Movies to See This Week

HEADHUNTERS

For sheer entertainment, I recommend the Norwegian dark comedy Headhunters, with Aksel Hennie as a smug corporate headhunter/art thief who panics when a high tech commando hunts him down.

The must-see movie in theaters now remains Monsieur Lazhar, the story of French-Canadian fifth graders recovering from a traumatic experience with their replacement teacher, an Algerian immigrant. It’s an emotionally compelling film that was nominated for the Best Foreign Language Oscar.

Last week’s releases were middling.  The best of the bunch, the romantic comedy The Five-Year Engagement, is intelligent, authentic and leisurely with some chuckles.    The Hunter is a paranoid thriller, starring Willem Dafoe as a professional hunter sent to the primordial forests of Tasmania.  Pirates! Band of Misfits is a merely amusing offering from the masters of claymation, Aardman Studios (Wallace and Gromit); don’t pay extra to see it in 3D.

I haven’t yet seen the very promising The Exotic Marigold Hotel which opens this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is War Horse, Steven Spielberg’s World War I epic.

 

DVD of the Week: War Horse

War Horse is a sweeping epic that traces the journey of an especially spirited horse and its series of owners before and during World War I.  It’s not a critical spoiler to let you know that the horse survives, although its various handlers are all savaged by war.

It’s a movie that we could have seen in the 1950s – but a very, very good 1950s movie.  The story is sentimental, but neither simple nor dully plotted.  The movie is beautifully composed and shot, and many scenes recall John Ford’s use of landscapes and action.  The silhouettes and sky in the final shot are lit as in the similar climax of Gone With the Wind.

War Horse is also one of the better movies about World War I, of which the central fact was its massive, brutally stupid waste of lives on a thereto unimagined scale.  Along the way we see clear and accurate depictions of trench warfare, No Man’s Land, foraging, and the relative utility of cavalry, infantry, artillery, machine guns, and tanks.  Spielberg doesn’t distract us from the overall horror with unnecessary gore.

Movies to See this Week

Aksel Hennie and friend in HEADHUNTERS

For sheer entertainment, I recommend the Norwegian dark comedy Headhunters, with Aksel Hennie as a smug corporate headhunter/art thief who panics when a high tech commando hunts him down.

The must-see in theaters remains Monsieur Lazhar, the story of French-Canadian fifth graders recovering from a traumatic experience with their replacement teacher, an Algerian immigrant. It’s an emotionally compelling film that was nominated for the Best Foreign Language Oscar.

Last week’s releases were middling.  The best of the bunch, the romantic comedy The Five-Year Engagement, is intelligent, authentic and leisurely with some chuckles.  The Hunter is a paranoid thriller, starring Willem Dafoe as a professional hunter sent to the primordial forests of Tasmania.  Pirates! Band of Misfits is a merely amusing offering from the masters of claymation, Aardman Studios (Wallace and Gromit); don’t pay extra to see it in 3D.

You can skip Damsels in Distress, Whit Stillman’s misfire of an absurdist campus comedy.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is Haywire, Steven Soderbergh’s rockem sockem spy action thriller, introducing the mixed martial arts star Gina Carano.

DVD of the Week: Haywire

One of the first 2012 releases, Haywire is a rockem sockem spy action thriller by Steven Soderbergh, starring Gina Carano.  I was not familiar with Gina Carano, who is an accomplished star of mixed martial arts.  Haywire is a vehicle seeking to launch her as an action film star.  And why not, for she is attractive (with “real girl”, not Hollywood, looks), well-endowed and can kick ass?  She can, after all, kick ass for real, not just pretend to in a movie.

As an actor, Carano is plenty good enough.  She’s way better than Chuck Norris, Jackie Chan and the Rock, and is at least as good as Schwarzenegger.  And, when she beats up a swat team, it is believable (and fun).

Soderbergh is always interesting, as he moves between high brow/arty (sex lies and videotape, The Good German) and lowbrow/popular (Ocean’s Twelve, Contagion).  Here he takes an inexperienced leading woman and an unremarkable story and makes the most of it.  It’s a good watch.

Soderbergh delivers fast pacing and great locations (Barcelona, Dublin, New Mexico).  Soderbergh and Carano benefit from a top rate cast:  Michael Douglas, Ewan McGregor, Michael Fassbender, Antonio Banderas, Michael Angarano and Bill Paxton.  Overall, it’s good entertainment and, for once,  I’m actually looking forward to the sequels.

Movies to See this Week

MONSIEUR LAZHAR

My top pick this week is once again Monsieur Lazhar, the story of French-Canadian fifth graders recovering from a traumatic experience with their replacement teacher, an Algerian immigrant. It’s an emotionally compelling film that was nominated for the Best Foreign Language Oscar.

On a lighter note, Goon is a hockey comedy that manages to be violent, raunchy and sweet.

In Footnote, a rising Talmudic scholar sees his career-topping prize accidentally awarded to his grumpy father. This potentially comic situation reveals the characters of the two men.

Then there’s the searing and brilliantly constructed Iranian drama A Separation, which won the Best Foreign Language Oscar, and the Best Picture Oscar-winning The Artist. Both are still still playing in theaters.

You can skip Damsels in Distress, Whit Stillman’s misfire of an absurdist campus comedy.

I have not yet seen Pirates! Band of Misfits, The Five-Year Engagement or The Hunter, all opening this week. You can read descriptions and view trailers of these and other upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is Michele Williams’ dazzling performance in My Week with Marilyn.

DVD of the Week: My Week with Marilyn

Not only is Michele Williams one of our finest film actors (Wendy and Lucy, Blue Valentine, Brokeback Mountain),  but she has the courage to play that icon Marilyn Monroe.  And she does so in a dazzling performance.  Williams so inhabits the persona of Marilyn that we suspend recognition of the physical differences between the two.

My Week with Marilyn is about a young man observing the encounter between Marilyn Monroe and Laurence Olivier (Kenneth Branagh) during the making of the 1957’s The Prince and the Showgirl.  That movie starred and was directed by Olivier, who expected a high level of craft, promptness and professionalism from all actors.  Naturally, Marilyn, with all of her neediness, professional unreliabilty and reliance on The Method, was a bad fit.

Williams perfectly tunes in each frequency of the Marilyn dial, from the terrified, insecure actress to the confident sex symbol.  There’s a great moment – after we’ve already seen her as troubled, flirtatious, needy, mischievous and, above all, lonely  – where she announces that she will become “Her”; she flips an inner switch and becomes the Marilyn sex symbol persona, delighting a crowd of regular folks.

The underrated Zoe Wanamaker has a great turn as Marilyn’s Method acting coach. Judi Dench is perfect as a kind veteran actress.  Emma Watson (so good as Hermione in the Harry Potter films) has an unfortunately tiny role as a non-wizard young adult.  Dougray Scott, Dominic Cooper, Julia Ormand and Toby Jones fill out the great cast.  Wanamaker, Scott and Jones play American characters flawlessly.

Movies to See this Week

MONSIEUR LAZHAR

My top pick this week is Monsieur Lazhar, the story of French-Canadian fifth graders recovering from a traumatic experience with their replacement teacher, an Algerian immigrant.  It’s an emotionally compelling film that was nominated for the Best Foreign Language Oscar.

On a lighter note, Goon is a hockey comedy that manages to be violent, raunchy and sweet.

In Footnote, a rising Talmudic scholar sees his career-topping prize accidentally awarded to his grumpy father. This potentially comic situation reveals the characters of the two men.

Then there’s the searing and brilliantly constructed Iranian drama A Separation, which won the Best Foreign Language Oscar, and the Best Picture Oscar-winning The Artist.  Both are still still playing in theaters.

You can skip Damsels in Distress, Whit Stillman’s misfire of an absurdist campus comedy.

You can read descriptions and view trailers of these and other upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is The Girl with the Dragon Tattoo, director David Fincher’s hold-on-to-your-seat version of Stieg Larsson’s rip snorting stories centered on the damaged and driven Goth hacker Lisbeth Salander.

DVD of the Week: The Girl with the Dragon Tattoo

I loved the 2010 Swedish version (it was #8 on my list of the year’s best) and had very high hopes for this film by David Fincher (The Social Network, Zodiac, Fight Club).  Those hopes have been fulfilled and Dragon Tattoo made it on my list of Best Movies of 2011.

The Girl with the Dragon Tattoo tells the first part of journalist-turned-novelist Stieg Larsson’s Milenium trilogy.  The stories are centered on Larsson’s muckraker alter ego Mikael Blomkvist and the damaged and driven Goth hacker Lisbeth Salander.  Lisbeth is only 90 pounds, so she will lose a fistfight with a man; but she prevails with her smarts, resourcefulness and machine-like  relentlessness.  Lisbeth is always mad AND always gets even.

In top rate performances, Daniel Craig plays Blomkvist and Rooney Mara plays Lisbeth. Lisbeth is the key to the movie, and Mara comes through with a compelling portrayal – stone faced until she explodes into a cyclone of wrath.  The other characters are played superbly by Stellan Skarsgard, Christopher Plummer, Robin Wright and Stephen Berkoff.

Fincher is still operating at his best.   Remember – The Social Network is essentially about some annoying, immature geeks writing computer code and getting financing for a company – but Fincher made it rock!  Fight Club‘s desperate violence and Zodiac‘s whodunit relentlessness translated directly to The Girl With the Dragon Tattoo. So there couldn’t be a better director for this project than Fincher.  I’m looking forward to his versions of the next two chapters in the saga.

Fincher shot the film in Sweden and had made the country look and feel unrelentingly frigid.

The score by Nine Inch Nails founder Trent Reznor is award-worthy and is a major contribution to the story.

Movies to See this Week

Gianni Di Gregorio (right) and his wing man in THE SALT OF THE EARTH

The Kid with the Bike is an extraordinary film that tells a riveting story of unconditional love. It is emotionally powerful without being sentimental and is gripping without stunts and explosions.  It’s now topping my list of Best Movies of 2012 – So Far.  It may be out in theaters for only another week or to, so see it now.

The Hunger Games is a well-paced, well-acted and intelligent sci-fi adventure fable with excellent performances by Jennifer Lawrence and Stanley Tucci.

The Deep Blue Sea is well-crafted and deeply, deeply sad tragedy of a woman (Rachel Weisz) who loves too much.

The Salt of the Earth is a gently funny and insightful Italian comedy about men of a certain age.

In Footnote, a rising Talmudic scholar sees his career-topping prize accidentally awarded to his grumpy father. This potentially comic situation reveals the characters of the two men.

The searing and brilliantly constructed Iranian drama A Separation won the Best Foreign Language Oscar. The Best Picture Oscar-winning The Artist is still playing in theaters.

I haven’t yet seen Monsieur Lazhar, which opens this week. You can read descriptions and view trailers of these and other upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is The Descendants, a family drama with superb performances by George Clooney and Shailene Woodley.

DVD of the Week: The Descendants

In director Alexander Payne’s first film since Sideways, George Clooney seeks to care for his daughters in Hawaii after his wife is hospitalized, but then learns that she has been cheating on him.  That news sends him on a quest that he defines along the way.  To complicate things, his daughters are cooperative to various degrees.  The heat is turned up even higher by a potential land deal that could make Clooney and his many entitled slacker cousins wildly rich, but the deal’s deadline looms and he is pressured by his VERY interested relations.

The situation is promising enough, but Payne takes the story in unanticipated directions.   And, as you would expect from Sideways, there are many funny moments in The Descendants.

Clooney’s performance is brilliant.  Here, he does not play The Coolest Man on the Planet.  Instead, Clooney is a grinding workaholic who is so clueless about his kids that he doesn’t realize how clueless he is.  He is stunned by news of the affair that he never suspected.  Perhaps for the first time in his life, he must work through his situation figuring it out as he goes along.

Shailene Woodley’s performance as the older daughter is even more essential to the success of The Descendants. It’s not just that she perfectly plays a bratty teenager, but that we can see that some of her brattiness is hormonal and some of it is entirely voluntary and manipulative. Woodley had to convincingly play a character who is at times self-centered and shallow, but who can rally and reach within herself to serve as the family glue and support her dad and little sister.

The Descendants approaches being a perfect movie but for two things: 1) the daughter’s stoner boyfriend is just too oblivious to be credible among the other colorful yet completely authentic characters; and 2)  the audience can never believe that there’s any chance that George Clooney is going to allow bulldozers on thousands of pristine Hawaiian acres.  Still, almost perfect is pretty good.