Stream of the Week: TRUMAN – how to say goodbye

Javier and Ricardo Darin in TRUMAN
Javier Cámara and Ricardo Darin in TRUMAN

Here’s my choice as the best movie of 2017.  In the deeply emotionally affecting and humane Spanish film Truman, Tomás (Javier Cámara) leaves Montreal to pay a surprise four-day visit to his longtime friend Julián (Ricardo Darin) in Madrid. Julián has been battling cancer and has just received a very grim prognosis. Julián has chosen to forgo further treatment, and his cousin and caregiver Paula (Dolores Fonzi) is hoping that Tomás can talk Julián out of his decision.

Julián is a roguish bon vivant, although now hobbled by illness. Tomás is a responsible family man. As the four day visit unfolds, Tomás tags along as Julián cavalierly settles his affairs. Because of the circumstances, even the most routine activity is heavily charged with emotion. Julián, who has always been a wild card, is now a tinderbox always on the verge of erupting into some socially inappropriate gesture. Julián is particularly focused on arranging for adoption of his beloved and ponderous dog Truman.

Julián is a wiseacre, but his reaction to a moment of kindness from an very unexpected source is heartbreaking. Julián goes to say goodbye to his son, and then the learn a fact afterward that make this encounter exponentially more poignant. Truman has an especially sly ending – the granting of one last favor, however inconvenient.

TRUMAN
TRUMAN

The Argentine actor Darin is one of my favorite screen actors: Nine Queens, The Secret in their Eyes, Carancho, The Aura. As a man living under a death sentence, Julián has adopted a bemused fatalism, but is ready to burst into rage or despair at any moment, and Darin captures that perfectly.

I was blown away by Javier Cámara’s unforgettable performance, at once creepy and heartbreaking, in the Pedro Almodovar drama Talk to Her. Cámara is a master of the reaction, and his Tomás stoically serves as the loyal wing man to a friend with hair trigger unpredictability, often in a state of cringe.

The Argentine actress Dolores Fonzi (The Aura) is excellent as Paula, whose caregiver fatigue finally explodes.

Packed with bittersweet emotions, Truman is never maudlin. The Spanish director Cesc Gay, who co-wrote Truman, has created a gentle and insightful exploration into how people can say goodbye. There’s not a single misstep or hint of inauthenticity. Again, Truman is one of the best films of the year.

Truman had only a brief US theatrical run. It’s now streaming on Amazon, iTunes, Vudu, YouTube and Google Play.

(Note: The crappy trailer below fails to capture all the humor and deep emotion in this film.)

DVD/Stream of the Week: THE AURA – smart enough to plan the perfect crime, but is that enough?

Ricardo Darin in THE AURA
Ricardo Darin in THE AURA

The Aura is a brilliant 2005 neo-noir from Argentina that I wasn’t familiar with until the Czar of Noir, Eddie Muller, programmed it into the 2017 Noir City film festival. The 2019 Noir City opens this weekend.

The Aura is about a taxidermist who leads a boring life, but fantasizes about the Perfect Crime. He is perpetually cranky because he is so dissatisfied, but he resists getting out of his life rut. It’s not easy to be his friend (nor, apparently, his wife). Unexpectedly, he finally finds himself in position to participate in a major heist.

He is epileptic (the movie’s title is from the sensation just before a seizure); he and we never know if and when he will pass out from an episode, a particularly dangerous wild card in a thriller. He also has a photographic memory, and that can help him if he has the nerve to go through with the crime.

The taxidermist is played by one of my favorite actors, Ricardo Darin (Nine Queens, The Secret in their Eyes, Carancho, Wild Tales) . I like to think of Darin as the Argentine Joe Mantegna. Darin can expertly play a slightly twisted Every Man, and he excels at neo-noir.

The rest of the cast is excellent, especially Walter Reyno as The Real Thing criminal, Alejandro Awada as the taxidermist’s long suffering only friend and Dolores Fonzi as the intriguing woman in the woods.

Ricardo Darin THE AURA
Ricardo Darin THE AURA

Sadly, writer-director Fabián Bielinsky died at 47 after making only two features – the wonderful con artist film Nine Queens (also starring Darin) and The Aura. Those two films indicate that he was a special talent.

Darin’s taxidermist is smart enough to plan a Perfect Crime, but professional criminals have that sociopathic lack of empathy needed to carry out crimes. Does he? Does he get the money? Does he get the girl? Does he even escape with his life? It’s a neo-noir, so you’ll have to watch it to find out.

By the way, the dog in this movie is important. Watch for the dog at the very end.

The Aura is available to rent on DVD from Netflix and to stream from Amazon and Hulu.

Dolores Fonzi in THE AURA
Dolores Fonzi in THE AURA

Stream of the Week: TRUMAN – how people say goodbye

Javier and Ricardo Darin in TRUMAN
Javier Cámara and Ricardo Darin in TRUMAN

For the second week in a row, I’m suggesting that you take this opportunity to watch what may be the best movie of this year – in your own home. In the deeply emotionally affecting and humane Spanish film Truman, Tomás (Javier Cámara) leaves Montreal to pay a surprise four-day visit to his longtime friend Julián (Ricardo Darin) in Madrid. Julián has been battling cancer and has just received a very grim prognosis. Julián has chosen to forgo further treatment, and his cousin and caregiver Paula (Dolores Fonzi) is hoping that Tomás can talk Julián out of his decision.

Julián is a roguish bon vivant, although now hobbled by illness. Tomás is a responsible family man. As the four day visit unfolds, Tomás tags along as Julián cavalierly settles his affairs. Because of the circumstances, even the most routine activity is heavily charged with emotion. Julián, who has always been a wild card, is now a tinderbox always on the verge of erupting into some socially inappropriate gesture. Julián is particularly focused on arranging for adoption of his beloved and ponderous dog Truman.

Julián is a wiseacre, but his reaction to a moment of kindness from an very unexpected source is heartbreaking. Julián goes to say goodbye to his son, and then the learn a fact afterward that make this encounter exponentially more poignant. Truman has an especially sly ending – the granting of one last favor, however inconvenient.

TRUMAN
TRUMAN

The Argentine actor Darin is one of my favorite screen actors: Nine Queens, The Secret in their Eyes, Carancho, The Aura. As a man living under a death sentence, Julián has adopted a bemused fatalism, but is ready to burst into rage or despair at any moment, and Darin captures that perfectly.

I was blown away by Javier Cámara’s unforgettable performance, at once creepy and heartbreaking, in the Pedro Almodovar drama Talk to Her. Cámara is a master of the reaction, and his Tomás stoically serves as the loyal wing man to a friend with hair trigger unpredictability, often in a state of cringe.

The Argentine actress Dolores Fonzi (The Aura) is excellent as Paula, whose caregiver fatigue finally explodes.

Packed with bittersweet emotions, Truman is never maudlin. The Spanish director Cesc Gay, who co-wrote Truman, has created a gentle and insightful exploration into how people can say goodbye. There’s not a single misstep or hint of inauthenticity. Again, Truman is one of the best films of the year.

Truman had a brief US theatrical run. It’s now streaming on Amazon, iTunes, Vudu, YouTube and Google Play.

(Note: The crappy trailer below fails to capture all the humor and deep emotion in this film.)

Stream of the Week: TRUMAN – the year’s best movie?

Javier and Ricardo Darin in TRUMAN
Javier Cámara and Ricardo Darin in TRUMAN

This may be the best movie I’ve seen this year. In the deeply emotionally affecting and humane Spanish film Truman, Tomás (Javier Cámara) leaves Montreal to pay a surprise four-day visit to his longtime friend Julián (Ricardo Darin) in Madrid. Julián has been battling cancer and has just received a very grim prognosis. Julián has chosen to forgo further treatment, and his cousin and caregiver Paula (Dolores Fonzi) is hoping that Tomás can talk Julián out of his decision.

Julián is a roguish bon vivant, although now hobbled by illness. Tomás is a responsible family man. As the four day visit unfolds, Tomás tags along as Julián cavalierly settles his affairs. Because of the circumstances, even the most routine activity is heavily charged with emotion. Julián, who has always been a wild card, is now a tinderbox always on the verge of erupting into some socially inappropriate gesture. Julián is particularly focused on arranging for adoption of his beloved and ponderous dog Truman.

Julián is a wiseacre, but his reaction to a moment of kindness from an very unexpected source is heartbreaking. Julián goes to say goodbye to his son, and then the learn a fact afterward that make this encounter exponentially more poignant. Truman has an especially sly ending – the granting of one last favor, however inconvenient.

TRUMAN
TRUMAN

The Argentine actor Darin is one of my favorite screen actors: Nine Queens, The Secret in their Eyes, Carancho, The Aura. As a man living under a death sentence, Julián has adopted a bemused fatalism, but is ready to burst into rage or despair at any moment, and Darin captures that perfectly.

I was blown away by Javier Cámara’s unforgettable performance, at once creepy and heartbreaking, in the Pedro Almodovar drama Talk to Her. Cámara is a master of the reaction, and his Tomás stoically serves as the loyal wing man to a friend with hair trigger unpredictability, often in a state of cringe.

The Argentine actress Dolores Fonzi (The Aura) is excellent as Paula, whose caregiver fatigue finally explodes.

Packed with bittersweet emotions, Truman is never maudlin. The Spanish director Cesc Gay, who co-wrote Truman, has created a gentle and insightful exploration into how people can say goodbye. There’s not a single misstep or hint of inauthenticity. Again, Truman is one of the best films of the year.

Truman had a brief US theatrical run. It’s now streaming on Amazon, iTunes, Vudu, YouTube and Google Play.

(Note: The crappy trailer below fails to capture all the humor and deep emotion in this film.)

TRUMAN: how people say goodbye

Javier and Ricardo Darin in TRUMAN
Javier Cámara and Ricardo Darin in TRUMAN

This may be the best movie I’ve seen this year.  In the deeply emotionally affecting and humane Spanish film Truman, Tomás (Javier Cámara) leaves Montreal to pay a surprise four-day visit to his longtime friend Julián (Ricardo Darin) in Madrid. Julián has been battling cancer and has just received a very grim prognosis. Julián has chosen to forgo further treatment, and his cousin and caregiver Paula (Dolores Fonzi) is hoping that Tomás can talk Julián out of his decision.

Julián is a roguish bon vivant, although now hobbled by illness. Tomás is a responsible family man.  As the four day visit unfolds, Tomás tags along as Julián cavalierly settles his affairs.  Because of the circumstances, even the most routine activity is heavily charged with emotion.  Julián, who has always been a wild card, is now a tinderbox always on the verge of erupting into some socially inappropriate gesture.  Julián is particularly focused on arranging for adoption of his beloved and ponderous dog Truman.

Julián is a wiseacre, but his reaction to a moment of kindness from an very unexpected source is heartbreaking.  Julián goes to say goodbye to his son, and then the  learn a fact afterward that make this encounter exponentially more poignant.  Truman has an especially sly ending  – the granting of one last favor, however inconvenient.

TRUMAN
TRUMAN

The Argentine actor Darin is one of my favorite screen actors: Nine Queens, The Secret in their Eyes, Carancho, The Aura.  As a man living under a death sentence, Julián has adopted a bemused fatalism, but is ready to burst into rage or despair at any moment, and Darin captures that perfectly.

I was blown away by Javier Cámara’s unforgettable performance, at once creepy and heartbreaking, in the Pedro Almodovar drama Talk to Her. Cámara is a master of the reaction, and his Tomás stoically serves as the loyal wing man to a friend with hair trigger unpredictability, often in a state of cringe.

The Argentine actress Dolores Fonzi (The Aura) is excellent as Paula, whose caregiver fatigue finally explodes.

Packed with bittersweet emotions, Truman is never maudlin.  The Spanish director Cesc Gay, who co-wrote Truman, has created a gentle and insightful exploration into how people can say goodbye.  There’s not a single misstep or hint of inauthenticity.  Again, Truman is one of the best films of the year.

(Note: The crappy trailer below fails to capture all the humor and deep emotion in this film.)

DVD/Stream of the Week: THE AURA – smart enough to plan the perfect crime, but is that enough?

Ricardo Darin in THE AURA
Ricardo Darin in THE AURA

The Aura is a brilliant 2005 neo-noir from Argentina that I wasn’t familiar with until the Czar of Noir Eddie Muller programmed into the 2017 Noir City film festival.

The Aura is about a taxidermist who leads a boring life, but fantasizes about the Perfect Crime. He is perpetually cranky because he is so dissatisfied, but he resists getting out of his life rut. It’s not easy to be his friend (nor, apparently, his wife). Unexpectedly, he finally finds himself in position to participate in a major heist.

He is epileptic (the movie’s title is from the sensation just before a seizure); he and we never know if and when he will pass out from an episode, a particularly dangerous wild card in a thriller. He also has a photographic memory, and that can help him if he has the nerve to go through with the crime.

The taxidermist is played by one of my favorite actors, Ricardo Darin (Nine Queens, The Secret in their Eyes, Carancho, Wild Tales) . I like to think of Darin as the Argentine Joe Mantegna. Darin can expertly play a slightly twisted Every Man, and he excels at neo-noir.

The rest of the cast is excellent, especially Walter Reyno as The Real Thing criminal, Alejandro Awada as the taxidermist’s long suffering only friend and Dolores Fonzi as the intriguing woman in the woods.

Ricardo Darin THE AURA
Ricardo Darin THE AURA

Sadly, writer-director Fabián Bielinsky died at 47 after making only two features – the wonderful con artist film Nine Queens (also starring Darin) and The Aura. Those two films indicate that he was a special talent.

Darin’s taxidermist is smart enough to plan a Perfect Crime, but professional criminals have that sociopathic lack of empathy needed to carry out crimes. Does he? Does he get the money? Does he get the girl? Does he even escape with his life? It’s a neo-noir, so you’ll have to watch it to find out.

By the way, the dog in this movie is important. Watch for the dog at the very end.

The Aura is available to rent on DVD from Netflix and to stream on Amazon Instant.

Dolores Fonzi in THE AURA
Dolores Fonzi in THE AURA

THE AURA: smart enough to plan the perfect crime, but is that enough?

Ricardo Darin in THE AURA
Ricardo Darin in THE AURA

The Aura is a brilliant 2005 neo-noir from Argentina, that I wasn’t familiar with until the Czar of Noir Eddie Muller programmed it into the 2017 Noir City film festival.

The Aura is about a taxidermist who leads a boring life, but fantasizes about the Perfect Crime.   He is perpetually cranky because he is so dissatisfied, but he resists getting out of his life rut.   It’s not easy to be his friend (nor, apparently, his wife).  Unexpectedly, he finally finds himself in position to participate in a major heist.

He is epileptic (the movie’s title is from the sensation just before a seizure);  he and we never know if  and when he will pass out from an episode, a particularly dangerous wild card in a thriller.   He also has a photographic memory, and that can help him if he has the nerve to go through with the crime.

The taxidermist is played by one of my favorite actors, Ricardo Darin (Nine Queens, The Secret in their Eyes, Carancho, Wild Tales) .  I like to think of Darin as the Argentine Joe Mantegna.  Darin can expertly play a slightly twisted Every Man, and he excels at neo-noir.

The rest of the cast is excellent, especially Walter Reyno as The Real Thing criminal, Alejandro Awada as the taxidermist’s long suffering only friend and Dolores Fonzi as the intriguing woman in the woods.

Sadly, writer-director Fabián Bielinsky died at 47 after making only two features – the wonderful con artist film Nine Queens (also starring Darin) and The Aura.  Those two films indicate that he was a special talent.

Darin’s taxidermist is smart enough to plan a Perfect Crime, but professional criminals have that sociopathic lack of empathy needed to carry them out crimes.  Does he?  Does he get the money? Does he get the girl? Does he even escape with his life? It’s a neo-noir, so you’ll have to watch it to find out.

By the way, the dog in this movie is important.  Watch for the dog at the very end.

Dolores Fonzi in THE AURA
Dolores Fonzi in THE AURA

DVD/Stream of the Week: WILD TALES

WILD TALES
WILD TALES

Okay, here’s the hilariously dark Argentine comedy Wild Tales. Writer-director Damián Szifron presents a series of individual stories about revenge. It’s still high my list of Best Movies of 2015 – So Far.

We all feel aggrieved, and Wild Tales explores what happens when rage overcomes the restraints of social order. Think about how instantly angry you can become when some driver cuts you off on the highway – and then how you might fantasize avenging the slight. Indeed, there is a story in Wild Tales that has the most severe case road rage since Spielberg’s Duel in 1971. Now Wild Tales is dark, and you gotta go with it. The humor comes from the EXTREMES that someone’s resentment can lead to.

One key to the success of Wild Tales is that it is an anthology. In a very wise move, Szifron resisted any impulse to stretch one of the stories into a feature-length movie. Each of the stories is just the right length to extract every laugh and pack a punch. The funniest stories are the opening one set on an airplane and the final one about a wedding.

The acting is uniformly superb. In one story, Oscar Martínez plays a wealthy man in a desperate jam, who buys the help of his shady lawyer fixer (Osmar Núñez) and his longtime household retainer (Germán de Silva) – until their prices get just a little too high. The three actors take what looks like it’s going to a thriller and morph into a (very funny) psychological comedy with a very cynical view of human nature.

One of the middle episodes stars one of my favorite film actors, Ricardo Darín, who I see as the Argentine Joe Mantegna. I suggest that you watch Darín in the brilliant police procedural The Secrets in Their Eyes (on my top ten for 2010), the steamy and seamy Carancho and the wonderful con artist movie Nine Queens.

Wild Tales was a festival hit (Cannes, Telluride, Toronto and Sundance) around the world and was nominated for the Best Foreign Language Picture Oscar. I saw Wild Tales at Cinequest 2015. It’s now available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.

DVD/Stream of the Week: THE SECRET IN THEIR EYES – see the real Oscar winner before the Hollywood version

Ricardo Darin in THE SECRET IN THEIR EYES
Ricardo Darin in THE SECRET IN THEIR EYES

The superb The Secret in Their Eyes (El Secreto de Sus Ojos) won the 2010 Oscar for Best Foreign Language Picture. The Hollywood remake is coming out this weekend, but you should first see the original. The Secret in Their Eyes is a police procedural set in Argentina with two breathtaking plot twists, original characters, a mature romance and one forehead-slapping, “how did they do it?” shot. The story centers on a murder in Argentina’s politically turbulent 1970s, but most of the story takes place twenty years later when a retired cop revisits the murder.

Veteran Argentine actor Ricardo Darin shines once again in a Joe Mantegna-type role. Darin leads an excellent cast, including Guillermo Francella, who brings alive the character of Darin’s drunk assistant. Darin’s detective is a solitary guy who retracts into his lair to bang away at a novel. He has feelings for his boss, a tough judge played by Soledad Villamil. Her career and her personal life can’t wait for the detective to get his own stuff together. All three characters throw themselves into solving the murder and, when stymied, are all scarred by the lack of resolution.

The movie is titled after one element that I hadn’t seen before in a crime movie. And then there are the major plot twists. The final one is a jaw-dropper.

Director Juan Jose Campanella received justifiable praise for the amazing shot of a police search in a filled and frenzied soccer stadium. It ranks as one of the great single shots of extremely long duration, right up there with the opening sequence of Touch of Evil, the kitchen entrance in Goodfellas and the battle scene in Children of Men. This shot alone makes watching the movie worthwhile.

Filmmaker Billy Ray has remade the Argentine film as Secret in Their Eyes, to be released October 23 starring Nicole Kidman, Julia Roberts and Chiwetelu Ejiofor. Ray is no hack – he’s adapted the screenplays for Shattered Glass (which he also directed), Captain Phillips and the first The Hunger Games. The plot has been turned into a story about thee US federal law enforcement officials and the murder of one of their children; unfortunately, the trailer looks more like a plot-driven Law & Order, with none of the characters as singular or as memorable as in the Argentine original. We shall see.

The Secret in Their Eyes is high on my Best Movies of 2010. It’s available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu, YouTube, Google Play, Xbox Video and Flixster.

DVD/Stream of the Week: WILD TALES

WILD TALES
WILD TALES

Okay, here’s the first Must See of 2015 – the hilariously dark Argentine comedy Wild Tales. Writer-director Damián Szifron presents a series of individual stories about revenge. It’s still high my list of Best Movies of 2015 – So Far.

We all feel aggrieved, and Wild Tales explores what happens when rage overcomes the restraints of social order. Think about how instantly angry you can become when some driver cuts you off on the highway – and then how you might fantasize avenging the slight. Indeed, there is a story in Wild Tales that has the most severe case road rage since Spielberg’s Duel in 1971. Now Wild Tales is dark, and you gotta go with it. The humor comes from the EXTREMES that someone’s resentment can lead to.

One key to the success of Wild Tales is that it is an anthology. In a very wise move, Szifron resisted any impulse to stretch one of the stories into a feature-length movie. Each of the stories is just the right length to extract every laugh and pack a punch. The funniest stories are the opening one set on an airplane and the final one about a wedding.

The acting is uniformly superb. In one story, Oscar Martínez plays a wealthy man in a desperate jam, who buys the help of his shady lawyer fixer (Osmar Núñez) and his longtime household retainer (Germán de Silva) – until their prices get just a little too high. The three actors take what looks like it’s going to a thriller and morph into a (very funny) psychological comedy with a very cynical view of human nature.

One of the middle episodes stars one of my favorite film actors, Ricardo Darín, who I see as the Argentine Joe Mantegna. I suggest that you watch Darín in the brilliant police procedural The Secrets in Their Eyes (on my top ten for 2010), the steamy and seamy Carancho and the wonderful con artist movie Nine Queens.

Wild Tales has been a festival hit (Cannes, Telluride, Toronto and Sundance) around the world and was nominated for the Best Foreign Language Picture Oscar. I saw Wild Tales at Cinequest 2015. It’s now available on DVD from Netflix and streaming from Amazon Instant Video, iTunes, Vudu and Xbox Video.