POSER: personal plagiarism

Photo caption: Sylvie Mix in POSER. Photo courtesy of Oscilloscope Films.

Poser, a deeply psychological portrait of an artistic wannabe among real artists, was the Must See at the 2021 Nashville Film Festival and it’s in theaters now (albeit hard to find). It is worth seeking out.

Lennon (Sylvie Mix) reveres the underground music scene of Columbus, Ohio’s Old North (which she compares to the cultural achievements of Renaissance Florence). Her entrée is a podcast, which allows her to meet a panoply of local artists, including Bobbi Kitten, the charismatic front woman of the real life band Damn the Witch Siren. At first, we chuckle and cringe at Lennon, until it becomes apparent that a much darker personal plagiarism is afoot and Poser evolves into a thriller.

Poser is the first narrative feature for directors Ori Segev and Noah Dixon (Dixon wrote the screenplay), Mix, Kitten and damn near the entire cast and crew, and it’s packed with original music. Segev and Dixon are Columbus filmmakers who work in music, and they wanted to set a story in that music scene with their favorite bands; they could have done that with a banal premise, but instead their story is super original

There is so much in here about identity and the creative process, lots of original music and some cultural tourism, too. A shot of the recording of train sounds is indelibly chilling.

The podcast lets Lennon invite herself into the world she worships. When Lennon is invited up on a rooftop by two actual artists, she can barely contain her excitement. We find Lennon amusing until she practices aping an artist in front of her mirror, and we sense something much darker is afoot. Stealing the creative work of someone else is plagiarism – but what is stealing someone else’s identity?

It’s easy to mock self-invention, but every achiever begins with the ambition to be something he/she is not yet. (And it doesn’t escape me that no one but me decided that I would become a movie blogger.)

Sylvie Mix and Bobbi Kitten in POSER. Photo courtesy of Oscilloscope Films.

Be prepared to be creeped out by Mix’s performance and to be dazzled by Bobbi Kitten’s magnetism. This is the first feature film for Sylvie Mix, and she is able to turn the role of a passive, unaccomplished, initially silly character into something powerful.

Poser is the first screen credit for the exuberantly confident Bobbi Kitten, who commands our attention whenever she is onscreen. Damn the Witch Siren is the premiere electronic act in Columbus, Ohio, and five of her songs are on the soundtrack.

Z Wolf in POSER. Photo courtesy of Oscilloscope Films.

Kitten’s colleague Z Wolf is also a presence in Poser. Z Wolf always wears a full wolf mask on his head, sipping a fountain drink through a straw with great practicality.

The audience gets to visit the Old North, Columbus Ohio’s local arts neighborhood. There’s a very funny montage where we hear from real artists and aspiring artists. It reminded me of a code that The Wife and our niece Sarah devised when strolling through an art show – BA for Bad Art, NA for Not Art and KA for Kid Art. One very stoned guy marvels over the secret of the doubled-over potato chip.

Poser is rolling out in theaters and is playing Landmark’s Opera Plaza beginning July 8. My favorite film at last year’s Nashville Film Festival, Poser is one of the Best Movies of 2022 – So Far.

Under the radar at the Nashville Film Festival

POSER. Courtesy of Nashville Film Festival.

The Nashville Film Festival, opening today, has its share of high-profile movies (notably Spencer), but don’t miss the gems that are screening under the radar. Here are my picks, including the festival’s Must See film, Poser. These movies are why we go to film festivals.

POSER. Courtesy of Nashville Film Festival.

Poser: This deeply psychological portrait of an artistic wannabe among real artists is the Must See at this year’s Nashville Film Festival. Lennon (Sylvie Mix) reveres the underground music scene of Columbus, Ohio’s Old North (which she compares to Renaissance Florence). Her entrée is a podcast, which allows her to meet a panoply of local artists, including Bobbi Kitten, the charismatic front woman of the real life band Damn the Witch Siren. At first, we chuckle and cringe at Lennon, until it becomes apparent that a much darker personal plagiarism is afoot and Poser evolves into a thriller. A shot of the recording of a train’s sounds is indelibly chilling. Be prepared to be creeped out by Mix’s performance and to be dazzled by Bobbi Kitten. Poser is the first narrative feature for directors Ori Segev and Noah Dixon (Dixon wrote the screenplay), Mix, Kitten and damn near the entire cast and crew, and it’s packed with original music. Must See.

THE TALE OF KING CRAB. Courtesy of Nashville Film Festival.

The Tale of King Crab, a story-telling masterpiece from Italy, begins with old Italian guys rehashing a legend, correcting each other on the details. That story concerns Luciano (Gabriele Silli), the town’s smartest and most interesting man – and also the local drunk. Luciano fixates on a grievance – the closing of a shortcut for shepherds. In spite of his own anti-social bent (and matted beard), Luciano he falls into a romance. The grievance, the romance and his alcoholism combine to precipitate an accidental tragedy. We next see a sober and guilt-ridden Luciano searching for buried treasure at the barren tip of South America. This is an operatic fable, exquisitely told. The Tale of King Crab is the first narrative feature for writer-directors Alessio Rigo de Righi and Matteo Zoppis and for cinematographer Simone D’Arcangelo. D’Arcangelo’s work, in vibrant Lazio and desolate Tierra del Fuego, is stunning.

FAYE. Courtesy of Nashville Film Festival.

Faye: Filmmakers Kd Amond and Sarah Zanotti have ingeniously braided horror elements into an unexpectedly funny grief movie. Faye (Zanotti) is a best-selling author who is paralyzed by grief. She holes up at her editor’s vacation house in a Louisiana bayou to get herself writing again – her own personal Overlook Hotel. So, we have a woman isolated in a swamp, and she can hear things go bump in the night and the neighbors’ chainsaws. The first thing we notice about Faye is that she is talking to someone who isn’t there – her dead husband. As we listen to Faye (ironically, a self-help author) talking herself though the stages of grief, her sanity goes on a roller coaster and Faye takes on the look and feel of a horror movie. That idea, the exquisite editing and Zanotti’s’s performance makes spending 83 minutes with a neurotic woman eminently watchable.

CLEAN SLATE. Courtesy of Nashville Film Festival.

Clean Slate: In this clear-eyed documentary, Cassidy and Josh are living in a faith-based recovery program – the kind you need to avoid incarceration. They are working to make a short film about the program. It’s stressful enough to make an indie film – finding a no-budget cast and crew, braving torrential downpours while shooting exteriors, and wrangling a roadkill armadillo. But more than a movie is at stake with these guys – they’re both hanging on to their sobriety by their fingernails. Like living with an addict, Clean Slate has its heartbreaking moments. Over 23 million Americans are living in long-term recovery from addiction. Clean Slate is the rare film that explores the connection between relapse and recovery – and it’s a cliff hanger.

Here’s how to find these nuggets:

  • The Tale of King Crab is screening in-person at Nash Fest.
  • Poser and Faye are screening in-person and streaming within the Southeastern United States (Tennessee, Alabama, Georgia, Florida, Arkansas, Louisiana, Mississippi, North Carolina, and South Carolina).
  • Clean Slate is screening in-person and streaming within the United States.

Check out the program and buy tickets at the festival’s Film Guide. Watch this space for Nashville Film Festival recommendations (both in-person and on-line) and follow me on Twitter for the latest.