Susanne Bier

Stream of the Week: AFTER THE WEDDING – a drama with three shockers

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Sidse Babett Knudson and Mads Mikkelsen in Susanne Bier’s AFTER THE WEDDING

The Danish director Susanne Bier’s 2006 After the Wedding (Efter brylluppet) is a successful melodrama in the very best sense. There’s also a remake – a big Hollywood movie to be released this Friday also called After the Wedding, and I can’t say if it’s any good (early reviews are favorable for the stars but not the film overall). But I can tell you that I love, love, love Bier’s 2006 film.

The Danish expat Jacob (Mads Mikkelsen) runs an orphanage in Calcutta, and his non-profit badly needs an infusion of cash. He gets the offer of a huge contribution, but it’s conditioned on his travel to Denmark. There, he meets the prospective philanthropist, the industrialist Jorgen (Rolf Lassgård). Jacob just wants to finalize the money and return to India, but the forceful and wily Jorgen is a difficult guy to close. While apparently stalling, Jorgen sets up Jacob with a driver and a luxury hotel room; this makes the anti-poverty crusader Jacob, a true believer, ever more uncomfortable. Finally, Jorgen invites Jacob to attend the wedding of Jorgen’s daughter. Jacob gets a big surprise when he meets Jorgen’s wife Helene (Sidse Babett Knudsen). A second shocker is unveiled at the wedding by the bride. And then, after the wedding, Jorgen delivers yet another jaw-dropper.

Bier, who co-wrote the film, paces the reveals just perfectly. The plot twists could easily have been preposterous and the ending could have been phony – but Bier skillfully avoids every misstep and delivers a gripping, genuine drama.

Mads Mikkelsen is an especially charismatic actor, and After the Wedding, along with The Hunt, is among his very best work.

After the Wedding was nominated for Best Foreign Language Oscar (and would have won most years, but it had to compete with The Lives of Others). After the Wedding, which I had listed as the second-best movie of 2007, can be streamed from Criterion and Amazon.

In a Better World: an ambitious contemplation on violence

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How do we respond to violence without perpetuating a cycle of violence?  What and how do we tell our kids?  Danish filmmaker Susanne Bier (Brothers/Brodre, After the Wedding, Things We Lost in the Fire) takes on these questions through the stories of two 12-year-old boys and their well-meaning but troubled parents.

A schoolboy bully is handled through shock and awe, but the responses to other incidents of violence are far messier.  A parent’s teachable moment about pacifism doesn’t seem effective, and the boys fashion their own disproportionate solution.  One of the fathers, a do-gooder doctor who puts in time at a hell hole of an African refugee camp, must face pure evil in the form of a local warlord.  It’s an often tense drama.

In a Better World benefits from outstanding performances, especially by the boy actors, William Jøhnk Juels Nielsen and Markus Rygaard.

In a Better World won the Oscar for Best Foreign Language Picture.  I didn’t like In a Better World as much as Brothers and After the Wedding, but it’s still an ambitious and successful film.

Movies: Best Bets for April

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You can see trailers and descriptions of upcoming films at Movies I’m Looking Forward To.

I’ve seen Potiche,  which opens April 1.  It’s a delightful French farce of feminist self-discovery, the funniest movie in over a year, and another showcase for Catherine DeNeuve (as if she needs one).   DeNeuve plays a 1977 potiche, French for “trophy housewife”, married to a guy who is a male chauvinist pig and the meanest industrialist in France.   He becomes incapacitated, and she must run the factory.  It’s smart and quick like the classic screwball comedy that American filmmakers don’t make anymore.

Jane Eyre also releases April 1.  I’m not on the edge of my seat waiting for a Bronte bodice ripper, but many of my readers are.  Stars the excellent Mia Wasilova from Alice in Wonderland and The Kids Are All Right.

Carancho:  Well, they have ambulance chasers in Argentina, too, and that seamy world is the setting for this sexy and violent noir thriller.  Stars Ricardo Darin of The Secrets of Their Eyes and Nine Queens.  Won Un Certain Regard at Cannes.  Will release widely on April 8.

Hanna is a paranoid thriller starring Saoirse Ronan as a 16-year-old raised in the Arctic Circle to be a master assassin by her rogue secret agent father (Eric Bana), and then released upon the CIA.  She is matched up against special ops wiz Cate Blanchett.  Hanna is directed by Joe Wright (Atonement, The Soloist).   Releases April 8.

Poetry: This is the story of a Korean grandmother who goes to a poetry workshop and begins to understand the real characters of the people she lives amongst.  Highly praised at Cannes.  Releases widely April 8.

Restless:  Gus Van Sant (Good Will Hunting, Milk, Paranoid Park, Last Days, Elephant) directs (from IMDb) “the story of a terminally ill teenage girl who falls for a boy who likes to attend funerals and their encounters with the ghost of a Japanese kamikaze pilot from WWII.”  The girl is played by the very promising Mia Wasilova, who had a tremendous 2010 with The Kids Are All Right and Alice in Wonderland.  Releases April 8.

In a Better World/Haevnen releases April 15. This won the Oscar for Best Foreign Language Picture.  It was directed by the great Danish filmmaker Susanne Bier (Brothers/Brodre, After the Wedding, Things We Lost in the Fire).  A Danish do-gooder returns from Africa to face family problems with his estranged wife and their vulnerable, bullied son.

The Princess of Montpensier: This film, admired at Cannes,  is an adaptation of a well-known short story about a young woman who is forced by her father to marry – but not the man she loves.  It is set in late 16th century France amid the French religious wars.  Look for it on April 22.

Here’s the trailer for In a Better World.