THE OUTFIT: no one is just what they seem to be

Photo caption: Mark Rylance in THE OUTFIT. Courtesy of Focus Features.

The Outfit is a satisfying period crime thriller with some big surprises. We’re in 1956 Chicago, and the accomplished actor Mark Rylance plays a very proper British maker of bespoke men’s suits, who allows local gangsters to have a secret drop box in the back of his modest shop. He and his assistant (Zoey Deutch), a young woman from the neighborhood, ask no questions.

Astonishingly polite, he does insist that everyone knows that he has been a Savile Row cutter, the more skilled artisan who cuts the fabric for men’s suits, not a tailor, who sews on the buttons.

The gangsters who own the drop box, however, come under a triple threat – the FBI, a competing mob and an inside rat. There’s an incriminating audiotape out there somewhere, which becomes the Macguffin in this story. Circumstances converge to trap our hero and his young assistant in the shop, where murderous gangsters are certain to do them in.

But, no one is just what they seem to be, and major plot twists tumble forth.

This is the directing debut for co-writer Graham Moore, who won a screenwriting Oscar for The Imitation Game, which starred Benedict Cumberbatch as mathematical genius Kenneth Turing. This time, Moore sets the entire film, every single shot, inside the same interior location; that makes for economic filmmaking, and the claustrophobia heightens the tension.

Mark Rylance is perfect as the very contained and ever civil craftsman plunged. into a desperate situation. Rylance, one of Britain’s seemingly endless stream of superb actors, came to broad attention (and to mine) in 2015 with the Thomas Cromwell historical series Wolf Hall and Bridge of Spies wth Tom Hanks. Since then, he’s starred in Dunkirk, The Trial of the Chicago 7 and Don’t Look Up.

Zoey Deutch is likewise excellent as the saucy shopgirl with her own secrets. She was the best thing in the raucous comedy Zombieland: Double Tap, in which she practically reinvents the Dumb Blonde.

The rest of the cast is good, too. Simon Russell Beale, known for playing erudite Englishmen, gets to play a mid-century Chicago hood.

Don’t confuse this film with the 1974 neo-noir The Outfit with Robert Duvall, Linda Black and Joe Don Baker (which is also good). The 2022 The Outfit is streaming on Amazon, AppleTV, Vudu, YouTube and redbox.

Movies to See Right Now

Patrick Stewart and Macon Blair in GREEN ROOM. photo courtesy of Scott Green/© A24.
Patrick Stewart and Macon Blair in GREEN ROOM. Photo: Scott Green/© A24.

My recommended movies in theaters this week:

  • The bloody thriller Green Room is a fresh and satisfying, well, bloody thriller.  Very intense and very violent.  Director Jeremy Saulnier (Blue Ruin) proves again that he’s the rising master of the genre movie.
  • If you like dystopian sci-fi, then the satire High-Rise is for you.  Otherwise, not a Must See.
  • Thriller meets thinker in Eye in the Sky, a parable from modern drone warfare starring Helen Mirren and with a wonderful final performance from the late Alan Rickman. This movie has been out since March and has shown remarkable staying power.

The mismatched buddy movie Dough is light, fluffy and empty – just like a Twinkie.

My Stream of the Week is the thought-provoking documentary The Brainwashing of My Dad, which explores how right-wing media impacts the mood and personality of its consumers as well as their political outlook. The Brainwashing of My Dad is available streaming on Amazon Video, Vudu, YouTube and Google Play.

On May 19, Turner Classic Movies bring us Roger Corman’s time-capsule LSD exploitation film The Trip, which is featured in my Bad Movie Festival (scroll down to No. 9). Peter Fonda buys acid from Dennis Hopper and trips at Bruce Dern’s house – but wanders away to stagger down Sunset Boulevard.

On May 20, TCM airs a time capsule from the 1970s, the crime/revenge drama The Outfit, starring Robert Duvall, Linda Black and Joe Don Baker. The supporting cast is itself an homage to 1950s film noir: Robert Ryan (mob kingpin), Timothy Carey (chief henchman), Jane Greer, Elisha Cook Jr., Marie Windsor and Richard Jaeckel. The Outfit is the masterpiece of director John Flynn, whose other work consisted of pedestrian action movies.

Duvall pisses off Timothy Carey in THE OUTFIT
Robert Duvall pisses off Timothy Carey in THE OUTFIT

The Outfit: Robert Duvall, Linda Black and Joe Don Baker on the loose in the 70s

Robert Duvall in THE OUTFIT
Robert Duvall in THE OUTFIT

The Outfit (1974) is a revenge/crime story starring Robert Duvall as a bank robber released from prison who starts a campaign of terror against the crime syndicate that killed his brother.  It turns out that Duvall’s gang robbed a bank that, unbeknownst to them, was mob-owned.

The Outfit is well acted by Duvall (of course) and his fellow 70s stars Linda Black, Joe Don Baker and Bill McKinney (Deliverance and Worst Movie Teeth).  Black delivers one of her patented 70s lovable floozies, defined by a concoction of shopworn sexiness, bad luck and unreliability.  Baker is especially appealing as Duvall’s buddy.

The cast also stands out for its crew of 1950s film noir veterans:  Robert Ryan (mob kingpin), Timothy Carey (chief henchman), Jane Greer, Elisha Cook Jr and Marie Windsor.  Then there’s the dependable Richard Jaeckel, whose career bridged the decades. Joanna Cassidy plays Ryan’s bimbo du moment.

Duvall pisses off Timothy Carey in THE OUTFIT

I was most pleasantly surprised by the directing of John Flynn, who directed a handful of otherwise pedestrian crime films and action vehicles for Sly Stallone, Jan Michael Vincent and even Steven Seagal.  Flynn also did have a knack for working with good actors (James Woods, Tommy Lee Jones, Ned Beatty, Frank Langella, Danny Aiello, Brian Dennehy).

In The Outfit, Flynn shows himself to be a master of the stationary camera, the long shot and off-screen action.  The movie opens with a driver stopping at a remote gas station and getting out of the car to approach the attendant.  We see what happens in a single shot from roadside, outside the car, looking through the passenger side window and then again through the driver’s side window toward the gas station.  We see that there’s another man in the back seat, but we can’t identify him.  We only hear the ordinary music on the car radio. Still, we can tell that the driver is asking directions, and we sense that the two men in the car are up to no good.

The two men find their destination, and it turns out that they are hit men.  We see them sneaking into position around a home while the dog barks, and then we see them fire shots.  We don’t see the victim getting splattered.  We just see the dog barking his warning while we are hearing the shots.  Then the dog becomes agitated and whines.  Finally, in long shot, we see the victim prone.  It’s another very effective sequence.

Late in the story, we first sense that something has happened to Linda Black when we see the look in Joe Don Baker’s eyes in his rear view mirror.

The Outfit’s story is a little dated (not as violent as today’s crime films), but Duvall and Baker make for an appealing duo, and Flynn gives the film an interesting look. The Outfit plays this week on Turner Classic Movies and is available streaming from Amazon, iTunes and Vudu.

The trailer slaps together every scene with a gun to make The Outfit look like too much like a shoot ’em up, but it does include a great line reading from Timothy Carey.

Movies to See Right Now

Cinequest hit HUNTING ELEPHANTS
Cinequest hit HUNTING ELEPHANTS

I’m a little behind on seeing the most recent movie openings because, as usual, I’ve been so consumed by San Jose’s Cinequest film festival. You can find my comments on 20 Cinequest films at my CINEQUEST 2014 page. Remember that Encore Day – in which Cinequest reprises its most popular films – is this Sunday.

Anyway, the promising newer films that I HAVEN’T yet seen are The Grand Budapest Hotel and Tim’s Vermeer.  Still in theaters are:

  • the gloriously entertaining American Hustle;
  • superb filmmaking and a great Sandra Bullock performance in Gravity;
  • the Oscar-winning 12 Years a Slave, a good film that I do NOT recommend; and
  • the Chilean drama Gloria about an especially resilient 58-year-old woman.

My DVD of the week is Nebraska, which made my Best Movies of 2013.  Nebraska is available on DVD from Netflix and Redbox and streaming from Amazon Instant, iTunes, Vudu, YouTube, Google Play and XBOX Video.

On Monday, Turner Classic Movies is showing the 1970’s nugget The Outfit, which I’ll be profiling tomorrow.  On the 21st, TCM will show perhaps Paul Newman’s most charismatic performance in Cool Hand Luke.