THE PALE BLUE EYE: Gothic and so-so, except for a great Harry Melling

Photo caption: Harry Melling in THE PALE BLUE EYE. Courtesy of Netflix.

The Pale Blue Eye stars Christian Bale as a detective pulled out of retirement to solve a murder mystery at West Point in 1830. He enlists a cadet as his assistant – none other than Edgar Allen Poe (Harry Melling), in his one unsuccessful year at the Military Academy. Except for Harry Melling, The Pale Blue Eye is not great.

As the two keep peeling the onion, the bodies and more weirdness keep piling up, including a distractingly incredible dive into the occult. Just when the whodunit is seemingly wrapped up, there’s one more twisty Big Reveal. The whodunit is far from thrilling, and the final twist isn’t enough to pay off.

The fine director Scott Cooper (Crazy Heart, Hostiles) frames the whole thing in a Gothic horror patina, but that’s not enough to keep the story interesting. Cooper’s adaptation of Louis Bayard’s story is a slog.

Christian Bale ably plays his character with world-weariness and just the right hint of slyness. Two of the world’s greatest screen actors, Charlotte Gainsbourg and Timothy Spall, are embarrassingly wasted in underwritten roles. Toby Jones and Gillian Anderson don’t fare much better.

Harry Melling goes big as Edgar Allen Poe, reveling in a southern accent (Poe grew up in Virginia) and the florid 18th century speech. His Poe has the confidence, perhaps from narcissism, that belies his unpopularity with peers, and his lack of accomplishment. And. of course, Melling embues his Poe with a discernible creepiness. This isn’t a big deal IMO, but Melling is made up to look just like a young Poe would have looked, before the mustache and the dissolution.

As a kid, Melling broke through as Dudley Dursley in the Harry Potter franchise, which he needed to finish in a fat suit because he had slimmed down so much. In the last year or so, Melling has produced some great work in The Queen’s Gambit, Please Baby Please and The Tragedy of Macbeth. Before that, he was the best element of The Ballad of Buster Scruggs. He is now one of cinema’s great scene-stealers.

The Pale Blue Eye is streaming on Netflix.