Movies

Page One: A Year Inside the New York Times: whither journalism?

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Page One: A Year Inside the New York Times takes advantage of insider access to the newsroom and editorial conferences at the Times to explore the transition from the Era of Print Media to the Era of New Media Age.  Bopping between topics like WikiLeaks, Gawker.com, Iraq coverage, the Tribune Company bankruptcy and ProPublica, Page One is kind of all over the place, but I recommend it for hard news junkies (such as myself).

Fortunately, director Andrew Rossi recognizes an appealing character in NYT media columnist David Carr and lets the idiosyncratic and passionate, yet highly professional, Carr carry most of the film.  Rossi also makes the exceedingly wise choice not to predict how journalism will evolve in the new environment.

DVDs of the Week: hang ten this summer!

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Let’s go surfin’ now

Everybody’s learning how

Come on and safari with me

It’s a great time for the two most awesome and gnarly surfing movies, the documentaries Step Into Liquid and Riding Giants.

Step Into Liquid (2003):  We see the world’s best pro surfers in the most extreme locations.  We also see devoted amateurs in the tiny ripples of Lake Michigan and surfing evangelists teaching Irish school children.  The cinematography is remarkable – critic Elvis Mitchell called the film “insanely gorgeous”.  The filmmaker is Dana Brown, son of Bruce Brown, who made The Endless Summer (1966) and The Endless Summer II (1994).

 

Riding Giants (2004):  This film focuses on the obsessive search for the best wave by some of the greatest surfers in history. We see “the biggest wave ever ridden” and then a monster that could be bigger.  The movie traces the discovery of the Half Moon Bay surf spot Mavericks.  And more and more, all wonderfully shot.

The filmmaker is Stacy Peralta, a surfer and one the pioneers of modern skateboarding (and a founder of the Powell Peralta skateboard product company).  Peralta also made Dogtown and Z-boys (2001), the great documentary about the roots of skateboarding, and wrote the 2005 Lords of Dogtown.

 

Both of these films make my list of Best Sports Movies.

Le Quattro Volte: that Italian goatherd movie you’ve been demanding

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In the first 30 minutes of Le Quattro Volte, a septuagenarian goatherd struggles up and down a Calabrian mountain with his goats, hacking away with a worsening old man cough.  Up and down go the goats.  Cough, cough goes the old man.

Then, suddenly (and I mean suddenly), a baby goat is born.  It is licked by its mother.  It hangs out with other young goats.  It walks off with the herd.

Then, a tall tree on the mountain is cut down by the villagers and erected in the village for a festival.  After the festival, it is taken down and cut up.

The logs are added to a woodpile that we see constructed in the traditional way, and charcoal is made.  Then the movie ends.

I understand that Le Quattro Volte is supposed to be a lyrical contemplation on the Circle of Life.  Indeed, I really tried to give myself to this movie, to settle in and absorb its rhythm.  But the stories are not compelling enough.  When I saw the movie at an afternoon show, audience members were falling asleep.  My mind was wandering.

Le Quattro Volte has received very high praise from some of the most respected movie critics, who found it mesmerizing.  It also won the Best European Film award at Cannes, causing another theater patron at my screening to ask “Who voted?”.  It’s an art movie with the art, but no movie.

 

 

Project Nim: a chimp learns the foibles of humans

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The documentary Project Nim tells the extraordinary story of a chimpanzee that was taught a human language – American Sign Language.  In a remarkable and compelling journey, the chimp Nim is first placed as a baby with a human hippie family and then at a university-owned country estate and college laboratories.  Amazingly, he learns to use an ASL vocabulary – not just responding to commands, but initiating communication and forming sentences.  Then, the experiment ends, and he is off to an assortment of post-placements, some terrifying.

Along the way, we hear from the motley assortment of humans involved in his raising, his exploitation and his care. One human who enters the story as a grad student, Bob Ingersoll, emerges as the hero of the story.  It’s the story of a chimp, but we learn more about the foibles of humans.

Acclaimed documentarian James Marsh (Man on Wire) delivers another great story – one of the year’s best documentaries.

Turkey Bowl: touch football brings out the laughs

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This delightful indie comedy is set in a group of friends’ annual touch football game.   Take a bunch of friends that haven’t seen each other for a while and put them in a competitive situation, and you’ve got a promising premise. Newcomer writer-director Kyle Smith pulls off a tight, well-paced 62 minutes of smart laughs.

The cast of relative unknowns is very good, especially Tom DiMenna and Bob Turton.  At the screening that I attended, Smith said that the football game was tightly structured in the screenplay, but much of the dialogue was improvised by the cast.Smith financed the film with $25,000 that he earned from a reality TV show, and shot it over ten days in an East LA city park.

Smith is a native of Columbia, Missouri, and college football fans will note a very funny reference to an infamous Colorado-Missouri game.

Turkey Bowl just released on iTunes and VOD.  Reward this bright and enterprising filmmaker and see this film – you won’t be disappointed.

I am adding Turkey Bowl to my list of Best Sports Movies to represent touch football.

 

DVD of the Week: Another Year

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Mike Leigh (Secrets and Lies, Vera Drake) has brought us another brilliant observation of the human condition, and asks why some people find contentment and others just cannot.  The film observes a year in the life of a happily married couple (Jim Broadbent and Ruth Sheen).  They generously host their friends and family; the couple (and we the audience)  pick up insights about the visitors – variously scarred by unhappy circumstance, cluelessness and self-destructiveness.

Mike Leigh may be the cinema’s best director of actors, and Another Year is filled with excellent performances, especially Broadbent and Sheen, David Bradley and Peter Wight. The wonderful Imelda Staunton drops in with a searing cameo at the beginning of the film.  But Lesley Manville has the flashiest role – and gives the most remarkable performance – as a woman whose long trail of bad choices hasn’t left her with many options for a happy life.

Another Year is one of Leigh’s best, and on my list of Best Movies of 2010.

The Trip: duelling Michael Caines

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Steve Coogan and Rob Brydon take a foodie road trip through the north of England.  Brydon is a compulsive impressionist, and he speaks more often in the voices of Woody Allen, Al Pacino, Anthony Hopkins, Richard Burton, et al than in his own.  That’s entertaining, but when Coogan provokes a duel with their Michael Caine and Sean Connery impressions, it gets even more funny.

Along the way, they dine at some pretty tasty looking restaurants, but always with an edge:  “It has the consistency of snot, but it tastes great”.  There is definitely some food porn, but not quite enough to make my list of 10 Food Porn Movies.

DVD of the week: Four Lions: terrorist comedy, anyone?

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This couldn’t have been made in the US, but fortunately the Brits have made the terrorist equivalent of Waiting for Guffman.   A group of homegrown Brits of Pakistani heritage decide to join the jihad and try to organize a terror mission.  Fortunately, the smartest one is both inept and unlucky, and each of the others is dumber than the last.   The cell’s intramural competition reminds me of the hilarious People’s Liberation Front scene in Monty Python’s Life of Python.

Super 8: coming of age story embedded in a sci fi thriller

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Super 8 is a wonderful coming of age story embedded in a sci fi action thriller.  A group of small town kids in the 1970s are making their own horror movie when a spectacular train crash unleashes a space alien threat government disinformation.  The real achievement in this film is the story of the kids – their speech, actions, fears and hopes are written to be utterly authentic.  I can’t think of a movie that does a better job of depicting American 11 to 13-year-olds.

The special effects are top-rate, especially the train wreck and the alien creature.  But the adult characters who propel the sci fi story are shallow and two-dimensional.

Nevertheless, director J.J. Abrams (Lost, Cloverfield) has created a very special coming of age film.  I liked it.