MIA MADRE: deeply personal and about loss

John Turturro in MY MOTHER
Margherita Buy and John Turturro in MIA MADRE

So let’s get one thing straight right up front – Mia Madre is NOT a dramedy. It’s an Italian drama that is leavened with bits of comedy. Writer-director Nanni Moretti has constructed a deeply personal portrait of a person in mid-career and mid-life who is losing her aged parent. There’s never a convenient moment to go through this experience, and Moretti’s protagonist, a movie director (Margherita Buy), is juggling her job and her relationships with her teen daughter, her ex-husband and her brother (played by Moretti). It’s all very complicated – just like it is in real life, and Moretti brings authenticity to the story.

All of this is pretty somber, but our heroine is making a movie, and she has cast an astonishingly pompous American star (John Turturro) who claims to speak more Italian that he really does and who can’t remember his lines. Every scene with Turturro is hilarious as he bumbles through the filmmaking with shameless bravado.

Nanni Moretti is a gifted filmmaker who has been successful in varied genres. I really enjoyed his comedy We Have a Pope, about a newly elected pope who suffers a panic attack and flees the Vatican. This is more serious stuff. The Wife, who liked it less than I did, refers to it as the “depressing Italian dying mother movie”. I found it very affecting, especially the emotionally satisfying ending.

I saw Mia Madre at the Mill Valley Film Festival in October 2015, but its theatrical release in the bay Area was delayed until this weekend..

MY MOTHER: deeply personal and about loss

John Turturro in MY MOTHER
Margherita Buy and John Turturro in MY MOTHER

So let’s get one thing straight right up front – My Mother is NOT a dramedy.  It’s an Italian drama that is leavened with bits of comedy.  Writer-director Nanni Moretti has constructed a deeply personal portrait of a person in mid-career and mid-life who is losing her aged parent.  There’s never a convenient moment to go through this experience, and Moretti’s protagonist, a movie director (Margherita Buy), is juggling her job and her relationships with her teen daughter, her ex-husband and her brother (played by Moretti).  It’s all very complicated – just like it is in real life, and Moretti brings authenticity to the story.

All of this is pretty somber, but our heroine is making a movie, and she has cast an astonishingly pompous American star (John Turturro) who claims to speak more Italian that he really does and who can’t remember his lines.  Every scene with Turturro is hilarious as he bumbles through the filmmaking with shameless bravado.

Nanni Moretti is a gifted filmmaker who has been successful in varied genres. I really enjoyed his comedy We Have a Pope, about a newly elected pope who suffers a panic attack and flees the Vatican. This is more serious stuff. The Wife, who liked it less than I did, refers to it as the “depressing Italian dying mother movie”. I found it very affecting, especially the emotionally satisfying ending.

I saw My Mother at the Mill Valley Film Festival in October 2015, but its theatrical release is now expected in March 2016.

DVD/Stream of the Week: We Have a Pope

WE HAVE A POPE

It’s Papal Conclave Week here at the Movie Gourmet, and my weekly DVD pick is last year’s Italian comedy We Have a Pope (Habemus Papam) – also available on Netflix Instant.  In We Have a Pope, the papal conclave elects a Pope, but just as he is about to be introduced to the faithful, he cries out and shrinks from the balcony.  He is having a severe panic attack, and the Curia secretly sends for a psychiatrist to get him in emotional shape for a public appearance.  After some awkward attempts at individual talk therapy (with the therapist and patient surrounded by cardinals), the Pope-elect bolts from the Vatican and runs off on his own, pursued by frantic Pope-handlers.

If this premise weren’t funny enough,the psychiatrist himself can probably be diagnosed as a narcissist and becomes obsessed with organizing the cardinals into a volleyball tournament.   Another shrink diagnoses every patient with parental deficit.  The cardinals are a quirky and flawed bunch, and the Vatican bureaucrats are suitably sinister.

The troubled Pope is played by the great French actor Michel Piccoli (Contempt, Belle De Jour, La belle noiseuse).  Piccoli embues his character with humanity and authenticity –  he is not a weak or crazy man, just a good and able guy who is unable to shoulder great responsibility at this stage of his life.  Writer-director Nanni Moretti plays the shrink and is himself very funny.

We Have a Pope makes a fine double feature with the sober documentary Mea Maxima Culpa: Silence in the House of God, currently playing on HBO.