction drama Shame, the biopic The Iron Lady, the feminist action thriller Haywire and Ralph Fiennes’ contemporary adaption of Shakespeare’s Coriolanus.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick of (last) week is Outrage, the hardass Japanese gangster movie with lots of dull body tattoos and severed fingers.

DVD of the Week: Outrage

Okay, the Oscars are over.  In case you’re done with high-falutin’ cinema, here’s a hardass gangster movie with deliciously bad people doing acts of extreme violence upon each other – Outrage (Autoreiji).  Like any good Yakuza film, there are lots of full body tattoos and severed fingers.

But what makes Outrage stand out is the pace and stylishness of all the nastiness, as if Quentin Tarantino had made Goodfellas (only without all the extra dialogue about foot rubs and the Royale with cheese).

Director Takeshi Kitano also stars, credited as Beat Takeshi.  Takeshi, much like Charles Bronson, has the worn and rough face of a man who has seen too much disappointment and brutality.

Outrage is just filmed too brightly to qualify as a film noir, but the story has all the tragedy of a classic noir.  You’re rooting for the characters to survive, but you know that they probably won’t – and they know it, too.

There is also a crime boss so cynical and duplicitous that he puts the Sopranos to shame.

Outrage is not a great movie, but is plenty entertaining if you’re in the mood.

Movies to See This Week

Oscar nominated Berenice Bejo in (and married in real life to the Oscar nominated director of) THE ARTIST

It’s Oscar Weekend, your chance to catch up with the magical silent romance The Artist, Director Alexander Payne’s (Sideways) family drama The Descendants with George Clooney, Martin Scorsese’s revelatory 3D tale Hugo, the rockem sockem thriller The Girl with the Dragon Tattoo, and the searing and brilliantly constructed Iranian drama A Separation.

Safe House is a fine paranoid action spy thriller with Denzel Washington and the director’s pedal jammed to the floor.  Thin Ice is a Fargo Lite diversion.

I have also commented on Steven Spielberg’s War Horse, the sex addiction drama Shame, the biopic The Iron Lady, the very odd fable Albert Nobbs, the feminist action thriller Haywire and Ralph Fiennes’ contemporary adaption of Shakespeare’s Coriolanus.

I haven’t yet seen the Woody Harrelson police corruption thriller Rampart, which opens this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick of (last) week is Drive starring Ryan Gosling, a stylishly violent noir tale unfolding on a brilliantly filmed canvas.

Movies to See This Week

George Clooney and Shailene Woodley in THE DESCENDANTS

The best films in theaters are the magical silent romance The Artist, Director Alexander Payne’s (Sideways) family drama The Descendants with George Clooney, Martin Scorsese’s revelatory 3D tale Hugo, the rockem sockem thriller The Girl with the Dragon Tattoo, and the searing and brilliantly constructed Iranian drama A Separation.

I have also commented on Steven Spielberg’s War Horse,  the sex addiction drama Shame, the biopic The Iron Lady, the very odd fable Albert Nobbs, the feminist action thriller Haywire and Ralph Fiennes’ contemporary adaption of Shakespeare’s Coriolanus.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick of the week is Drive starring Ryan Gosling, a stylishly violent noir tale unfolding on a brilliantly filmed canvas.

DVD of the Week: Drive

Drive is a movie that you haven’t seen before – a stylishly violent noir tale unfolding on a brilliantly filmed canvas.

Ryan Gosling stars as a stunt driver by day, criminal getaway driver by night.  He hardly talks and doesn’t emote.  Indeed, his character is listed in the credits as “Driver” and sometimes referred to in the dialogue as “The Kid”.  He is motivated only by his pursuit of adrenaline rushes and the opportunity to do something good for a vulnerable mom (Carey Mulligan).  Indeed, Gosling is superb.

But the real star of Drive is its Danish writer-director, Nicolas Winding Refn.  The film has a noir plot but Refn eschews the shadowy black and white of traditional noir for especially vivid scenes of Los Angeles.  For example, early in the film, Gosling enters a convenience store and the screen is filled with the garish colors of junk food packaging.  It’s one of the most artfully lit and photographed scenes in the last year.

Drive abounds in nice touches. While being hunted by the cops, Gosling’s driver is listening to both the police scanner and a radio broadcast of the Lakers game; unexpectedly, it turns out that there is an essential reason that he’s listening to the Lakers.

This movie contains some extreme violence – violence that is intentionally extreme for its effect.

The cast is excellent, with especially memorable turns by Albert Brooks, Bryan Cranston (Breaking Bad) and Oscar Isaac.

(I admired Refn’s 2008 Bronson, the story of a Britain’s “most dangerous convict” who parlayed a seven-year sentence into 34 years (30 of them in solitary) by repeatedly taking hostages and beating up the SWAT teams that rescue them.   Roger Ebert called Bronson “92 minutes of rage”.)

Drive has been nominated for the Sound Editing Oscar (but is up against some tough competition).

Movies to See This Week

A SEPARATION

Some of the year’s very best films are in theaters now. I especially recommend these four:

The Artist: A magical romance given us through the highly original choice of an almost silent film.

The Descendants: Director Alexander Payne’s (Sideways) family drama is set in Hawaii and contains a brilliant performance by George Clooney.

Hugo, Martin Scorsese’s revelatory 3D tale of an orphan living in the bowels of a 1920s Paris train station who strives to survive by his wits, keep his independence and solve the puzzle of an discarded automaton.

Best Movies of 2011. Steven Spielberg’s War Horse has also been nominated for Best Picture.

I highly recommend A Separation, the searing and brilliantly constructed Iranian drama, but it’s a tough watch.  It’s a cinch for the Best Foreign Language Oscar.

Here are my comments on some other current films, the sex addiction drama Shame, the biopic The Iron Lady and the very odd fable Albert Nobbs.

This week’s lightweight pick is the feminist action thriller Haywire.  My heavyweight pick is Ralph Fiennes’ very fienne contemporary adaption of Shakespeare’s Coriolanus.

I haven’t yet seen the Denzel Washington spy thriller Safe House, which opens this week. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

Movies to See This Week

THE ARTIST

Some of the year’s very best films are in theaters now. I especially recommend these four:

The Artist: A magical romance given us through the highly original choice of an almost silent film.

The Descendants: Director Alexander Payne’s (Sideways) family drama is set in Hawaii and contains a brilliant performance by George Clooney.

Hugo, Martin Scorsese’s revelatory 3D tale of an orphan living in the bowels of a 1920s Paris train station who strives to survive by his wits, keep his independence and solve the puzzle of an discarded automaton.

Best Movies of 2011.  Steven Spielburg’s War Horse has also been nominated for Best Picture.  Roman Polanski’s Carnage is a fine comedy.

Here are my comments on some other current films, the sex addiction drama Shame, the biopic  The Iron Lady and the very odd fable Albert Nobbs.  Plus, I liked the lightweight feminist action thriller Haywire.

I haven’t yet seen A Separation or Pina 3D, which open this week.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

 

Your Holiday Movie Guide

THE ARTIST

As usual, some of the year’s very best films have been released for the Holidays.  I especially recommend these three:

The Artist:  A magical romance given us through the highly original choice of an almost silent film.

The Descendants:  Director Alexander Payne’s (Sideways)  family drama is set in Hawaii and contains a brilliant performance by George Clooney.

Young Adult, another of the year’s best.

Michele Williams gives a dazzling performance as Marilyn Monroe in My Week with Marilyn, a lesser but satisfying film.  Here are my comments on some other current films, the sex addiction drama Shame, the Japanese gangster movie Outrage and the Freud-Jung costume drama A Dangerous Method.

Happy viewing!