WILDLAND: giving family ties a bad name

Photo caption: Sandra Guldberg Kampp in WILDLAND. Photo courtesy of BAC Films.

In the remarkable Danish neo-noir Wildland, teenage Ida (Sandra Guldberg Kampp) is orphaned and is placed with relatives that she doesn’t really know. She gradually learns that the family, headed by her mom’s estranged sister (Sidse Babett Knudsen) is a ruthless criminal enterprise.

Will Ida become entangled in a life of crime? Can she escape? Wildland simmers and evolves into a nail biter right up to its noir-stained epilogue.

WILDLAND. Photo courtesy of Snowglobe.

Wildland is a study in both study in teen psychology (why doesn’t she report these criminals?) and in dysfunctional family dynamics. The aunt is the indisputable matriarch, and not only runs the crime crew like Tony Soprano, but also seeks to control the personal lives of her adult sons. She infantilizes them, keeps them all living on her house and expects to pick their romantic partners. Jonas (Joachim Fjelstrup), the oldest and most functional-appearing son, is always affable and seems in control – until his mother has a conflicting whim.

Sidse Babett Knudsen was Mads Mikkelsen’s co-star in Susanne Bier’s After the Wedding, which I pegged as the second-best movie of its year. Playing a prime minister, she was the lead in the political drama series Borgen, a huge, 30-episode hit in Denmark and the UK. Here, Knudson goes downscale as a trashy, middle-aged mom, still with a saucy walk; she’s always in control – until she isn’t.

Sandra Guldberg Kampp, with her watchful and ever-observant demeanor is perfect as Ida. This is a breakthrough, possibly star-making, performance.

Wildland is the first feature for director Jeanette Nordahl, who also had the idea for the story. The movie’s original Danish title Kød & Blod literally translates as Flesh and Blood.

Wildland has been compared to the Aussie neo-noir Animal Kingdom, which garnered Jacki Weaver an Oscar nod as the ever-ebullient grandma who puts out a hit on her own grandson. Animal Kingdom also featured the crime matriarch with a set of thuggish sons and lots of suspense, but it featured more action than does Wildland – fence-jumping escapes and a shooting at the finale. Wildland is more deeply psychological.

Wildland is streaming on Virtual Cinema at Laemmle.

Stream of the Week: AFTER THE WEDDING – a drama with three shockers

Sidse Babett Knudson and Mads Mikkelsen in Susanne Bier’s AFTER THE WEDDING

The Danish director Susanne Bier’s 2006 After the Wedding (Efter brylluppet) is a successful melodrama in the very best sense. There’s also a remake – a big Hollywood movie to be released this Friday also called After the Wedding, and I can’t say if it’s any good (early reviews are favorable for the stars but not the film overall). But I can tell you that I love, love, love Bier’s 2006 film.

The Danish expat Jacob (Mads Mikkelsen) runs an orphanage in Calcutta, and his non-profit badly needs an infusion of cash. He gets the offer of a huge contribution, but it’s conditioned on his travel to Denmark. There, he meets the prospective philanthropist, the industrialist Jorgen (Rolf Lassgård). Jacob just wants to finalize the money and return to India, but the forceful and wily Jorgen is a difficult guy to close. While apparently stalling, Jorgen sets up Jacob with a driver and a luxury hotel room; this makes the anti-poverty crusader Jacob, a true believer, ever more uncomfortable. Finally, Jorgen invites Jacob to attend the wedding of Jorgen’s daughter. Jacob gets a big surprise when he meets Jorgen’s wife Helene (Sidse Babett Knudsen). A second shocker is unveiled at the wedding by the bride. And then, after the wedding, Jorgen delivers yet another jaw-dropper.

Bier, who co-wrote the film, paces the reveals just perfectly. The plot twists could easily have been preposterous and the ending could have been phony – but Bier skillfully avoids every misstep and delivers a gripping, genuine drama.

Mads Mikkelsen is an especially charismatic actor, and After the Wedding, along with The Hunt, is among his very best work.

After the Wedding was nominated for Best Foreign Language Oscar (and would have won most years, but it had to compete with The Lives of Others). After the Wedding, which I had listed as the second-best movie of 2007, can be streamed from Criterion and Amazon.