Sweet Disaster

Wrapping up Cinequest’s Cinejoy

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CATCHING THE PIRATE KING. Courtesy of Cinequest.

Cinequest’s online festival Cinejoy ran through March 12. Here are the films that in the program that I hadn’t posted about yet:

Egghead & Twinkie: In this remarkably funny, sweet and genuine coming-of-age film, high school senior Twinkie (Sabrina Jie-A-Fa – real talent) is trying to navigate her sexual awakening as a lesbian, and goes on a roadtrip with her lifelong bestie, the neighbor boy who is now sweet on her. Perfectly paced, with just the right amount of whimsical animation sprinkled in, Egghead & Twinkie is an impressive debut feature for writer-director Sarah Kambe Holland. IMO this is one of the best coming-of-age films of the decade.

Catching the Pirate King: The enthralling Belgian documentary is two movies in one. The first is a play by play of the hijacking of a Belgian ship by Somali pirates and the negotiating of their ransom. The second is about the Belgian law enforcement’s dogged campaign to bring the pirates to justice – in Belgium. We meet the ship’s captain and crew, the shipping company’s negotiator, the cops and prosecutors and even some pirates. Absorbing, exceptionally well-sourced and very well-crafted.

Under Water: This dark Dutch dramedy (or extremely dark Dutch comedy) starts out as the insistent effort of a pushy woman and her estranged husband to get her aged mother into residential care. The mother, a paranoid survivalist, resists every entreaty by the woman and her estranged husband to leave her isolated, condemned house – and even imprisons them in her basement. The husband’s role evolves, and we eventually see that this is a portrait of generational mental illness.

Sweet Disaster: This zany German comedy is driven by the protagonist’s ever-unleashed impulsiveness and utter lack of boundaries. Frida (Friederike Kempter) encounters and falls for an airline pilot and audaciously charms him into a relationship; their affair lasts just long enough for her to become impregnated and for him to abandon her for his ex. Consumed by the urge to win him back, Frida throws propriety to the winds. Frida’s zany roller coaster is tempered by sweet relationships with her apartment neighbors, a precocious teenage neighbor and a Greek Chorus of card-playing older women.

Sloane: A Jazz Singer: This is another laudatory doc on an overlooked musical artist. Now 82, she’s a lot of fun. I wasn’t wowed by an advance version that I screened, but I understand that revisions have since made this film very strong.

The Secret Song: This doc is an uncomplicated movie about a visionary and saintly public school music teacher. He has touched hundreds of lives; this movie won’t.

Laughs at Cinequest

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Peter S. Kim, Ally Maki and Hayden Szeto in DEALING WITH DAD. Courtesy of Cinequest.

Comedies abound at this year’s Cinequest. Here are four:

  • Dealing with Dad is a topical family comedy with an Asian-American cast. Three adult siblings – the super-achiever oldest sister, the passive middle brother and the infantilized youngest brother, a gaming slacker – meet at their parents’ home. The dad, whose harsh and never-bending expectations battered them as kids, has become paralyzed (and defanged) by severe depression. Their differences spawn lots of laughs, but Dealing with Dad addresses both depression and the issues that many second-generation Asian-Americans face because of their immigrant parents’ parenting styles. Cinequest audiences will appreciate that Dealing with Dad is set in MILPITAS.
  • 18 1/2 is a dark comedy that sends up the paranoid thriller genre. A low-level government clerical worker (an excellent Willa Fitzgerald) finds herself in possession of the infamous 18 1/2 minute gap in the Watergate Tapes. Of course, co-writers Daniel Moya and Dan Mirvish had to devise a way to get this MacGuffin in her hands; given the paranoia, deviousness and clumsiness of the Nixon White House, their solution is surprisingly plausible. Double crosses and red herrings escalate, as does the dark, dark humor. Richard Kind and Vondie Curtis-Hall sparkle in supporting roles.
  • Sweet Disaster, from Germany, is driven by the protagonist’s ever-unleashed impulsiveness and utter lack of boundaries. Frida (Friederike Kempter) encounters and falls for an airline pilot and audaciously charms him into a relationship; their affair lasts just long enough for her to become impregnated and for him to abandon her for his ex. Consumed by the urge to win him back, Frida throws propriety to the winds. Frida’s zany roller coaster is tempered by sweet relationships with her apartment neighbors, a precocious teenage neighbor and a Greek Chorus of card-playing older women.
  • Alpha Male, from Poland, is another dark comedy. A feckless young man has been dispatched by his girlfriend to a smoking cessation self-help group. Given the chaos of the community center, he ends up in the wrong room, among a men’s support group headed by a charismatic instructor. He hangs around anyway – and even returns – because this group has better food. The group focuses on their resentment of women, which seems silly and harmless at first, but descends into a paranoid fixation on an imagined organization of women seeking to emasculate them. Both the misogyny and their submissiveness to their bullying leader are taken to absurd levels.

Here’s the Cinequest program, the schedule and the passes and tickets. My CINEQUEST page links to all my coverage. 

Vondie Curtis-Hall, John Magaro, Willa Fitzgerald and Catharine Curtin in 18 1/2. Credit Elle Schneider (c)2021, Waterbug Eater Films, LLC.