ART AND CRAFT: could a sane man devise a con this successful?

ART AND CRAFT
ART AND CRAFT

The startling documentary Art and Craft is about an art fraud.  Of prolific scale. And which is apparently legal. By a diagnosed schizophrenic.

We start with a guy named Mark Landis.  He is very good at photocopying (!) great art works, applying paint to make them seem like the real thing, putting them in distressed frames and donating them to museums in the name of his late (and imaginary!) sister.  He has done this hundreds of times, fooling scores of snooty museum curators in the process.

Why does he do this? Why can’t he stop? What’s with the imaginary sister?  Those answers probably lie within his schizophrenia, a disease which doesn’t impair his skill or his cunning.  Landis himself, once you get over his initial creepiness and become comfortable in his Southern gentility and wry mischievousness, is one of this year’s most compelling movie characters.

Why doesn’t his fraud constitute a criminal act?  Because he doesn’t profit from selling his fakes, he just gives them away.  And he doesn’t take the tax write-off.

How come he doesn’t get caught? These are PHOTOCOPIES for krissakes!  Those answers are in the self-interest and professional greed of the museum professionals – embodied by one puddle of mediocrity who becomes Landis’ obsessive Javert.

All of these combine to make Art and Craft one of the year’s most engaging documentaries. I saw Art and Craft at the San Francisco International Film Festival, where it was an audience hit.

LAST DAYS IN VIETNAM: folly, desperation, heroism

LAST DAYS IN VIETNAM
LAST DAYS IN VIETNAM

History is a compendium of individual human stories, oft caught up in a world event. That’s what drives the riveting documentary Last Days in Vietnam, which chronicles the desperate attempts of many South Vietnamese to escape before the Communist takeover in 1975. Over 140,000 got out in the initial exodus, including 77,000 through the means depicted in this film – mostly compressed into just two panicked days.

As if there weren’t enough American folly in Vietnam, the first evacuation plan didn’t include any non-Americans, even including the Vietnamese dependents of Americans. Then there were evacuation plans that were never implemented because of the blockheadedness of the US Ambassador.  In the final week, young American military and intelligence officers took matters into their own hand, and began a sub rosa evacuation – ignoring the chain of command, breaking immigration laws and risking career-killing charges of insubordination.

Last Days in Vietnam is directed by Rory Kennedy (daughter of RFK), who recently made Ethel, the affecting bio-doc of her mother. Kennedy does a good job of setting the historical stage for those who didn’t live through the era, and then letting the witnesses tell their compelling personal stories.

The talking heads include:

  • the six-year-old who jumped out of a helicopter and then watched his mother drop his baby sister on to a ship’s deck;
  • the US Navy vet who plays the taped diary that he sent home to his wife after the fateful day;
  • the CIA analyst who unsuccessfully tried to convince the deluded US Ambassador that the end was at hand;
  • the college student who managed to get over a wall inside the embassy, but found that his freedom was not guaranteed;
  • Ford Administration officials Henry Kissinger and Ron Nessen, who relate the White House view of the events.

One heroic young American officer managed with ingenuity and chutzpah to get out hundreds of Vietnamese.  In the film’s most poignant moment, it falls to him to tell the final American lie to the 400 Vietnamese remaining in the US embassy, for whom there were no more helicopters.

I saw the movie in San Jose with an audience that was about half Vietnamese-American, some of the age to have lived through this period.  San Jose’s 100,000 Vietnamese population is largest of any city outside Vietnam, and many Vietnamese-Americans still memorialize the subject of this film as Black April.  The exit from the theater was somber.

Last Days in Vietnam is a PBS American Experience film, so I expect it to show up on TV within the year.

DVD/Stream of the Week: VERY GOOD GIRLS: two girlfriends and one guy

Dakota Fanning in VERY GOOD GIRLS
Dakota Fanning in VERY GOOD GIRLS

This week’s DVD/Stream of the Week is this year’s outstanding coming of age movie Very Good Girls.  Dakota Fanning and Elizabeth Olsen play best buds who graduate from high school and decide they need to lose their respective virginities before heading to college. Both fall for the same guy, and they’re each drawn to him and wary of him.  But what elevates this story above those with similar set-ups is that it’s not so much about girl-and-boy but about girl-and-girl and how the circumstances affect their lifelong friendship.

Although there’s potential conflict over the boy and each girl’s family goes through a crisis, Very Good Girls is completely free of emo pretension.  Genuine through and through, the story lets us relate to these girls and keep us engaged in what is happening to their bond.

Olsen is 25 and Fanning is 20, but they are entirely believable as 18-year-olds.  Fanning and Olsen are right up there with Jennifer Lawrence, Shailene Woodley and Bree Larson as our best young film actresses.  Fanning recently made an indie breakthrough in The Motel Life.  Olsen has been excellent in Martha Marcy May Marlene and even in the awful In Secret. 

The girls’ parents are played by Richard Dreyfuss and Demi Moore and Clark Gregg and Ellen Barkin.  It’s kind of a hoot to see the actresses that gave played some of the hottest scenes in 1989/1990 cinema (Ghost and Sea of Love) play the curfew-enforcing moms.  Peter Sarsgaard also shows up, at his most pervy.

Very Good Girls is the first film directed by screenwriter Naomi Foner (Oscar-nominated for Running on Empty), mother of Maggie and Jake Gyllenhaal.  Foner has a wonderful touch, and I hope we see her direct some more.

It pisses me off that, if Very Good Girls had been about high school boys getting laid, it would have gotten the theatrical release that eluded this film.  But we can make up for hat by watching it at home. Very Good Girls is available on DVD from Netflix and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Movies to See Right Now

Kristen Wiig and Bill Hader in THE SKELETON TWINS
Kristen Wiig and Bill Hader in THE SKELETON TWINS

The exceptionally well-acted dramedy The Skeleton Twins contains several inspired moments.

Also in theaters:

  • The smart and hilarious The Trip to Italy showcases the improvisational wit of Steve Coogan and Rob Brydon, along with some serious tourism/foodie porn.
  • Feedback from my readers is almost unanimous – Richard Linklater’s family drama Boyhood is a special movie experience – and possibly the best film of the decade.
  • I really liked The One I Love – a relationship romance, a dark comedy and a modern day episode of The Twilight Zone rolled into one successful movie. Although it’s leaving theaters this weekend, it remains available streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Terry Gilliam’s sci-fi fable The Zero Theorem is visually arresting, but the story becomes tedious. Poor writing and directing sabotage the delightful performances of Alfred Molina and John Lithgow in the romantic drama Love Is Strange. I was also disappointed by the tiresome Frank Miller’s Sin City: A Dame to Kill For.

Here’s my preview of the upcoming Mill Valley Film Festival.

My DVD/Stream of the Week is an underrated 2014 romance that most of us didn’t get to see in theaters, The Face of Love with Annette Bening and Ed Harris.  The Face of Love is available on DVD from Netflix and streaming from Amazon, iTunes, YouTube, Google Play and Xbox Video.

DVD/Stream of the Week: THE FACE OF LOVE: who is she really in love with?

Ed Harris and Annette Bening in THE FACE OF LOVE
Ed Harris and Annette Bening in THE FACE OF LOVE

Here’s an underrated 2014 romance that most of us didn’t get to see in theaters: The Face of Love.

Annette Bening plays a woman whose husband suddenly dies, and she is plunged into an immediate and harsh sense of loss.  She goes on with her life and then is surprised to meet a man who is attracted to her.  They begin to date and fast develop a serious bond.  Here’s the kicker – the new boyfriend looks EXACTLY like her late husband (both are played by Ed Harris).  You know that eventually he is going to find out, and that eventually her kids and friends are going to find out, and that people are going to think this is very weird.  Those characters – and the audience – will wonder whether she is in love with this new man – in love with the image of her husband.

As one would expect, Bening and Harris both give compelling performances.  The scene where the new guy asks her out on a date is especially fun.  The Face of Love is a worthwhile watch.

The Face of Love is available on DVD from Netflix and streaming from Amazon, iTunes, YouTube, Google Play and Xbox Video.

THE SKELETON TWINS: lots of depression and lots of laughs

Kristen Wiig and Bill Hader in THE SKELETON TWINS
Kristen Wiig and Bill Hader in THE SKELETON TWINS

The term “dramedy” has never been more apt – The Skeleton Twins is a serious exploration of two complex and textured characters with depression, and yet most of the movie is very, very funny.  Bill Hader and Kristen Wiig play adult twins who haven’t spoken in ten years; they share a troubled upbringing, bitingly wicked and often morbid humor and serious melancholy.  Their blues manifest in different, but serious ways.  Brought together when the sister invites the brother to move in with her and her husband, past memories are evoked, each calls the other on their bullshit and everyone’s serene routine is overturned.

The two stars are excellent – and this is Hader’s best film work so far.  His monologue about how far he’s come since high school is heart-breaking.

There is lots to like about The Skeleton Twins:

  • perhaps Luke Wilson’s best performance as the ever-decent and upbeat husband, hopelessly out of his depth with his troubled spouse;
  • a hilarious Wilson monologue about “land mines”, which will make everyone who has been either a boyfriend or a husband fall out of his seat laughing;
  • a sparkling turn by Joanna Gleason as the twins’ insufferably self-absorbed New Agey mother;
  • watching Wiig finally outshine Hader in lip-syncing to Starship’s execrable power ballad “Nothing’s Gonna Stop Us Now”.  (BTW, on YouTube, you can find Starship’s original video for “Nothing’s Gonna Stop Us Now” – Mickey Thomas at his most insincere and Grace Slick in 80s Big Hair – YIKES.)

So the film works overall, but I was left a little short on the mental health aspect (see, if you want, under SPOILER ALERT below).  Nevertheless, I recommend The Skeleton Twins for its intelligence, honesty and humor.

[SPOILER ALERT:  The main characters are both clinically depressed.  I didn’t buy the ending where – without any medication or talk therapy – the two seemed to trending hopefully because they have embraced honesty and the support of each other.  Now The Wife, who is a trained therapist, DID buy the ending, saying that the movie didn’t show them to be OK, just doing well with each other’s support.  The critical consensus seems to be with her.]

Movies to See Right Now

Gene Tierney startles Dana Andrews in LAURA
Gene Tierney startles Dana Andrews in LAURA

In theaters:

  • The smart and hilarious The Trip to Italy showcases the improvisational wit of Steve Coogan and Rob Brydon, along with some serious tourism/foodie porn.
  • Feedback from my readers is almost unanimous – Richard Linklater’s family drama Boyhood is a special movie experience – and possibly the best film of the decade.
  • I really liked The One I Love – a relationship romance, a dark comedy and a modern day episode of The Twilight Zone rolled into one successful movie. Although it’s leaving theaters this weekend, it remains available streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video.

Terry Gilliam’s sci-fi fable The Zero Theorem opens today; it’s visually arresting, but the story becomes tedious.  Poor writing and directing sabotage the delightful performances of Alfred Molina and John Lithgow in the romantic drama Love Is Strange. I was also disappointed by the tiresome Frank Miller’s Sin City: A Dame to Kill For.

Here’s my preview of the upcoming Mill Valley Film Festival.

My DVD/Stream of the Week is the absorbing French period drama Augustine, about obsession, passion and the birth of a science. Augustine is available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Vudu, and Xbox Video.

On September 24, Turner Classic Movies plays the underrated anti-war masterpiece The Americanization of Emily, the favorite film of both of its stars – James Garner and Julie Andrews. On September 27, TCM offers the classic noir thriller Laura, with an unforgettable performance by Clifton Webb as a megalomaniac with one vulnerability – the dazzling beauty of Gene Tierney. The musical theme is unforgettable, too.

THE ZERO THEOREM: visually arresting sci-fi meh

THE ZERO THEOREM
THE ZERO THEOREM

Zero Theorem2
Terry Gilliam directed The Zero Theorem, which tells you that it’s going to be visually arresting and Way Out There.  Former Monty Python member Gilliam wrote and directed Brazil, The Adventures of Baron Von Munchausen and The Imaginarium of Dr. Parnassus – all much better movies than The Zero Theorem (which he did not write).

The Zero Theorem takes place in a dystopian future world where the powers that be completely control everything that they need for the economy (what you do, how continually you work and how little you get paid), but allow individual freedom to consume crappy consumer goods and follow phony religions. Those that are too troubled to be productive are left to fend for themselves on the filthy streets, free of public services.   It’s the realization of Antonin Scalia’s world view.

Christoph Waltz plays a poor workaday Everyman who just wants some time off to look after his deteriorating health.  He’s literally a wage slave to a malevolent character named Management.  A professional numbers cruncher, Waltz is attacking a very fundamental mathematical discovery.  And that’s the whole movie –  as he hacks away on his keyboard, he is battered and abused by The System, cajoled by an obnoxious middle manager (David Thewlis – very funny) and distracted by a sexually available temptress.

For what it’s worth, Waltz is pretty good as the protagonist, a perpetual victim.  Matt Damon and Tilda Swinton show up in brief parts.  Melanie Thierry, a very beautiful actress of limited range (see The Princess of Montpensier), plays the hottie.

All in all, it’s just not Far Out enough and the story – stretched to feature length – is tedious.  You’re better off watching one of Gilliam’s good films, or Lost in La Mancha, the documentary on his snake-bitten attempt to make a movie out of Don Quixote.

The Zero Theorem releases tomorrow in theaters, but is already streaming on Amazon, iTunes, YouTube, Google Play and Xbox Video, among others, including your cable/satellite On Demand.

DVD/Stream of the Week: AUGUSTINE: obsession, passion and the birth of a science

The absorbing French drama Augustine is based on the real work of 19th century medical research pioneer Jean-Martin Charcot, known as the father of neurology. A young kitchen maid begins suffering wild seizures and is brought to Charcot’s research hospital. He ascertains the triggers for the seizures, and begins to close in on cure. Needing funding for his research, he triggers her seizures before groups of his peers; he is showing off his research, but it’s clear that his affluent male audience is titillated by the comely girl’s orgasmic thrashes.

She is drawn to this man whose kindness to her belies their class difference and whose brilliance is the key to her recovery. The good doctor intends to cure her – but not until she has performed for his potential funders. She is unexpectedly cured just before Charcot’s most important demonstration, and she gets to decide whether to continue her exploitation. In the stunning conclusion, she gets the upper hand and her simmering feelings erupt.

The fine French actor Vincent Lindon (Mademoiselle Chambon) excels at playing very contained and reserved characters, and here he nails Charcot’s clash of decency and professional ambition. The French pop singer Soko is captivating as his patient.

It’s an auspicious first feature film for writer-director Alice Winocour. She has constructed a story that about two sympathetic characters whose interests converge, then diverge and then…

Augustine is available on DVD from Netflix and streaming from Netflix Instant, Amazon, iTunes, Vudu, and Xbox Video.

Movies to See Right Now

Steve Coogan and Rob Brydon in THE TRIP TO ITALY
Steve Coogan and Rob Brydon in THE TRIP TO ITALY

In theaters:

  • The smart and hilarious The Trip to Italy showcases the improvisational wit of Steve Coogan and Rob Brydon, along with some serious tourism/foodie porn.
  • Alive Inside: The profoundly moving documentary showing Alzheimer patients being pulled out of isolation by music.
  • Feedback from my readers is almost unanimous – Richard Linklater’s family drama Boyhood is a special movie experience – and possibly the best film of the decade.
  • The mesmerizing drama Calvary, starring Brendan Gleeson. Gleeson again teams with John Michael McDonagh, the writer-director of The Guard.
  • I really liked The One I Love – a relationship romance, a dark comedy and a modern day episode of The Twilight Zone rolled into one successful movie. It’s also available streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and Xbox Video.
  • Don’t miss Philip Seymour Hoffman’s explosive final performance in the John le Carré espionage thriller A Most Wanted Man.

Boyhood tops my list of Best Movies of 2014 – So Far, and Alive Inside and Calvary also make the list.

Poor writing and directing sabotage the delightful performances of Alfred Molina and John Lithgow in the romantic drama Love Is Strange. I was also disappointed by the tiresome Frank Miller’s Sin City: A Dame to Kill For.  I nodded off during Woody Allen’s disappointing romantic comedy of manners Magic in the Moonlight.

Here’s my preview of the upcoming Mill Valley Film Festival.

My DVD/Stream of the Week is the unusually thoughtful romantic comedy Words and Pictures.

On September 16, Turner Classic Movies plays the unforgettable Bogart and Bacall thriller Key Largo.  And the next day, TCM will air the overlooked film noir masterpiece The Narrow Margin, a taut 71 minutes of tension.  Growly cop Charles McGraw plays hide-and-seek with a team of hit men on a claustrophobic train.  Marie Windsor is unforgettable as the assassins’ target.

Charles McGraw and Marie Windsor in THE NARROW MARGIN
Charles McGraw and Marie Windsor in THE NARROW MARGIN