Cinequest: Teenage

teenageThe most important ingredient for a documentary is a good story, and Teenage has just that – the 20th century emergence of a hitherto unknown phenomenon: the teenager. Teenage postulates that through the end of the 1800s, kids – by going to work when they were 12 – transitioned directly from the child’s world to the adult one; the advent of child labor laws gave the 12 to 18-year-olds the leisure time to express all of that hormone-driven energy. Combined with the generational disgust felt by the young for the older generation that had wasted much of their cohort in WWI, that mix of rebelliousness, immaturity and bad judgement we now as the modern teenager was born – and has driven our popular culture ever since.

To make the case for that thesis, filmmaker Matt Wolf has assembled some stunningly evocative file footage and sprinkled in some re-creations.  The re-created characters are read by the likes of Jena Malone and are shot in color.  The problem is that some of the black-and-white footage ALSO has the look of re-creation, so I couldn’t tell what was a historical document and what was the filmmaker’s interpenetration of the period. This was just enough to lose me. I wish Wolf had the faith to let his file footage speak for itself.  Still, it’s a good story, and worth the watch.

Best Bets at Cinequest

HEAVENLY SHIFT
HEAVENLY SHIFT

17 movies to watch for at Cinequest:

Most likely to be crowd pleasers:

  • The Grand Seduction: In Cinequest’s opening night film, Brendan Gleeson (In Bruges, The Guard, The General, Braveheart) and Gordon Pinsent (Away from Her) play isolated Canadians try to snooker a young doctor (Taylor Kitsch of Friday Night Lights) into settling in their podunk village.
  • Friended to Death: Bromantic comedy about a jerk who fakes his own death to see how many of his social media “friends” will attend his funeral.  Very funny.
  • Words and Pictures: Romantic comedy starring Clive Owen and the ever-radiant Juliette Binoche as sparring teachers.
  • Dom Hemingway: Jude Law and Richard E. Grant star as two cheesy British hoods in a reportedly funny and fast-paced crime caper. Opens widely in theaters in April.
  • Unforgiven: the Japanese remake of Clint Eastwood’s Oscar-winning Unforgiven  starring Ken Watanabe (Inception, The Last Samurai, Letters from Iwo Jima).   Since Clint’s career was boosted by a remake of Yojimbo (A Fistful of Dollars), it’s fitting that his Unforgiven is remade  as a samurai film.
  • Fruitvale Station: the masterpiece debut from Bay Area filmmaker Ryan Coogler, introduced by LA Times and NPR Morning Edition movie critic Kenneth Turan.

Most promising foreign entries:

  • Ida: This Polish story of a young nun who learns that she is the survivor of a Jewish family killed in the Holocaust won the International Critics’ Award at the Toronto International Film Festival.
  • The Verdict:  This Belgian drama won Best Director at the Montreal Film Festival.  I’ll be writing about The Verdict early this week.
  • The Illiterate:  Paulina Garcia, the star of the popular Gloria, stars in this metaphorical emotional Chilean drama.
  • Class Enemy: You’ll be rocked by this classroom drama, Slovenia’s entry for the Best Foreign Language Oscar.  I’ll be writing about Class Enemy early this week.
  • Heavenly Shift: A hilariously dark (very dark) Hungarian comedy about a rogue ambulance crew with a financial incentive to deliver its patients dead on arrival.  I howled at Heavenly Shift, and I’ll be writing about it early this week.
  • Zoran: My Nephew the Idiot: OK, this Italian comedy has a great title, and it was a hit at the Venice Film Festival.  I’ll be writing about Zoran before its US Premiere.

Documentaries:

  • Teenage: Great subject material: chronicling that 20th century American phenomenon – the evolution of “the teenager”.
  • Sex(ed): The Movie: Sampling Sex Ed instructional films from 1910 through today.  Should be a howl.  May be thoughtful, too.  World Premiere at Cinequest.

Something you haven’t seen before:

  • Happenings on the Eighth Day: This is a pure art film, juxtaposing the attempts to create art against forces seeking to censor or obliterate it.  Filmed in the Bay Area by Iranian filmmakers. World Premiere at Cinequest.
  • The Circle Within: A Turkish fable that turns into a psychological drama.  Not a favorite of mine, but it provides a rare glimpse into the Kurdish religion of yezidism.

Here’s the Cinequest program and ticket information.