BAD LUCK BANGING OR LOONY PORN: completely different than any movie you’ve seen

Photo caption: Katia Pascariu in BAD LUCK BANGING OR LOONY PORN. Courtesy of Magnolia Pictures.

The Romanian absurdist comedy Bad Luck Banging or Loony Porn is unlike anything feature film you’ve ever seen. For one thing, it begins with a three-and-a-half minute amateur sex video. The couple is having sex that is playful, enthusiastic and highly verbal. The sex is not simulated.

The couple turns out to be married. The wife is Emi (Katia Pascariu), a teacher of Romanian history at an upscale private school in Bucharest. Unfortunately, her husband takes their laptop to a tech shop for service and the sex video appears on the Internet – and goes viral within her school’s community.

Bad Luck Banging or Loony Porn is divided into three chapters, each approximately 30 minutes. In the first, Emi leaves their crowded apartment and walks, COVID-masked, through Bucharest to her boss’ apartment and then to school, stopping to receive a series of phone calls with ever worsening news about the video.

Beginning with the chaos of daily family life crammed in tight quarters, and spilling out through the city, this is deadpan comedy at its best. Writer-dirctor Radu Jude’s camera wryly points out the mixed martial arts studio Super Kombat Romania next door to a more aspirational Caffe Le Strada.

Jude depicts Bucharest street life as boisterous and earthy, with everyone unleashing torrents of foul invective at the slightest annoyance.  I’m an aficionado of vulgarities, and the best in this film comes from the driver of a vehicle whom Emi points out is illegally parked.

Part 2 takes a break from Emi’s story – it’s a series of brief vignettes highlighting the most ridiculous and outrageous excesses of Romanian history, including Nazi collaboration and the Ceaușescu communist dictatorship. Most of the vignettes are funny, and most are wickedly pointed. Some are just refreshingly silly, like a socially-distanced folk dance and the funniest elevator doors I’ve ever seen. 

In part 3, the school hosts a meeting of the parents to discuss the sex video – and whether Emi should keep her job. Of course, this is mortifying for Emi.

[MILD SPOILER IN THIS PARAGRAPH] The parents insist on playing the sex video at the meeting, so Emi is subjected to watching them watch her have sex – with a running commentary from the audience. Of course, if the video is offensive, then the parents are offending new viewers or re-offending those who have already seen it. But this is not about reason – it is about slut shaming.

Context completely escapes the parents. Emi’s consensual sex in her home with her husband is entirely her right; she didn’t publish the video, and she is the victim of its publication. Nevertheless, the parents plunge ahead into a witch trial that would have made colonial Salem proud, worsened by a dose of jawdropping antisemitism. That everyone is masked for the pandemic adds another layer of ridiculousness.

Katia Pascariu in BAD LUCK BANGING OR LOONY PORN. Courtesy of Magnolia Pictures.

Through it all, Emi steadfastly tries to salvage her dignity and impose some measure of intellectual consistency on others. She is the last stand of rationality. As Emi, Katia Pascariu is on camera in every scene of the first and third segments of Bad Luck Banging or Loony Porn, and her performance is superb. Pascariu’s Emi is a strong and confident woman thrust into a most humiliating and desperate situation, who keeps her poise…until even she cannot any longer.

What does it all amount to? Writer-director Radu Jude is zeroing in on human foibles, some specific to Romanian society and some universal. Jude has an unsparing, clear-eyed view of human nature, and Bad Luck Banging or Loony Porn nails sexism and misogyny in particular.

Jude’s previous features were the much acclaimed Aferim! (which I didn’t like) and I Do Not Care If We Go Down in HIstory as Barbarians. He was the assistant director of Cristi Pulu’s high brow art house hit The Death of Mr. Lazarescu.

Beyond its title, Bad Luck Banging or Loony Porn is unusual for its hardcore prologue and the mid-movie diversion from the plot. Those aspects may not be enjoyed by everyone; I also recognize that not everybody dials into deadpan absurdism as I do. Nevertheless, Bad Luck Banging or Loony Porn is continuously engaging and very funny.

Bad Luck Banging or Loony Porn is Romania’s submission for the Best Intentional Picture Oscar, and I believe that it will be nominated. It appears on at least 20 critic’s top ten lists, including #1 on J. Hoberman’s and #2 on A.O. Scott’s. I streamed Bad Luck Banging or Loony Porn on Drafthouse On Demand; it is also streaming on AppleTV.

MONSTERS.: when it’s time to move on

MONSTERS.

In the ambitious and innovative Monsters., writer-director Marius Olteanu unspools his story one chapter at a time. First we follow Dana (Judith State), a morose woman whose behavior is bewildering her cab driver – and the audience. In the second chapter, we meet two men, one of them Arthur (Christian Popa), and try to figure out the connection to the first chapter. The third and final chapter weaves the stories together into a romantic tragedy. (And, yes, there is a period in the film’s title.)

[MILD SPOILER: The movie is about a couple in love who want to have a conventional marriage, but whose relationship cannot succeed in that form.]

Monsters. is Olteanu’s feature film debut. Stylistically, Monsters. is typical of Romanian Slow Cinema, long takes and all, and it depicts a 24-hour story in under two hours.

Olteanu is an ambitious and fearless filmmaker. The beginning and most of Monsters. is in an unfamiliar, vertical aspect ratio; right away, we know that we’re watching something different. And, just when we’ve settled in, Olteanu CHANGES the aspect ratio to make points about the content. This dynamic aspect ratio and the film’s structure are self-conscious, but it’s clear that Oltenau is aspirational and innovative. I’m looking forward to what he has in store for us next.

Both lead actors are very good. State is up to the challenge of playing a sad character who is always aggrieved without becoming tiresome. Serban Pavlu is especially excellent as an off-puttingly meticulous Grindr hookup.

Frameline hosts the North American premiere of Monsters..

Cinequest: WHY ME?

WHY ME?
WHY ME?

In the paranoid Romanian drama Why Me?, an able young prosecutor is assigned to bring down a corrupt kingpin, but is frustrated at every turn.  Is the system fixed?  This is Romania, so you tell me.  This is based on real events.  However, there are much more entertaining examples of paranoid, cynical mysteries – and much, much better examples of Romanian cinema.

Cinequest: CHUCK NORRIS VS. COMMUNISM

CHUCK NORRIS VS. COMMUNISM
CHUCK NORRIS VS. COMMUNISM

During the Communist regime of the repugnant Nicolae Ceaușescu, Romanians could only experience two hours of television per day and all of that was boring Ceaușescu propaganda.  They were starving for culture, of any type and any quality, and a ring of smugglers responded to the demand with bootleg VHS tapes of American movies.  The rewarding documentary Chuck Norris Vs. Communism tells this story.

Now this isn’t about high cinema from America and the rest of the world inspiring the current crop of Romanian auteurs – although that did happen. This is about ordinary Romanians feasting on even the crappiest American movies, especially the never-ending cascade of action movies (Chuck Norris movies were among the favorites).

The authorities, usually obsessively repressive, turned a blind eye top the VHS smuggling because they totally missed the subversive impact the movies that were not overtly political.  But the ordinary Romanians saw abundantly stocked American supermarkets and measured that against their own deprivation.

One guy organized this VHS smuggling ring.  Amazingly, one woman narrated a Romanian voiceover for all these movies – hundreds of them.  It was a shady business for him and a moonlighting gig for her – but now they are cultural heroes in Romania.  We meet these two briefly in Chuck Norris Vs. Communism.  And we hear the testimony of Romanians touched by cinema – even trashy cinema.

What is banal in some cultures can have a significant impact on others.  Chuck Norris Vs. Communism makes that point engagingly, in a story you won’t see anywhere else.  Plays Cinequest on March 4, 6 and 12.