THE ASSIGNMENT: hit man becomes hit woman

Michelle Rodriguez in THE ASSIGNMENT
Michelle Rodriguez in THE ASSIGNMENT

In the gloriously pulpy revenge thriller The Assignment, a vengeful plastic surgeon (Sigourney Weaver) captures a hit man (Michelle Rodriguez) and performs sexual reassignment surgery on him, releasing a new hit woman (also Michelle Rodriguez) into the world – and lethal mayhem ensues.

The Assignment comes from the master of the genre thriller, director Walter Hill (The Warriors, The Long Riders, Southern Comfort, 48 Hrs.). Hill is a story-teller who enjoys a brisk pace, and The Assignment flies along its 95 minutes.

Michelle Rodriguez, the toughest of the Tough Chicks, nails the hit man/hit woman roles. She plays the male character very naturally (with a little CGI help in a glimpse of his naked frontside). When the protagonist becomes a woman, Rodriguez keeps her eyes very male – and very pissed off. Her performance at the moment of gender reveal is perfect.

Sigourney Weaver had the audience roaring at her character’s narcissism. Weaver and Tony Shaloub successfully pull of the highly stylized genre dialogue. Anthony LaPaglia is excellent as a mid-level gangster.

Don’t expect Brokeback Mountain for the trans set. This is, after all, an involuntary gender reassignment. The main character is a man who is turned biologically into a woman, while still identifying internally as a man. The gender reassignment is a plot device, and it is a hostile act, not a means of self-fulfillment.

75-year-old Walter Hill was present at the Cinequest screening. Costing only $2.8 million, The Assignment was shot in Vancouver over only 25 days. Hill said that he was “wanted to do a neo-noir comic booky kind of thing” (which well-describes The Assignment). The film was adapted from Hill’s graphic novel, which has been out in France since last year; it will be released in the US before the end of March. Hill expects a sequel to the graphic novel.

The Cinequest audience – by no means the usual action thriller crowd – reacted very favorably to The Assignment. Shown at Cinequest with the title (re)Assignment, this film is being released with the title The Assignment. It’s available now on Ultra VOD and YouTube. It will opens nationally tomorrow, but only on 30 screens. I’ll let you know when it becomes more widely available – because I enjoyed it!

Cinequest: (re)ASSIGNMENT (now THE ASSIGNMENT)

Michelle Rodriguez in THE ASSIGNMENT
Michelle Rodriguez in THE ASSIGNMENT

In the gloriously pulpy revenge thriller The Assignment, a vengeful plastic surgeon (Sigourney Weaver) captures a hit man (Michelle Rodriguez) and performs sexual reassignment surgery on him, releasing a new hit woman (also Michelle Rodriguez) into the world – and lethal mayhem ensues.

The Assignment comes from the master of the genre thriller, director Walter Hill (The Warriors, The Long Riders, Southern Comfort, 48 Hrs.). Hill is a story-teller who enjoys a brisk pace, and The Assignment flies along its 95 minutes.

Michelle Rodriguez, the toughest of the Tough Chicks, nails the hit man/hit woman roles. She plays the male character very naturally (with a little CGI help in a glimpse of his naked frontside). When the protagonist becomes a woman, Rodriguez keeps her eyes very male – and very pissed off. Her performance at the moment of gender reveal is perfect.

Sigourney Weaver had the audience roaring at her character’s narcissism. Weaver and Tony Shaloub successfully pull of the highly stylized genre dialogue. Anthony LaPaglia is excellent as a mid-level gangster.

Don’t expect Brokeback Mountain for the trans set. This is, after all, an involuntary gender reassignment. The main character is a man who is turned biologically into a woman, while still identifying internally as a man. The gender reassignment is a plot device, and it is a hostile act, not a means of self-fulfillment.

75-year-old Walter Hill was present at the Cinequest screening. Costing only $2.8 million, The Assignment was shot in Vancouver over only 25 days. Hill said that he was “wanted to do a neo-noir comic booky kind of thing” (which well-describes The Assignment). The film was adapted from Hill’s graphic novel, which has been out in France since last year; it will be released in the US before the end of March. Hill expects a sequel to the graphic novel.

The Cinequest audience – by no means the usual action thriller crowd – reacted very favorably to The Assignment. Shown at Cinequest with the title (re)Assignment, his film is being released with the title The Assignment. It’s available now on Ultra VOD and YouTube. It will open nationally on April 7, but only on 30 screens. I’ll let you know when it becomes more widely available – because I enjoyed it!

Fast & Furious 6: exciting chases, silliness and two strong women

Michelle Rodriguez in FAST & FURIOUS 6

Driven to an air-conditioned theater by a weekend heat wave, I surprised myself by seeing Fast & Furious 6 (just “Furious 6” in the title sequence).  Now you do not go to a franchise action thriller for strong characters, profound themes or plausible stories; instead you’re looking for fights and chases (and, in my case, air conditioning).  Fortunately, Fast & Furious 6 delivers the cool chase scenes, doesn’t take itself too seriously and offers a couple of strong female performances to boot.

In a smoldering performance, Michelle Rodriguez steals the movie whenever she’s on screen.  I was also delighted to see Gina Carano, whom I liked so much last year in Steven Soderbergh’s Haywire. Carano is a mixed martial arts star in real life, so she adds authenticity to an action picture. 

Then there’s the dialogue and the plot. One team member says, as Dwayne “The Rock” Johnson approaches unseen from behind, “Why do I smell baby oil?”.  That is the ONLY line in Fast & Furious 6 that I hadn’t heard in a movie before.  The movie’s climactic set piece is over 20 minutes of frantic action as an airplane is trying to take off, and I calculated that the runway needed to be at least 68 miles long.  But, because Furious 6 shows the good sense not to linger on anything for longer than a second or two, we don’t mind.

Some female viewers will gag at a male fantasy aspect of Fast & Furious 6.  It’s not a sexual, but a gender behavioral fantasy – the women characters always release the men from any emotional drama.  When a guy opts to leave his wife and their baby for a totally unnecessary suicide mission, she accedes, affirming that he’s gotta do what he’s gotta do.  When the hero finds and rescues his old girlfriend, his current girlfriend is a good sport and steps aside with no hard feelings.  It’s a Low Maintenance and No Drama world for the guys. This is the most implausible part of Fast & Furious 6.

Rodriguez: outstanding.  Chases and Carano: good.  Everything else: silly but harmless.