To Rome with Love: amusing minor Woody

The title says it all – To Rome with Love is Woody Allen’s affectionate missive to Rome, more amusing than the average greeting card but no more substantial.  It’s not great Woody, nor is it bad Woody.  But minor Woody (like To Rome with Love) is still funny and smart, even wise sometimes.

Allen cuts between four unrelated and more or less simultaneous stories.  In the first, a comedy of manners, Woody and Judy Davis play an American couple in Rome to meet their daughter’s (Alison Pil) Roman beau and his family.  There’s a culture clash and the impulses of Woody’s character create comic havoc.

In the second (and best) tale, Alec Baldwin plays a man in his fifties who is recalling the Roman adventure of his twenties, this time imparting his life wisdom to his younger self (Jesse Eisenberg).  What mature man wouldn’t want to relive his single days knowing what he now knows about women? In this case, Eisenberg’s girlfriend introduces him to her alluring but surely unreliable gal pal, played by Ellen Page.  Baldwin’s sage is warning him off, but the younger man can’t help but become entranced with a woman who strews relationship carnage behind her.  When Eisenberg thinks that he is seducing Page, Baldwin cynically points out that Page has just popped a Tic-Tac to be ready for a kiss.  When Woody has him “melt” Page’s actress with a line about her being deep enough to play Strindberg’s Miss Julie, we recall that the real Woody has dated the likes of Louise Lasser, Diane Keaton, Stacy Nelkin and Mia Farrow.  It’s good stuff.

The third story, and least successful, is a farce in which a young Italian bridegroom must impress his uptight relations despite some contrived mistaken identity.

The fourth story is an allegory on today’s culture of silly and unearned celebrity.  Roberto Benigni is perfect as an ordinary Giuseppe plucked out of his hum drum routine and made an instant celebrity.  No comic can play befuddlement or nouveau entitlement like Benigni.

To Rome With Love stars the usual splendiferous Woody cast.  Judy Davis, Penelope Cruz, Alison Pil, Alec Baldwin and a host of Italian actors are all just fine, but don’t have to stretch; (this also applies to 2012’s annoyingly ever-present Greta Gerwig).  But Woody himself is outstanding, as are Ellen Page, Jesse Eisenberg and Roberto Benigni.

This Week’s Movies To See Right Now

MOONRISE KINGDOM

Elena, a vividly dark and brilliantly acted Russian drama that simmers throughout, is one of the best films of 2012, but now getting hard to find in a theater.  The wistfully sweet and visually singular Moonrise Kingdom is another must see.

The Intouchables is a crowd pleasing odd couple comedy from France.  Adults will enjoy Brave, Pixar’s much anticipated fable of a Scottish princess, and it’s a must see for kids.

Bernie, a very funny dark comedy by Richard Linklater, shows off Jack Black’s talents in a whole new light. The story of aged Brits seeking a low-budget retirement in India, The Best Exotic Marigold Hotel, is much more than a fish-out-of-water comedy. Men In Black 3 is delightfully entertaining, as Will Smith time travels back to 1969 and meets the young Tommy Lee Jones (nailed by Josh Brolin).

Prometheus is a striking and well-acted sci fi adventure with a horror film tinge; I recommend it for sci fi fans. Rock of Ages is a lighthearted and funny musical that makes the most of a self-mocking Tom Cruise and the hair bands of the 80s.

Abraham Lincoln: Vampire Hunter has blood-sucking, irony and not enough of either to justify watching it.  Oslo August 31 is the utterly authentic portrait of a suicidal Norwegian junkie that doesn’t pay off enough to justify the the grim inevitability. Your Sister’s Sister wastes a promising premise and a superb performance.

I haven’t yet seen Woody Allen’s To Rome With Love, which opens this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the recent Oscar Winner for Best Picture, the magical almost-silent romance The Artist.

Coming up on TV: Sturges classics

William Demarest and fellow Marines comfort Eddie Bracken in HAIL THE CONQUERING HERO

On June 30, Turner Classic Movies is broadcasting six classic comedies by the great writer-director Preston Sturges.  Sturges’ masterpiece, of course, is Sullivan’s Travels, a fast-paced and cynical comedy about a pretentious movie director who goes out on the road to be inspired by The Average Man – and gets more of an adventure than he expects.

The brilliantly funny Hail the Conquering Hero is one of Sturges’ less well-known great comedies.  Eddie Bracken plays a would-be soldier discharged for hay fever – but his hometown mistakenly thinks that he is sent home a war hero.  Hilarity ensues.  All the funnier when you realize that this film was made in 1944 amid our nation’s most culturally patriotic period.

TCM’s other Sturges choices are thigh slappers, too: The Lady Eve, The Palm Beach Story, The Great McGinty and Christmas in July.

Here’s a snippet from Sullivan’s Travels.

Abraham Lincoln: Vampire Hunter: blood-sucking, irony and not much else

OK, so the filmmakers turned the most revered statesman of the 19th Century into an action hero.  I am a Lincoln buff, and I chose not to be offended and to go with it, but…  Seth Grahame-Smith adapted the screenplay from his best-selling novel about Abe avenging his mother by running amok through the vampires with a silver-edged axe. 

Abraham Lincoln: Vampire Hunter  has two things going for it.  The first is vampire-killing action scenes and lots of ’em.  The second is the silly irony of putting Abraham Lincoln in a vampire movie.  The silliness is enhanced by the vampire-killing Lincoln being as stiff and humorless as the marble statue in the Lincoln Memorial.  (The real Lincoln was earthy, down-to-earth and very funny.)

Unfortunately, that’s just not enough.  I’ll save you some time and give you the abridged version.  Vampire pops up, gets killed by Abe.  Repeat.

3D or not 3D?  If you MUST see this movie, eschew the extra cost and see it in 2D.

 

 

DVD of the Week: The Artist

If you still haven’t seen the Best Picture Oscar-winning The Artist, you don’t have any excuse because it’s now available on DVD.  It’s a magical romance that writer-director Michel Hazanavicius gives us through the highly original choice of an almost silent film.  Set in Hollywood from 1927 through 1929, it is the story of a silent film star who is left behind by the startlingly immediate transition to talking pictures.

The French actor Jean Dujardin won the Best Actor Oscar as the silent star, a charismatic and ever-playful guy whose career is trapped by the shackles of his own vanity.  While on top, he treats an ambitious movie extra (Berenice Bejo) with kindness; she remembers when she becomes a star of the talkies.

Dujardin’s star, whose films resemble those of Douglas Fairbanks, Sr.,  is a joker with a knack for the grand gesture.  He also has an adorable Jack Russell terrier that serves as his companion and co-star.

Hazanavicius is so skillful that audiences that have never seen a silent film soon become enraptured by the story and invested in the fates of the characters.  It’s a visually and emotionally satisfying film.

John Goodman and James Cromwell are excellent in supporting roles. 

(BTW, in real life, Berenice Bejo has two children with Michel Hazanavicius.)

[youtube:http://www.youtube.com/watch?v=XvifS2QOun4]

And, courtesy of photographica in the Movie Gourmet’s LA bureau, here is co-star Uggie the Jack Russell terrier celebrating Uggie Day in Los Angeles.

Brave: girl power and Pixar quality

Brave is Pixar’s much anticipated fable of a Scottish princess.  Pixar is a brand name that represents excellence in animated movies, and Brave continues the tradition.

As we have come to expect, the animation is magnificent.  The heroine is a girl with an exuberant tangle of unruly red curls, and it’s difficult not to enjoy her wild head of hair in every scene.

The other Pixar trademark is depth of story.  Other studios can make a girl power story with mother-daughter conflict, but Pixar brings more to the table here, with themes of making immature mistakes and then growing up and taking responsibility.

Brave‘s story isn’t as deep – and Brave isn’t as good – as those of Toy Story, WALL-E and Up, but even mid-level Pixar is better than movies from Disney, DreamWorks or other animation studios.   Adults will enjoy Brave, and it’s a must see for kids.

3D or not to 3D?  I was satisfied with the 2D and would definitely recommend against paying the premium for 3D.

 

Movies to See Right Now

ELENA

My top pick this week is still the wistfully sweet and visually singular Moonrise Kingdom.

One of the best films of the year is Elena, a vividly dark and brilliantly acted Russian drama that simmers throughout.

The Intouchables is a crowd pleasing odd couple comedy from France.  Bernie, a very funny dark comedy by Richard Linklater, shows off Jack Black’s talents in a whole new light. The story of aged Brits seeking a low-budget retirement in India, The Best Exotic Marigold Hotel, is much more than a fish-out-of-water comedy.  Men In Black 3 is delightfully entertaining, as Will Smith time travels back to 1969 and meets the young Tommy Lee Jones (nailed by Josh Brolin).

Prometheus is a striking and well-acted sci fi adventure with a horror film tinge; I recommend it for sci fi fans.  Rock of Ages is a lighthearted and funny musical that makes the most of a self-mocking Tom Cruise and the hair bands of the 80s.

Oslo August 31 is the utterly authentic portrait of a suicidal Norwegian junkie that doesn’t pay off enough to justify the the grim inevitability.  Your Sister’s Sister wastes a promising premise and a superb performance.

I haven’t seen Pixar’s Brave or the totally just wrong Abraham Lincoln: Vampire Killer, both of which open this weekend. You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is a film that I KNOW you haven’t seen, the working class comedy The Locksmith.

Elena: a vividly dark peek into contemporary Russia

Elena is a superbly crafted film that vividly peeks into a dark, very dark contemporary Russia.  Directed and co-written by Andre Zvyagintsev (The Return), Elena is the triumph of drama over melodrama.  There is an absolute minimum of on-screen action and no histrionics at all, yet the story simmers throughout.

Zvyagintsev builds the story upon his characters.  It is set in a toney apartment in a quiet upscale Moscow neighborhood, home of Vladimir and Elena.  Vladimir is pushing 70 and rich.  I doubt that any softies got rich in post-Soviet Russia, and Vladimir is a hard man, devoid of sentimentality except for his estranged daughter.   Late in life, he has married the working class Elena, his one-time nurse, now in her 50s.  They have a comfortable, frank, affectionate and practical relationship.

Both have adult children from previous marriages.  Vladimir’s daughter Katerina has no use for her father, but he subsidizes her lifestyle of perpetual partying.  Vladimir and Katerina finally share a moment, bonding over their shared cynicism.

Elena’s nogoodnik son Sergey lives in a hard scrabble suburb and embraces his chronic unemployment with alarming indolence.  His equally lazy and selfish teenage son, having an indifferent high school career, is now facing the dreaded Army unless someone can bribe his way into a college.

Elena is desperate to rescue her grandson from his self-inflicted predicament, but only Vladimir’s money can help, and Vladimir despises Elena’s trashy and shiftless family.  The movie is built on this conflict, and it is Elena’s story.   As Elena, the actress Nadezhda Markina reveals Elena’s affection, desperation and determination with her eyes, face and movements.  Perfectly framing Markina’s outstanding performance by isolating it, Zvyagintsev delivers the film in a series of long shots, with terse dialogue and a spare soundtrack. There is no expository dialogue explaining the plot or swelling music manipulating our reaction.

Elena is a dark movie that asks its audience to invest patience, thought and energy – so it’s not for everybody.  Elena is also one of the year’s best films, and an extraordinary example of a very pure breed of filmmaking.

Susan Tyrrell: celebrating the cheap and tawdry

Susan Tyrrell in FAT CITY

Last week I recommended Turner Classic Movies’ broadcast of the under appreciated Fat City (1972) .  It’s the story of boxer on the slide who inspires a kid to become a boxer on the rise.  Stacy Keach and Susan Tyrrell give dead-on performances as pathetic sad sack barflies. Tyrrell was nominated for the Best Supporting Actress Oscar.  Sadly, Susan Tyrell died on Saturday.

In this wonderful 2000 profile in LA Weekly, Tyrell said,  “The last thing my mother said to me was, ‘SuSu, your life is a celebration of everything that is cheap and tawdry.’ I’ve always liked that, and I’ve always tried to live up to it.”

Oslo August 31: authentic, but why?

The Norwegian drug addict Anders has been clean and sober after ten months in rehab, and has earned a day pass for a job interview in Oslo.  In rehab, he has had plenty of opportunity to take stock of himself and the impact that his drug habit has wreaked upon his disappointing career and upon his family and friends.  Anders concludes that the best response is to take his own life.  First, he takes advantage of his day pass to seek out his best friend and his own family.

Oslo August 31 is well-crafted and utterly authentic.  But, why was this movie made?  What is its contribution to art or entertainment or our knowledge or our experience?  Where is the payoff for the audience that makes the grim inevitability worth ten bucks and 95 minutes?

There’s one particularly spell-binding scene with superb sound design.  As Anders is waiting for someone in a cafe, he eavesdrops on the other patrons.  As he glances from table to table, we hear the conversation of each set of diners.  It’s very cool.

Unusual for a film about drug addiction, Oslo August 31 depicts only one instance of hard drug use – and that injection is not to get high.

The Danish director Joachim Trier previously made Reprise, a wonderful film about sanity and the creative process in which two young novelists send in their manuscripts at the beginning of the film, just before one suffers a psychotic breakdown.   Reprise was #4 on my list of Best Movies of 2008.