In the Family: debut of a brilliant director

6-year-old Chip has two daddies, Cody and Joey.  When his biological father Cody is killed in an auto accident, Cody’s sister takes custody of Chip, and Joey fights to get his son back.  Writer-director Patrick Wang stars as Joey, and what makes In the Family more than just another social issue picture is Wang’s authenticity as a writer and brilliance as a director.

Wang uses long scenes shot by a static camera and an almost silent soundtrack to draw in the audience.   We watch Joey being told of Cody’s death through a hospital window and we only hear the passing truck traffic.  We see the kitchen when Joey and Chip come home after the funeral – Joey sits stunned, fingering the mail, and Chip, yearning for some normalcy, sets up beverages.  The film climaxes with Joey’s testimony at a deposition, mostly shot from the end of a conference table.  These are some of the most compelling scenes that I’ve seen this year.

The problem with In the Family is that it is 2 hours and 47 minutes long.  There are long films that need to be long (e.g., Once Upon a Time in Anatolia), but this isn’t one of them.  There’s probably a 130 minute indie hit somewhere inside In the Family.

It’s clear that Patrick Wang is a fine actor and an unusually talented writer-director (who needs to find an equally talented editor).  I’m certainly looking forward to his next work.

As yet without a distributor, Wang is self-releasing In the Family in various cities.

Movies to See Right Now

BEASTS OF THE SOUTHERN WILD

The brilliantly made Louisiana swamp fable Beasts of the Southern Wild enters the life and imagination of a child and celebrates her indomitability.  It’s on my list of Best Movies of 2012 – So Far.

The wistfully sweet and visually singular Moonrise Kingdom is another must see. Adults will enjoy Brave, Pixar’s much anticipated fable of a Scottish princess, and it’s a must see for kids.   If you can still find it, I recommend the romantic character study Take This Waltz, starring the great Michele Williams in an exploration of attraction and fulfillment from a woman’s perspective.

Continuing a very long run, the story of aged Brits seeking a low-budget retirement in India, The Best Exotic Marigold Hotel, is a proven crowd pleaser. Men In Black 3 is delightfully entertaining, as Will Smith time travels back to 1969 and meets the young Tommy Lee Jones (nailed by Josh Brolin).

To Rome with Love is an amusing Woody Allen comedy, but not one of Woody’s masterpieces. Prometheus is a striking and well-acted sci fi adventure with a horror film tinge; I recommend it for sci fi fans.  If you really like Neil Young, then see Neil Young Journeys.

Magic Mike has male stripping, but no magic. Abraham Lincoln: Vampire Hunter has blood-sucking, irony and not enough of either to justify watching it.   Your Sister’s Sister wastes a promising premise and a superb performance.

I haven’t yet seen Dark Horse, The Dark Knight Rises or Farewell, My Queen, which open this weekend.  You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the documentary This Is Not a Robbery, the true story of a nonagenarian serial bank robber.

Neil Young Journeys: see it if you already like him

Neil Young Journeys documents Neil Young’s return to Ontario for a 2011 concert at Toronto’s Massey Hall.  It’s about 85% Neil Young music and about 15% Neil Young’s guided driving tour around his old haunts (“there is a town in north Ontario…all my changes were there”).  Young plays four of his songs from 2010 and several more from 1969-79.  He is alone on stage with boxes of equipment and a cigar store Indian, and accompanies himself with electric guitar, harmonica, piano and, on Down By the River, a stentorian pipe organ.  Ohio is intercut with video of the Kent State massacre and pictures of the victims.

It’s the third Neil Young film by director Jonathan Demme (Silence of the Lambs, Rachel Getting Married).  Demme shows the good sense to simply show Neil and then his music unadorned.   He does get arty with one camera that zooms on to Young’s mouth and grizzled chin.  Sitting in the third row, I felt like I’d need to duck spittle at any moment.

If you don’t love Neil Young, skip this movie.  If you do love Neil Young, see the movie in a theater or in a home theater with a good sound system.  Turn it up.

Magic Mike: male strippers, no magic

MAGIC MIKE

Magic Mike is about watching male strippers, period.  There are a couple lame plot threads, but it’s about the stripping.  The star, Channing Tatum, is winning and impressively athletic.  Matthew McConaughey helps re-brand his career with a funny performance as a sleazeball strip club owner – and shows off his body, too.

Director Steven Soderbergh is known for his prestige pictures but still relishes making B movies.  Good for him – he brought something special to the B picture Haywire last year (which co-starred Tatum).  But there’s no magic in Magic Mike.  And, at 110 minutes, it’s too long.

DVD/Stream of the Week: This Is Not a Robbery

After 87 years of abiding the law, J.L. “Red” Rountree robbed a bank in 1998.  In fact, he became a serial bank robber, robbing banks until his final incarceration at age 92.  The documentary This Is Not a Robbery explores how this could have happened.  Spoiler: nonagenarians do not excel at the art of the getaway.

Cleverly structured, This Is Not a Robbery intersperses the modern robberies with biographical segments that finally reveal the arc of Rountree’s singular journey.  We get to see Rountree explaining himself. He’s a kick, but the most revealing comments are from his friends, who relate the pivotal points in his business career and family life.

At only 70 minutes long, it’s a good watch.  This Is Not a Robbery is available on DVD, on Netflix streaming and sometimes plays on the Sundance Channel.

More July Movies

Other than the superb Beasts of the Southern Wild and Take This Waltz, it hasn’t shaped up to be a very rich July at the movies.  But I’m interested in three upcoming releases.

Dark Horse is an indie comedy by Todd Solondz (Welcome to the Dollhouse) in which an epic underachiever falls in love with a heavily medicated depressive.  Reportedly, Solondz’ take on these characters is clear-eyed, but not mean.

Christian Bale growls on in Christopher Nolan’s newest chapter of the Bat Man saga, The Dark Knight Rises.  The cast includes Joseph Gordon-Levitt, Anne Hathaway, Marion Cotillard, Michael Caine, Tom Hardy, Gary Oldman, Morgan Freeman, Juno Temple and Liam Neeson.

Farewell, My Queen is a lavishly staged French costume drama tracing the end of Marie Antoinette’s reign.  Early reviews focus on the performances by Diane Kruger as the Queen, Virginie Ledoyen as the Queen’s intimate friend and Lea Seydoux as the servant with ambiguous motives.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To. Here’s the trailer for Farewell, My Queen:

Movies to See Right Now

TAKE THIS WALTZ

The romantic character study Take This Waltz stars the great Michele Williams in an exploration of attraction and fulfillment from a woman’s perspective.  Take This Waltz is only going to be widely available for one more week – so see it now! The brilliantly made Louisiana swamp fable Beasts of the Southern Wild opens this weekend and more widely next weekend.  Both are on my list of Best Movies of 2012 – So Far.

The wistfully sweet and visually singular Moonrise Kingdom is another must see. Adults will enjoy Brave, Pixar’s much anticipated fable of a Scottish princess, and it’s a must see for kids.  

The story of aged Brits seeking a low-budget retirement in India, The Best Exotic Marigold Hotel, is much more than a fish-out-of-water comedy. Men In Black 3 is delightfully entertaining, as Will Smith time travels back to 1969 and meets the young Tommy Lee Jones (nailed by Josh Brolin).

To Rome with Love is an amusing Woody Allen comedy, but not one of Woody’s masterpieces. Prometheus is a striking and well-acted sci fi adventure with a horror film tinge; I recommend it for sci fi fans.

Abraham Lincoln: Vampire Hunter has blood-sucking, irony and not enough of either to justify watching it.  Your Sister’s Sister wastes a promising premise and a superb performance.

You can read descriptions and view trailers of upcoming films at Movies I’m Looking Forward To.

My DVD pick this week is the hockey comedy Goon.

Coming up on TV: Night and the City

Richard Widmark running out of luck in THE NIGHT AND THE CITY

On July 15, Turner Classic Movies is showing the under appreciated film noir classic Night in the City (1950). Richard Widmark is superb as a loser who tries to corner the pro wrestling business in post-war London – and, as in any noir classic, it doesn’t end well for the sap.

The American director Jules Dassin had just made the noir classics The Naked City and Thieves’ Highway when he shot Night and the City in the UK. He was blackballed in the McCarthy Era and never moved back to the US.

At the request of a studio exec, Dassin created a role in Night and the City for the stunningly beautiful but emotionally fragile Gene Tierney. The cast also includes real life wrestlers Stanislaus Zbyszko and Mike Mazurki.

Night in the City (along with The Wrestler) represents wrestling on my list of Best Sports Movies, and there’s a clip of an extended wrestling scene from the movie on that page. (Also, Dassin’s Brute Force makes my list of Best Prison Movies.)

The Year of the Child Actor

Quvenzhane Wallis in BEASTS OF THE SOUTHERN WILD

Beasts of the Southern Wild is a special film, and its star Quvenzhane Wallis carries the movie.   Although this is her first film and she was only six years old during the filming, I would not be surprised if she is nominated for the Best Actress Oscar. That’s how stirring her performance is.

As I wrote in my comments on Beasts, writer-director Benh Zeitlin was specially audacious to bet his movie on the performance of a six year old.  But we’ve seen some remarkable performance by child actors this year – and in many of my Best Movies of 2012 – So Far.

In my current pick for the top film of the year, the Dardennes brothers’ The Kid with the Bike , the story revolves around the 12-year old first time actor Thomas Doret. Doret pulls it off, delivering a performance of gripping intensity.

Although Mohammed Fellag is the lead in Monsieur Lazhar, there wouldn’t be a film without the performances by the kids, Sophie Nelisse and Emilien Neron.

Similarly, Wes Anderson’s delightful Moonrise Kingdom  is carried by newcomers Jared Gilman and Kara Hayman.  Moonrise Kingdom is their movie; even Bruce Willis, Edward Norton, Frances McDormand and Bill Murray are just along for the ride.

And in Asghar Farhadi’s A Separation, the key point of view is that of the ever watchful teenage daughter.  She desperately wants her parents back together, views everything through this prism and is powerless to make it happen.  She is played by Farhadi’s real life daughter Sarina.

Overall, it’s an uncommonly impressive year for child actors.

DVD of the Week: Goon (no, really)

Doug Glatt is not very smart and he knows it. He struggles to find the right word in every situation. Because his only talent is the ability to knock others unconscious, he is only in demand as a bar bouncer. But Doug is not a brute – he is goodhearted and loyal, and yearns to be part of something. By chance, Doug gets hired by a minor league hockey team to become its thuggish enforcer – despite his inability to ice skate.

We get lots of funny hockey violence a la the Hanson Brothers in Slap Shot. It’s very funny when Doug mangles his every attempt at cogent conversation. The comedy also comes from Doug’s innocent fish out of water in the cynical, sleazy and cutthroat world of minor league hockey. (He’s even reverential about the team logo on the locker room floor.)

There are lots of nice comic touches. For example, when Doug becomes a sensation, one of his fans in the stands holds up a sign reading “Doug 3:69” (Doug wears jersey number 69); we glimpse the sign for only a second, but I appreciate the filmmakers planting such nuggets in the movie. Doug is also that rarity – a Jewish hockey goon, with parents horrified that he isn’t following his brother to med school.

Although plenty raunchy, Goon is a rung above the normal gross-out guy comedy because Doug is such a fundamentally good and well-meaning person. As Doug, Seann William Scott (Stifler in American Pie) plays a naive simpleton, but one fiercely committed to his core values. It’s got to be hard to play that combination, and Scott’s performance is special.

The cast is excellent. Co-writer Jay Baruchel plays Doug’s sophomoric friend. Alison Pill (Milk, Midnight in Paris) is the troubled smart girl who can’t figure out why she’s attracted to a word-fumbling hockey goon. Liev Schreiber, excellent as always, dons a Fu Manchu and a mullet to play the league’s toughest goon. Kim Coates, who almost stole A Little Help as the personal injury attorney, plays the coach.

Goon has earned the #21 spot on Wikipedia’s “Films that most frequently use the word “f**k” with its 231 f-bombs.