Movies

Crazy Stupid Love: Gosling, Stone shine in romcom

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Crazy Stupid Love is an altogether very satisfying romantic comedy starring Steve Carell as the middle-aged sad sack who has been dumped by his longtime wife (Julianne Moore) and comes under the tutelage of uber lounge lizard Ryan Gosling, who in turn is falling for Emma Stone.   Lots of laughs ensue, leading up to a madcap climax in Moore’s back yard, before the film slows down for the last 20 minutes.  But, it’s plenty funny (and not many romcoms are these days).

Gosling, who earned indie favorite status playing tortured/damaged characters,  is great here as the guy who can melt any gal in a bar with stunning ease and speed.  Emma Stone is always good in comedies.  Lisa Lapira shines as Stone’s wingman, and Analeigh Tipton is excellent as Carrel’s babysitter.

The first cowboys & aliens movie

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I really enjoyed the first cowboys and & aliens movie, the sci fi spoof 1994 Oblivion, now available on DVD.    It is set in the year 3030 on the planet Oblivion, which strongly resembles a frontier town from a spaghetti Western, peppered with the occasional cyborg, ray gun and ATM machine.

Oblivion is intentionally campy, has a silly plot and lots of tongue-in-cheek dialogue.  The scene where the funeral is interrupted by the weekly bingo game upstairs is especially funny.  The cast seems to be having lots of fun with the material. Musetta Vander as the  rawhide whip-wielding dominatrix Lash and Carel Struycken as the death-forboding undertaker Gaunt are especially over-the-top good.  In addition, Julie Newmar plays a cougarish saloon proprietor, and Star Trek’s George Takei is the Jim Beam-swilling town doc.  Amazingly, Oblivion rated a 1996 sequel, Oblivion 2:  Backlash, in which most of the cast returned.

I haven’t yet seen the $100 million summer blockbuster Cowboys & Aliens, which opens this weekend.  Cowboys & Aliens is set on the planet Earth, where Daniel Craig, playing a Clint Eastwoodesque Man With No Name, awakes with his memory erased by aliens and a futuristic bracelet.  Harrison Ford’s torch-bearing mounted lynch mob is interrupted by laser attack from an alien spaceship.  Saloon gal Olivia Wilde (House, The OC) is pulled into the sky by alien forces.  It takes itself much more seriously than does Oblivion, and I only hope that it’s half as entertaining as Oblivion.

A Little Help: pulling herself out of malaise

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A Little Help is a Jenna Fischer vehicle that illustrates the depth that Fischer can bring to even a shallow character.  In this dramedy, Fischer is suddenly widowed and must reassemble her life and support her quirky 12-year-old son despite the intrusions of her shrill, micro-controlling sister (Brooke Smith) and their chilly mother (Leslie Anne Warren).  Fischer’s biggest challenge is helping her son navigate social life at his new school, where he has told a preposterous lie on his first day.

Kim Coates steals every scene as a medical malpractice attorney.  Ron Liebman sparkles as the blowhard father.

Writer/Director Michael J. Weithorn made the very smart decision to hold Fischer’s character accountable for the bad choices she has made in her life.  If she were instead written as a completely innocent victim, the story would have lapsed into cliche.  Instead, it’s a pretty good movie and a fine showcase for Jenna Fischer.

[youtube:http://www.youtube.com/watch?v=dI2qIul29Iw]

Tabloid: a gut-bustingly funny documentary

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In Tabloid, master documentarian Errol Morris delivers the hilarious story of Joyce McKinney, a beauty queen jailed for manacling a Mormon missionary as her sex slave.  McKinney doesn’t like the film, but she has no complaint because two-thirds of the film is her telling her story in her own words.  The humor derives from her being such a clearly unreliable narrator – “barking mad” in the colorfully accurate description of a British journalist.  Morris came across her story decades after the kidnapping, when she had her dead dog Booger cloned from “Spirit Booger” into a litter of Korean-named Boogers.

Morris’ last two films (Standard Operating Procedure about the Abu Ghraib abuses and The Fog of War) were as funny as a heart attack.  But remember that Morris’ earliest films (Gates of Heaven, Vernon Florida and Fast Cheap & Out of Control) also focused on eccentrics and were plenty funny.  Just for fun, this time Morris even leaves in some of his snarky wisecracks to the interviewees.

This is one of the funniest movies of the year and the funniest documentary since The Aristocrats.

DVD of the Week: Source Code

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Source Code is a gripping thriller, and I admired both its intelligence and its heart.  The key is a breakthrough screenplay by Ben Ripley.  The scifi premise is that supersoldier Jake Gyllenhaal can inhabit the brain of a terrorism victim for the same 8 minutes – over and over again.  Each time, he has 8 minutes to seek more clues. Can he build the clues into a solution and prevent the terrorist atrocity?  Gyllenhaal is excellent.  So is Vera Farmiga as his handler and Michelle Monaghan as a girl you could fall in love with in 8 minutes.  Jeffrey Wright chews the scenery with his homage to Peter Sellers in Dr. Strangelove.  Director Duncan Jones solidly brings Ripley’s screenplay home.

It’s on my list of Best Movies of 2011 – So Far.

Other recent DVD picks have been Potiche, Step Into Liquid and Riding Giants, and Another Year.

Terri: something new in a teen misfit movie

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We’ve all seen the teen misfit movie.  But Terri has some originality and lots of heart.  Jacob Wysocki plays an overweight teen caring for his mentally ill uncle.  He doesn’t have much going for him until John C. Reilly’s school counselor intervenes, sometimes clumsily (who knows what will make a teen respond?).  Soon there’s a ripple effect among other troubled teens.  Screenwriter Patrick Dewitt deserves some plaudits for the authenticity of the teen characters.

It’s going to hard to find Terri in theaters, but it’s well worth it.

Coming Up on TV and DVD: The Battle of Algiers

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On July 28, Turner Classic Movies will broadcast The Battle of Algiers, the story of 1950s French colonialists struggling to suppress the guerrilla uprising of Algerian independence fighters.  Although it looks like a documentary, it is not.  Instead, filmmaker Gillo Pontecorvo recreated the actual events so realistically that we believe that we are watching strategy councils of each side.  Urban insurgency and counter-insurgency are nasty, brutal and not very short – and we see some horrifically inhumane butchering by both sides.

Among the great war films, it may be the best film on counter-insurgency.  In 2003, the Pentagon screened the film for its special operations commanders.

In addition, Criterion is about to release The Battle of Algiers in one of its magnificent DVDs.

Coming up on TV: Midnight Express

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On July 23, Turner Classic Movies is broadcasting 1978’s  Midnight Express. This film is so gripping that, thirty-plus years after its release, you can’t hear “Turkish prison” without immediately thinking of Midnight Express.  It’s probably done more to keep American kids from bringing drugs into Turkey than any other factor.  Midnight Express is based on a true story, and is amped up considerably by Oliver Stone’s screenplay.  Nominated for six Oscars, it won two.

TCM is also showing Cool Hand Luke on July 23.  Both are on my list of 10 Best Prison Movies

DVD of the Week: Potiche

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Potiche, the delightful French farce of feminist self-discovery, is the funniest movie in over a year, and another showcase for Catherine Deneuve (as if she needs one).   DeNeuve plays a 1977 potiche, French for “trophy housewife”, married to a guy who is a male chauvinist pig both by choice and cluelessness.  He is also the meanest industrialist in France – Ebenezer Scrooge would be a softie next to this guy – and the workers in his factories are about to explode.  He becomes incapacitated, and she must run the factory.

Now, this is a familiar story line for gender comedy – so why is it so damn funny?  It starts with the screenplay, which is smart and quick like the classic screwball comedy that American filmmakers don’t make anymore.  And the cast is filled with proven actors who play each comic situation with complete earnestness, no matter how absurd.

Director Francois Ozon, best known in the US for Swimming Pool and 8 Women, adapted the screenplay from a play and has a blast skewering late-70s gender roles and both the bourgeoisie and the proletariat.  Gerard Depardieu plays the Communist mayor, who is both the husband’s nemesis and the wife’s former fling.   Two of the very best French comic players, Fabrice Luchini and Karen Viard, shine in co-starring roles as the husband and his secretary.

Buck: the man inside the horseman

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Buck is a documentary about real-life horse whisperer Buck Brannaman, an exceedingly grounded and gentle man who knows everything about horse behavior.  But the movie is more about human behavior,  about the disturbing crucible that formed Buck, and about what we can learn about people from their handling of horses.

Fortunately, Director Cindy Meehl realized that she had a great story and got out of the way.  The understated guitar-based score never becomes melodramatic.  And Meehl never lets the admiring talking heads elevate Buck to more than what he is, which is remarkable enough.  This movie could have easily been painfully corny or pretentious and is neither.  I’d happily view it again today.

Buck’s own background is so nasty that it would totally unremarkable for him to have emerged mean or emotionally crippled – and he is the farthest from either.  With some help from loving people, Buck has chosen to become something different from his apparent fate.  In this way, Buck could be a companion piece to Mike Leigh’s Another Year.

[youtube:http://www.youtube.com/watch?v=DCMm5uoZtXw]