The Father

Movies to See Right Now (at home)

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I’M AN ELECTRIC LAMPSHADE, world premiere at Cinequest. Photo courtesy of Cinequest.

We’re in the final four days of Cinequest, so take a gander at my Best of Cinequest. And here are my remembrances of Yaphet Kotto, George Segal and Jessica Walter.

ON VIDEO

Anthony Hopkins and Olivia Colman deliver heartbreaking performances in The Father, an unsettling exploration of memory loss. I saw The Father while covering the virtual Mill Valley Film Festival in October, and it’s now widely available to stream (just before the Oscars). It’s on my list of Best Movies of 2020.

The most eclectic watch-at-home recommendations you’ll find ANYWHERE:

ON TV

Jean Gabin (right) in PEPE LE MOKO

On March 27 and 28, Turner Classic Movies brings us one of the greatest movie stars, Jean Gabin in a pre-noir film, Pépé le Moko. Probably the greatest male French movie star ever, Gabin had dominated prewar French cinema with La Grande Illusion, Port of Shadows and Le Bete Humaine.  After the war, he aged into noir (Touchez Pas aux Grisbi, Razzia) and, in the 1960s, into neo-noir (Any Number Can Win, The Sicilian Clan).  Gabin oozed a seasoned cool (like Bogart) and imparted a stately gravitas to his noir and neo-noir characters.

Jean Gabin is on my very short list of the most perpetually cool humans to ever walk the planet, along with Dean Martin, Ben Gazzara, Joan Jett and Barack Obama.

In Pépé le Moko, Gabin plays the titular Algiers gangster who operates, immune from police interference, in the Casbah. The cops have been trying to lure him out of the Casbah for ages – and then they learn that he is obsessed with a woman…

Pépé le Moko was filmed in 1937, four years before the emergence of the film noir movement, an American cinematic phenomenon soon appreciated, named, and joined by the French. Pépé le Moko foreshadows noir with its elements of the dark, shadowy underworld setting and, of the course, the protagonist who has a dame for a weak spot. TCM is airing Pépé le Moko on TCM’s addictive Noir Alley, with intro and outro by Eddie Muller.

Mireille Balin and Jean Gabin in PEPE LE MOKO
Jean Gabin in PEPE LE MOKO

THE FATHER: as reality shifts

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Olivia Colman and Anthony Hopkins in THE FATHER

Anthony Hopkins and Olivia Colman deliver heartbreaking performances in The Father, an unsettling exploration of memory loss.

As we meet the elderly Anthony (Hopkins), he is insisting on independence that he can no longer sustain. That makes it hard on his daughter Anne (Colman), who is trying to keep him safe and healthy, despite his resistance. But Anthony is losing his memory and becoming ever more suspicious. Soon, all the characters are experiencing disorentation, even fantasies and hallucinations.

The Father is the directing debut for Florian Zeller, who wrote the original play. Along with the superb acting, the key to The Father is Zeller’s ever shifting of reality as understood by the characters and by the audience. As we think we understand what is going on and then have it unraveled, we, like Anthony, lose confidence in our orientation.

Anthony Hopkins has an Oscar and a long list of great performances (The Silence of the Lambs, The Remains of the Day, Nixon, The Human Stain, The Two Popes), but none is better than this one. His Anthony is a man whose characteristic wilfulness is finally self-defeating; he is a man ever confident of his opinions, but the factual basis for those opinions is eroding. He is a man who firmly believes he is always right, facing a new reality in which he demonstrably is not.

Colman is also superb as the able and devoted daughter who is hurt by her father’s perception that she is betraying him. The rest of cast – Rufus Sewell, Imogen Poots, Mark Gattis and Olivia Williams – is impeccable.

The Father, which I saw while covering the virtual Mill Valley Film Festival in October, will be widely available to stream on Friday. It’s on my list of Best Movies of 2020. It has earned six Oscar nominations, including Best Picture and acting recognition for Hopkins and Colman.

Movies to See Right Now (at home)

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Mads Mikkelseln and Maria Bonnevie in ANOTHER ROUND

ICYMI – eight of my Best Movies of 2020 are streaming right now. Plus an early look at The Father, an Oscar hopeful being released on February 26.

ON VIDEO

Olivia Colman and Anthony Hopkins in THE FATHER. Photo courtesy of Sundance Institute

The Father: Anthony Hopkins and Olivia Colman deliver heartbreaking performances in this unsettling exploration of memory loss.Coming on February 26.

And some more current films:

ON TV

On January 12, Turner Classic Movies presents another of my Overlooked Noir and one of most fun to watch: His Kind of Woman. A down-and-out gambler (Robert Mitchum) is offered a deal that MUST be too good to be true; he’s smart enough to be suspicious and knows that he must discover the real deal before it’s too late. He meets a on-the-top-of-the-world hottie (Jane Russell), who is about to become down on her luck, too. Witty entertainment ensues.

Robert Mitchum and Jane Russell in HIS KIND OF WOMAN

THE FATHER: as reality shifts

by
Olivia Colman and Anthony Hopkins in THE FATHER

Anthony Hopkins and Olivia Colman deliver heartbreaking performances in The Father, an unsettling exploration of memory loss.

As we meet the elderly Anthony (Hopkins), he is insisting on independence that he can no longer sustain. That makes it hard on his daughter Anne (Colman), who is trying to keep him safe and healthy, despite his resistance. But Anthony is losing his memory and becoming ever more suspicious. Soon, all the characters are experiencing disorentation, even fantasies and hallucinations.

The Father is the directing debut for Florian Zeller, who wrote the original play. Along with the superb acting, the key to The Father is Zeller’s ever shifting of reality as understood by the characters and by the audience. As we think we understand what is going on and then have it unraveled, we, like Anthony, lose confidence in our orientation.

Anthony Hopkins has an Oscar and a long list of great performances (The Silence of the Lambs, The Remains of the Day, Nixon, The Human Stain, The Two Popes), but none is better than this one. His Anthony is a man whose characteristic wilfulness is finally self-defeating; he is a man ever confident of his opinions, but the factual basis for those opinions is eroding. He is a man who firmly believes he is always right, facing a new reality in which he demonstrably is not.

Colman is also superb as the able and devoted daughter who is hurt by her father’s perception that she is betraying him. The rest of cast – Rufus Sewell, Imogen Poots, Mark Gattis and Olivia Williams – is impeccable.

The Father, which I saw while covering the virtual Mill Valley Film Festival in October, had been set for a December release, but Sony Pictures Classics has now scheduled a February 26 release. Nevertheless, it’s on my list of Best Movies of 2020.