movie gourmet

DVD of the Week: A Separation

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A contemporary Iranian couple had planned to leave Iran for a better life in the West, but, by the time they have wrangled a visa from the bureaucracy, the husband’s father has developed Alzheimer’s. The husband refuses to leave his father and the wife leaves the home in protest. They are well-educated and secular. The husband hires a poor and religious woman to care for his father (and she does not tell her husband about her job). Then there is an incident which unravels the lives of both families.

This is a brilliant film. Writer-director Asghar Farhadi has constructed a story in which the audience sees and hears everything that happens, but our understanding of the events and characters evolve.  We think we know what has happened, but then other narratives are revealed.  Likewise, the moral high ground is passed from one character to another and to another.  It’s like Rashomon, but with the audience keeping a single point of view.

Much of that point of view is shared by the ever watchful teenage daughter of the educated couple.  She desperately wants her parents back together, views everything through this prism and is powerless to make it happen.  She is played by Farhadi’s real life daughter.

Religion towers above the action – and not in a good way.  It guides the actions of the religious couple into choices against their interest.  The Iranian theocracy restricts the choices of the secular couple and of the judges trying to sort everything out.  Almost every character is a good person who is forced to lie to avoid some horrific result otherwise required by the culture.

One final note:  it will be a lot harder to make an easy joke at the expense of American lawyers after watching the Iranian justice system in A Separation.

The realistic angst of the chapters makes this a difficult film to watch – not a light date movie for sure. But the payoff is worth it, and it’s a must see.

This film was on the top ten list of over 30 critics and is Roger Ebert’s top-rated film of 2011.  It won the 2011 Foreign Language Picture Oscar.  Because regular folks like us could only see it in 2012, it made my list of Best Movies of 2012 – So Far.

Movies to See Right Now

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A dream girl comes to life in RUBY SPARKS

Ruby Sparks is a hilariously inventive romance that probes whether realizing a fantasy can bring happiness.  In contrast, Killer Joe is NC-17 for a reason and will either thrill or disgust you; that notwithstanding, it pops and crackles with excellent performances by Mathew McConaughey and Juno Temple.  The Intouchables is a crowd pleasing odd couple comedy – an attendance record breaker in France.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star. The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Julie Delpy’s 2 Days in New York, which opens this week, is a rollicking light culture clash comedy.  The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles.  Magic Mike has male stripping, but no magic. The relationship drama 360 is a snoozer.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the French drama Time Out – an excellent choice for the current economic environment.

2 Days in New York: a diversion, sometimes funny

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Writer-director Julie Delpy and Chris Rock play a couple living together in a cramped New York City apartment with their kids from previous relationships when her eccentric French family comes for a visit.  Most French are reserved and impeccably polite; because that’s not funny, Delpy wrote her visitors to be very badly behaved extreme hedonists.  The stress of the first visit by the in-laws, the claustrophobia of packing people into a tiny apartment and language and cultural barriers are all promising comic situations.   A mid-range comedy, 2 Days in New York has its moments.

As a screenwriter, Delpy’s strengths are a keen eye for family dysfunction, brisk pacing and a willingness to get raunchy.  But much of the broadest gags in 2 Days in New York fall flat.  There is a funny bit about Delpy’s emotionally brittle artist literally selling her soul as a piece of performance art.  And it’s funny when Delpy invents a preposterous tragedy to avoid facing a complaint from a neighbor.  But the funniest moments are two Chris Rock monologues when he retreats to his man cave to converse with a large poster of Barack Obama.

I wouldn’t recommend a special trip to the theater to see 2 Days in New York, but it’s a pleasant enough diversion to watch on DVD or stream later this year.

DVD/Stream of the Week: Time Out

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Aurelien Recoing in TIME OUT

In Time Out (L’emploi du Temps)(2001), a middle-aged guy (Aurelien Recoing) loses his job with an international consulting firm in France and can’t bring himself to tell his family.  Instead, he pretends to still have that job, and then invents a new, better job in Switzerland.  He doesn’t spend his days at the local bar – he actually goes on faux business trips from which he calls his family.  He even dresses in a suit and visits the Swiss corporate HQ where he claims to be working, prowling the cubicles and lounging in the lobby while talking on his cell phone like a big shot.  The lengths to which he goes in convincing his family (and embracing denial for himself) are pathetic, then creepy and finally chilling.

Ironically, he has a smart and supportive wife (Karin Viard); we can tell that, had he told her the truth immediately, she would help him out.  He also has very successful father with the bucks to keep the family afloat until he finds something else.  But so much of his self-identity is wrapped up in his career, that he just can’t bear the thought of disappointing them.

Of course, he can’t keep up this charade forever.  There’s the matter of income, for example, which drives him to join a scam.  And then there is the web of lies that must eventually unravel.  His wife intuits that something is amiss and starts sniffing around….

Recoing is outstanding as the man inside a pressure cooker of his own making.  The great French actress Karin Viard (Polisse, Potishe, Paris) is, as always, perfect.

Time Out is a superb film because of the acting and the writing.  Director Laurent Cantet (2008’s popular The Class) co-wrote the screenplay with Robin Campillo.

Time Out is available on DVD and on Netflix streaming.  (I have not embedded the Miramax trailer because it, replete with swelling music from another film, makes the movie look heart-warming and  melodramatic, and it is neither.)

The Dreaded Mid-August at the Movies

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Usually mid-August is not very promising at the movies.  Distributors have already released the big summer movies and are holding their Oscar bait until autumn.  But I’m intrigued by a few upcoming films.

The French Beloved traces the lives of women over several decades and several cities.  It stars Catherine Deneuve, her daughter Chiara Mastroianni and, in a rare acting role, the great director Milos Forman.

2 Days in New York is Julie Delpy’s sequel to her 2 Days in Paris (in the vein of the superb Before Sunrise and Before Sunset), this time paired with Chris Rock.

In Premium Rush Joseph Gordon-Levitt stars in a bike messenger thriller with Michael Shannon as the scary villain.

Red Hook Summer is Spike Lee’s contemporary film about Brooklyn, which he insists is NOT a sequel to his masterful Do the Right Thing.

Lawless is a violent crime movie set among Depression Era moonshiners.

The indie Compliance has been controversial at festivals, evoking both love and hate.  Inspired by true events, the employees of a fast food restaurant follow the over-the-phone instructions of someone who claims to be a cop – and enter dangerous territory.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.  Here’s the trailer for Compliance:

Movies to See Right Now

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Matthew McConaughey in KILLER JOE

Killer Joe is NC-17 for a reason and will either thrill or disgust you; that notwithstanding, it pops and crackles with excellent performances by Mathew McConaughey and Juno Temple.  Ruby Sparks is an hilariously inventive romance that probes whether realizing a fantasy can bring happiness.  The Intouchables is a crowd pleasing odd couple comedy – an attendance record breaker in France.

It’s worth seeking out the compelling documentary Searching for Sugar Man, about the hunt to uncover the secret fate of an artist that didn’t know that he was a rock star.  The same holds for Bill W., the story of the reluctant leader of a movement, the founder of Alcoholics Anonymous.

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability. It’s on my list of Best Movies of 2012 – So Far.

Farewell, My Queen is a lavishly staged and absorbing French drama of Marie Antoinette’s Versailles at the onset of the French Revolution; it features excellent performances and was shot at Versailles itself.

The wistfully sweet and visually singular Moonrise Kingdom is another must see, and it’s hanging around some theaters.  Adults will enjoy Brave, Pixar’s much anticipated fable of a Scottish princess, and it’s a must see for kids.

The Dark Night Rises is too corny and too long, but Anne Hathaway sparkles. Magic Mike has male stripping, but no magic.  The relationship drama 360, which opens this week, is a snoozer.

I haven’t yet seen the franchise thriller The Bourne Legacy with Jeremy Renner (The Hurt Locker).  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the American spy documentary, The Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby.

Searching for Sugar Man: he didn’t know he was a rock star

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What a story!  A Detroit construction laborer named Sixto Rodriguez was also a singer-songwriter who cut two albums in 1970 and 1971.  The albums didn’t sell in the US, and he faded back into obscurity.  Yet in South Africa – completely isolated by the sanctions of the apartheid era – the artist known as Rodriguez became huge, and his songs fueled a protest movement.  Rodriguez never knew of his success, and South Africans believed that he had suffered a dramatic rock star death.  The powerful documentary Searching for Sugar Man is the story of some stubborn South African music geeks trying to find out what really happened to Rodriguez, and the startling truths that they uncovered.  (The title comes from Rodriguez’ most iconic anthem, the song Sugar Man.)

I have never seen a biographical documentary of a contemporary figure with less comment from the subject himself.  There is a brief filmed interview with the eccentric Rodriguez, who reveals very little of his perspective on his own story.  His songs can only be written by a reflective person, but Rodriguez is the farthest thing from self-absorbed.  Still, the interviews with his family, friends and fans and his songs help us feel like we know him.

It’s a flabbergasting and unpredictable story and well told.  It’s worth searching out Searching for Sugar Man.

Ruby Sparks: be careful what you ask for

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The inventive Ruby Sparks is about romance and it’s very, very funny, but it transcends the genre of romantic comedy.  A shy writer who has produced a great novel at an early age is now drifting,  his writing is blocked and he has isolated himself into a lonely existence.  He imagines his perfect love object, and he can suddenly write in torrents about her until…she becomes real.  Yes, suddenly he has a real life girlfriend of his own design.

This is everyone’s fantasy of a perfect partner – but what are the limits of a partner that you have designed yourself?  Because he can tweak her behavior by rewriting it, this brings up the adage “Be careful what you ask for”.  When he is threatened by her independence, he changes her personality on the page and she becomes unattractively clinging and needy.  Can his realized fantasy make him happy?

Paul Dano is outstanding as the writer and screenwriter Zoe Kazan (granddaughter of Elia Kazan) dazzles as his creation.   (Off screen, Kazan and Dano are a couple.)  Chris Messina is dead on perfect as the writer’s brother, and the film benefits from an especially strong cast:  Annette Bening, Antonio Banderas, Steve Coogan, Aasif Mandvi and Elliot Gould.  Ruby Sparks is ably directed by Jonathan Dayton and Valerie Faris, the co-directors of another exceptional indie comedy, Little Miss Sunshine.

The biggest star in Ruby Sparks is Zoe Kazan’s ingenious screenplay.  It’s funny without being silly, profound without being pretentious, bright without being precious.  Every moment is authentic.  It’s clear that Kazan is a major talent as a screenwriter.

Bill W.: the reluctant founder of a movement

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The excellent documentary Bill W. tells the story of Bill Wilson, the founder of Alcoholics Anonymous, and it’s quite a story.  We see Wilson’s own battle with the bottle, including a pivotal moment when he is about to enter a hotel bar in Akron, but instead decides “to call another drunk”.  The story follows his cobbling together what became the 12 step model and his keeping alive the AA movement in its early days.  But the most compelling story – and the heart of the film – is Bill Wilson.

Wilson was a reluctant movement leader.  His primary passion was for business, in which his drinking killed his potential success.  Instead, he achieved fame and historical importance in a field not of his choosing.  As the founder, he could have easily formed AA into a hierarchy with himself at the top – and AA as his personal power base.  But, once AA could stand on its own, he chose to walk away from its leadership.  His decision not to commercialize AA deprived himself of a millionaire’s lifestyle.

Producer and co-director Dan Carracino reminded the audience at my screening that the movie aims to tell the story of Bill Wilson, not to be an exhaustive history of AA.

Because Bill W. primarily uses historical film footage and photos for visuals, and the recorded voice of Wilson himself, along with talking heads who knew him, the audience gets a solid sense of his personality.  There are some visual re-enactments (of Wilson’s drinking days  and early AA meetings) that are successful because they are narrated by the real Bill W. himself.

I was fortunate to see the film in an audience that contained over 200 AA members, and they responded especially favorably to the film.  At its core, Bill W. tells a fascinating story, and I would recommend it for anyone.  Bill W. is being self-distributed with both special screenings and theater runs in various cities.